The Way of the Strong
- -
- 100%
- +
From that moment a definite change became very marked in Monica. All her old keenness and aptitude for business returned to her aid. No stone should be left unturned to discover the bay, whatever it cost her. Grown to manhood as he was, he was still her charge, bound to her by the ties of her duty to the dead, bound to her by the tie of a wonderful maternal love. She steeled herself to face every possibility. She flinched at no consequence to herself. If she searched the world to its ends, Frank should be found.
Her plans were quickly made. In her emergency they required less thought than had been necessary in the midst of her doubts. With Frank definitely lost, the matter resolved itself into a question of dollars. Dollars? She had them. She had them in unlimited quantities, and they should be poured out like water.
She promptly engaged the services of the best detectives in the country, and set them to work. In their supreme confidence they promised her that if the man was above ground they would find him. If he were not, then they would at least point the spot at which he was buried.
Monica was satisfied, and the long weeks of waiting for news began. She wrote a warm, womanly letter of great kindness to Phyllis, and told her what she was doing. She also told her the story of Frank's birth as she had told it to the boy himself. She promised her, among many other encouragements, that she would wire her news as soon as it reached her.
For herself she was quite desperate, and weighed none of the possible consequences, should word of what she was doing reach her husband. She was content to await such consequences and deal with them as they presented themselves. It was the mother-love in her at war with her love for her husband, and, somehow, the former, for the time, at least, seemed to possess the stronger hold upon her. At that moment, no sacrifice was too great for her to make.
But, for all the confidence expressed by the men she had employed, weeks grew into months, and a year passed since Frank's disappearance, and she was still waiting for news of him. Her patience was sorely taxed, and a great grief and melancholy settled down upon her. Her agents still remained optimistic, and with difficulty persuaded her from employing additional aid.
The ice having been broken, she kept in constant communication with Phyllis, and the intercourse helped her to endure the dreary waiting, as it helped the lonely girl so many miles away. It was a solace, however meager, to both, and it served to save them from the crushing effects of a burden which threatened to overwhelm them both.
Once, in a fit of depression, Monica made up her mind to abandon Winnipeg and return to Deep Willows. She had no very definite reason for the change. It might have been that she wanted to return to the place where she had last seen her boy. It may have been that she wanted to be within reach of Phyllis, the only person to whom she could open her troubled heart. Then, too, perhaps her presence would help the girl, whom, in her own trouble, Monica had come to look upon with something more than friendliness.
She told her husband of her purpose one night on their way to dinner at the house of Joseph P. Lachlan, a great railroad magnate.
Hendrie expressed no surprise, but appeared to display the keenest sympathy.
"You've done great work, Mon," he said cordially. "I don't know how I should have got through without your help on the social side. You're a bully partner. You've never grumbled. And yet you must be worn out. It's been worrying me lately. I've seen how all this is telling on you. Ye – s. You certainly must have a holiday. I hope to be finished soon. Then I shall be able to join you. But there are one or two matters I can't leave yet. I hope to bring off a big coup the night of our big reception, a month hence. You see, Cyrus Burd, the New York banker, must be brought into the trust. The whole thing is a question of overwhelming capital to carry on the fight against the market when we declare ourselves. And Burd is the man – the last man we want. I dare say I can worry that reception through without you. I shall have to. Anyway your health is the first consideration with me, and Deep Willows is just the place for you to recuperate in."
Instantly Monica's denial leaped. Her health was nothing to his affairs, she said. A month more or less would make no difference to her. There must be no chance of anything going wrong through her defection. She would not leave Winnipeg till after that reception.
Then Hendrie tried to persuade her to go. But her mind, she declared, was definitely made up, and she was quite immovable. So Hendrie, with an air of reluctance, was finally forced to acquiesce.
"If you insist, Mon, I have nothing more to say," he said, with a sigh. "At least when it is over, we'll take a long rest. We'll visit Europe and spend a lazy month or so."
Monica was clay in his hands. The last place he wanted her to visit was Deep Willows – yet.
She had reason to be glad of her decision two weeks later. It was nearly noon one morning when her private telephone at the side of her bed rang. She was sipping her morning coffee. The rolls on her plate were as yet untouched. Margaret was occupied in preparing for her mistress's toilet. The girl promptly left her work and took up the receiver, while Monica waited to hear who it was ringing her up.
"Who is it?" the girl inquired. "I can't hear. Red – "
Monica spoke sharply.
"Give me the thing," she said. "You never could hear over a 'phone."
The girl obeyed, and left the room, as was her rule when Monica used the telephone.
It was the Redtown Inquiry Agency, and Monica's heart leaped as she listened. Their representative wanted to see her urgently. Would she call upon him before two o'clock? It was preferable she should go to him. Would she kindly do so? He could not trust a message of importance to the wire.
It was just one o'clock when Monica was ushered into the private office of Mr. Verdant, the representative of the Redtown Agency.
Mr. Verdant greeted her with the cordiality he always displayed toward a rich client. After placing her in a chair, where the light from the window shone full upon her face, he moved noiselessly over to the door, and, with some display, ascertained that it was tightly shut. Then, as noiselessly, he returned to his desk, dropped into his swing chair, adjusted his glasses, and gazed squarely into his visitor's face.
Having satisfactorily staged himself, and conveyed to the anxious woman that he was reading her like an open book, he drew a memorandum pad toward him and spoke without looking up.
"We have not found your – the person you are interested in, Mrs. Hendrie," he said, with studied effect.
"You have not found him?" Monica's heart sank. Then she went on in an aggrieved tone. "Then – then why have you sent for me? You said it was urgent."
The man looked up. It was a keen face he turned toward his client. He was a clever detective, but he was also a shrewd business man.
"Just so, madam," he said. "It is urgent. I have brought you here to tell you that my people have decided to abandon the case."
Monica stared.
"But – but I don't understand."
"Precisely, madam, and I am here to explain."
"Please explain – and quickly. I have no time to waste."
Monica was angry. She was grievously disappointed, too. All the way down Main Street she had buoyed herself with the belief that her boy had at last been found.
"I'm sorry, mam," Mr. Verdant went on, "but we're business men as well as inquiry agents. Maybe we're business men first. You'll naturally understand that our inquiries frequently lead us into strange places, also they frequently land us up against people whom, as business men, we cannot afford to – vulgarly speaking – run up against. This is our position now with regard to your – er – inquiries."
"You mean – you are afraid to go on with my case?" Monica made no attempt to conceal her annoyance, even contempt.
"You can put it that way if you choose," Mr. Verdant went on imperturbably. "The point is that as inquiry agents I regret to say my chiefs have decided to abandon the case, and, in my capacity as their representative, it is my duty to notify you personally."
"But this is outrageous," cried Monica, suddenly giving full vent to angry disappointment. "I pay you. Whatever you ask I am willing to pay. And you coolly, without any explanation, refuse to continue the case. It – is a scandalous outrage!"
Her flushed face and sparkling eyes told the detective more plainly than her words the state of mind his ultimatum had thrown her into. He assumed at once a more conciliatory tone.
"Madam," he said, "you are just a little hard upon us. There are some things far better left alone, and, in this case, it is 'explanation.' The fact that this is so should tell you that we have been by no means idle. We have simply gone as far as we dare in our investigations."
But Monica was not so easily appeased.
"If you have done the work you say; if you have made discoveries which you refuse to disclose to me, after accepting my money for your work, then you are committing a fraud which the law will not tolerate."
Mr. Verdant listened quite unimpressed.
"One moment, madam. I beg of you to keep calm. I have done my duty as an official of this agency. Now I am going to do my duty by you, as the detective in charge of your case. You desire to know the whereabouts of Mr. Frank Burton. I can tell you how to find his whereabouts – in half an hour."
"But you said you had not found him!"
Monica was beginning to wonder if the man were not a lunatic as well as a fraud.
"I have not found him."
"Then – gracious, man, speak out. How can I find him?"
"Ask your husband. Ask Mr. Alexander Hendrie where he is."
Mr. Verdant had risen from his seat as he spoke, and now stood holding the door open for his visitor to pass out.
CHAPTER II
WHEN VOWS MUST YIELD
"Ask your husband. Ask Mr. Alexander Hendrie where he is."
The words beat into Monica's brain. They hammered upon her ear-drums. They rose before her eyes, mocking her.
She was back in her own home. She had gone straight to her bedroom and locked herself in. She was due at a luncheon party, and, on her return, Margaret had hurried to wait upon her. But the girl was promptly dismissed, and the luncheon forgotten. It was a matter of no importance now. Monica would go nowhere; she would receive no one. She was ill, she said, and refused to be disturbed.
So Margaret was left wondering and frightened.
Monica paced her room for hours. She was vainly endeavoring to think connectedly. She was trying desperately to fathom the meaning of the man Verdant's challenge. It was useless. All continuity of thought was gone. Her ideas, her thoughts just tumbled pell-mell through her harassed brain, eluded her grasp, and vanished in the darkness whence they had leaped.
"Ask your husband. Ask Mr. Alexander Hendrie where he is."
It was maddening; and fever coursed through her veins. Her head grew hot with her effort. It ached, as did her eyes. Things about her began to seem unreal. Even the familiar objects in the room seemed to belong to some long-past, almost forgotten period in her life. She pulled herself together, and even began to question herself. Where was she? Ah, yes, this was her husband's house —
"Ask your husband."
For a moment the fever left her cold. Then it was on her again. She must ask her husband!
A hundred times the words came back, but she could proceed no further. Instinctively she understood something of the ugliness lying beyond them.
The distraught woman endured this torture for hours. It seemed ages; and at times she believed she was struggling to keep her reason.
If her husband knew of Frank's whereabouts, then – but she dared go no further. Once she paused in her restless pacing and stood before the mirror on her dressing-table. She stared at it as though reading the man's words written there. Suddenly she became aware of her own reflection, which seemed to be mocking her. She fled precipitately and flung herself into a chair, burying her face in her hands.
But such a state of mind could not endure and sanity remain. It was the result of shock, and the worst of shocks must give way before the recuperative powers of healthy nature. So it was now.
The late afternoon sun had just fallen athwart the great bay window, when the troubled woman, with a sigh as of utter exhaustion, flung herself upon her bed in a flood of hysterical tears. For a while the storm remained unabating. It almost seemed that the flood-gates of a broken heart had been opened; as though life had no longer any joy remaining; as though all the most treasured possessions of her woman's heart had been ruthlessly torn from her bosom, so hopeless, so dreadful were her tears.
But it was the saving reaction. Within half an hour the storm had lessened. Then, as suddenly as it had begun, it ceased altogether.
Monica sat up.
For one painful moment she gazed stupidly about her. Then one by one the details of her room grew upon her, and, slowly, a subtle change crept into her eyes. For a moment they hardened, as though she were spurring herself to some painful resolve. Then, at last, they softened again to their natural expression. She left her bed, and passed through the doorway which led into her private bathroom.
Presently she emerged. A cold douche had done its work. She was quite calm now, and all her movements became deliberate. She walked up to her mirror, and gazed at the reflection of her swollen eyes. Then, with a weary sigh, she finally turned away and pushed the electric bell at her bedside.
Margaret obeyed the summons with suspicious alacrity. Truth to tell the devoted girl had been near by, waiting for the summons. Her mistress's unusual attitude had seriously troubled her. Now she came, hoping but anxious, and, after one glance at Monica's swollen eyes she gave vent to her distress.
"Oh, but, madam – " she cried.
She was silenced with a look.
"I'll begin to dress – now," Monica said coldly.
But the girl's anxiety was too sincere.
"But, madam, it is only half-past five! Dinner – dinner is at eight."
Monica turned away coldly, and seated herself upon the ottoman, which stood in the center of the room.
"I will dress now," she said finally.
Margaret understood her charge. It was useless to protest when Monica's mind was made up. So she set about her work at once.
Monica watched her as she threw open the wardrobes. Her eyes followed her as she vanished to prepare the bath. But it was not with any interest. The girl's movements simply conveyed a sense of activity to her. That was all. But it helped her. It helped her, in the midst of her teeming thought, as nothing else could have done.
She endured the process of her toilet like one in a dream. Nor was it until it came to the necessary selection of a gown that she displayed any real interest. Then she roused herself and startled Margaret with her peevish indecision. Nothing seemed to please her. Several new gowns, just home from the extravagant costumer, who poured "creations" upon her, were flung ruthlessly aside before the girl's dismayed eyes. She would have none of them, and Margaret was at her wit's end.
There were only a few simple black gowns left, and Margaret hated black. But what was she to do? She produced them, being careful, at the same time, to display her own disapproval. Promptly selection was made. Monica knew the value of soft black chiffon against her beautiful fair hair and fairer skin. No one knew it better.
Another uncomfortable half hour was spent while the girl dressed her mistress's hair. Never had Monica been so difficult to please. But even this was finally satisfactorily achieved, and Margaret sighed her relief.
However, her surprises were not yet done with. There was still another forthcoming. Monica surveyed herself in the mirror. She gazed at herself from every point of view. She beheld a perfectly molded figure, unusually tall, with the delicious tint of flesh like alabaster glowing warmly through the gauzy folds of the simple black chiffon of which her gown was composed. She saw a face that was slightly pale, but of exquisite, mature beauty. She saw eyes of a deep blue, full of warmth, full of that precious suggestion of passionate possibilities which no man can witness unmoved. And even in those moments of trouble she knew that she had done well in her choice of gowns. She knew that she was very beautiful.
She turned at last to the waiting girl, who was gazing at her in open admiration.
"Go and find out if Mr. Hendrie has come in yet. If he hasn't, leave word I am to be told the moment he arrives. Also, let him be told that I wish to see him in the library before he goes to dress."
The girl moved toward the door.
"One moment." Monica spoke over her shoulder. "Put the rouge out for me, and – an eye pencil."
This final order was too much for the girl's sense of the beautiful.
"But, madam," she cried. "Oh, madam is too beautiful for – "
"Do as I tell you!"
The order came sharply, almost harshly, and Margaret hastened to obey. For once Monica was stirred out of her customary kindliness. Her nerves were on edge. She had yet to face an ordeal, which, with each passing moment, was slowly sapping her courage. She knew she had none to spare, and dreaded lest her strength should fail her at the last.
Monica was standing in the archway beyond which two great French windows looked out over the street. One beautiful, rounded arm was upraised, and its bejeweled hand was nervously clutching the edge of the heavy crimson curtain. It was no pose. She was clinging to the curtain for support.
It was still daylight. The setting sun still lit the street outside. The room was lined from its polished floor to the ceiling with dark mahogany bookcases, which, with the crimson hangings, and the deep-toned Turkey carpet, helped to soften the light to a suggestion of evening.
The sound of a step in the hall beyond startled her. She clutched the curtain still more tightly. She knew that firm tread. The handle of the door turned. Instantly she yielded her hold upon the curtain. Her husband must witness no sign of her fear. The next moment a deep, familiar voice greeted her.
"I'm sorry if I kept you waiting, Mon. I – "
Hendrie broke off in astonishment. Just for a moment his eyes surveyed the wonderful picture she made. And, in that moment, Monica realized that her efforts had not been in vain. His eyes were drinking in her beauty, and she understood that never, in their brief married life, had she appealed to him more.
"Why, Mon," he cried. Then in a sudden burst of admiration. "You – you look just splendid." And after a pause. "Splendid!"
Monica smiled up at him.
"You haven't kept me waiting. I – I was anxious to see you at once, so I – I dressed early."
Hendrie had drawn nearer, as though about to embrace her. But her halting fashion of explanation checked him. All unconsciously he leaned against the edge of a table instead. It was as though something had warned him to – wait.
"I'm glad I didn't keep you waiting," he said, and something of the warmth had gone out of his tone. "Something – important?"
The woman was seized with a mad longing to flee from the room. The ordeal she was about to go through was almost more than she could bear.
"Yes – I'm afraid it is," she said, in a low, unsteady voice, while she turned away toward the window.
"Afraid?"
Monica turned again and looked up into his eyes. A sudden weakness left her knees shaking.
"Yes," she said, and stammered on. "I – I – hardly know where – to – begin."
Hendrie left the table and drew a step nearer.
"You're in some trouble, my Mon," he said kindly. "I can see it in your face. Tell me, dear."
His words had their effect. Monica's fears lessened, and something of her courage returned. Suddenly she threw up her head.
"No, no! You tell me, Alec!" she cried. "Tell me truly, as though you were answering your own soul, is there – is there a condition, a moment, a situation in life when it become wrong to keep a solemn vow given – to the dead? I hold that a vow to the dead is the most sacred thing in – life. Am I right – or wrong?"
The man's gray eyes expressed neither surprise nor curiosity. They were calmly considering, and in their calm they were painfully cold.
He shook his head.
"You are wrong," he said simply. "The most sacred thing in life is – Truth. When Truth demands, no vow to dead or living can bind."
Monica sighed.
"You are sure?"
"Sure. Quite sure."
The man was deliberate. As no answer was forthcoming, he went on —
"Come, Mon, tell me. Guess there's something behind all this. Well – I am here to listen."
The woman stirred. She clenched her hands. Then her answer came.
"And I am here to tell you," she cried, with a sharp intake of breath. "I have lost something. I have lost something which is almost as precious to me as – as your love. I have been told that you can tell me where to find – him."
"Him?" The word rang through the quiet room.
It was the man's only comment, and a dreadful inflection was laid upon the word.
There are moments in life when acts are performed, when words are spoken without thought, even without actual impulse of our own. They are, perhaps, moments when Fate steps in to guide us into the path she would have us tread. Perhaps it was such a moment in Monica's life, in Hendrie's.
Certainly the woman had spoken without thought. She had no understanding of what her words could possibly mean to her husband. And Hendrie, surely he was unaware that murder looked out of his furious gray eyes at what he believed to be the mention of the man for whose downfall he had perjured his own soul.
"Yes – him, him!" cried Monica, becoming hysterical. "My – my dead sister's child."
Hendrie recovered himself at once. He smoothed back his hair like a man at a loss.
"I – don't think I quite – get it," he said slowly. Then his bushy brows lifted questioningly. "Your sister's child? I didn't know you had a sister. You never told me. Say – how should I know where this child is?"
He was puzzled. Yet he was not without some doubts.
Monica swallowed with difficulty. Her throat and tongue were parched.
"No," she said, struggling for calmness. "I never told you because – because I had vowed to keep the secret. Questions would have followed the telling, which I could not have answered. I was bound – bound, and I could not break my promise."
"You best tell me all there is to tell," the man said coldly. "This secrecy, this promise. I don't understand – any of it."
Never had his wife's beauty appealed to Hendrie more than it did at that moment. A great depth of passionate feeling was stirring within him, but he permitted it no display. He was growing apprehensive, troubled. His doubt, too, was increasing.
Monica suddenly thrust out her hands in appeal.
"Oh, Alec, it is so hard, even now, to – to break my faith with the dead. And yet I know you are right. It – it is more than time for the truth. I think – yes, I believe if poor Elsie knew all, she would forgive me."
"Elsie?" The man's voice was sharply questioning.
"Yes, Elsie – my poor, dead sister."
"Go on."
"Yes, yes. I must go on." Monica drew a deep breath. "I can't understand. I don't seem to – Oh, tell me where he is. My Frank, my poor Frank, Elsie's boy. The boy I have brought up to manhood, the boy I have cared for all these years, the boy I have struggled and fought for. He – he is – lost. He has been spirited away as though he had never existed. And – I am told by the detectives to ask you where he is."
Hendrie's eyes were upon the carpet. He was no longer looking into the troubled face before him.
"Tell me," he said sharply; "when did you see him last?"
Monica no longer hesitated. Her husband's manner had become suddenly compelling.
"It was the last night I spent at Deep Willows," she said at once. "Just before you came home."
Hendrie raised his eyes. They were full of a dawning horror.
"The truth does demand," he cried almost fiercely. "Tell me! Tell me – as quickly as you can."