The Mysteries of Udolpho

CHAPTER V

When Montoni was informed of the death of his wife, and considered that she had died without giving him the signature so necessary to the accomplishment of his wishes, no sense of decency restrained the expression of his resentment. Emily anxiously avoided his presence, and watched, during two days and two nights, with little intermission, by the corpse of her late aunt. Her mind deeply impressed with the unhappy fate of this object, she forgot all her faults, her unjust and imperious conduct to herself; and, remembering only her sufferings, thought of her only with tender compassion. Sometimes, however, she could not avoid musing upon the strange infatuation that had proved so fatal to her aunt, and had involved herself in a labyrinth of misfortune, from which she saw no means of escaping,—the marriage with Montoni. But, when she considered this circumstance, it was 'more in sorrow than in anger,'—more for the purpose of indulging lamentation, than reproach.

In her pious cares she was not disturbed by Montoni, who not only avoided the chamber, where the remains of his wife were laid, but that part of the castle adjoining to it, as if he had apprehended a contagion in death. He seemed to have given no orders respecting the funeral, and Emily began to fear he meant to offer a new insult to the memory of Madame Montoni; but from this apprehension she was relieved, when, on the evening of the second day, Annette informed her, that the interment was to take place that night. She knew, that Montoni would not attend; and it was so very grievous to her to think that the remains of her unfortunate aunt would pass to the grave without one relative, or friend to pay them the last decent rites, that she determined to be deterred by no considerations for herself, from observing this duty. She would otherwise have shrunk from the circumstance of following them to the cold vault, to which they were to be carried by men, whose air and countenances seemed to stamp them for murderers, at the midnight hour of silence and privacy, which Montoni had chosen for committing, if possible, to oblivion the reliques of a woman, whom his harsh conduct had, at least, contributed to destroy.

Emily, shuddering with emotions of horror and grief, assisted by Annette, prepared the corpse for interment; and, having wrapt it in cerements, and covered it with a winding-sheet, they watched beside it, till past midnight, when they heard the approaching footsteps of the men, who were to lay it in its earthy bed. It was with difficulty, that Emily overcame her emotion, when, the door of the chamber being thrown open, their gloomy countenances were seen by the glare of the torch they carried, and two of them, without speaking, lifted the body on their shoulders, while the third preceding them with the light, descended through the castle towards the grave, which was in the lower vault of the chapel within the castle walls.

They had to cross two courts, towards the east wing of the castle, which, adjoining the chapel, was, like it, in ruins: but the silence and gloom of these courts had now little power over Emily's mind, occupied as it was, with more mournful ideas; and she scarcely heard the low and dismal hooting of the night-birds, that roosted among the ivyed battlements of the ruin, or perceived the still flittings of the bat, which frequently crossed her way. But, when, having entered the chapel, and passed between the mouldering pillars of the aisles, the bearers stopped at a flight of steps, that led down to a low arched door, and, their comrade having descended to unlock it, she saw imperfectly the gloomy abyss beyond;—saw the corpse of her aunt carried down these steps, and the ruffian-like figure, that stood with a torch at the bottom to receive it—all her fortitude was lost in emotions of inexpressible grief and terror. She turned to lean upon Annette, who was cold and trembling like herself, and she lingered so long on the summit of the flight, that the gleam of the torch began to die away on the pillars of the chapel, and the men were almost beyond her view. Then, the gloom around her awakening other fears, and a sense of what she considered to be her duty overcoming her reluctance, she descended to the vaults, following the echo of footsteps and the faint ray, that pierced the darkness, till the harsh grating of a distant door, that was opened to receive the corpse, again appalled her.

After the pause of a moment, she went on, and, as she entered the vaults, saw between the arches, at some distance, the men lay down the body near the edge of an open grave, where stood another of Montoni's men and a priest, whom she did not observe, till he began the burial service; then, lifting her eyes from the ground, she saw the venerable figure of the friar, and heard him in a low voice, equally solemn and affecting, perform the service for the dead. At the moment, in which they let down the body into the earth, the scene was such as only the dark pencil of a Domenichino, perhaps, could have done justice to. The fierce features and wild dress of the condottieri, bending with their torches over the grave, into which the corpse was descending, were contrasted by the venerable figure of the monk, wrapt in long black garments, his cowl thrown back from his pale face, on which the light gleaming strongly shewed the lines of affliction softened by piety, and the few grey locks, which time had spared on his temples: while, beside him, stood the softer form of Emily, who leaned for support upon Annette; her face half averted, and shaded by a thin veil, that fell over her figure; and her mild and beautiful countenance fixed in grief so solemn as admitted not of tears, while she thus saw committed untimely to the earth her last relative and friend. The gleams, thrown between the arches of the vaults, where, here and there, the broken ground marked the spots in which other bodies had been recently interred, and the general obscurity beyond were circumstances, that alone would have led on the imagination of a spectator to scenes more horrible, than even that, which was pictured at the grave of the misguided and unfortunate Madame Montoni.

When the service was over, the friar regarded Emily with attention and surprise, and looked as if he wished to speak to her, but was restrained by the presence of the condottieri, who, as they now led the way to the courts, amused themselves with jokes upon his holy order, which he endured in silence, demanding only to be conducted safely to his convent, and to which Emily listened with concern and even horror. When they reached the court, the monk gave her his blessing, and, after a lingering look of pity, turned away to the portal, whither one of the men carried a torch; while Annette, lighting another, preceded Emily to her apartment. The appearance of the friar and the expression of tender compassion, with which he had regarded her, had interested Emily, who, though it was at her earnest supplication, that Montoni had consented to allow a priest to perform the last rites for his deceased wife, knew nothing concerning this person, till Annette now informed her, that he belonged to a monastery, situated among the mountains at a few miles distance. The Superior, who regarded Montoni and his associates, not only with aversion, but with terror, had probably feared to offend him by refusing his request, and had, therefore, ordered a monk to officiate at the funeral, who, with the meek spirit of a christian, had overcome his reluctance to enter the walls of such a castle, by the wish of performing what he considered to be his duty, and, as the chapel was built on consecrated ground, had not objected to commit to it the remains of the late unhappy Madame Montoni.

Several days passed with Emily in total seclusion, and in a state of mind partaking both of terror for herself, and grief for the departed. She, at length, determined to make other efforts to persuade Montoni to permit her return to France. Why he should wish to detain her, she could scarcely dare to conjecture; but it was too certain that he did so, and the absolute refusal he had formerly given to her departure allowed her little hope, that he would now consent to it. But the horror, which his presence inspired, made her defer, from day to day, the mention of this subject; and at last she was awakened from her inactivity only by a message from him, desiring her attendance at a certain hour. She began to hope he meant to resign, now that her aunt was no more, the authority he had usurped over her; till she recollected, that the estates, which had occasioned so much contention, were now hers, and she then feared Montoni was about to employ some stratagem for obtaining them, and that he would detain her his prisoner, till he succeeded. This thought, instead of overcoming her with despondency, roused all the latent powers of her fortitude into action; and the property, which she would willingly have resigned to secure the peace of her aunt, she resolved, that no common sufferings of her own should ever compel her to give to Montoni. For Valancourt's sake also she determined to preserve these estates, since they would afford that competency, by which she hoped to secure the comfort of their future lives. As she thought of this, she indulged the tenderness of tears, and anticipated the delight of that moment, when, with affectionate generosity, she might tell him they were his own. She saw the smile, that lighted up his features—the affectionate regard, which spoke at once his joy and thanks; and, at this instant, she believed she could brave any suffering, which the evil spirit of Montoni might be preparing for her. Remembering then, for the first time since her aunt's death, the papers relative to the estates in question, she determined to search for them, as soon as her interview with Montoni was over.

With these resolutions she met him at the appointed time, and waited to hear his intention before she renewed her request. With him were Orsino and another officer, and both were standing near a table, covered with papers, which he appeared to be examining.

'I sent for you, Emily,' said Montoni, raising his head, 'that you might be a witness in some business, which I am transacting with my friend Orsino. All that is required of you will be to sign your name to this paper:' he then took one up, hurried unintelligibly over some lines, and, laying it before her on the table, offered her a pen. She took it, and was going to write—when the design of Montoni came upon her mind like a flash of lightning; she trembled, let the pen fall, and refused to sign what she had not read. Montoni affected to laugh at her scruples, and, taking up the paper, again pretended to read; but Emily, who still trembled on perceiving her danger, and was astonished, that her own credulity had so nearly betrayed her, positively refused to sign any paper whatever. Montoni, for some time, persevered in affecting to ridicule this refusal; but, when he perceived by her steady perseverance, that she understood his design, he changed his manner, and bade her follow him to another room. There he told her, that he had been willing to spare himself and her the trouble of useless contest, in an affair, where his will was justice, and where she should find it law; and had, therefore, endeavoured to persuade, rather than to compel, her to the practice of her duty.

'I, as the husband of the late Signora Montoni,' he added, 'am the heir of all she possessed; the estates, therefore, which she refused to me in her life-time, can no longer be withheld, and, for your own sake, I would undeceive you, respecting a foolish assertion she once made to you in my hearing—that these estates would be yours, if she died without resigning them to me. She knew at that moment, she had no power to withhold them from me, after her decease; and I think you have more sense, than to provoke my resentment by advancing an unjust claim. I am not in the habit of flattering, and you will, therefore, receive, as sincere, the praise I bestow, when I say, that you possess an understanding superior to that of your sex; and that you have none of those contemptible foibles, that frequently mark the female character—such as avarice and the love of power, which latter makes women delight to contradict and to tease, when they cannot conquer. If I understand your disposition and your mind, you hold in sovereign contempt these common failings of your sex.'

Montoni paused; and Emily remained silent and expecting; for she knew him too well, to believe he would condescend to such flattery, unless he thought it would promote his own interest; and, though he had forborne to name vanity among the foibles of women, it was evident, that he considered it to be a predominant one, since he designed to sacrifice to hers the character and understanding of her whole sex.

'Judging as I do,' resumed Montoni, 'I cannot believe you will oppose, where you know you cannot conquer, or, indeed, that you would wish to conquer, or be avaricious of any property, when you have not justice on your side. I think it proper, however, to acquaint you with the alternative. If you have a just opinion of the subject in question, you shall be allowed a safe conveyance to France, within a short period; but, if you are so unhappy as to be misled by the late assertion of the Signora, you shall remain my prisoner, till you are convinced of your error.'

Emily calmly said,

'I am not so ignorant, Signor, of the laws on this subject, as to be misled by the assertion of any person. The law, in the present instance, gives me the estates in question, and my own hand shall never betray my right.'

'I have been mistaken in my opinion of you, it appears,' rejoined Montoni, sternly. 'You speak boldly, and presumptuously, upon a subject, which you do not understand. For once, I am willing to pardon the conceit of ignorance; the weakness of your sex, too, from which, it seems, you are not exempt, claims some allowance; but, if you persist in this strain—you have every thing to fear from my justice.'

'From your justice, Signor,' rejoined Emily, 'I have nothing to fear—I have only to hope.'

Montoni looked at her with vexation, and seemed considering what to say. 'I find that you are weak enough,' he resumed, 'to credit the idle assertion I alluded to! For your own sake I lament this; as to me, it is of little consequence. Your credulity can punish only yourself; and I must pity the weakness of mind, which leads you to so much suffering as you are compelling me to prepare for you.'

'You may find, perhaps, Signor,' said Emily, with mild dignity, 'that the strength of my mind is equal to the justice of my cause; and that I can endure with fortitude, when it is in resistance of oppression.'

'You speak like a heroine,' said Montoni, contemptuously; 'we shall see whether you can suffer like one.'

Emily was silent, and he left the room.

Recollecting, that it was for Valancourt's sake she had thus resisted, she now smiled complacently upon the threatened sufferings, and retired to the spot, which her aunt had pointed out as the repository of the papers, relative to the estates, where she found them as described; and, since she knew of no better place of concealment, than this, returned them, without examining their contents, being fearful of discovery, while she should attempt a perusal.

To her own solitary chamber she once more returned, and there thought again of the late conversation with Montoni, and of the evil she might expect from opposition to his will. But his power did not appear so terrible to her imagination, as it was wont to do: a sacred pride was in her heart, that taught it to swell against the pressure of injustice, and almost to glory in the quiet sufferance of ills, in a cause, which had also the interest of Valancourt for its object. For the first time, she felt the full extent of her own superiority to Montoni, and despised the authority, which, till now, she had only feared.

As she sat musing, a peal of laughter rose from the terrace, and, on going to the casement, she saw, with inexpressible surprise, three ladies, dressed in the gala habit of Venice, walking with several gentlemen below. She gazed in an astonishment that made her remain at the window, regardless of being observed, till the group passed under it; and, one of the strangers looking up, she perceived the features of Signora Livona, with whose manners she had been so much charmed, the day after her arrival at Venice, and who had been there introduced at the table of Montoni. This discovery occasioned her an emotion of doubtful joy; for it was matter of joy and comfort to know, that a person, of a mind so gentle, as that of Signora Livona seemed to be, was near her; yet there was something so extraordinary in her being at this castle, circumstanced as it now was, and evidently, by the gaiety of her air, with her own consent, that a very painful surmise arose, concerning her character. But the thought was so shocking to Emily, whose affection the fascinating manners of the Signora had won, and appeared so improbable, when she remembered these manners, that she dismissed it almost instantly.

On Annette's appearance, however, she enquired, concerning these strangers; and the former was as eager to tell, as Emily was to learn.

'They are just come, ma'amselle,' said Annette, 'with two Signors from Venice, and I was glad to see such Christian faces once again.—But what can they mean by coming here? They must surely be stark mad to come freely to such a place as this! Yet they do come freely, for they seem merry enough, I am sure.'

'They were taken prisoners, perhaps?' said Emily.

'Taken prisoners!' exclaimed Annette; 'no, indeed, ma'amselle, not they. I remember one of them very well at Venice: she came two or three times, to the Signor's you know, ma'amselle, and it was said, but I did not believe a word of it—it was said, that the Signor liked her better than he should do. Then why, says I, bring her to my lady? Very true, said Ludovico; but he looked as if he knew more, too.'

Emily desired Annette would endeavour to learn who these ladies were, as well as all she could concerning them; and she then changed the subject, and spoke of distant France.

'Ah, ma'amselle! we shall never see it more!' said Annette, almost weeping.—'I must come on my travels, forsooth!'

Emily tried to sooth and to cheer her, with a hope, in which she scarcely herself indulged.

'How—how, ma'amselle, could you leave France, and leave Mons. Valancourt, too?' said Annette, sobbing. 'I—I—am sure, if Ludovico had been in France, I would never have left it.'

'Why do you lament quitting France, then?' said Emily, trying to smile, 'since, if you had remained there, you would not have found Ludovico.'

'Ah, ma'amselle! I only wish I was out of this frightful castle, serving you in France, and I would care about nothing else!'

'Thank you, my good Annette, for your affectionate regard; the time will come, I hope, when you may remember the expression of that wish with pleasure.'

Annette departed on her business, and Emily sought to lose the sense of her own cares, in the visionary scenes of the poet; but she had again to lament the irresistible force of circumstances over the taste and powers of the mind; and that it requires a spirit at ease to be sensible even to the abstract pleasures of pure intellect. The enthusiasm of genius, with all its pictured scenes, now appeared cold, and dim. As she mused upon the book before her, she involuntarily exclaimed, 'Are these, indeed, the passages, that have so often given me exquisite delight? Where did the charm exist?—Was it in my mind, or in the imagination of the poet? It lived in each,' said she, pausing. 'But the fire of the poet is vain, if the mind of his reader is not tempered like his own, however it may be inferior to his in power.'

Emily would have pursued this train of thinking, because it relieved her from more painful reflection, but she found again, that thought cannot always be controlled by will; and hers returned to the consideration of her own situation.

In the evening, not choosing to venture down to the ramparts, where she would be exposed to the rude gaze of Montoni's associates, she walked for air in the gallery, adjoining her chamber; on reaching the further end of which she heard distant sounds of merriment and laughter. It was the wild uproar of riot, not the cheering gaiety of tempered mirth; and seemed to come from that part of the castle, where Montoni usually was. Such sounds, at this time, when her aunt had been so few days dead, particularly shocked her, consistent as they were with the late conduct of Montoni.

As she listened, she thought she distinguished female voices mingling with the laughter, and this confirmed her worst surmise, concerning the character of Signora Livona and her companions. It was evident, that they had not been brought hither by compulsion; and she beheld herself in the remote wilds of the Apennine, surrounded by men, whom she considered to be little less than ruffians, and their worst associates, amid scenes of vice, from which her soul recoiled in horror. It was at this moment, when the scenes of the present and the future opened to her imagination, that the image of Valancourt failed in its influence, and her resolution shook with dread. She thought she understood all the horrors, which Montoni was preparing for her, and shrunk from an encounter with such remorseless vengeance, as he could inflict. The disputed estates she now almost determined to yield at once, whenever he should again call upon her, that she might regain safety and freedom; but then, the remembrance of Valancourt would steal to her heart, and plunge her into the distractions of doubt.

She continued walking in the gallery, till evening threw its melancholy twilight through the painted casements, and deepened the gloom of the oak wainscoting around her; while the distant perspective of the corridor was so much obscured, as to be discernible only by the glimmering window, that terminated it.