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Copyright
The Borough Press
An imprint of HarperCollinsPublishers
1 London Bridge Street
London SE1 9GF
www.harpercollins.co.uk
Published by HarperCollinsPublishers 2018
First published by HarperCollinsPublishers 2017
Copyright © Allison Pearson 2017
Cover design by Claire Ward © HarperCollinsPublishers Ltd 2018
Hand lettering by Ruth Rowland. Cover illustration by Henn Kim
Allison Pearson asserts the moral right to be identified as the author of this work
A catalogue record for this book is available from the British Library
This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books
Source ISBN: 9780008150556
Ebook Edition © May 2018 ISBN: 9780008150549
Version: 2018-03-22
Praise for How Hard Can It Be?
‘Revolutionary … Both funny and unflinching’
ELIZABETH DAY, Daily Telegraph
‘Once again, countless women will recognise themselves … Pearson has a gift’
The Times
‘Zesty, razor-sharp and hilarious … Get ready for Kate!’
TINA BROWN, magazine editor and bestselling author
‘Sharply observed and very funny’
Woman & Home
‘Made me laugh, wince, shudder and shed a tear!’
SOPHIE KINSELLA
‘As sharp and witty as ever … hugely enjoyable’
Daily Mail
‘Funny, heart-breaking, wise and delightful’
SOPHIE HANNAH
‘How Hard Can It Be? is that rare thing: a sequel that matches and even surpasses the original’
Daily Telegraph
‘Brilliantly well observed’
INDIA KNIGHT
‘Pearson deftly balances despair-inducing observations with escapist pizzazz’
Mail on Sunday
‘Pearson makes a sharp point about the lack of value and status that society places on the onerous job of a stay at home mother … in these pages, there is a raw honesty’
Financial Times
‘Sparkling, funny and poignant, this is a triumphant return for Pearson and hopefully not the last we will hear of Kate’
Daily Express
‘A cutting edge of its own’
Metro
‘Wildly entertaining’
Reader’s Digest
‘[Pearson] nails the comedy and the pathos of daily domestic life like no one else’
Country Life
‘Poignant and smart takes on the pressures affecting working mothers … laugh out loud funny’
Women’s Agenda
‘[Peason writes] with acid and a daunting determination to tell it like it is’
New Zealand Herald
Dedication
For Awen and Evie,
my mother and my daughter
Epigraph
Conceal me what I am, and by my aid
For such disguise as haply shall become
The form of my intent.
William Shakespeare, Twelfth Night
Nobody tells you about the balding pudenda.
Whoopi Goldberg
Contents
Cover
Title Page
Copyright
Praise
Dedication
Epigraph
Prologue: Countdown to Invisibility: T minus six months and two days
1. Bats in the Belfie
2. The Has-been
3. The Bottom Line
4. Ghosts
5. Five More Minutes
6. Of Mice and Menopause
7. Back to the Future
8. Old and New
9. Genuine Fake
10. Rebirth of a Saleswoman
11. Twelfth Night (or What You Won’t)
12. Catch-32
13. Those Stubborn Areas
14. The College Reunion
15. Calamity Girl
16. Help!
17. The Rock Widow
18. The Office Party
19. Coitus Interruptus
20. Merry Christmas
21. The Mere Idea of You
22. Madonna and Mum
23. Never Can Say Goodbye
24. For Whom the Belfie Tolls
25. Cut to the Quick
26. Redemption
27. Guilty Secret
28. 11th March
29. After All
Footnotes
Acknowledgements
About the Author
Also by Allison Pearson
About the Publisher
PROLOGUE
COUNTDOWN TO INVISIBILITY: T MINUS SIX MONTHS AND TWO DAYS
Funny thing is I never worried about getting older. Youth had not been so kind to me that I minded the loss of it. I thought women who lied about their age were shallow and deluded, but I was not without vanity. I could see the dermatologists were right when they said that a cheap aqueous cream was just as good as those youth elixirs in their fancy packaging, but I bought the expensive moisturiser anyway. Call it insurance. I was a competent woman of substance and I simply wanted to look good for my age, that’s all – what that age was didn’t really matter. At least that’s what I told myself. And then I got older.
Look, I’ve studied the financial markets half my life. That’s my job. I know the deal: my sexual currency was going down and facing total collapse unless I did something to shore it up. The once-proud and not unattractive Kate Reddy Inc was fighting a hostile takeover of her mojo. To make matters worse, this fact was rubbed in my face every day by the emerging market in the messiest room in the house. My teenage daughter’s womanly stock was rising while mine was declining. This was exactly as Mother Nature intended, and I took pride in my gorgeous girl, I really did. But sometimes that loss could be painful – excruciatingly so. Like the morning I locked eyes on the Circle Line with some guy with luxuriant, tousled Roger Federer hair (is there any better kind?) and I swear there was a flicker of something between us, a sizzle of static, a frisson of flirtation right before he offered me his seat. Not his number, his seat.
‘Totes humil’, as Emily would say. The fact he didn’t even consider me worthy of interest stung like a slapped cheek. Unfortunately, the impassioned young woman who lives on inside me, who actually thought Roger was flirting with her, still doesn’t get it. She sees her former self in the mirror of her mind’s eye as she looks out at the world and assumes that’s what the world sees when it looks back. She is quite insanely and irrationally hopeful that she might be attractive to Roger (likely age: thirty-one) because she doesn’t realise that she/we now have a thickening waist, thinning vaginal walls (who knew?) and are starting to think about spring bulbs and comfortable footwear with considerably more enthusiasm than, say, the latest scratchy thongs from Agent Provocateur. Roger’s erotic radar could probably detect the presence of those practical, flesh-coloured pants of mine.
Look, I was doing OK. Really, I was. I got through the oil-spill-on-the-road that is turning forty. Lost a little control, but I drove into the skid just like the driving instructors tell you to and afterwards things were fine again; no, they were better than fine. The holy trinity of midlife – good husband, nice home, great kids – was mine.
Then, in no particular order, my husband lost his job and tuned into his inner Dalai Lama. He would not be earning anything for two years, as he retrained as a counsellor (oh, joy!). The kids entered the twister of adolescence at exactly the same time as their grandparents were taking what might charitably be called a second pass at their own childhood. My mother-in-law bought a chainsaw with a stolen credit card (not as funny as it sounds). After recovering from a heart attack, my own mum lost her footing and broke her hip. I worried I was losing my mind; but it was probably just hiding in the same place as the car keys and the reading glasses and the earring. And those concert tickets.
In March it’s my fiftieth. No, I will not be celebrating with a party and yes, I probably am scared to admit I am scared, or apprehensive (I’m not quite sure what I am, but I definitely don’t like it.) To be perfectly honest, I’d rather not think about my age at all, but significant birthdays – the kind they helpfully put in huge, embossed numbers on the front of cards to signpost The Road to Death – have a way of forcing the issue. They say that fifty is the new forty, but to the world of work, my kind of work anyway, fifty may as well be sixty or seventy or eighty. As a matter of urgency, I need to get younger, not older. It’s a question of survival: to get a job, to hold onto my position in the world, to remain marketable and within my sell-by date. To keep the ship afloat, the show on the road. To meet the needs of those who seem to need me more than ever, I must reverse time, or at least get the bitch to stand still.
With this goal in mind, the build-up to my half-century will be quiet and totally uneventful. I will not show any outward sign of the panic I feel. I will glide towards it serenely, no more sudden swerves or bumps in the road.
Well, that was the plan. Then Emily woke me up.
1
BATS IN THE BELFIE
SEPTEMBER
Monday, 1.37 am: Such a weird dream. Emily is crying, she’s really upset. Something about a belfry. A boy wants to come round to our house because of her belfry. She keeps saying she’s sorry, it was a mistake, she didn’t mean to do it. Strange. Most of my nightmares lately feature me on my unmentionable birthday having become totally invisible and talking to people who can’t hear me or see me.
‘But we haven’t got a belfry,’ I say, and the moment I speak the words aloud I know that I’m awake.
Emily is by my side of the bed, bent over as if in prayer or protecting a wound. ‘Please don’t tell Daddy,’ she pleads. ‘You can’t tell him, Mummy.’
‘What? Tell him what?’
I fumble blindly on the bedside table and my baffled hand finds reading glasses, distance glasses, a pot of moisturiser and three foil sheets of pills before I locate my phone. Its small window of milky, metallic light reveals that my daughter is dressed in the Victoria’s Secret candy-pink shorty shorts and camisole I foolishly agreed to buy her after one of our horrible rows.
‘What is it, Em? Don’t tell Daddy what?’
No need to look over to check that Richard’s still asleep. I can hear that he’s asleep. With every year of our marriage, my husband’s snoring has got louder. What began as piglet snufflings twenty years ago is now a nightly Hog Symphony, complete with wind section. Sometimes, at the snore’s crescendo, it gets so loud that Rich wakes himself up with a start, rolls over and starts the symphony’s first movement again. Otherwise, he is harder to wake than a saint on a tomb.
Richard had the same talent for Selective Nocturnal Deafness when Emily was a baby, so it was me who got up two or three times in the night to respond to her cries, locate her blankie, change her nappy, soothe and settle her, only for that penitential playlet to begin all over again. Maternal sonar doesn’t come with an off-switch, worse luck.
‘Mum,’ Emily pleads, clutching my wrist.
I feel drugged. I am drugged. I took an antihistamine before bed because I’ve been waking up most nights between two and three, bathed in sweat, and it helps me sleep through. The pill did its work all too well, and now a thought, any thought at all, struggles to break the surface of dense, clotted sleep. No part of me wants to move. I feel like my limbs are being pressed down on the bed by weights.
‘Muuuu-uuuumm, please.’
God, I am too old for this.
‘Sorry, give me a minute, love. Just coming.’
I get out of bed onto stiff, protesting feet and put one hand around my daughter’s slender frame. With the other, I check her forehead. No temperature, but her face is damp with tears. So many tears that they have dripped onto her camisole. I feel its humid wetness – a mix of warm skin and sadness – through my cotton nightie and I flinch. In the darkness, I plant a kiss on Em’s forehead and get her nose instead. Emily is taller than me now. Each time I see her it takes a few seconds to adjust to this incredible fact. I want her to be taller than me, because in the world of woman, tall is good, leggy is good, but I also want her to be four years old and really small so I can pick her up and make a safe world for her in my arms.
‘Is it your period, darling?’
She shakes her head and I smell my conditioner on her hair, the expensive one I specifically told her not to use.
‘No, I did something really ba-aa-aa-aad. He says he’s coming here.’ Emily starts crying again.
‘Don’t worry, sweetheart. It’s OK,’ I say, manoeuvring us both awkwardly towards the door, guided by the chink of light from the landing. ‘Whatever it is, we can fix it, I promise. It’ll be fine.’
And, you know, I really thought it would be fine, because what could be so bad in the life of a teenage girl that her mother couldn’t make it better?
2.11 am: ‘You sent. A picture. Of your naked bottom. To a boy. Or boys. You’ve never met?’
Emily nods miserably. She sits in her place at the kitchen table, clutching her phone in one hand and a Simpsons D’oh mug of hot milk in the other, while I inhale green tea and wish it were Scotch. Or cyanide. Think, Kate, THINK.
The problem is I don’t even understand what it is I don’t understand. Emily may as well be talking in a foreign language. I mean, I’m on Facebook, I’m in a family group on WhatsApp that the kids set up for us and I’ve tweeted all of eight times (once, embarrassingly, about Pasha on Strictly Come Dancing after a couple of glasses of wine), but the rest of social media has passed me by. Until now, my ignorance has been funny – a family joke, something the kids could tease me about. ‘Are you from the past?’ That was the punchline Emily and Ben would chorus in a sing-song Irish lilt; they had learned it from a favourite sitcom. ‘Are you from the past, Mum?’
They simply could not believe it when, for years, I remained stubbornly loyal to my first mobile: a small, greyish-green object that shuddered in my pocket like a baby gerbil. It could barely send a text message – not that I ever imagined I would be sending those on an hourly basis – and you had to hold down a number to get a letter to appear. Three letters allocated to each number. It took twenty minutes to type ‘Hello’. The screen was the size of a thumbnail and you only needed to charge it once a week. Mum’s Flintstone Phone, that’s what the kids called it. I was happy to collude with their mockery; it made me feel momentarily light-hearted, like the relaxed, laid-back parent I knew I never really could be. I suppose I was proud that these beings I had given life to, recently so small and helpless, had become so enviably proficient, such experts in this new tongue that was Mandarin to me. I probably thought it was a harmless way for Emily and Ben to feel superior to their control-freak(ish) mother, who was still boss when it came to all the important things like safety and decency, right?
Wrong. Boy, did I get that wrong. In the half hour we have been sitting at the kitchen table, Emily, through hiccups of shock, has managed to tell me that she sent a picture of her bare backside to her friend Lizzy Knowles on Snapchat because Lizzy told Em that the girls in their group were all going to compare tan-lines after the summer holidays.
‘What’s a Snapchat?’
‘Mum, it’s like a photo that disappears after like ten seconds.’
‘Great, it’s gone. So what’s the problem?’
‘Lizzy took a screenshot of the Snapchat and she said she meant to put it in our Facebook Group Chat, but she put it on her wall by mistake so now it’s there like forever.’ She pronounces the word ‘forever’ so it rhymes with her favourite, ‘Whatevah’ – lately further abbreviated to the intolerable ‘Whatevs’.
‘Fu’evah,’ Emily says again. At the thought of this unwanted immortality, her mouth collapses into an anguished ‘O’ – a popped balloon of grief.
It takes a few moments for me to translate what she has said into English. I may be wrong (and I’m hoping I am), but I think it means that my beloved daughter has taken a photo of her own bare bum. Through the magic of social media and the wickedness of another girl, this image has now been disseminated – if that’s the word I want, which I’m very much afraid it is – to everyone in the school, the street, the universe. Everyone, in fact, but her own father, who is upstairs snoring for England.
‘People think it’s like really funny,’ Emily says, ‘because my back is still a bit burnt from Greece so it’s like really red and my bum’s like really white so I look like a flag. Lizzy says she tried to delete it, but loads of people have shared it already.’
‘Slow down, slow down, sweetheart. When did this happen?’
‘It was like seven thirty but I didn’t notice for ages. You told me to put my phone away when we were having dinner, remember? My name was at the top of the screenshot so everyone knows it’s me. Lizzy says she’s tried to take it down but it’s gone viral. And Lizzy’s like, “Em, I thought it was funny. I’m so sorry.” And I don’t want to seem like I’m upset about it because everyone thinks it’s really hilarious. But now all these people have got my like Facebook and I’m getting these creepy messages.’ All of that comes out in one big sobbing blurt.
I get up and go to the counter to fetch some kitchen roll for Em to blow her nose because I have stopped buying tissues as part of recent family budget cuts. The chill wind of austerity blowing across the country, and specifically through our household, means that fancy pastel boxes of paper softened with aloe vera are off the shopping list. I silently curse Richard’s decision to use being made redundant by his architecture firm as ‘an opportunity to retrain in something more meaningful’ – or ‘something more unpaid and self-indulgent’ if you were being harsh, which, sorry, but I am at this precise moment because I don’t have any Kleenex to soak up our daughter’s tears. Only when I make a mess of ripping the kitchen paper along its serrated edge do I notice that my hand is shaking, quite badly actually. I place the trembling right hand in my left hand and interlink the fingers in a way I haven’t done for years. ‘Here is the church. Here is the steeple. Look inside and see all the people.’ Em used to make me do that little rhyme over and over because she loved to see the fingers waggling in the church.
‘’Gain, Mummy. Do it ’gain.’
What was she then? Three? Four? It seems so near yet, at the same time, impossibly far. My baby. I’m still trying to get my bearings in this strange new country my child has taken me to, but the feelings won’t stay still. Disbelief, disgust, a tincture of fear.
‘Sharing a picture of your bottom on a phone? Oh, Emily, how could you be so bloody stupid?’ (That’s the fear flaring into anger right there.)
She trumpets her nose on the kitchen roll, screws up the paper and hands it back to me.
‘It’s a belfie, Mum.’
‘What’s a belfie for heaven’s sake?’
‘It’s a selfie of your bum,’ Emily says. She talks as though this were a normal part of life, like a loaf of bread or a bar of soap.
‘You know, a BELFIE.’ She says it louder this time, like an Englishman abroad raising his voice so the dumb foreigner will understand.
Ah, a belfie, not a belfry. In my dream, I thought she said belfry. A selfie I know about. Once, when my phone flipped to selfie mode and I found myself looking at my own face, I recoiled. It was unnatural. I sympathised with that tribe which refused to be photographed for fear the camera would steal their souls. I know girls like Em constantly take selfies. But a belfie?
‘Rihanna does it. Kim Kardashian. Everyone does it,’ Emily says flatly, a familiar note of sullenness creeping into her voice.
This is my daughter’s stock response lately. Getting into a nightclub with fake ID? ‘Don’t be shocked, Mum, everyone does it.’ Sleeping over at the house of a ‘best friend’ I’ve never met, whose parents seem weirdly unconcerned about their child’s nocturnal movements? Perfectly normal behaviour, apparently. Whatever it is I am so preposterously objecting to, I need to chill out, basically, because Everyone Does It. Am I so out of touch that distributing pictures of one’s naked arse has become socially acceptable?
‘Emily, stop texting, will you? Give me that phone. You’re in enough trouble as it is.’ I snatch the wretched thing out of her hands and she lunges across the table to grab it back, but not before I see a message from someone called Tyler: ‘Ur ass is well fit make me big lol!!!
Christ, the Village Idiot is talking dirty to my baby. And ‘Ur’ instead of ‘Your’? The boy is not just lewd but illiterate. My Inner Grammarian clutches her pearls and shudders. Come off it, Kate. What kind of warped avoidance strategy is this? Some drooling lout is sending your sixteen-year-old daughter pornographic texts and you’re worried about his spelling?
‘Look, darling, I think I’d better call Lizzy’s mum to talk about wha—’
‘Nooooooo.’ Emily’s howl is so piercing that Lenny springs from his basket and starts barking to see off whoever has hurt her.
‘You can’t,’ she wails. ‘Lizzy’s my best friend. You can’t get her in trouble.’
I look at her swollen face, the bottom lip raw and bloody from chewing. Does she really think Lizzy is her best friend? Manipulative little witch more like. I haven’t trusted Lizzy Knowles since the time she announced to Emily that she was allowed to take two friends to see Justin Bieber at the O2 for her birthday. Emily was so excited; then Lizzy broke the news that she was first reserve. I bought Em a ticket for the concert myself, at catastrophic expense, to protect her from that slow haemorrhage of exclusion, that internal bleed of self-confidence which only girls can do to girls. Boys are such amateurs when it comes to spite.