The Day it Rained Forever

In a Season of Calm Weather

GEORGE and Alice Smith detrained at Biarritz one summer noon and in an hour had run through their hotel on to the beach into the ocean and back out to bake upon the sand.

To see George Smith sprawled burning there, you’d think him only a tourist flown fresh as iced lettuce to Europe and soon to be transhipped home. But here was a man who loved art more than life itself.

‘There …’ George Smith sighed. Another ounce of perspiration trickled down his chest. Boil out the Ohio tap-water, he thought, then drink down the best Bordeaux. Silt your blood with rich French sediment so you’ll see with native eyes!

Why? Why eat, breathe, drink everything French? So that, given time, he might really begin to understand the genius of one man.

His mouth moved, forming a name.

‘George?’ His wife loomed over him. ‘I know what you’ve been thinking. I can read your lips.’

He lay perfectly still, waiting.

‘And?’

‘Picasso,’ she said.

He winced. Some day she would learn to pronounce that name.

‘Please,’ she said. ‘Relax. I know you heard the rumour this morning, but you should see your eyes – your tic is back. All right, Picasso’s here, down the coast a few miles away, visiting friends in some small fishing town. But you must forget it or our vacation’s ruined.’

‘I wish I’d never heard the rumour,’ he said honestly.

‘If only,’ she said, ‘you liked other painters.’

Others? Yes, there were others. He could breakfast most congenially on Caravaggio still-lifes of autumn pears and midnight plums. For lunch: those fire-squirting, thick-wormed Van Gogh sunflowers, those blooms a blind man might read with one rush of scorched fingers down fiery canvas. But the great feast? The paintings he saved his palate for? There, filling the horizon, like Neptune risen, crowned with limewood, alabaster, coral, paintbrushes clenched like tridents in horn-nailed fists, and with fishtail vast enough to fluke summer showers out over all Gibraltar – who else but the creator of Girl Before a Mirror and Guernica?

‘Alice,’ he said, patiently, ‘how can I explain? Coming down on the train I thought, Good Lord, it’s all Picasso country!’

But was it really, he wondered. The sky, the land, the people, the flushed-pink bricks here, scrolled electric-blue ironwork balconies there, a mandolin ripe as a fruit in some man’s thousand fingerprinting hands, billboard tatters blowing like confetti in night winds – how much was Picasso, how much George Smith staring round the world with wild Picasso eyes? He despaired of answering. That old man had distilled turpentine and linseed oil so thoroughly through George Smith that they shaped his being, all Blue Period at twilight, all Rose Period at dawn.

‘I keep thinking,’ he said aloud, ‘if we saved our money …’

‘We’ll never have five thousand dollars.’

‘I know,’ he said quietly. ‘But it’s nice thinking we might bring it off some day. Wouldn’t it be great to just step up to him, say “Pablo, here’s five thousand! Give us the sea, the sand, that sky, or any old thing you want, we’ll be happy.…” ’

After a moment, his wife touched his arm.

‘I think you’d better go in the water now,’ she said.

‘Yes,’ he said. ‘I’d better do just that.’

White fire showered up when he cut the water.

During the afternoon George Smith came out and went into the ocean with the vast spilling motions of now warm, now cool people who at last, with the sun’s decline, their bodies all lobster colours and colours of broiled squab and guinea hen, trudged for their wedding-cake hotels.

The beach lay deserted for endless mile on mile save for two people. One was George Smith, towel over shoulder, out for a last devotional.

Far along the shore another shorter, square-cut man walked alone in the tranquil weather. He was deeper tanned, his close-shaven head dyed almost mahogany by the sun, and his eyes were clear and bright as water in his face.

So the shoreline stage was set, and in a few minutes the two men would meet. And once again Fate fixed the scales for shocks and surprises, arrivals and departures. And all the while these two solitary strollers did not for a moment think on coincidence, that unswum stream which lingers at man’s elbow with every crowd in every town. Nor did they ponder the fact that if man dares dip into that stream he grabs a wonder in each hand. Like most they shrugged at such folly, and stayed well up the bank lest Fate should shove them in.

The stranger stood alone. Glancing about, he saw his alone-ness, saw the waters of the lovely bay, saw the sun sliding down the late colours of the day, and then half-turning spied a small wooden object on the sand. It was no more than the slender stick from a lime ice-cream delicacy long since melted away. Smiling he picked the stick up. With another glance around to re-insure his solitude, the man stooped again and holding the stick gently with light sweeps of his hand began to do the one thing in all the world he knew best how to do.

He began to draw incredible figures along the sand. He sketched one figure and then moved over and still looking down, completely focused on his work now, drew a second and a third figure, and after that a fourth and a fifth and a sixth.

George Smith, printing the shoreline with his feet, gazed here, gazed there, and then saw the man ahead. George Smith, drawing nearer, saw that the man, deeply tanned, was bending down. Nearer yet, and it was obvious what the man was up to. George Smith chuckled. Of course, of course … along on the beach this man – how old? Sixty-five? Seventy? – was scribbling and doodling away. How the sand flew! How the wild portraits flung themselves out there on the shore! How …

George Smith took one more step and stopped, very still.

The stranger was drawing and drawing and did not seem to sense that anyone stood immediately behind him and the world of his drawings in the sand. By now he was so deeply enchanted with his solitudinous creation that depth-bombs set off in the bay might not have stopped his flying hand nor turned him round.

George Smith looked down at the sand. And, after a long while, looking, he began to tremble.

For there on the flat shore were pictures of Grecian lions and Mediterranean goats and maidens with flesh of sand like powdered gold and satyrs piping on hand-carved horns and children dancing, strewing flowers along and along the beach with lambs gambolling after and musicians skipping to their harps and lyres, and unicorns racing youths towards distant meadows, woodlands, ruined temples and volcanoes. Along the shore in a never-broken line, the hand, the wooden stylus of this man bent down in fever and raining perspiration, scribbled, ribboned, looped around over and up, across, in, out, stitched, whispered, stayed, then hurried on as if this travelling bacchanal must flourish to its end before the sun was put out by the sea. Twenty, thirty yards or more the nymphs and dryads and summer founts sprang up in unravelled hieroglyphs. And the sand, in the dying light, was the colour of molten copper on which was now slashed a message that any man in any time might read and savour down the years. Everything whirled and poised in its own wind and gravity. Now wine was being crushed from under the grape-blooded feet of dancing vintners’ daughters, now steaming seas gave birth to coin-sheathed monsters while flowered kites strewed scent on blowing clouds … now … now … now….

The artist stopped.

George Smith drew back and stood away.

The artist glanced up, surprised to find someone so near. Then he simply stood there, looking from George Smith to his own creations flung like idle footprints down the way. He smiled at last and shrugged as if to say, Look what I’ve done; see what a child? You will forgive me, won’t you? One day or another we are all fools … you, too, perhaps? So allow an old fool this, eh? Good! Good!

But George Smith could only look at the little man with the sun-dark skin and the clear sharp eyes, and say the man’s name once, in a whisper, to himself.

They stood thus for perhaps another five seconds, George Smith staring at the sand-frieze, and the artist watching George Smith with amused curiosity. George Smith opened his mouth, closed it, put out his hand, took it back. He stepped towards the picture, stepped away. Then he moved along the line of figures, like a man viewing a precious series of marbles cast up from some ancient ruin on the shore. His eyes did not blink, his hand wanted to touch but did not dare to touch. He wanted to run but did not run.

He looked suddenly at the hotel. Run, yes! Run! What? Grab a shovel, dig, excavate, save a chunk of this all too crumbling sand? Find a repair-man, race him back here with plaster-of-paris to cast a mould of some small fragile part of these? No, no. Silly, silly. Or …? His eyes flicked to his hotel window. The camera! Run, get it, get back, and hurry along the shore, clicking, changing film, clicking unti l…

George Smith whirled to face the sun. It burned faintly on his face, his eyes were two small fires from it. The sun was half underwater and, as he watched, it sank the rest of the way in a matter of seconds.

The artist had drawn nearer and now was gazing into George Smith’s face with great friendliness as if he were guessing every thought. Now he was nodding his head in a little bow. Now the ice-cream stick had fallen casually from his fingers. Now he was saying good night, good night. Now he was gone, walking back down the beach towards the south.

George Smith stood looking after him. After a full minute, he did the only thing he could possibly do. He started at the beginning of the fantastic frieze of satyrs and fauns and wine-dipped maidens and prancing unicorns and piping youths and he walked slowly along the shore. He walked a long way, looking down at the free-running bacchanal. And when he came to the end of the animals and men he turned round and started back in the other direction, just staring down as if he had lost something and did not quite know where to find it. He kept on doing this until there was no more light in the sky, or on the sand, to see by.

He sat down at the supper table.

‘You’re late,’ said his wife. ‘I just had to come down alone. I’m ravenous.’

‘That’s all right,’ he said.

‘Anything interesting happen on your walk?’ she asked.

‘No,’ he said.

‘You look funny; George, you didn’t swim out too far, did you, and almost drown? I can tell by your face. You did swim out too far, didn’t you?’

‘Yes,’ he said.

‘Well,’ she said, watching him closely. ‘Don’t ever do that again. Now – what’ll you have?’

He picked up the menu and started to read it and stopped suddenly.

‘What’s wrong?’ asked his wife.

He turned his head and shut his eyes for a moment.

‘Listen.’

She listened.

‘I don’t hear anything,’ she said.

‘Don’t you?’

‘No. What is it?’

‘Just the tide,’ he said, after a while, sitting there, his eyes still shut. ‘Just the tide, coming in.’

The Dragon

THE night blew in the short grass on the moor; there was no other motion. It had been years since a single bird had flown by in the great blind shell of sky. Long ago a few small stones had simulated life when they crumbled and fell into dust. Now only the night moved in the souls of the two men bent by their lonely fire in the wilderness; darkness pumped quietly in their veins and ticked silently in their temples and their wrists.

Firelight fled up and down their wild faces and welled in their eyes in orange tatters. They listened to each other’s faint, cool breathing and the lizard blink of their eyelids. At last, one man poked the fire with his sword.

‘Don’t, idiot; you’ll give us away!’

‘No matter,’ said the second man. ‘The dragon can smell us miles off, anyway. God’s breath, it’s cold. I wish I was back at the castle.’

‘It’s death, not sleep, we’re after ’

‘Why? Why? The dragon never sets foot in the town!’

‘Quiet, fool! He eats men travelling alone from our town to the next!’

‘Let them be eaten and let us get home!’

‘Wait now; listen!’

The two men froze.

They waited a long time, but there was only the shake of their horses’ nervous skin like black velvet tambourines jingling the silver stirrup buckles, softly, softly.

‘Ah.’ The second man sighed. ‘What a land of nightmares. Everything happens here. Someone blows out the sun; it’s night. And then, and then, oh, God, listen! This dragon, they say his eyes are fire. His breath a white gas; you can see him burn across the dark lands. He runs with sulphur and thunder and kindles the grass. Sheep panic and die insane. Women deliver forth monsters. The dragon’s fury is such that tower walls shake back to dust. His victims, at sunrise, are strewn hither and thither on the hills. How many knights, I ask, have gone for this monster and failed, even as we shall fail?’

‘Enough of that!’

‘More than enough! Out here in this desolation I cannot tell what year this is!’

‘Nine hundred years since the Nativity.’

‘No, no,’ whispered the second man, eyes shut. ‘On this moor is no Time, is only Forever. I feel if I ran back on the road the town would be gone, the people yet unborn, things changed, the castles unquarried from the rocks, the timbers still uncut from the forests; don’t ask how I know, the moor knows, and tells me. And here we sit alone in the land of the fire dragon, God save us!’

‘Be you afraid, then gird on your armour!’

‘What use? The dragon runs from nowhere; we cannot guess its home. It vanishes in fog, we know not where it goes. Aye, on with our armour, we’ll die well-dressed.’

Half into his silver corselet, the second man stopped again and turned his head.

Across the dim country, full of night and nothingness from the heart of the moor itself, the wind sprang full of dust from clocks that used dust for telling time. There were black suns burning in the heart of this new wind and a million burnt leaves shaken from some autumn tree beyond the horizon. This wind melted landscapes, lengthened bones like white wax, made the blood roil and thicken to a muddy deposit in the brain. The wind was a thousand souls dying and all time confused and in transit. It was a fog inside of a mist inside of a darkness, and this place was no man’s place and there was no year or hour at all, but only these men in a faceless emptiness of sudden frost, storm, and white thunder which moved behind the great falling pane of green glass that was the lightning. A squall of rain drenched the turf, all faded away until there was unbreathing hush and the two men waiting alone with their warmth in a cool season.

‘There,’ whispered the first man. ‘Oh, there .. .’

Miles off, rushing with a great chant and a roar – the dragon.

In silence, the men buckled on their armour and mounted their horses. The midnight wilderness was split by a monstrous gushing as the dragon roared nearer, nearer; its flashing yellow glare spurted above a hill and then, fold on fold of dark body, distantly seen, therefore indistinct, flowed over that hill and plunged vanishing into a valley.

‘Quick!’

They spurred their horses forward to a small hollow.

‘This is where it passes!’

They seized their lances with mailed fists, and blinded their horses by flipping the visors down over their eyes.

‘Lord!’

‘Yes, let us use His name.’

On the instant, the dragon rounded a hill. Its monstrous amber eye fed on them, fired their armour in red glints and glitters. With a terrible wailing cry and a grinding rush it flung itself forward.

‘Mercy, God!’

The lance struck under the unlidded yellow eye, buckled, tossed the man through the air. The dragon hit, spilled him over, down, ground him under. Passing, the black brunt of its shoulder smashed the remaining horse and rider a hundred feet against the side of a boulder, wailing, wailing, the dragon shrieking, the fire all about, around, under it, a pink, yellow, orange sun-fire with great soft plumes of blinding smoke.

‘Did you see it?’ cried a voice. ‘Just like I told you!’

‘The same! The same! A knight in armour, by the Lord Harry! We hit him!’

‘You goin’ to stop?’

‘Did once; found nothing. Don’t like to stop on this moor. I get the willies. Got a feel, it has.’

‘But we hit something !’

‘Gave him plenty of whistle; chap wouldn’t budge.’

A steaming blast cut the mist aside.

‘We’ll make Stokely on time. More coal, eh, Fred?’

Another whistle shook dew from the empty sky. The night train, in fire and fury, shot through a gully, up a rise, and vanished over cold earth, towards the north, leaving black smoke and steam to dissolve in the numbed air minutes after it had passed and gone for ever.

The End of the Beginning

HE stopped the lawnmower in the middle of the yard because he felt that the sun at just that moment had gone down and the stars come out. The fresh-cut grass that had showered his face and body died softly away. Yes, the stars were there, faint at first, but brightening in the clear desert sky. He heard the porch screen-door tap shut and felt his wife watching him as he watched the night.

‘Almost time,’ she said.

He nodded; he did not have to check his watch. In the passing moments he felt very old, then very young, very cold, then very warm, now this, now that. Suddenly, he was miles away. He was his own son talking steadily, moving briskly to cover his pounding heart and the resurgent panics as he felt himself slip into fresh uniform, check food supplies, oxygen-flasks, pressure helmet, space-suiting and turn, as every man on earth tonight turned, to gaze at the swiftly filling sky.

Then, quickly, he was back, once more, the father of the son, hands gripped to the lawnmower handle. His wife called, ‘Come sit on the porch.’

‘I’ve got to keep busy!’

She came down the steps and across the lawn. ‘Don’t worry about Robert; he’ll be all right.’

‘But it’s all so new,’ he heard himself say. ‘It’s never been done before. Think of it – a manned rocket going up tonight to build the first space-station. Good Lord, it can’t be done, it doesn’t exist, there’s no rocket, no proving-ground, no take-off time, no technicians. For that matter, I don’t even have a son named Bob. The whole thing’s too much for me!’

‘Then what are you doing out here, staring?’

He shook his head. ‘Well, late this morning, walking to the office, I heard someone laugh out loud. It shocked me so I froze in the middle of the street. It was me, laughing! Why? Because finally I really knew what Bob was going to do tonight; at last I believed it. Holy is a word I never use, but that’s how I felt stranded in all that traffic. Then, middle of the afternoon I caught myself humming. You know the song. A wheel in a wheel. Way in the middle of the air. I laughed again. The space-station, of course, I thought. The big wheel with hollow spokes where Bob’ll live six or eight months, then get along to the moon. Walking home, I remembered more of the song. Little wheel run by faith, Big wheel run by the grace of God. I wanted to jump, yell, and flame-out myself!’

His wife touched his arm. ‘If we stay out here, let’s at least be comfortable.’

They placed two wicker rockers in the centre of the lawn and sat quietly as the stars dissolved out of darkness in pale crushings of rock-salt strewn from horizon to horizon.

‘Why,’ said his wife, at last, ‘it’s like waiting for the fireworks at Sisley Field every year.’

‘Bigger crowd tonight….’

‘I keep thinking – a billion people watching the sky right now, their mouths all open at the same time.’

They waited, feeling the earth move under their chairs.

‘What time is it now?’

‘Eleven minutes to eight.’

‘You’re always right; there must be a clock in your head.’

‘I can’t be wrong, tonight. I’ll be able to tell you one second before they blast off. Look! The ten-minute warning!’

On the western sky they saw four crimson flares open out, float shimmering down the wind, above the desert, then sink silently to the extinguishing earth.

In the new darkness, the husband and wife did not rock in their chairs.

After a while, he said, ‘Eight minutes.’ A pause. ‘Seven minutes.’ What seemed a much longer pause. ‘Six …’

His wife, her head back, studied the stars immediately above her and murmured, ‘Why?’ She closed her eyes. ‘Why the rockets, why tonight? Why all this? I’d like to know.’

He examined her face, pale in the vast powdering light of the Milky Way. He felt the stirring of an answer, but let his wife continue.

‘I mean it’s not that old thing again, is it, when people asked why men climbed Mount Everest and they said, “Because it’s there”? I never understood. That was no answer to me.’

Five minutes, he thought. Time ticking … his wrist-watch … a wheel in a wheel … little wheel run by … big wheel run by … way in the middle of … four minutes! … the men snug in the rocket by now, the hive, the control board lit like Christmas morning….

His lips moved.

‘All I know is it’s really the end of the beginning. The Stone Age, Bronze Age, Iron Age; from now on we’ll lump all those together under one big name for when we walked on Earth and heard the birds at morning and cried with envy. Maybe we’ll call it the Earth Age, or maybe the Age of Gravity. Millions of years we fought gravity. When we were amoebas and fish we struggled to get out of the sea without gravity crushing us. Once safe on the shore we fought to stand upright without gravity breaking our new invention, the spine; tried to walk without stumbling, run without falling. A billion years, Gravity kept us home, mocked us with wind and clouds, cabbage-moths and locusts. That’s what’s so god-awful big about tonight … it’s the end of old man Gravity and the Age we’ll remember him by, for once and all. I don’t know where they’ll divide the Ages, at the Persians who dreamt of flying-carpets, or the Chinese who all unknowing celebrated birthdays and New Years with strung ladyfingers and high skyrockets, or some minute, some incredible second in the next hour. But we’re in at the end of a billion years’ trying, the end of something long and to us humans, anyway, honourable.’

Three minutes … two minutes, fifty-nine seconds … two minutes fifty-eight seconds.…

‘Yes …’ He could hardly hear his wife’s voice. ‘Yes … I believe that’s true.’

Two minutes, he thought. Ready? Ready? Ready? The far radio voice calling. Ready! Ready! Ready! The quick faint replies from the humming rocket. Check! Check! Check!

Tonight, he thought, even if we fail with this first, we’ll send a second and a third ship and move on out to all the planets and, later, all the stars. We’ll just keep going until the big words like immortal and for ever take on meaning. Big words, yes, that’s what we want. Continuity. Since our tongues first moved in our mouths, we’ve asked, What does it all mean? No other question made sense, with death breathing down our necks. But just let us settle in on ten thousand worlds spinning around ten thousand alien suns and the question will fade away. Man will be endless and infinite, even as space is endless and infinite. Man will go on, as space goes on, for ever. Individuals will die, as always, but our history will reach as far as we’ll ever need to see into the future, and with the knowledge of our survival for all time to come, we’ll know security and thus the answer we’ve always searched for. Gifted with life, the least we can do is preserve and pass on the gift to infinity. That’s a goal worth shooting for.