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Published by HarperCollinsPublishers Ltd
1 London Bridge Street
London SE1 9GF
www.harpercollins.co.uk
Copyright © Penny Thorpe 2018
First published in Great Britain by HarperCollinsPublishers 2018
The ‘Quality Street’ name and image is reproduced with the kind permission of Société des Produits Nestlé S.A.
Cover design by Claire Ward © HarperCollinsPublishers Ltd 2019
Cover photographs @ Ildiko Neer / Arcangel Images (figures)
© Robert Lambert / Arcangel Images (terraced houses)
Shutterstock.com (window frame)
Penny Thorpe asserts the moral right to be identified as the author of this work.
A catalogue copy of this book is available from the British Library.
This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.
Source ISBN: 9780008307769
Ebook Edition © November 2018 ISBN: 9780008307776
Version: 2020-01-23
Dedication
In loving memory of Mary Lowes Walker, who made even more friends than Reenie.
Table of Contents
Cover
Title Page
Copyright
Dedication
Chapter One
Chapter Two
Chapter Three
Chapter Four
Chapter Five
Chapter Six
Chapter Seven
Chapter Eight
Chapter Nine
Chapter Ten
Chapter Eleven
Chapter Twelve
Chapter Thirteen
Chapter Fourteen
Chapter Fifteen
Chapter Sixteen
Chapter Seventeen
Chapter Eighteen
Chapter Nineteen
Chapter Twenty
Chapter Twenty-One
Chapter Twenty-Two
Chapter Twenty-Three
Chapter Twenty-Four
Chapter Twenty-Five
Chapter Twenty-Six
Chapter Twenty-Seven
Chapter Twenty-Eight
Chapter Twenty-Nine
Chapter Thirty
Chapter Thirty-One
Acknowledgements
Toffee Town: The sweet heart of Halifax
Q&A with Penny Thorpe
About the Author
About the Publisher
Chapter One
It was late, and the Baxter’s store on the corner at Stump Cross was closed, but the lights in the main window illuminated a sparkling display of Mackintosh’s Quality Street; the latest success from the sprawling factory they called Toffee Town. As Reenie rode her nag closer she could see that someone had taken the coloured cellophane wrappers from the chocolates and taped them between black sugar paper to make little stained glass windows. Between the tins and tubs and cartons were homemade tree baubles; an ingenious mixture of ping-pong balls, cellophane wrappers, glue and thread.
While there were plenty of other confectionery assortments that Baxter’s could have chosen to feature, Reenie couldn’t imagine they’d have had much luck making a stained glass window out of O’Neil’s wrappers. Besides, Quality Street was the best, everyone knew it; plenty of girls from Reenie’s school had left to work in Sharpe’s or O’Neil’s factories, but it was the really lucky ones that went to work at Mackintosh’s.
Reenie’s enormous, ungainly old horse shuffled closer to try to nose the glass, the explosion of colour bursting forth from the opened tins on display had caught his eye and was drawing his curious nature to the window. Reenie didn’t blame him; it was a beautiful sight and he deserved a treat when he was being so good about coming out after putting in a day’s work in the top field. She had a great deal of affection for the old family horse, and she liked spoiling him when she got the chance, so she let him dawdle a while longer.
Reenie gazed at the window display, and dreamed of growing up to be the kind of fine lady that bought Quality Street, and had a gardener, and got driven around in an automobile. For the moment she would have to be content with being a farmer’s daughter who had a vegetable patch and occasional use of her family’s peculiarly ugly horse. Fortunately for Reenie, she found it easy to be content with her lot, she was an easily contented girl. As long as she didn’t have to go into service she was happy.
‘Come on, Ruffian. We’ve got a way to go yet.’ Ruffian reluctantly allowed Reenie to steer him away from the bright lights, and continued up through the ever steeper streets of Halifax, over quiet cobbles she knew well. The night was cold for October, but she knew she had to ride out to get her father nonetheless.
Reenie didn’t mind; Ruffian was technically her father’s horse, and most fathers would not allow their daughter freedom of the valley with it, so she supposed she ought to feel pretty grateful. And it wasn’t as though she had to come out to get her father very often, she thought to herself. He only got this blotto once a year when the Ale Taster’s Society hired out the old oak room and had their ‘do’, apart from that she thought he was pretty good really. He was very probably the best dad.
Reenie’s thoughts kept drifting back to the sandwich that was waiting in her pocket, wrapped in waxed paper and bound up with a piece of twine. The sandwich contained a slice of tinned tongue and some mustard-pickled-cauliflower that her mother made for Reenie to give to her father to eat on his way back. Reenie’s stomach rumbled and she was tempted to take a bite out of it before she got to the pub, even though she’d had her tea. Her mother frequently told her that she was lucky to live on a farm where there was no shortage of food, but Reenie pointed out that there was no shortage of the same food: mutton, ewe’s milk cheese, ewe’s milk butter, ewe’s milk curd tart, and ewe’s milk. She rode in the dark past the Borough Market, there was a clamour outside The Old Cock and Oak. As she approached, Reenie didn’t like the look of what she saw. Ahead of her, she could see brass buttons glinting in the old-fashioned gaslight from the pub, and the tell-tale contours of Salvation Army hats and cloaks. It was going to be another one of those nights.
Reenie knew before she’d even rounded the corner that this was not the regular Salvation Army, they would be off doing something useful somewhere involving soup and blankets. This was a Salvation Army splinter group, who the rest of the Salvation Army considered to be nothing but trouble. Reenie tried to feel friendly towards them as she wasn’t in a hurry, but she did wonder privately why they didn’t just go to the cinema when they got time off like everyone else.
‘Think of your wives! Think of your children!’ Reenie couldn’t tell where in the throng of ardent believers the call was coming from, but she knew that they wouldn’t be popular with the pub regulars. There were several other pubs along Market Street, but the faithful had chosen to cram into the courtyard of The Old Cock and Oak to protest against the annual meeting of the Worshipful Company of Ale Tasters. Reenie couldn’t see what they were so fussed about, but this wasn’t anything new.
Reenie decided not to dismount this time and walked old Ruffian as close to the pub door as she could, keeping a loose, but expert grasp on the fraying rope that served as Ruffian’s bridle. ‘Comin’ through, ‘scuse me, if you’d let me pass, please.’ As the ramshackle old horse nosed its way through the faithful, the crowd parted, some out of courtesy but others to avoid being stamped on by a mud-caked hoof, or bitten by an almost toothless mouth. Ruffian may not have had the aristocratic pedigree, but like his rider, he encouraged good etiquette in his own way. Reenie was close enough now to see a few faces she knew guarding the doorway; exasperated men waiting for the do-gooders to move on, their arms folded. ‘Is me dad in there still?’
‘Now then, Queenie Reenie, what’s this you comin’ in on a noble steed with your uniformed retinue.’ Fred Rastrick gave her a wicked grin as they both ignored the small, rogue faction of the otherwise helpful Halifax branch of the Salvation Army.
‘Don’t be daft, Fred, you know full well they’re nowt to do wi’ me. Now fetch us me dad, would ya’? It’s too cold for him to walk home, he’ll end up dead in a ditch. Go tell him I’m here and I’m not stopping out half the night so he has to be quick.’
‘Young lady! Young lady, how old are you?’ Reenie recognised the castigating voice of Gwendoline Vance, self-appointed leader of this band of Salvation Army members who’d taken it upon themselves to object to most things that went on in Halifax, including the Ale Tasters annual ‘do’. Reenie could have mistaken the woman’s face in the dark, even this close up, but there was no mistaking the way she was harping on.
‘What’s it to you?’ Reenie was not in a mood to be cross-examined by strangers, especially those in thrall to teetotalism.
‘Shouldn’t you be at school?’
‘Well, not just now as it’s half past ten at night.’
‘Well I meant in the morning, shouldn’t you be at home in bed by now so that you can go to school in the morning?’
‘No, and I’ll tell you for why. Firstly, I’m fifteen and I finished school at Easter; secondly, some of us would rather be spending our time helping our families than wasting it on enterprises that won’t get anyone anywhere; and thirdly (and forgive me if I think this is the most important), because today is a Friday, and when I were at school they taught me that the day that comes after Friday is Saturday, and that, madam, is when the school is closed. Now if you’ve quite finished, I want me’ dad. Fred!’ Reenie had to call out because Fred had disappeared further inside the pub. The Salvation Army devotee blanched and choked on her words. Reenie ignored her and turned her eyes to the doorway of The Old Cock and Oak.
‘He’s here, Reenie,’ Fred reappeared, ‘but he can’t walk.’
‘Well then tell him he doesn’t have to. I’m waiting with the ’orse.’
‘No, I mean he can’t walk. He’s blotto; out cold.’
‘Oh, good grief. Well, can someone drag him to the door, I don’t want to have to get off the horse or I’ll be here ‘til Monday.’
‘I’ll have a go.’ Fred turned to go back inside. ‘But he’s not as light as he used to be.’
‘Reenee,’ the do-gooder emphasised the Halifax pronunciation, ree-knee, and tried to assume an expression that was both patronising and penitent for her earlier mistake, ‘may I call you Reenie?’
‘No, you may not. Unless you’re gonna help with m’ dad.’
‘We’d be very, very glad to help with your father; it must be terribly hard on you and your family. Do you think you could bring him with you on Sunday to—’
‘No, I meant help lift him on the ’orse. Good grief, woman, are you daft? Fred! How’s he looking?’
‘Nearly there,’ Fred called out through gritted teeth as he attempted to pull the dead weight of Mr Calder out to his horse and daughter, then turned to a fellow drinker ‘Bert, can you give me an ‘and throwin’ him over Ruffian?’
Bert held up a hand and said, before darting back into the pub, ‘You wait right there; I think I know just the lad for this.’ Bert brought out a bemused-looking young man who Reenie didn’t recognise, slapping him on the shoulder with friendly camaraderie and pushing him in the direction of the horse. He didn’t have the slicked hair with razored back and sides that the other lads round here had. His hair wasn’t darkened by Brylcreem; instead, he had fine, golden toffee coloured hair that fell over his left eye and gave him away as a toff. Straight teeth, straight hair, straight nose, and a smarter suit of clothes than anyone else there; to Reenie, he looked hopelessly out of place among the factory workers and farm hands. It made her like him instantly for joining in with people who weren’t like him. She might not have a lot in common with this posh-looking lad, but there was one thing; he looked like the type who would make friends with anyone.
‘Reenie, Peter; Peter, Reenie.’ Bert skimmed over the necessary introductions. ‘We need to get Reenie’s dad here over the ’orse.’
Peter smiled and nodded, and with what seemed like almost no effort at all, he gathered Reenie’s father up and launched him in front of where Reenie sat, with his arms and legs dangling over the horse’s withers on either side. The landing must have been a rough one for Mr Calder because, though unconscious, he still managed to vomit onto the military-style black boots of the nearest Moral League man.
The sudden eruption caused a shriek from the group’s ringleader who turned to Reenie, ‘Oh you poor child. You shouldn’t have to see such things at your tender age.’
‘Oh gerr’over yourself, woman. Everyone’s dad drinks.’ Reenie bent over to check on her father because although she was confident that he’d be alright, she thought it was as well to make sure. Her shoulder-length red hair dangled down the horse’s side as she dropped her head level with her father’s, reassured by his loud snore; silly old thing, what was he like? Her mother would laugh at him come the morning. Reenie looked up to thank the young man, but to her disappointment, he’d already gone. She had wanted to tell him that her father wasn’t usually like this, and not to mind the Sally Army crowd because they weren’t bad as all that if you weren’t in a hurry to get anywhere. She had wanted to say so many things to him, but she supposed it was better she get a move on and take her father home to his bed. It didn’t occur to her that the young man had gone indoors to fetch his coat and hat so he could offer to walk her home like a gentleman.
Reenie pulled on Ruffian’s make-shift bridle and began to lead the horse away, then thought better of it and stopped to call over her shoulder ‘and my friend Betsy Newman’s in the Salvation Army and she says you six are pariahs! Go and help ‘em with the cleaning rota like they’ve told ya’, and stop botherin’ folks who’ve had an ‘arder week at work than you’ve ever known!’
Ruffian snorted, as if in agreement, and guided his mistress home.
Diana waited for Mary on the street outside; her father’s thick old coat wrapped tightly around her, and the wide collar turned up against the autumnal night. ‘She’s definitely not with him this time,’ Mary said, leaning one hand on the door frame of her mother’s soot-blackened one-up-one-down terrace as she hurriedly pulled on a well-worn shoe with the other hand ‘she’s promised she won’t see him anymore.’
Diana didn’t respond; it was a waste of effort, and she was bone tired. She had spent all day at work in the factory, then had come home to find her stepbrother hadn’t paid the rent and had taken off with Mary’s sister Bess. Not that this came as a surprise; nothing came as a surprise to Diana any more. Mary’s sister was in thrall to her no good stepbrother, as only a silly sixteen-year-old can be. Diana had been a silly sixteen-year-old herself once, although it felt like a lifetime ago and not the mere ten years that separated her from that other person she had once been. Diana had been in thrall to someone equally unsuitable, and she knew that there was nothing to be done for Bess now.
‘She realises now that he’s no good for her.’ Mary was following behind Diana and kicking at her shoe to move back the loose insole that had shifted when she’d pulled on her winter shoes over bare feet. ‘I don’t know where she’s gone tonight, but I’m certain she’s not with him.’
Diana didn’t ask why Mary was following her if she believed all of her sister’s promises; she didn’t need to. Diana was the oldest girl on their production line, and younger ones like Mary fell into line with whatever she said.
‘I mean,’ Mary went on as they turned the corner of Mary’s street and past the midnight blue billboard that announced that Rowntree’s Cocoa would nourish them all, ‘how do you know that it was definitely them?’
Diana stopped suddenly. She disliked walking while talking; she disliked talking at all, and she thought that if she didn’t stop to say what she had to say then Mary would carry on kicking at her shoe rather than ask her to wait while she fixed it. Stopping killed two birds with one stone. ‘I saw someone who told me that your sister and my stepbrother were in The Old Cock and Oak in town and that if I didn’t hurry he’d have all my rent money spent.’
‘But could they have been mistaken? I mean, what were their exact words?’ Mary hopped on one foot as she tried to arrange her shoe without letting her bare foot touch the ice-cold cobbles of the dirty street.
Diana sighed ‘He said “You want to get down to The Old Cock and Oak, Diana, before that no-good stepbrother of yours spends all your money. ‘The Blade’ as he likes to call himself is in there with the Good Queen, and he’s buying everyone a drink.” There’s no mistake; your sister is there with him.’
‘What does he mean ‘Good Queen’? Who’s ‘Good Queen’ when she’s at home?’ Mary looked genuinely confused.
There was a long silence as Diana tried to decide whether or not to tell Mary what people called her; it might help her to do something about it, but then again it might not. Behind their backs Mary and Bess were known as the Tudor Queens; the porters on their production line had started calling Mary ‘Bad Queen Mary’ because she had a short fuse and no one had ever been able to get her to crack a smile. Her younger sister Bess was her polar opposite; she was cheerful to a fault. She had no concept of the consequences of her actions as she floated along in a happy bubble, and Diana had been forced to speak to her about it on the production line on a number of occasions, to no avail. Bess was all smiles and affection, and they called her ‘Good Queen Bess’.
It seemed odd to Diana that two people could look so different while looking so alike. They had the same large, upturned eyes, but where Bess’s looked pretty, Mary’s glasses made hers appear bug-like. They had the same porcelain-white skin, but where Bess’s looked delicate, Mary’s looked ghostly. They both had a strawberry mark on their left cheek, but where Bess’s looked like a cherubic kiss, Mary’s looked like she was crying tears of blood. They were their own worst enemies, Diana had told them so often enough; Mary had a short fuse because she tied herself up in knots with worry, while Bess was as useless as a chocolate teapot in the factory because she was too happy-go-lucky. Diana wondered if Bess would ever realise her job was to make toffees, not gaze dreamily into the middle distance. Diana could see why they’d ended up the way they had; Mary had to do the worrying for both of them, and Bess didn’t need to worry with a sister like Mary. If they could trade places for a day, it might do them the power of good.
‘Have you fixed that shoe yet?’ Diana didn’t want to wait in the road much longer, her stepbrother liked to flash money around when he had it, and he’d be on to another pub before closing time if she didn’t catch up with him first.
‘It keeps moving around.’ Mary huffed with annoyance and crouched down to unlace her shoe and fix it properly, fumbling as though she were worried that she was taking up too much of Diana’s valuable time.
Mary looked pitiful under the streetlamp. Her frizzy black hair was pulled tight back and twisted into a bun at the nape of her neck. All the other girls at the factory had their hair curled like the girls in the magazines, but not Mary; there were dark circles around her eyes and in the winter of 1936, Mary didn’t even have a warm coat. Poor kid, Diana thought to herself, she needs someone to look after her for a change.
‘Alright, I’m ready.’ Mary stood up and shook her foot in her shoe one last time. ‘I still don’t think it’s him.’
‘My stepbrother could hardly be mistaken for anyone else. Apart from the fact that he’s the only person in Halifax to dress like some American mobster from the pictures, he also looks like a cross between a rat and a frog, so his face is hardly going to blend into a crowd, is it?’ Diana started walking again. The trouble with Mary Norcliffe, she thought to herself, was that she couldn’t just walk in silence.
Mary followed Diana with her arms folded around herself and her shoulders hunched forward; her eyes were on the tram rails that stretched out down the road ahead of them, but then she looked up to Diana and said, ‘Thank you for calling on me though.’ There was an anxious pause as though Mary feared that every sentence was saying too much or too little. ‘I know she’s a nuisance, but she has promised she’ll change. Honestly she has.’
Diana knew that Good Queen Bess would never be capable of seeing the consequences of her actions, and her sister Mary would always be looking after her. It was none of Diana’s business, and so she said nothing. She helped them in her own way, but she wasn’t going to try to change them. ‘There’s something I want to talk to you about.’ Diana looked up see that Mary was already panicking. ‘I’ve arranged for you and your sister to work beside me on the new line. We move floors tomorrow.’
‘But, if we—’
Diana didn’t let her finish, ‘Everyone knows that you’ve been helping your sister to get her work done, but we can’t let the other girls cover up for you anymore. You’ll have to move up beside me where I’ll be the only person covering for you, and then if you’re caught helping Bess, the only people that will be in any trouble will be the three of us. No more risking the other girls’ positions, do you understand?’
Mary swallowed and nodded.
‘I know you’ll still have to help your sister for a while yet, but you do it in my section and no one else’s. If Mrs Roth catches you, it’s best I deal with her.’
Diana was eventually rewarded with her longed-for silence, but she couldn’t enjoy it because she knew that Mary was wrestling with all kinds of questions that she wanted to ask, but didn’t dare voice.
They turned the corner onto Market Street where the rainbow of shops had closed their shutters for the night, like spring blooms closing their petals each evening. The street was by no means sleeping, it was alive with factory workers who were out for a payday drink. It was hard to imagine what Diana had heard this morning about the men in Barnsley on their way down to Westminster on a hunger march. The people of Halifax had seen lean times, but on this Friday there was merriment.