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Titel: Northern Lights, Complete
von Oliver Goldsmith, Samuel Pepys, William Dean Howells, John Burroughs, William Harmon Norton, L. Mühlbach, Franklin Knight Lane, Walter Pater, Jonathan Swift, Augusta J. Evans, Trumbull White, Kathleen Thompson Norris, Matthew Arnold, Charles W. Colby, Shakespeare, James Fenimore Cooper, D. H. Lawrence, James Joyce, Ada Cambridge, Philip E. Muskett, Catherine Helen Spence, Rolf Boldrewood, Ernest Scott, Fergus Hume, H. G. Wells, Victor [pseud.] Appleton, Roald Amundsen, Max Simon Nordau, Henry David Thoreau, E. Phillips Oppenheim, Richard Wagner, Franz Liszt, Charlotte Mary Yonge, Charles Henry Eden, Charles Babbage, T. R. Malthus, Unknown, Joseph Ernest Morris, Robert Southey, Isabella L. 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McMurry, Omar bey Al-Raschid, Frederick Philip Grove, Frank V. Webster, Robert Ames Bennet, A. B. Paterson, Mark Overton, Franklin P. Adams, Thomas De Quincey, Samuel Richardson, Jacob A. Riis, Frank Richard Stockton, Alfred Rochefort, William H. Maher, Maurice Leblanc, Mary Platt Parmele, Col. S. L. Brengle, Ralph Chaplin, Sir Douglas Mawson, Paul Severing, Homer Randall, George W. Peck, Diocese Of Connecticut, Flora Annie Steel, John Henry Goldfrap, Homer, Baron Edward Bulwer Lytton Lytton, W. F. Markwick, W. A. Smith, Brigadier Margaret Allen, William Ingraham Russell, Richard Jefferies, Barry Cornwall, Alfred Rochefort Calhoun, James Baldwin, Robert Blatchford, Gilbert Parker
ISBN 978-3-7429-6012-2
Alle Rechte vorbehalten.
Es ist ohne vorherige schriftliche Erlaubnis nicht gestattet, dieses Werk im Ganzen oder in Teilen zu vervielfältigen oder zu veröffentlichen.
By Gilbert Parker
Contents
INTRODUCTION NOTE A LODGE IN THE WILDERNESS ONCE AT RED MAN'S RIVER THE STROBE OF THE HOUR BUCKMASTER'S BOY TO-MORROW QU'APPELLE THE STAKE AND THE PLUMB-LINE WHEN THE SWALLOWS HOMEWARD FLY GEORGE'S WIFE MARCILE A MAN, A FAMINE, AND A HEATHEN BOY THE HEALING SPRINGS AND THE PIONEERS THE LITTLE WIDOW OF JANSEN WATCHING THE RISE OF ORION THE ERROR OF THE DAY THE WHISPERER AS DEEP AS THE SEA
INTRODUCTION
This book, Northern Lights, belongs to an epoch which is a generation later than that in which Pierre and His People moved. The conditions under which Pierre and Shon McGann lived practically ended with the advent of the railway. From that time forwards, with the rise of towns and cities accompanied by an amazing growth of emigration, the whole life lost much of that character of isolation and pathetic loneliness which marked the days of Pierre. When, in 1905, I visited the Far West again after many years, and saw the strange new life with its modern episode, energy, and push, and realised that even the characteristics which marked the period just before the advent, and just after the advent, of the railway were disappearing, I determined to write a series of stories which would catch the fleeting characteristics and hold something of the old life, so adventurous, vigorous, and individual, before it passed entirely and was forgotten. Therefore, from 1905 to 1909, I kept drawing upon all those experiences of others, from the true tales that had been told me, upon the reminiscences of Hudson's Bay trappers and hunters, for those incidents natural to the West which imagination could make true. Something of the old atmosphere had gone, and there was a stir and a murmur in all the West which broke that grim yet fascinating loneliness of the time of Pierre.
Thus it is that Northern Lights is written in a wholly different style from that of Pierre and His People, though here and there, as for instance in A Lodge in the Wilderness, Once at Red Man's River, The Stroke of the Hour, Qu'appelle, and Marcile, the old note sounds, and something of the poignant mystery, solitude, and big primitive incident of the earlier stories appears. I believe I did well—at any rate for myself and my purposes—in writing this book, and thus making the human narrative of the Far West and North continuous from the time of the sixties onwards. So have I assured myself of the rightness of my intention, that I shall publish a novel presently which will carry on this human narrative of the West into still another stage-that of the present, when railways are intersecting each other, when mills and factories are being added to the great grain elevators in the West, and when hundreds and thousands of people every year are moving across the plains where, within my own living time, the buffalo ranged in their millions, and the red men, uncontrolled, set up their tepees.
NOTE
The tales in this book belong to two different epochs in the life of the Far West. The first five are reminiscent of "border days and deeds"—of days before the great railway was built which changed a waste into a fertile field of civilisation. The remaining stories cover the period passed since the Royal North-West Mounted Police and the Pullman car first startled the early pioneer, and sent him into the land of the farther North, or drew him into the quiet circle of civic routine and humdrum occupation.
G. P.
A LODGE IN THE WILDERNESS
"Hai—Yai, so bright a day, so clear!" said Mitiahwe as she entered the big lodge and laid upon a wide, low couch, covered with soft skins, the fur of a grizzly which had fallen to her man's rifle. "Hai-yai, I wish it would last for ever—so sweet!" she added, smoothing the fur lingeringly, and showing her teeth in a smile.
"There will come a great storm, Mitiahwe. See, the birds go south so soon," responded a deep voice from a corner by the doorway.
The young Indian wife turned quickly, and, in a defiant fantastic mood—or was it the inward cry against an impending fate, the tragic future of those who will not see, because to see is to suffer?—she made some quaint, odd motions of the body which belonged to a mysterious dance of her tribe, and, with flashing eyes, challenged the comely old woman seated on a pile of deer-skins.
"It is morning, and the day will last for ever," she said nonchalantly, but her eyes suddenly took on a faraway look, half apprehensive, half wondering. The birds were indeed going south very soon, yet had there ever been so exquisite an autumn as this, had her man ever had so wonderful a trade—her man with the brown hair, blue eyes, and fair, strong face?
"The birds go south, but the hunters and buffalo still go north," Mitiahwe urged searchingly, looking hard at her mother—Oanita, the Swift Wing.
"My dream said that the winter will be dark and lonely, that the ice will be thick, the snow deep, and that many hearts will be sick because of the black days and the hunger that sickens the heart," answered Swift Wing.
Mitiahwe looked into Swift Wing's dark eyes, and an anger came upon her. "The hearts of cowards will freeze," she rejoined, "and to those that will not see the sun the world will be dark," she added. Then suddenly she remembered to whom she was speaking, and a flood of feeling ran through her; for Swift Wing had cherished her like a fledgeling in the nest till her young white man came from "down East." Her heart had leapt up at sight of him, and she had turned to him from all the young men of her tribe, waiting in a kind of mist till he, at last, had spoken to her mother, and then one evening, her shawl over her head, she had come along to his lodge.
A thousand times as the four years passed by she had thought how good it was that she had become his wife—the young white man's wife, rather than the wife of Breaking Rock, son of White Buffalo, the chief, who had four hundred horses, and a face that would have made winter and sour days for her. Now and then Breaking Rock came and stood before the lodge, a distance off, and stayed there hour after hour, and once or twice he came when her man was with her; but nothing could be done, for earth and air and space were common to them all, and there was no offence in Breaking Rock gazing at the lodge where Mitiahwe lived. Yet it seemed as though Breaking Rock was waiting—waiting and hoping. That was the impression made upon all who saw him, and even old White Buffalo, the chief, shook his head gloomily when he saw Breaking Rock, his son, staring at the big lodge which was so full of happiness, and so full also of many luxuries never before seen at a trading post on the Koonce River. The father of Mitiahwe had been chief, but because his three sons had been killed in battle the chieftainship had come to White Buffalo, who was of the same blood and family. There were those who said that Mitiahwe should have been chieftainess; but neither she nor her mother would ever listen to this, and so White Buffalo, and the tribe loved Mitiahwe because of her modesty and goodness. She was even more to White Buffalo than Breaking Rock, and he had been glad that Dingan the white man—Long Hand he was called—had taken Mitiahwe for his woman. Yet behind this gladness of White Buffalo, and that of Swift Wing, and behind the silent watchfulness of Breaking Rock, there was a thought which must ever come when a white man mates with an Indian maid, without priest or preacher, or writing, or book, or bond.
Yet four years had gone; and all the tribe, and all who came and went, half-breeds, traders, and other tribes, remarked how happy was the white man with his Indian wife. They never saw anything but light in the eyes of Mitiahwe, nor did the old women of the tribe who scanned her face as she came and went, and watched and waited too for what never came—not even after four years.
Mitiahwe had been so happy that she had not really missed what never came; though the desire to have something in her arms which was part of them both had flushed up in her veins at times, and made her restless till her man had come home again. Then she had forgotten the unseen for the seen, and was happy that they two were alone together—that was the joy of it all, so much alone together; for Swift Wing did not live with them, and, like Breaking Rock, she watched her daughter's life, standing afar off, since it was the unwritten law of the tribe that the wife's mother must not cross the path or enter the home of her daughter's husband. But at last Dingan had broken through this custom, and insisted that Swift Wing should be with her daughter when he was away from home, as now on this wonderful autumn morning, when Mitiahwe had been singing to the Sun, to which she prayed for her man and for everlasting days with him.
She had spoken angrily but now, because her soul sharply resented the challenge to her happiness which her mother had been making. It was her own eyes that refused to see the cloud, which the sage and bereaved woman had seen and conveyed in images and figures of speech natural to the Indian mind.
"Hai-yai," she said now, with a strange touching sigh breathing in the words, "you are right, my mother, and a dream is a dream; also, if it be dreamt three times, then is it to be followed, and it is true. You have lived long, and your dreams are of the Sun and the Spirit." She shook a little as she laid her hand on a buckskin coat of her man hanging by the lodge-door; then she steadied herself again, and gazed earnestly into her mother's eyes. "Have all your dreams come true, my mother?" she asked with a hungering heart. "There was the dream that came out of the dark five times, when your father went against the Crees, and was wounded, and crawled away into the hills, and all our warriors fled—they were but a handful, and the Crees like a young forest in number! I went with my dream, and found him after many days, and it was after that you were born, my youngest and my last. There was also"—her eyes almost closed, and the needle and thread she held lay still in her lap—"when two of your brothers were killed in the drive of the buffalo. Did I not see it all in my dream, and follow after them to take them to my heart? And when your sister was carried off, was it not my dream which saw the trail, so that we brought her back again to die in peace, her eyes seeing the Lodge whither she was going, open to her, and the Sun, the Father, giving her light and promise—for she had wounded herself to die that the thief who stole her should leave her to herself. Behold, my daughter, these dreams have I had, and others; and I have lived long and have seen the bright day break into storm, and the herds flee into the far hills where none could follow, and hunger come, and—"