- -
- 100%
- +
HarperCollinsPublishers
1 London Bridge Street
London SE1 9GF
www.harpercollins.co.uk
First published by HarperCollinsPublishers 2020
FIRST EDITION
Text © Sean Smith 2020
Jacket design by Claire Ward © HarperCollinsPublishers 2020
Front jacket photograph © Mark Cuthburt/UK Press via Getty Images
A catalogue record of this book is available from the British Library
Sean Smith asserts the moral right to be identified as the author of this work
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the nonexclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.
While every effort has been made to trace the owners of copyright material reproduced herein and secure permissions, the publishers would like to apologise for any omissions and will be pleased to incorporate missing acknowledgements in any future edition of this book.
Find out about HarperCollins and the environment at
www.harpercollins.co.uk/green
Source ISBN: 9780008359577
Ebook Edition © November 2020 ISBN: 9780008359607
Version: 2020-11-18
Note to Readers
This ebook contains the following accessibility features which, if supported by your device, can be accessed via your ereader/accessibility settings:
Change of font size and line height
Change of background and font colours
Change of font
Change justification
Text to speech
Page numbers taken from the following print edition: ISBN 9780008359577
Also by Sean Smith
Spice Girls
Ed Sheeran
George
Adele
Kim
Tom Jones: The Life
Kylie
Gary
Alesha
Tulisa
Kate
Robbie
Cheryl
Victoria
Justin: The Biography
Britney: The Biography
J.K. Rowling: A Biography
Jennifer: The Unauthorized Biography
Royal Racing
The Union Game
Sophie’s Kiss (with Garth Gibbs)
Stone Me! (with Dale Lawrence)
Dedication
To the Queen of Boop
Contents
1 Cover
2 Title Page
3 Copyright
4 Note to Readers
5 Also by Sean Smith
6 Dedication
7 Contents
8 Introduction
9 PART ONE: THE SEARCH FOR IDENTITY
10 1 Moments of History
11 2 Loving Day
12 3 People are Fighting
13 4 With a Sparkle
14 5 Star-To-Be
15 6 At the Hollywood Bowl
16 7 North by Northwestern
17 8 A Sense of Self
18 PART TWO: ACTOR TO ACTIVIST
19 9 Pity Parties
20 10 You’re Enough
21 11 I Won’t Stand for Racism
22 12 Networking
23 13 The Tig
24 14 Embracing the Experience
25 15 The Lion’s Roar
26 PART THREE: TO BE CONTINUED …
27 16 The One
28 17 Africa Calling
29 18 A Week in Hell
30 19 Time for India
31 20 The Clean Slate
32 21 A Labour of Love
33 22 Vogue
34 23 The End of the Fairy Tale
35 24 The Deft Goodbye
36 25 Rebuilding
37 Last Thoughts
38 Meghan’s Stars
39 Life and Times
40 Acknowledgements
41 Select Bibliography
42 List of Searchable Terms
43 Picture Section
44 By the same author
45 About the Publisher
LandmarksCoverFrontmatterStart of ContentBackmatter
List of Pagesiiiiviiv123456791011121314151617181920212223242526272829303132333435363738394041424344454647484950515253545556575859606162636465666768697071727374757677787980818283848586878889909193949596979899100101102103104105106107108109110111112113114115116117118119120121122123124125126127128129130131132133134135136137138139140141142143144145146147148149150151152153154155156157158159160161162163164165166167168169171173174175176177178179180181182183184185186187188189190191192193194195196197198199200201202203204205206207208209210211212213214215216217218219220221222223224225226227228229230231232233234235236237238239240241242243244245246247248249250251252253254255256257258259260261262263264265266267268269270271272273274275276277278279280281282283284285286287288289290291293294295297298299300301302303304305306307308309310311312313314315316317318319321322323324325326327328320
Introduction
Meghan Markle looked up, wide-eyed, lips quivering and said her now-famous words: ‘It’s not enough to survive something, right; that’s not the point of life. You’ve got to thrive; you’ve got to feel happy …’
Like thousands of others I probably only watched Harry and Meghan: An African Journey because of all the advance publicity the programme had received, the headlines written and the opinions voiced about Meghan’s decision to sue the Mail on Sunday.
The documentary by broadcaster Tom Bradby, a long-time friend of Prince Harry, was riveting as it lurched between triumph and despair – the jubilation of Meghan dancing with young African girls being given the chance of a better life thanks to wonderful local charities, and the darker, private moments of introspection, admitting that while she never thought her new life would be easy, she had thought it would at least be fair.
I decided then and there to write a book about Meghan, chronicling her journey up to this point in her life – little realising that within three months she, Harry and their baby, Archie, would leave the UK, perhaps never to return.
Up until the moment the couple announced that Meghan was taking legal action against the newspaper for publishing part of a private letter to her father, the trip to Africa had been described as a ‘textbook royal tour’, full of waving and cheering as a posse of royal reporters and photographers enjoyed an expenses-paid escape from a dull British autumn.
There was plenty to fill the pages of the newspapers and dominate the news channels back home. Meghan gave an empowering speech to the women of the Nyanga township in Cape Town, which ended in stirring fashion: ‘I am here with you as a mother, as a wife, as a woman, as a woman of colour and as your sister. I am here with you and I am here for you …’
For the first time the world was introduced properly to Archie; not in the dull, traditional way of posed pictures of tired mum and baby leaving hospital, but in a gloriously uplifting meeting between the new parents and Archbishop Desmond Tutu, one of the legendary figures of South African history alongside Nelson Mandela and Steve Biko, the anti-apartheid activist assassinated in 1977.
Meghan and Harry chatted with the Archbishop for half an hour at the headquarters of the Desmond and Leah Tutu Legacy Foundation in Cape Town. They met at the Old Granary, a beautifully restored building in Buitenkant Street that was originally built by slaves in the early nineteenth century. It used to be a symbol of colonial expansion but now houses a collection chronicling the acclaimed cleric’s life.
Meghan explained, ‘It’s not lost on us what a huge and significant moment this is.’
Archbishop Tutu, approaching his eighty-eighth birthday, could not conceal his delight at meeting five-month-old Archie and planted a kiss on his forehead. Meghan said proudly, ‘I think Archie will look back in so many years and understand that right at the beginning of his life, he was fortunate enough to have this moment with one of the best and most impactful leaders of our time.’
An African Journey tellingly contrasted the affluent present-day, largely white suburbs of Cape Town with the black township of Nyanga, where women face a daily threat of violence and rape and more than three hundred murders a year, making it one of the most dangerous places to live in the world. Meghan and Harry visited an initiative run by The Justice Desk, a human rights charity in southern Africa, where they saw for themselves young women being trained to defend themselves.
Harry, perhaps understandably, was a little overshadowed on the tour by the megawatt star quality of his wife (and son!), but he has charm and charisma in his own right. He is also undeniably sensitive and endures private inner struggles, which he movingly admitted to Tom on a solo trip to Botswana and Angola, countries that brought back sad memories of his mother. Harry strolled purposefully through a minefield in Angola, retracing Diana’s steps for a photographic opportunity, although the actual field through which she famously walked is now a paved street in the middle of a new development.
Behind those poignant pictures was the painful story of Harry’s reality, as he revealed to Tom how he really felt about photographers: ‘Every single time I see a camera, every single time I hear a click, every single time I see a flash, it takes me straight back.’ His mother’s death is a wound that will not heal. The photographers are still the ‘worst reminders of her life’ and, presumably, her death. He openly discussed his mental health issues with Tom, who has also been candid about his own need to take five months off work in 2018 because of severe insomnia.
Meghan had stayed behind in Cape Town with Archie. While Tom and his camera crew and most of the press corps were following Harry, his wife paid a visit that would have been high on Diana’s list of things to do. She took a bag of baby clothes that Archie had already outgrown to a mothers2mothers centre, a charity that offers counsel and mentoring to young mums living with HIV.
On another occasion, Meghan quietly visited the memorial for the murdered 19-year-old South African student Uyinene Mrwetyana. She had been raped, tortured and killed at Cape Town’s Clareinch Post Office in August 2019. Her brutal death sparked demonstrations throughout the country against gender-based crimes of violence in South Africa. Meghan tied a yellow ribbon there that bore the message ‘we stand together in this moment’, written in the local language of Xhosa as a further mark of respect.
Meghan expressed her concerns for women and her desire to encourage change and progress: she said, ‘In a world that can seem so aggressive, confrontational and dangerous, you should know that you have the power to change it.’ In particular, she made a connection with people of colour in a way that nobody else in the Royal Family could. She had a natural ease with everyone, whether giving a warm hug to a young African boy in the crowd or having a laugh with Graça Machel, the widow of Nelson Mandela. Only Harry came close to demonstrating such rapport.
So much positivity turned to dust, however, when she was reunited with Harry in Johannesburg. His return coincided with their announcement about her legal suit and the unequivocal statement from Harry released on their website in which he said his wife had become ‘one of the latest victims of a British tabloid press that wages campaigns against individuals with no thought to the consequences.’
The legal action, he explained, involved the ‘contents of a private letter’ being ‘published unlawfully in an intentionally destructive manner’. He also referenced Princess Diana: ‘I’ve seen what happens when someone I love is commoditised to the point that they are no longer treated or seen as a real person. I lost my mother and now I watch my wife falling victim to the same powerful forces.’
It was strong stuff but it did not seem to be met with anything resembling contrition or apology from those ‘powerful forces’ – far from it. The general consensus was that Harry’s outburst, for that was how it was viewed, had ruined the tour. The couple had made it all about them. The wish-you-were-here postcards home, designed to depict a wholly varnished scene of local life and typify the self-congratulatory royal tours around the old Empire had been replaced with a giant slice of bitter reality.
Meghan, it seemed, was not playing the game as the media wanted her to do. But who are the so-called royal experts and columnists shouting the odds about how she should behave at every opportunity? And what exactly is this media invention of a ‘royal expert’ – someone who knows the correct way to bow or curtsy when you meet the Queen? It strikes me as a truly meaningless label, especially since Harry and Meghan were shining a light on such important global issues.
What, I wondered, had Meghan done to deserve all the negativity – the ‘bullying’, as Harry called it – that surrounds her? Was she really a victim of rampant racism, sexism and xenophobia because she’s American, or was it just old-fashioned British snobbery at her being an actress?
When I had watched Harry and Meghan’s wedding in May 2018 – less than eighteen months earlier – the most memorable elements for me were her mother Doria’s quiet grace, the exquisite playing of cellist Sheku Kanneh-Mason, the Kingdom Choir singing ‘Stand By Me’ acapella and the long, passionate sermon by the Most Rev Michael Curry on the power of love. As he spoke, the reactions from the Royal Family that we were allowed to see were priceless: Prince Charles read and re-read the order of service as if it was the latest fascinating issue of Country Life magazine; his wife Camilla and Kate Middleton were desperately trying not to make eye contact with each other; Prince Andrew looked as pompous as ever. Prince William adopted a superior smile, Princess Beatrice seemed to be on the verge of laughing out loud, while, best of all, Zara Tindall appeared gobsmacked. The Queen had the familiar look of grim determination that was never going to waver. Harry, meanwhile, held Meghan’s hand.
Meghan, it seemed, had been determined to recognise her heritage as a woman of colour on the most important day of her life so far. So, was the Royal Family itself fundamentally racist or just bogged down with stuffy traditions and protocol? And as a society, are we, the UK, really as tolerant as we like to proclaim?
There seemed so many questions for me to answer on my Meghan adventure. In particular, I wanted to find out more about her quest for female empowerment. Was feminism of fundamental importance to her or something she had adopted as a fashionable cause? And what about racism? How badly has she been affected by prejudice in her life? Watching Tom’s documentary a second time, I was struck by the words of a biracial woman in Cape Town: ‘It is quite a struggle when you grow up as a mixed-race child – either you are not white enough or you are not black enough, so you are in the middle; and you have to find your identity based on the middle – and with Meghan creating awareness about this, it makes people feel that it’s ok to be me.’
For me, that begged the question: did Meghan have that same struggle with identity growing up in Los Angeles? I wanted to follow her journey from Hollywood to the balcony of Buckingham Palace and back again and answer the questions, is she misunderstood? And if she is, why?
1
Moments of History
The eyes of the entire world were on Meghan Markle as she walked serenely and gracefully down the aisle of St George’s Chapel in Windsor. They have remained on her ever since.
Her wedding to Prince Harry was an occasion of great joy, representing happiness at last for the Queen’s grandson, who had captured the hearts of the nation when he disconsolately but bravely followed his mother Diana’s coffin on that eternally sad day twenty years earlier. Now he was marrying a breathtakingly beautiful woman in a story that the screenwriters of Hollywood, where Meghan had made her name, could scarcely have imagined.
At least her mother Doria was there, the only member of her family to take a place at the ceremony. She had sat beside her daughter in the Rolls-Royce as she set out on the nine-mile drive that would take her from the luxurious Cliveden House Hotel to the steps of the chapel. They were two strong women strangely unsupported in a foreign land on this grandest of May days. As always, they had each other, sharing an unshakeable bond.
A crowd estimated to be in excess of 100,000 had poured into the Berkshire town to celebrate the day with flags, bunting, laughter and cheers. Doria could have been forgiven for punching the air with exuberant joy as if her beloved daughter had just won an Olympic gold medal.
Instead of drawing attention to herself, though, Doria sat quietly in a pew across from the Queen and the Duke of Edinburgh. Her eyes glistened with pride and excitement but she stayed composed, watching a woman of colour, her ‘Flower’ as she still called her, hammer loudly on the door of stuffy tradition and protocol.
There is nothing traditionally royal about Doria Loyce Ragland, memorably described by her daughter as a free spirit with dreadlocks and a nose ring. Her yoga class back in Los Angeles would scarcely have recognised the demure, stylish lady in a pale green Oscar de la Renta dress and coat. Her long hair was styled and partly hidden beneath a matching hat.
What a journey it has been for a family that historians and genealogists have eagerly traced back to the shameful days of slavery in America’s Deep South, where the persecution of the black population did not stop with the Emancipation Proclamation of 1865 that officially freed all slaves. Meghan herself has admitted that trying to unravel her family tree is a bewildering task but she is intensely proud of her biracial heritage, describing herself as a ‘strong, confident, mixed-race woman’.
Her maternal ancestors continued to face poverty and persecution for generation after generation, battling against the oppression of the Jim Crow laws, the legislation that enforced racial segregation in the southern states until 1965, two years after Dr Martin Luther King Jr’s iconic ‘I Have a Dream’ speech at the Lincoln Memorial in Washington. Then, he implored, ‘My four little children will one day live in a nation where they will not be judged by the colour of their skin but by the content of their character.’
The first known records of Doria’s family show that they were slaves working on the plantations of Georgia around the town of Jonesboro, the setting for the epic novel Gone with the Wind and the famous film of that name. Fittingly, perhaps, Hattie McDaniel won Best Supporting Actress at the 1940 Academy Awards for her role as the maid ‘Mammy’, the first black winner of an Oscar.
While that was a win to be celebrated, the ceremony itself was, in retrospect, an appalling indictment of racism and segregation at the time. Hattie would not normally have been let into the Ambassador Hotel in Los Angeles where the ceremony was held, in its Coconut Grove nightclub; it had a whites-only policy. The film’s famous producer, David O. Selznick, called in a favour to ensure that they let the great actress in, but, even then, she had to sit at a small segregated table at the back and well out of sight.
The role of Mammy represented a dreadful white stereotype of black servants, but Hattie’s emotional acceptance speech would have inspired both Doria and Meghan. Herself the daughter of two black slaves, she said, ‘I shall always hold it as a beacon for anything that I may be able to do in the future. I sincerely hope I shall always be a credit to my race and to the motion picture industry.’
The sad reality was that by the time she died, in 1952, she had played a maid seventy-four times. Big roles did not come her way after her Oscar win: ‘It was as if I had done something wrong.’ Her dying wish was to be buried in the Hollywood Cemetery alongside the great stars of the golden age, but that was also denied by a ‘no-blacks’ policy. It would be a further seven years before racial discrimination was outlawed in California. The controversy over recognition for black actors continued into Meghan’s lifetime.
Discrimination was rife in Tennessee when Doria’s ancestors moved further north and settled in Chattanooga, a deeply racist town little deserving its place in musical history as the title of the jaunty Glenn Miller classic, ‘Chattanooga Choo Choo’. As recently as 1980, five black women were murdered there by members of the Ku Klux Klan in a drive-by shooting.
Meghan’s ancestors did not face such life-ending hatred but they still had to battle for a better life for themselves and their families. Meghan’s great-aunt Dora, for instance, was the first Ragland to go to college and became a teacher. Dora’s elder sister Lillie ran a successful real-estate business in Los Angeles and was listed in the African–American Who’s Who. She was married to Happy Evans, a famous black baseball player in the 1930s, a time when that sport was still segregated and there were separate ‘negro’ leagues.
Doria’s grandmother, Netty Arnold, worked as a lift operator at the upmarket apartment block called the Hotel St Regis in Cleveland, Ohio, where she met and subsequently married James Arnold, a bellhop. They were both black, working in a place where only whites were allowed to live.
In Cleveland, one of their daughters, Jeanette, married twice. First to a local man, Joseph Johnson, a professional roller-skater, then, following her divorce, to Alvin Ragland, who would become Meghan’s much-loved grandfather. The surname Ragland is actually one that his family took from their slave owner following emancipation.
Growing up, Meghan Markle was constantly fascinated by her family history, trying in vain to untangle its web and confessing that she was in ‘awe of her past’. Her principle problem in trying to cast light on the ‘blurred lines’, as she called them, was that black slaves were not properly documented until they officially registered. In 1870, a sharecropper called Stephen Ragland, Alvin’s great-grandfather, had become the first black Ragland.
Meghan gave a different account of that important landmark in her family history when she spoke to Elle magazine in 2015 – before she met Prince Harry: ‘Perhaps the closest thing connecting me to my ever-complex family tree, my longing to know where I came from, and the commonality that links me to my bloodline, is the choice that my great-great-great-grandfather made to start anew. He chose the last name Wisdom.’ He may well have done so informally but genealogists poring over Meghan’s ancestry have failed to find a thread linking the last name Wisdom to her family tree. Often family histories become confused by the telling and the retelling.