The Girl Philippa

Warner had completed his toilet when a maid brought café-au-lait. He ate, listening to the grumble of the northern cannonade and watching the movement of the columns along dry roads, where unbroken walls of dust marked every route, seen or unseen, across the vast green panorama.

He had finished breakfast and was lighting a cigarette in preparation for descending to the terrace, when the noise of an altercation arose directly under his window; and, looking out, he beheld Asticot in dispute with the sentry stationed there, loudly insisting that he was a servant of the establishment, and demanding free entry with every symptom of virtuous indignation.

He was a sight; his face and hands were smeared with black – charcoal, it looked like – his clothes were muddy and full of briers, his beloved lovelocks, no longer plastered in demicurls over each cheekbone, dangled dankly beside his large, wide ears.

Over his shoulder he carried a sack, and to this he clung while he flourished his free hand in voluble and impassioned argument.

Warner spoke sharply from the window above:

"Asticot!"

The disheveled one looked up with a joyous exclamation of recognition; the sentry also looked up.

"He's my servant," said Warner quietly. "Asticot! What do you want?"

"M'sieu' Warner, I have something for you and for Mademoiselle Philippa – "

"Very well. Go to the harness room; make something approaching a toilet, put on the clean suit I gave you, and report to me."

"'Fait, M'sieu'!"

The sentry scowled after him as he departed, and Asticot pulled a hideous face at him and thrust his tongue into his cheek in derision.

Warner, immensely amused, reassured the soldier on guard, folded his arms and leaned on the sill to watch the interminable columns of motor lorries moving through the valley.

The scenes everywhere were so intensely interesting that he had not had enough of them when Asticot reappeared, cleansed, reclothed, his hair sleekly plastered, still lugging his sack and looking at the sentinel with the sad air of outraged innocence bestowing forgiveness.

"Let him pass, please," said Warner from the window. After a few moments a disgusted maid knocked, requesting enlightenment concerning "an individual pretending to be a servant of Monsieur Warner."

"It's true, Babette," he said, laughing. "Show him up, if you please."

Asticot entered, cap in hand, bowed, scraped the carpet with a propitiating and crablike shuffle of his right foot, and set the sack upon the floor.

There always had been something about the young ruffian which inclined Warner to mirth. He waited a moment to control the amusement which twitched at his lips, then:

"Well, Asticot, where have you been and what is in this bundle?"

"M'sieu' – may I close the door? I thank M'sieu'… One cannot be too careful about being overheard in these miserable days of martial law."

"What? Have you been doing something you are ashamed of?"

"No; nothing that I am ashamed of," replied Asticot naïvely. "I have been to Ausone."

"To Ausone!"

"M'sieu', figurez-vous! – It occurred to me last evening —tiens! there ought to be a few odds and ends to pick up in Ausone – a few miserable chiffons which nobody wants – little fragments of no value, you understand – what with the bombardment and all those ruined houses – "

"You went looting!"

"M'sieu'!" he said in pained surprise. "It was nothing like that! No! I said to myself, 'Tenez, mon vieux, to rake over a pile of rubbish is no crime in Paris. On peut ramasser des bouts d'cigares comme ça. Eh, bien, quoi?' I said to myself, 'Asticot, en route!'

"So I borrowed a boat – "

"Borrowed? From whom?"

"I could not find any owner, M'sieu'. So, as I say, I offered myself a boat, and I took the fishing pole which was in it, and I rowed boldly up the river.

"I suppose, seeing the fishing pole, nobody stopped me. Besides, there were a few freshly caught fish in the boat. These I held up, offering to sell to the soldiers I saw – a precaution, M'sieu', which rendered my voyage very easy."

"It's a wonder you did not get yourself shot!"

"It was dark enough after a while. And there are no troops beyond the second mill; and no vedettes disturbed me.

"At the Impasse d'Alcyon I tied my boat. The alley and the square were full of the poor people of Ausone, returning to look among the ruins for what had been their homes. Me, I said I was looking for mine, also – "

Warner said:

"That is villainous, Asticot; do you know it?"

"M'sieu'! I journeyed there only for what was rightfully mine!"

"Yours! What do you mean?"

"Tenez, M'sieu'; that wicked traitor, Wildresse, employed me, did he not? Bon! Would you believe it – never yet has he paid me what he owes me! M'sieu', such trickery, such ingratitude is nauseating! Besides, now that I know he has sold France, I would not touch his filthy money. No!"

He scowled thoughtfully at space, shrugged, continued:

"The question nevertheless remained: how was I to reimburse myself? Tiens! An idea! I remembered that in the cellar of that cabaret my friend, Squelette, and I had discovered a safe.

"That very night, after M'sieu' had escaped us, taking with him M'amzelle Philippa, Squelette and I we drilled into that safe – "

"What!"

Asticot shrugged:

"Que voulez-vous! C'est la vie! Also, M'sieu' should trouble himself to recollect that I had not become honest and God-fearing under the merciless blows of M'sieu'. I was still full of evil in those days, alas! not yet sufficiently remote – "

"Go on," said Warner, controlling his laughter.

"M'sieu', we got the safe door open, Squelette and I, but found no opportunity to rummage. Then we were sent here, M'sieu' knows the rest – the bombardment and all… So last night I went back to the cabaret – or what remains of it – four walls and a heap of brick. The fire was out. The cabaret was ruined, but the café had not been destroyed.

"And now, M'sieu', comes a real vein of luck. And what do you suppose! Face to face in the dark I came upon a pioupiou on guard as I crawl through the café door.

"And I thought his bayonet was in my bowels, M'sieu', when he turned his breast torch on me. One makes short work of looters – not that I can rightly be called that. No! But still I thought: 'Dieu! Je claque! C'est fini!' When, 'Tiens!' exclaims my soldier. 'C'est mon vieux co'pain! What dost thou do here, Asticot, smelling around these ruins?'

"M'sieu', I look, I expel a cry of joy, I embrace a friend! It is One Eye – my comrade in the Battalion of Biribi! I am within the lines of a Battalion of Africa!"

He licked his lips furtively, and leered at Warner.

"Voyez-vous, M'sieu', when old friends meet an affair is quickly arranged. I file away at full speed; I gain the cellar, I flash the safe, I pull some old sacks under me and sit down at my leisure. It was most comfortable.

"Can M'sieu' see the tableau? Me, Asticot, seated before the open safe of Wildresse, who has wronged me and my country, leisurely revenging myself by knocking off the necks of his wine bottles and refreshing myself while I examine the contents of the traitor's safe!"

He smirked, doubtless picturing to himself his recent exploit, with himself, Asticot, as the heroic center of a deed which evidently gave him exquisite satisfaction.

He reached for the sack on the floor, squatted down on the rug in front of Warner's chair, untied the sack, and drew from it bundle after bundle of papers.

"His!" he remarked. "All private. I think, M'sieu', that a few of these will do away with any necessity for ceremony when we catch Wildresse."

He passed the packages of papers to Warner, who laid them on the table, looking very serious.

What Asticot did not extract from the sack he had already removed and hidden in the straw under his blanket in the harness room – a bag of Russian gold coins and a bag of French silver money.

Now, however, he produced a pillowcase. There were old, rusty stains on it, and in the corner of it a heraldic device embroidered.

Asticot deftly untied it and dumped out of it upon the floor a strange assortment of things – toys, and picture books in French, articles of clothing, ribbons, tiny slippers, the crumpled frocks and stockings of a little girl, and fragments of a little cloak of blue silk edged with swansdown, and a little hat to match.

"What in the world – " began Warner, when Asticot opened one of the picture books and silently displayed the name written there – "Philippa."

"M'sieu', because you are fond of M'amzelle, when I discovered her name in these books I brought everything as I found it – tied up in this pillowcase – toys, clothing, all, just as I discovered it in the safe – thinking perhaps to please M'sieu', who is so kind to me – "

"You did right! What are those things – photographs? Give them to me – "

"M'sieu', they are the pictures of a little child. To me they resemble M'amzelle Philippa."

Warner examined the half-dozen photographs in amazement. They were more or less faded, not sufficiently to prevent his recognizing in them the child that Philippa had once been. He was absolutely certain that these photographs represented Philippa somewhere between the ages of five and seven.

One by one he studied them, then turned them over. On every one was written "Philippa," and the age, "four," "five," "six," on the several pictures. All were written in the same flowing feminine handwriting. The name of the photographer was the same on every picture, except on that one where the age "six" was written. That photograph had been taken in the city of Sofia in Bulgaria. The others bore the name of a photographer in the French city of Tours.

Asticot, squatting on the floor cross-legged, watched him in silence.

Finally Warner said:

"Thank you, Asticot. You have behaved with intelligence. I double your wages."

"M'sieu' is contented with his Asticot, grateful and devoted?"

"Indeed, I am!"

"Will M'sieu' permit me to go now?"

"Certainly. Do they feed and lodge you properly at the inn?"

Asticot murmured that it was heavenly, and hastily took his departure, burning with anxiety concerning the safety of the treasure he had concealed under the straw and blanket in the harness room.

As for Warner, he was intensely interested, excited, and perplexed. Here, apparently, in this old, stained pillowcase which Asticot had found in the private safe of Wildresse, were the first clews to Philippa's identity that anybody, excepting Wildresse, had ever heard of.

These photographs were without doubt photographs of Philippa as a child, two taken in Tours, one in Sofia.

And the girl's name was Philippa, too —

Suddenly it occurred to him that, according to Wildresse, Philippa had been left at his door as a Paris foundling – as an infant only a few weeks old. So Wildresse himself might have named her. Perhaps his wife had written Philippa's name on these pictures. And yet – how had Philippa come to be in the Bulgarian city of Sofia? Was it possible that Wildresse could ever have taken the child there?

He looked down at the toys, at the clothing. Had they belonged to Philippa as a child?

Between his room and Gray's there was a pretty sitting room. He put everything back into the pillowcase, went out into the corridor, found the sitting room door open and the room full of sunlight.

A maid, who sat sewing in the corridor, went to Philippa's room with a request from Warner that she dress and come to the sitting room.

Warner emptied the pillowcase on the center table, then, folding it, gave it to the maid, who returned to say that Philippa was dressed and would come immediately.

"Take this pillowcase to Madame la Comtesse," he explained. "Say to Madame that there is a device embroidered on the case, and that I should be infinitely obliged if Madame la Comtesse would be kind enough to search for a similar device among such volumes on the subject as she possesses."

The maid went away with the pillowcase, and a moment later Philippa appeared, fresh, dainty, smiling, an enchanting incarnation of youth and loveliness in her thin, white morning frock.

She offered her hand and withdrew it immediately, as though this slight, new shyness of hers in his presence forbade that contact with him which, before that day when he painted her, had never seemed to embarrass her.

He ushered her silently into the little sitting room; she went forward and stopped by the center table, looking down curiously at the motley heap of toys and clothing which covered it.

He watched her intently as she turned over one object after another. Presently she glanced around at him interrogatively.

"Examine them," he said.

"What are they?"

"You see – a child's toys and clothing. Pick up that broken doll and look it over carefully."

She lifted the battered French doll, examined it as though perplexed, laid it aside, picked up a Polichinelle, laid that aside, looked at a woolly dog, a cloth cat, a wooden soldier in French uniform with scarlet cap askew and one arm missing.

"Well?" he asked.

"I don't understand, Jim."

"I know. Is there among these things any object which seems at all familiar to you?"

"No."

"Nothing that seems to stir in you any memory?"

She shook her head smilingly, turned over the heap of garments, shifting them to one side or the other, caught a glimpse of the little cloak of pale blue silk and swansdown, lifted it curiously.

"How odd," she said; "I have – " She hesitated, looked intently at the faded silk, passed one slim hand over the swansdown, stood with brows bent slightly inward as though searching in her mind, deeply, for something which eluded her.

Warner did not speak or stir; presently she turned toward him, perplexed, still searching in her memory.

"It's odd," she said, "that I seem to remember a cloak like this… Or perhaps as a very little child I dreamed about such a pretty cloak… It was long ago… Where did you get it, Jim?"

"Do you seem to remember it?"

"Somehow, I seem to."

"Is there anything else there which appears at all familiar to you?"

She sorted over the toys and garments, shook her head, picked up a picture book and stood idly turning the pages —

And suddenly uttered a little cry.

Instantly he was beside her; the page lay open at a golden scene where the Sleeping Beauty had just awakened, and the glittering Prince had fallen on one knee beside her couch.

"Jim! I – I remember that! It was all gold – all – all golden – everything – her hair and his – and the couch and her gown and his clothes – all gold, everything golden!

"I know that picture. Where in the world did you find it? I was a child – they showed it to me; I always asked for it – " She looked up at him, bewildered.

"Turn the pages!" he said.

She turned; another soft little cry escaped her; she recognized the picture, and the next one also, and the next, and every succeeding one, excitedly calling his attention to details which had impressed her as a child.

Of the other books she seemed to retain no recollection; remembered none of the toys, nothing of the clothing except the faded silken cloak with its border of swansdown. But this book she remembered vividly; and when he showed her her name written in it she grew a little pale with surprise and excitement.

Then, seated there on the table's edge beside her, he told her what Asticot had told him and showed her the photographs.

She seemed a little dazed at first, but, as he continued, the color returned to her cheeks and the excitement died out in her grey eyes.

"I cannot remember these events," she said very quietly.

"Is it possible he could have taken you to Bulgaria without your recollecting anything about it?"

"I must have been very, very young." She sat on the table's edge, staring at the sunny window for a while in silence, then, still gazing into space:

"Jim… I have sometimes imagined that I could remember something – that I am conscious of having been somewhere else before my first recollections of Wildresse begin. Of course, that is not possible, if he found me, a baby, at his door – "

"He may have lied."

She turned slowly toward him:

"I wonder."

"I wonder, too."

After a silence she said, speaking with a deliberation almost colorless:

"Whether they were dreams, I am not quite certain, now. Always I have supposed them to have been dreams – dreamed long ago… When I was very, very little… About a lady with red hair – near me when I was sleepy… Also there comes a voice as though somebody were singing something about me – my name – Philippa."

"Is that all?"

"I think so… She had red hair, and her cheeks were warm and soft… I was sleepy. I think she sang to me… Something about 'Philippa,' and 'dreamland.' … The golden picture in that book makes me think of her voice. The cloak with the swans-down reminds me… Do you think it could have been a dream?"

"God knows," he muttered, staring at the floor.

After a while he rose, drew a chair to the table, and Philippa seated herself. Leaning there on one elbow, her cheek on her palm, she opened the book she had remembered and gazed at the golden picture.

Warner watched her for a while, then went quietly out and along the corridor to the hall that crossed it. Madame de Moidrey's maid announced him.

"May I come in a moment, Ethra?"

"Certainly, Jim. It's all right; I'm in negligée." And as he entered: "Where in the world did you find that soiled old pillowcase?"

"Did you discover the device embroidered on it?"

She pointed to a volume lying on her dressing table:

"Yes. The arms of Châtillon-Montréal are embroidered on it. It's rather a strange thing, too, because the family is extinct."

"What?"

"Certainly. As soon as I found out what the device was, I remembered all about the family. Sit down there, if you want to know. You don't mind Rose doing my hair?"

"You're as pretty as a picture, Ethra, and you are perfectly aware of it. Go on and tell me, please."

"It's a well-known family, Jim – or was. The early ones were Crusaders and Templars, I believe. Their history ever since has been mixed up with affairs oriental.

"There was a De Châtillon who had a row with Saladin, and I think was slain by that redoubtable Moslem. The daughter of that De Châtillon married a paladin of some sort who took her name and her father's quarterings and added a blue fanion and a human head to them; also three yaks' tails on a spear support the arms. Why, I don't remember. It's in that book over there, I suppose.

"Anyway, it seems that some king or other – Saint Louis, I believe – created the first son of this paladin and of the daughter of De Châtillon a Prince of Marmora with the Island of Tenedos as his domain.

"Of course one of the Sultans drove them out. Fifty years ago the family was living in Tours, poor as mice, proud as Lucifer of their Principality of Marmora and Tenedos – realms which no Châtillon, of course, had ever been permitted to occupy since the Crusades.

"The family is extinct – some tragedy, I believe, finished the last of the Châtillons. I don't remember when, but it probably is all recorded in that book over there."

"May I borrow it?"

"Certainly. But where in the world did that exceedingly soiled pillowcase come from?"

"Don't have it washed just yet, Ethra. A man discovered it in a safe which was the private property of that scoundrel, Constantine Wildresse.

"When your hair is done, will you please go into the sitting room on my corridor? Philippa has something to show you."

The Countess looked at him curiously as he took his leave.

"Please hurry with my hair," she said to her maid.