Guy Mannering; or, The Astrologer

ADDITIONAL NOTE

GALWEGIAN LOCALITIES AND PERSONAGES WHICH HAVE BEEN SUPPOSED TO BE ALLUDED TO IN THE NOVEL

An old English proverb says, that more know Tom Fool than Tom Fool knows; and the influence of the adage seems to extend to works composed under the influence of an idle or foolish planet. Many corresponding circumstances are detected by readers of which the Author did not suspect the existence. He must, however, regard it as a great compliment that, in detailing incidents purely imaginary, he has been so fortunate in approximating reality as to remind his readers of actual occurrences. It is therefore with pleasure he notices some pieces of local history and tradition which have been supposed to coincide with the fictitious persons, incidents, and scenery of Guy Mannering.

The prototype of Dirk Hatteraick is considered as having been a Dutch skipper called Yawkins. This man was well known on the coast of Galloway and Dumfriesshire, as sole proprietor and master of a buckkar, or smuggling lugger, called the ‘Black Prince.’ Being distinguished by his nautical skill and intrepidity, his vessel was frequently freighted, and his own services employed, by French, Dutch, Manx, and Scottish smuggling companies.

A person well known by the name of Buckkar-tea, from having been a noted smuggler of that article, and also by that of Bogle Bush, the place of his residence, assured my kind informant Mr. Train, that he had frequently seen upwards of two hundred Lingtow men assemble at one time, and go off into the interior of the country, fully laden with contraband goods.

In those halcyon days of the free trade, the fixed price for carrying a box of tea or bale of tobacco from the coast of Galloway to Edinburgh was fifteen shillings, and a man with two horses carried four such packages. The trade was entirely destroyed by Mr. Pitt’s celebrated commutation law, which, by reducing the duties upon excisable articles, enabled the lawful dealer to compete with the smuggler. The statute was called in Galloway and Dumfries-shire, by those who had thriven upon the contraband trade, ‘the burning and starving act.’

Sure of such active assistance on shore, Yawkins demeaned himself so boldly that his mere name was a terror to the officers of the revenue. He availed himself of the fears which his presence inspired on one particular night, when, happening to be ashore with a considerable quantity of goods in his sole custody, a strong party of excisemen came down on him. Far from shunning the attack, Yawkins sprung forward, shouting, ‘Come on, my lads; Yawkins is before you.’ The revenue officers were intimidated and relinquished their prize, though defended only by the courage and address of a single man. On his proper element Yawkins was equally successful. On one occasion he was landing his cargo at the Manxman’s Lake near Kirkcudbright, when two revenue cutters (the ‘Pigmy’ and the ‘Dwarf’) hove in sight at once on different tacks, the one coming round by the Isles of Fleet, the other between the point of Rueberry and the Muckle Ron. The dauntless freetrader instantly weighed anchor and bore down right between the luggers, so close that he tossed his hat on the deck of the one and his wig on that of the other, hoisted a cask to his maintop, to show his occupation, and bore away under an extraordinary pressure of canvass, without receiving injury. To account for these and other hairbreadth escapes, popular superstition alleged that Yawkins insured his celebrated buckkar by compounding with the devil for one-tenth of his crew every voyage. How they arranged the separation of the stock and tithes is left to our conjecture. The buckkar was perhaps called the ‘Black Prince’ in honour of the formidable insurer.

The ‘Black Prince’ used to discharge her cargo at Luce, Balcarry, and elsewhere on the coast; but her owner’s favourite landing-places were at the entrance of the Dee and the Cree, near the old Castle of Rueberry, about six miles below Kirkcudbright. There is a cave of large dimensions in the vicinity of Rueberry, which, from its being frequently used by Yawkins and his supposed connexion with the smugglers on the shore, is now called Dirk Hatteraick’s Cave. Strangers who visit this place, the scenery of which is highly romantic, are also shown, under the name of the Gauger’s Loup, a tremendous precipice, being the same, it is asserted, from which Kennedy was precipitated.

Meg Merrilies is in Galloway considered as having had her origin in the traditions concerning the celebrated Flora Marshal, one of the royal consorts of Willie Marshal, more commonly called the Caird of Barullion, King of the Gipsies of the Western Lowlands. That potentate was himself deserving of notice from the following peculiarities: – He was born in the parish of Kirkmichael about the year 1671; and, as he died at Kirkcudbright 23d November 1792, he must then have been in the one hundred and twentieth year of his age. It cannot be said that this unusually long lease of existence was noted by any peculiar excellence of conduct or habits of life. Willie had been pressed or enlisted in the army seven times, and had deserted as often; besides three times running away from the naval service. He had been seventeen times lawfully married; and, besides, such a reasonably large share of matrimonial comforts, was, after his hundredth year, the avowed father of four children by less legitimate affections. He subsisted in his extreme old age by a pension from the present Earl of Selkirk’s grandfather. Will Marshal is buried in Kirkcudbright church, where his monument is still shown, decorated with a scutcheon suitably blazoned with two tups’ horns and two cutty spoons.

In his youth he occasionally took an evening walk on the highway, with the purpose of assisting travellers by relieving them of the weight of their purses. On one occasion the Caird of Barullion robbed the Laird of Bargally at a place between Carsphairn and Dalmellington. His purpose was not achieved without a severe struggle, in which the gipsy lost his bonnet, and was obliged to escape, leaving it on the road. A respectable farmer happened to be the next passenger, and, seeing the bonnet, alighted, took it up, and rather imprudently put it on his own head. At this instant Bargally came up with some assistants, and, recognising the bonnet, charged the farmer of Bantoberick with having robbed him, and took him into custody. There being some likeness between the parties, Bargally persisted in his charge, and, though the respectability of the farmer’s character was proved or admitted, his trial before the Circuit Court came on accordingly. The fatal bonnet lay on the table of the court. Bargally swore that it was the identical article worn by the man who robbed him; and he and others likewise deponed that they had found the accused on the spot where the crime was committed, with the bonnet on his head. The case looked gloomily for the prisoner, and the opinion of the judge seemed unfavourable. But there was a person in court who knew well both who did and who did not commit the crime. This was the Caird of Barullion, who, thrusting himself up to the bar near the place where Bargally was standing, suddenly seized on the bonnet, put it on his head, and, looking the Laird full in the face, asked him, with a voice which attracted the attention of the court and crowded audience-’Look at me, sir, and tell me, by the oath you have sworn-Am not _I_ the man who robbed you between Carsphairn and Dalmellington?’ Bargally replied, in great astonishment, ‘By Heaven! you are the very man.’ ‘You see what sort of memory this gentleman has,’ said the volunteer pleader; ‘he swears to the bonnet whatever features are under it. If you yourself, my Lord, will put it on your head, he will be willing to swear that your Lordship was the party who robbed him between Carsphairn and Dalmellington.’ The tenant of Bantoberick was unanimously acquitted; and thus Willie Marshal ingeniously contrived to save an innocent man from danger, without incurring any himself, since Bargally’s evidence must have seemed to every one too fluctuating to be relied upon.

While the King of the Gipsies was thus laudably occupied, his royal consort, Flora, contrived, it is said, to steal the hood from the judge’s gown; for which offence, combined with her presumptive guilt as a gipsy, she was banished to New England, whence she never returned.

Now, I cannot grant that the idea of Meg Merrilies was, in the first concoction of the character, derived from Flora Marshal, seeing I have already said she was identified with Jean Gordon, and as I have not the Laird of Bargally’s apology for charging the same fact on two several individuals. Yet I am quite content that Meg should be considered as a representative of her sect and class in general, Flora as well as others.

The other instances in which my Gallovidian readers have obliged me by assigning to

shall also be sanctioned so far as the Author may be entitled to do so. I think the facetious Joe Miller records a case pretty much in point; where the keeper of a museum, while showing, as he said, the very sword with which Balaam was about to kill his ass, was interrupted by one of the visitors, who reminded him that Balaam was not possessed of a sword, but only wished for one. ‘True, sir,’ replied the ready-witted cicerone; ‘but this is the very sword he wished for.’ The Author, in application of this story, has only to add that, though ignorant of the coincidence between the fictions of the tale and some real circumstances, he is contented to believe he must unconsciously have thought or dreamed of the last while engaged in the composition of Guy Mannering.

EDITOR’S INTRODUCTION TO GUY MANNERING

The second essay in fiction of an author who has triumphed in his first romance is a doubtful and perilous adventure. The writer is apt to become self-conscious, to remember the advice of his critics, – a fatal error, – and to tremble before the shadow of his own success. He knows that he will have many enemies, that hundreds of people will be ready to find fault and to vow that he is “written out.” Scott was not unacquainted with these apprehensions. After publishing “Marmion” he wrote thus to Lady Abercorn: -

“No one acquires a certain degree of popularity without exciting an equal degree of malevolence among those who, either from rivalship or from the mere wish to pull down what others have set up, are always ready to catch the first occasion to lower the favoured individual to what they call his ‘real standard.’ Of this I have enough of experience, and my political interferences, however useless to my friends, have not failed to make me more than the usual number of enemies. I am therefore bound, in justice to myself and to those whose good opinion has hitherto protected me, not to peril myself too frequently. The naturalists tell us that if you destroy the web which the spider has just made, the insect must spend many days in inactivity till he has assembled within his person the materials necessary to weave another. Now, after writing a work of imagination one feels in nearly the same exhausted state as the spider. I believe no man now alive writes more rapidly than I do (no great recommendation); but I never think of making verses till I have a sufficient stock of poetical ideas to supply them, – I would as soon join the Israelites in Egypt in their heavy task of making bricks without clay. Besides, I know, as a small farmer, that good husbandry consists in not taking the same crop too frequently from the same soil; and as turnips come after wheat, according to the best rules of agriculture, I take it that an edition of Swift will do well after such a scourging crop as ‘Marmiou.’”

These fears of the brave, then, were not unfamiliar to Scott; but he audaciously disregarded all of them in the composition of “Guy Mannering.” He had just spun his web, like the spider of his simile, he had just taken off his intellectual fields the “scourging crop” of “The Lord of the Isles,” he had just received the discouraging news of its comparative failure, when he “buckled to,” achieved “Guy Mannering” in six weeks, and published it. Moliere tells us that he wrote “Les Facheux” in a fortnight; and a French critic adds that it reads indeed as if it had been written in, a fortnight. Perhaps a self-confident censor might venture a similar opinion about “Guy Mannering.” It assuredly shows traces of haste; the plot wanders at its own will; and we may believe that the Author often-did not see his own way out of the wood. But there is little harm in that. “If I do not know what is coming next,” a modern novelist has remarked, “how can the public know?” Curiosity, at least, is likely to be excited by this happy-go-lucky manner of Scott’s. “The worst of it is;” as he wrote to Lady Abercorn about his poems (June 9,1808), “that I am not very good or patient in slow and careful composition; and sometimes I remind myself of the drunken man, who could run long after he could not walk.” Scott could certainly run very well, though averse to a plodding motion.

[He was probably thinking of a famous Edinburgh character, “Singing Jamie Balfour.” Jamie was found very drunk and adhering to the pavement one night. He could not raise himself; but when helped to his feet, ran his preserver a race to the tavern, and won!]

The account of the year’s work which preceded “Guy Mannering” is given by Lockhart, and is astounding. In 1814 Scott had written, Lockhart believes, the greater part of the “Life of Swift,” most of “Waverley” and the “Lord of the Isles;” he had furnished essays to the “Encyclopaedia,” and had edited “The Memorie of the Somervilles.” The spider might well seem spun out, the tilth exhausted. But Scott had a fertility, a spontaneity, of fancy equalled only, if equalled at all, by Alexandre Dumas.

On November 7 of this laborious year, 1814, Scott was writing to Mr. Joseph Train, thanking him for a parcel of legendary lore, including the Galloway tale of the wandering astrologer and a budget of gypsy traditions. Falling in the rich soil of Scott’s imagination, the tale of the astrologer yielded a name and an opening to “Guy Mannering,” while the gypsy lore blossomed into the legend of Meg Merrilies. The seed of the novel was now sown. But between November 11 and December 25 Scott was writing the three last cantos of the “Lord of the Isles.” Yet before the “Lord of the Isles” was published (Jan. 18, 1815), two volumes of “Guy Mannering” were in print (Letter to Morritt, Jan. 17, 1815.) The novel was issued on Feb. 14, 1815. Scott, as he says somewhere, was like the turnspit dog, into whose wheel a hot cinder is dropped to encourage his activity. Scott needed hot cinders in the shape of proof-sheets fresh from the press, and he worked most busily when the printer’s devil was waiting. In this case, not only the printer’s devil, but the wolf was at the door. The affairs of the Ballantynes clamoured for moneys In their necessity and his own, Scott wrote at the rate of a volume in ten days, and for some financial reason published “Guy Mannering” with Messrs. Longmans, not with Constable. Scott was at this moment facing creditors and difficulties as Napoleon faced the armies of the Allies, – present everywhere, everywhere daring and successful. True, his “Lord of the Isles” was a disappointment, as James Ballantyne informed him. “‘Well, James, so be it; but you know we must not droop, for we cannot afford to give over. Since one line has failed, we must just stick to something else.’ And so he dismissed me, and resumed his novel.”