The Demonata 1-5
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Some of the younger children from the crèche have come with us. Their normal minder has gone to the fair and her replacement’s finding it hard to cope with so many little ones. She was delighted when Logan offered to take a few off her hands for the day.
Art’s playing with the orange marbles beside me. I shouldn’t let him have them, but he really likes them. Anyway, he hasn’t put them in his mouth yet. I keep a close eye on him, checking every couple of minutes to make sure both marbles are in sight — not in his stomach.
“So these plates are moving all the time?” Bryan Colbert asks. Bryan’s one of the eldest children, nearly seventeen.
“Yes,” Logan says.
“Then why don’t countries move?”
“They do,” Logan says. “The continents are drifting all the time. It’s very slow, but it’s happening. One day Australia will collide with America or Africa – I can never remember which – and the effects will be catastrophic. New mountains will be thrust upwards. There’ll be tidal waves. Dust will clog the air. Billions of people and animals will die. It might be the end of all life on this planet.”
“All life?” Dave English – a kid a year younger than me – asks.
“Yes.”
“But I didn’t think that could happen. Everybody… everything…can’t just die. Won’t God keep some of us alive?”
“No god can prevent the end of life on this planet,” Logan says in his usual serious way. “Or the end of life in this universe. Everything has an end. That’s the way life is. But maybe there’ll be a new beginning when our world ends. New life, new creatures, new means of existence.”
“That’s scary,” Dave mutters. “I don’t want everything to die.”
“Nor me,” Logan smiles. “But our wants are irrelevant. This is the way things are. We can accept the truth and deal with it, or live in ignorance. Death is nothing to be afraid of. Once you think it through and get it into perspective, it’s not so bad. In fact, many people–”
“Now!” a woman screams, cutting Logan off. All our heads turn at once, as if our necks were connected. I see Mrs Egin lumbering up behind us, fingers twitching, frothing at the mouth. “Now it happens! Up the throat, past the gums, look out world, here it comes!”
The pink light which I saw her stroking a few days ago has grown much bigger and now seems to be touching her just behind her head. It’s pulsing quickly. Other patches of light around it are pulsing too, and moving towards it, as though magnetically drawn to it.
“Mrs Egin?” Logan says, rising, signalling for the rest of us to stay seated. “Are you all right?”
“They said I couldn’t do it! Thought I wasn’t strong enough to summon them!” She laughs her witch’s laugh, then sings, “Wrong! Wrong! Wrong! Now! Now! Now!”
“Mrs Egin, I think you should–”
“You will see me die!” she shouts and her eyes scan the group, fixing on me. “Find the thief! Who’s the thief? Find him!”
Fear comes shooting back. I’m not as afraid as when I was alone with her, but I’m pretty petrified. The others are too. We huddle close together, shuffling into a tighter group for protection.
Logan steps forward. “Let me take you home, Mrs Egin. We’ll get you to bed, I’ll call for a doctor, and you’ll be right as rain in–”
Mrs Egin roars a word I don’t know. Her lips are moving fast now, in that strange language she was speaking before. Logan stops short and hesitates. That scares me even more — it’s bad news when your teacher is as frightened as you are.
The pulsing patches of light are moving faster, drawn towards the pink light. They merge with it, then flow into Mrs Egin. Now she’s glowing from within, the lights beneath her flesh, spreading through her body.
I stumble to my feet. “The lights!” I gasp.
Logan looks back at me. “Calm down, Kernel.”
“But the lights! Can’t you see them?”
“What lights?”
“Inside her! She’s swallowing the lights!”
Mrs Egin cackles while Logan stares at me dumbly. I glance around. Everyone’s looking at me oddly. They can’t see the lights. There’s nothing any of them can do to stop this happening.
I focus on Mrs Egin. A bulging, pulsing bubble of light has formed behind and above her, patches melting together, colours mixing, flowing into her. Her eyes are bowls of light. I can’t see her lips — multicoloured froth hides them. Her skin appears to be rippling.
“Mrs Egin,” Logan tries again, facing her. “You have to–”
The witch shrieks triumphantly. A piercing note of wickedness and victory. I cover my ears with my hands. Logan covers his too. My eyes scrunch shut, but I quickly force them open a crack. I see Mrs Egin stagger backwards. She goes stiff, arms wide at her sides, head cocked to the left. A gentle, tender smile crosses her lips.
Then the lights explode through her. And she explodes. Scraps fly everywhere — flesh, bone, guts, blood. Logan and the kids at the front are splattered by the spray. They squeal with disgust and terror. A chunk of bone hits Logan hard in the face and he drops, grunting with pain.
I cover my eyes and drag Art in close, turning him away from the carnage. I’m screaming. Everybody is. But I can still hear Mrs Egin’s scream over the sound of all the others, even though she can’t be making any noise now.
For an uncountable number of seconds the witch’s scream holds, mingling with ours. Then it stops. All the screaming stops in the space of a second or two. Eerie, unnatural silence.
I don’t want to take my arm away, but I must. I have to look. Others are peeping too, although most are still covering their eyes or looking away from where the witch was standing.
Mrs Egin is gone. Nothing of her remains, except a circle of blood and grisly carnage, covering the grass, Logan and many of the children. And at the centre of the circle — a panel of greyness.
The large grey patch of light hangs motionless a foot or two above the ground. It’s three or four feet wide, maybe six or seven high. Jagged round the edges.
I’m not the only one who can see this light. Others are pointing at it, gasping, murmuring, “What the hell is that?” This is a different type of light from the ones I usually see.
Logan rises, rubbing his head. Stares in disbelief at the gory mess, then at the grey wall of light. He’s an educated, experienced man. But he’s seen nothing like this before.
“She exploded!” a boy yells, excited. “Did you see her? It was amazing!”
“Is she dead?” a girl asks, voice trembling.
“What’s that light?”
“Yeah, what is it?”
“Yeah.”
Logan walks round the panel of light. I can only see his feet when he’s behind it. Then he comes back into view. He’s more bewildered than afraid, like most of the kids around me. The light has made more of an impression than Mrs Egin exploding! Perhaps they’re in shock, not ready to deal with the explosion – and her death – yet.
“We have to get away from here.”
I hadn’t meant to speak, but now that the words have popped out, I know I’m right. Everybody gawps at me. “This is bad!” I shout. “That light’s dangerous. We have to run.”
“It’s OK, Kernel,” Logan says. “This is mind-blowing, but we’re in the midst of something wondrous. I’m not sure what’s going on, but this is a once in a lifetime opportunity to experience the miraculous. Mrs Egin… this light… it’s incredible!” He beams with delight.
Some kids get to their feet and drift towards Logan and the panel of grey light. They’re not afraid now that Logan isn’t. They trust him. They think he knows best.
“This is wrong!” I yell. “It’s evil! Can’t you feel it?”
“You shouldn’t be so suspicious, Kernel,” Logan laughs uneasily.
“You’re covered in blood!” I roar angrily, unable to believe that someone so smart can be this stupid. “Mrs Egin’s dead! You’re walking through her guts!”
Logan blinks. Looks down at his blood-soaked shirt and trousers. His red hands. The mess around him. “Oh,” he says quietly. “Oh my–”
Something bursts out of the grey light. It has two long legs, a stumpy, leathery body, four arms which end in thick, hairy fingers. A dark green head, a cross between a human’s and a dog’s. No mouth. Long draping ears. Wide, white, evil eyes.
The thing grabs Logan. It somehow makes a hissing, whistling noise. Logan stares at it in shock. Two of its hands lock on his head. The others clasp his shoulders. The hairs on its fingers extend, growing at an unnatural speed, digging into the flesh of Logan’s face. One hair darts into his right eye, puncturing it. Logan shrieks with pain.
Then the thing’s upper arms jerk apart quickly — ripping Logan’s head off his neck! The monster tosses it to the ground. Stamps down hard with its right foot. And Logan’s severed head pops like a melon dropped from a great height.
The thing looks at the rest of us. Spreads its arms and hisses. And thirty-four kids scream as one and crap their pants.
KIDNAP
→ Chaos. Everyone’s running, crashing into each other, falling, screaming. I’m part of the madness. Clutching Art in my arms. Fleeing blindly. Away from the grey light and the four-armed monster. Trying to stay on my feet. Weeping, partly because Logan has been killed, mostly because I’m terrified.
A girl smashes into me and knocks me to the ground. I manage to fall with Art on top of me, so he isn’t injured. He’s laughing — he thinks this is a game. I start to yell at the girl, but then I see blood gushing from her throat, her arms thrashing. She topples over. Flops about, then goes very still.
I look away before I can focus on her face. I don’t want to know who she is. Right now I want to concentrate on the one thing that matters more than anything else — getting out of here before the monster kills me.
I push myself to my feet, chest heaving. Look for the best way out. It’s hard to tell. I’m surrounded on all sides by panic. I count two, three, four dead children — then stop. I don’t want to know the numbers.
The monster’s on top of a boy — Dave English, who was so afraid of death. The beast’s fingers are buried in Dave’s stomach. It’s gazing around, white eyes darting from one child to another. Like it’s choosing its next victim. Or looking for someone in particular.
I’m getting ready to run again when I spot movement in the panel of grey light. A man steps through. Behind him is a blonde woman. Another woman after her, Indian, wearing a sari. Then a second dark-skinned man.
The Indian woman curses when she sees the corpses. Starts after the monster, her hands coming up, murder in her eyes.
“Sharmila! No!” barks the first man. He’s old. He has a short beard and messy dark hair. A shabby suit.
“We must stop this!” the Indian woman shouts.
“No,” the man repeats, and I can tell by his tone that he’s accustomed to being obeyed.
“Master…” the second man says uncertainly. He has the darkest skin I’ve ever seen, as if his mother was the night.
“I know, Raz,” the first man snaps. “But we mustn’t kill him.”
“The children,” the Indian woman snarls. “I will not stand by and let that demon murder all these children. That would be monstrous.”
“She is right, master,” the black man says.
“Oh, very well,” the man in the shabby suit grumbles. “We’ll save as many of the young as we can. We don’t want to be considered barbarians.” He laughs then signals for the others to spread out. “Work Cadaver back to the window and force him through. We’ll track him down again later.”
This sudden appearance and surreal conversation has astonished me so much, I’m standing still instead of fleeing for safety. The monster – a demon, the woman said – has moved on from Dave English and is lolloping after a girl. She’s racing from it like an Olympic sprinter, but the monster’s legs are longer and it catches up with her in a couple of seconds. Reaches out with its long, hairy fingers… then recoils when the ground at its feet explodes upwards.
The demon makes a high whistling sound, its head snapping round. It spots the four humans who came through the panel (or window, as the man called it). It glares at them, white eyes filled with fury and hate. They’re closing in on it from both sides, leaving a path to the window free. Pale blue light crackles from the black man’s fingertips — I guess he made the ground explode, distracting the monster and saving the girl.
Art bites my right arm, hard. It’s the first time he’s ever bitten me. I get such a shock, I drop him and collapse on my bum. He lands with a heavy thud, rolls over, then crawls towards the demon, gurgling happily. He must think it’s some giant toy. He’s so anxious to play with it, he bit me so I’d release him.
“Art!” I yell. “Come back! It’s…”
The demon spots me. Its white eyes roll down and fix on Art. It gives a loud, high-pitched whistle. And then it’s running towards us, impossibly long steps. I barely have time to register fear — then it’s on us. It stoops, picks Art up with one hand, hisses like a nest of snakes.
“No!” I cry, leaping at the demon, forgetting my fear, caring only about Art. I land on the monster’s left side. From a distance I thought its skin was leathery, but now I realise it’s more like an insect’s brittle shell. My fists crunch into it, knocking crinkly flakes loose. I’m yelling wildly, the way I always do when I get into a fight.
I tug at its hairy arms – they feel like strands of seaweed – desperately reaching for Art. The demon hisses again then knocks me aside. I land hard on my right arm. It twists beneath me and snaps. I roar with pain, but roll over and force myself back to my feet, woozy but determined to rescue Art.
But the demon isn’t there. It’s racing towards the grey window, Art cradled in its arms, head down, legs a whirl of motion.
“Beranabus!” the Indian woman shouts.
“Let him go,” the leader of the quartet says.
“But the child…”
“Not our problem.”
“Art!” I bellow, tears streaming from my eyes. It’s hopeless, but I run after the demon, praying for the strength and speed to draw level with it before it reaches the window.
The demon pauses at the panel of grey light. Looks back at the four adults. It hisses and shakes Art at them, mocking them. The hairs of its hands wrap round Art’s ankles then snake up his legs. He’s giggling, tugging at the monster’s floppy ears, no idea of the danger he’s in. He drops his orange marbles — he’s found something better to play with.
The Indian woman snarls and extends a hand towards the demon. She starts muttering the words of what sounds like a spell. Before she can complete it, the monster jumps at the window, hits the grey light and vanishes. Returns to whatever hellish place it came from — with Art.
→ I sink to my knees, stunned, staring at the window. Around me — screams, sobbing, moans. The stench of blood and death. Calls from the village as terrified adults race towards their stricken children, too late to help, only in time to mop up the blood.
The four people who came through after the monster have gathered by the window. The light is pulsing again. The edges are throbbing inwards, turning white. The leader stands in front of the panel.
“Do you think he’s waiting for us on the other side?” the dark-skinned man asks.
The leader shrugs. “Only one way to find out.” He steps forward and disappears like the demon. The blonde woman follows, then the black man. The Indian woman pauses and looks round the field of misery. Her gaze rests on me. She winces. Starts to say something. Changes her mind and steps into the light.
→ I’m dazed. Shaking from shock and the pain in my right arm. Silently staring at the grey light as it pulses quicker and quicker, the edges closing in. It’s about to collapse, break apart, become fragmented patches of light again.
Fresh screams as parents find the remains of their children. A chorus of wails, growing by the second, becoming a wall of anguished sound. Some kids are still running. They don’t know it’s finished, that the monster’s gone, that the last victim was Art.
I stumble towards the flickering window, wanting to believe there’s hope, that the Indian woman will reappear with Art in her arms. Art can’t be gone for ever. I can’t have lost him. He’s my brother.
I spot the marbles on the ground by the window. I pick them up, study their orange centres, then put them in my left trouser pocket. I’m numb. Hardly aware of the throbbing pain in my broken arm.
I think about Mum and Dad, how they’ll react when they return to find Paskinston in mourning, Art abducted. Mum’s last words to me echo inside my skull — “Look after your brother.” Dad calling me the best brother in the world, saying I’d take better care of Art than they could.
But I didn’t. I let a demon take him.
Staring into the heart of the grey light. I tune out the screams. Focus on the window. A voice whispers to me, a voice I haven’t heard for a year. Tells me what I must do. What it suggests is crazy. I should dismiss it immediately. But I can’t.
The window is closing. Any second now, it’ll be gone. But if I step forward before it closes… chase after the demon… perhaps I can find Art, rescue him, bring him back home.
Madness. Art’s probably dead already, slaughtered by the demon as soon as it escaped. Besides, I don’t know what lies on the other side of the window. Most likely more monsters like the one that took Art. I’ll almost certainly be killed. Even if I’m not, there’ll be no way back once the window breaks up. Mum and Dad will lose both their children. Double the sorrow. I should forget about it. Ignore the voice and its suicidal suggestion.
But I can’t. Because they’ll blame me. They won’t want to, but the accusation will be there, in their eyes. A look that says, “You didn’t take care of him. He was your brother. You didn’t protect him. You let him go. It’s your fault.”
The edges of the window bend inward. The grey light sputters. There’s no more time. I have to decide.
I start to look back, wanting the window to close before I can act, to cheat myself of the chance to go after Art. But as my head turns, my feet move forward. Instinct makes me step through the grey light of the window — into the realm of the murderous demon.
WALKING ON WATER
→ The greyness lasts a few seconds. Like a mist around me, except there’s no damp or cool sensation. Then it parts and I find myself surrounded by trees. A forest of crooked, twisted, pitiful trees.
They’re howling.
At first I think something else is making the horrible noise, like a mix of car brakes squealing and somebody sawing through metal. My brain tells me there are workmen nearby, or a weird animal. But then I see the trees moving, swaying weakly. There are holes in their dark, mottled bark. And the howls are coming from the holes. No question about it.
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