Fallen Angel

COPYRIGHT

This is entirely a work of fiction. Any references to real people, living or dead, real events, businesses, organizations and localities are intended only to give the fiction a sense of reality and authenticity. All names, characters and incidents are either the product of the author’s imagination or are used fictitiously, and their resemblance, if any, to real-life counterparts is entirely coincidental.

Published by HarperCollinsPublishers Ltd 1 London Bridge Street London SE1 9GF

www.harpercollins.co.uk

First published by

HarperCollinsPublishers 2014

Copyright © Andrew Taylor 2014

Andrew Taylor asserts the moral right to be identified as the author of this work

Cover layout design © HarperCollinsPublishers Ltd 2014 Cover illustration created from photographs © Pauline Thomas/Millennium Images (woman); Special Photographers Library/Ian Glover (landscape); Special Photographers Library/ Robert Mann (wings)

A catalogue record for this book is available from the British Library

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the nonexclusive, nontransferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.

HarperCollinsPublishers has made every reasonable effort to ensure that any picture content and written content in this ebook has been included or removed in accordance with the contractual and technological constraints in operation at the time of publication.

Source ISBN: 9780007502011, 9780007502028, 9780007502035

Ebook Edition © JUNE 2014 ISBN: 9780007368792

Version: 2017-05-19

CONTENTS

Cover

Title Page

Copyright

The Four Last Things

The Judgement of Strangers

The Office of the Dead

Keep Reading

About the Author

Also by the Author

About the Publisher

ANDREW TAYLOR

THE FOUR LAST THINGS

COPYRIGHT

This is entirely a work of fiction. Any references to real people, living or dead, real events, businesses, organizations and localities are intended only to give the fiction a sense of reality and authenticity. All names, characters and incidents are either the product of the author’s imagination or are used fictitiously, and their resemblance, if any, to real-life counterparts is entirely coincidental.

Published by HarperCollinsPublishers Ltd 1 London Bridge Street London SE1 9GF

www.harpercollins.co.uk

First published in Great Britain by HarperCollinsPublishers 1997

Copyright © Andrew Taylor 1997

Cover layout design © HarperCollinsPublishers Ltd 2013 Cover photography © Mark Pennington

Andrew Taylor asserts the moral right to be identified as the author of this work

A catalogue record for this book is available from the British Library

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the nonexclusive, nontransferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.

HarperCollinsPublishers has made every reasonable effort to ensure that any picture content and written content in this ebook has been included or removed in accordance with the contractual and technological constraints in operation at the time of publication.

Source ISBN: 9780007105113

Ebook Edition JUNE 2013 ISBN: 9780007502011

Version: 2017-05-19

CONTENTS

Cover

Title Page

Copyright

Prologue

1

2

3

4

5

6

7

8

9

10

11

12

13

Epilogue

PROLOGUE

‘In brief, we all are monsters, that is, a composition of Man and Beast …’

Religio Medici, I, 55

All his life Eddie had believed in Father Christmas. In childhood his belief had been unthinking and literal; he clung to it for longer than his contemporaries and abandoned it only with regret. In its place came another conviction, another Father Christmas: less defined than the first and therefore less vulnerable.

This Father Christmas was a private deity, the source of small miracles and unexpected joys. This Father Christmas – who else? – was responsible for Lucy Appleyard.

Lucy was standing in the yard at the back of Carla Vaughan’s house. Eddie was in the shadows of the alleyway, but Lucy was next to a lighted window and there could be no mistake. It was raining, and her dark hair was flecked with drops of water that gleamed like pearls. The sight of her took his breath away. It was as if she were waiting for him. An early present, he thought, gift-wrapped for Christmas. He moved closer and stopped at the gate.

‘Hello.’ He kept his voice soft and low. ‘Hello, Lucy.’

She did not reply. Nor did she seem to register his use of her name. Her self-possession frightened Eddie. He had never been like that and never would be. For a long moment they stared at each other. She was wearing what Eddie recognized as her main outdoor coat – a green quilted affair with a hood; it was too large for her and made her look younger than she was. Her hands, almost hidden by the cuffs, were clasped in front of her. He thought she was holding something. On her feet she wore the red cowboy boots.

Behind her the back door was closed. There were lights in the house but no sign of movement. Eddie had never been as close to her as this. If he leant forward, and stretched out his hand, he would be able to touch her.

‘Soon be Christmas,’ he said. ‘Three and a half weeks, is it?’

Lucy tossed her head: four years old and already a coquette.

‘Have you written to Santa Claus? Told him what you’d like?’

She stared at him. Then she nodded.

‘So what have you asked him for?’

‘Lots of things.’ She spoke well for her age, articulation clear, the voice well-modulated. She glanced back at the lighted windows of the house. The movement revealed what she was carrying: a purse, too large to be hers, surely? She turned back to him. ‘Who are you?’

Eddie stroked his beard. ‘I work for Father Christmas.’ There was a long silence, and he wondered if he’d gone too far. ‘How do you think he gets into all those houses?’ He waved his hand along the terrace, at a vista of roofs and chimneys, outhouses and satellite dishes; the terrace backed on to another terrace, and Eddie was standing in the alley which ran between the two rows of backyards.

Lucy followed the direction of his wave with her eyes, raising herself on the toes of one foot, a miniature ballerina. She shrugged.

‘Just think of them. Millions of houses, all over London, all over the world.’ He watched her thinking about it, her eyes growing larger. ‘Chimneys aren’t much use – hardly anyone these days has proper fires, do they? But he has other ways in and out. I can’t tell you about that. It’s a secret.’

‘A secret,’ she echoed.

‘In the weeks before Christmas, he sends me and a few others around to see where the problems might be, what’s the best way in. Some houses are very difficult, and flats can be even worse.’

She nodded. An intelligent child, he thought: she had already begun to think out the implications of Santa Claus and his alleged activities. He remembered trying to cope with the problems himself. How did a stout gentleman carrying a large sack manage to get into all those homes on Christmas Eve? How did he get all the toys in the sack? Why didn’t parents see him? The difficulties could only be resolved if one allowed him magical, or at least supernatural, powers. Lucy hadn’t reached that point yet: she might be puzzled but at present she lacked the ability to follow her doubts to their logical conclusions. She still lived in an age of faith. Faced with something she did not understand, she would automatically assume that the failure was hers.

Eddie’s skin tingled. His senses were on the alert, monitoring not only Lucy but the houses and gardens around them. It was early evening; at this time of year, on the cusp between autumn and winter, darkness came early. The day had been raw, gloomy and damp. He had seen no one since he turned into the alleyway.

Traffic passed in the distance; the faint but insistent rhythm of a disco bass pattern underpinned the howl of a distant siren, probably on the Harrow Road; but here everything was quiet. London was full of these unexpected pools of silence. The streetlights were coming on and the sky above the rooftops was tinged an unhealthy yellow.

‘You look as if you’re going out.’ Eddie knew at once that this had been the wrong thing to say. Once again Lucy glanced back at the house, measuring the distance between herself and the back door. Hard on the heels of this realization came another: perhaps she wasn’t afraid of Eddie but of outraged authority on the other side of that door.

He blurted out, ‘It’s a nice evening for a walk.’ Idiotic or not, the remark seemed to have a relaxing effect on Lucy. She turned back to him, peering up at his face.

He rested his arms along the top of the gate. ‘Are you going out?’ he asked, politely interested, talking as one adult to another.

Again the toss of the head: this time inviting a clash of wills. ‘I’m going to Woolworth’s.’

‘What are you going to buy?’

She lowered her voice. ‘A conjur—’ The word eluded her and she swiftly found a substitute: ‘A magic set. So I can do tricks. See – I’ve got my purse.’ She held it out: a substantial oblong, made for the handbag not the pocket; designed for an adult, not a child.

Eddie took a long, deep breath. Suddenly it was hard to breathe. There always came a point when one crossed the boundary between the permissible and the forbidden. He knew that Angel would be furious. Angel believed in careful preparation, in following a plan; that way, she said, no one got hurt. She hated anything which smacked of improvisation. His heart almost failed him at the thought of her reaction.

Yet how could he turn away from this chance? Lucy was offering herself to him, his Christmas present. Had anyone ever had such a lovely present? But what if someone saw them? He was afraid, and the fear was wrapped up with desire.

‘Is it far?’ Lucy asked. ‘Woolworth’s, I mean.’

‘Not really. Are you going there now?’

‘I might.’ Again she glanced back at the house. ‘The gate’s locked. There’s a bolt.’

The gate was a little over four feet high. Eddie put his left hand over and felt until he found the bolt. He had to work it to and fro to loosen it in its socket; it was too stiff for a child of Lucy’s age, even if she could have reached it. At last it slid back, metal smacking on metal. He tensed, waiting for opening doors, for faces at the windows, for dogs to bark, for angry questions. He guessed from her stillness that Lucy too was waiting. Their shared tension made them comrades.

Eddie pushed the gate: it swung into the yard with a creak like a long sigh. Lucy stepped backwards. Her face was pale, intent and unreadable.

‘Are you coming?’ He made as if to turn away, knowing that the last thing he must seem was threatening. ‘I’ll give you a ride there in my van if you want. We’ll be back in a few minutes.’

Lucy looked back at the house again.

‘Don’t worry about Carla. You’ll be back before she notices you’re gone.’

‘You know Carla?’

‘Of course I do.’ Eddie was on safer ground here. ‘I told you that I worked for Father Christmas. He knows everything. I saw you with her yesterday in the library. Do you remember? I winked at you.’

The quality of Lucy’s silence changed. She was curious now, perhaps relieved.

‘And I saw you at St George’s the other Sunday, too. Your mummy’s called Sally and your daddy’s called Michael.’

‘You know them too?’

‘Father Christmas knows everyone.’

Still she lingered. ‘Carla will be cross.’

‘She won’t be cross with either of us. Not if she wants any Christmas presents this year.’

‘Carla wants to win the Lottery for Christmas. I know. I asked her.’

‘We’ll have to see.’

Eddie took a step down the alleyway. He stopped, turned back and held out his hand to Lucy. Without a backward glance, she slipped through the open gate and put her hand in his.

1

‘Who can but pity the merciful intention of those hands that do destroy themselves? the Devil, were it in his power, would do the like …’

Religio Medici, I, 51

‘God does not change,’ said the Reverend Sally Appleyard. ‘But we do.’

She stopped and stared down the church. It wasn’t that she didn’t know what to say next, nor that she was afraid: but time itself was suddenly paralysed. As time could not move, all time was present.

She had had these attacks since childhood, though less frequently since she had left adolescence behind; often they occurred near the start of an emotional upheaval. They were characterized by a dreamlike sense of inevitability – similar, Sally suspected, to the preliminaries to an epileptic fit. The faculty might conceivably be a spiritual gift, but it was a very uncomfortable one which appeared to serve no purpose.

Her nervousness had vanished. The silence was total, which was characteristic. No one coughed, the babies were asleep and the children were quiet. Even the traffic had faded away. August sunshine streamed in an arrested waterfall of light through the windows of the south-nave aisle and the south windows of the clerestory. She knew beyond any doubt that something terrible was going to happen.

The two people Sally loved best in the world were sitting in the second pew from the front, almost directly beneath her. Lucy was sitting on Michael’s lap, frowning up at her mother. On the seat beside her was a book and a small cloth doll named Jimmy. Michael’s head was just above Lucy’s. When you saw their heads so close together, it was impossible to doubt the relationship between them: the resemblance was easy to see and impossible to analyse. Michael had his arms locked around Lucy. He was staring past the pulpit and the nave altar, up the chancel to the old high altar. His face was sad, she thought: why had she not noticed that before?

Sally could not see Derek without turning her head. But she knew he would be staring at her with his light-blue eyes fringed with long sandy lashes. Derek disturbed her because she did not like him. Derek was the vicar, a thin and enviably articulate man with a very pink skin and hair so blond it was almost white.

Most of the other faces were strange to her. They must be wondering why I’m just standing here, Sally thought, though she knew from experience that these moments existed outside time. In a sense, they were all asleep: only she was awake.

The pressure was building up. She wasn’t sure whether it was inside her or outside her; it didn’t matter. She was sweating and the neatly printed notes for her sermon clung to her damp fingers.

As always in these moments, she felt guilty. She stared down at her husband and daughter and thought: if I were spiritually strong enough, I should be able to stop this or to make something constructive out of it. Despair flooded through her.

‘Your will be done,’ she said, or thought she said. ‘Not mine.’

As if the words were a signal, time began to flow once more. A woman stood up towards the back of the church. Sally Appleyard braced herself. Now it was coming, whatever it was, she felt better. Anything was an improvement on waiting.

She stared down the nave. The woman was in her sixties or seventies, small, slight and wearing a grubby beige raincoat which was much too large for her. She clutched a plastic bag in her arms, hugging it against her chest as if it were a baby. On her head was a black beret pulled down over her ears. A ragged fringe of grey, greasy hair stuck out under the rim of the beret. It was a warm day but she looked pinched, grey and cold.

‘She-devil. Blasphemer against Christ. Apostate.’ As she spoke, the woman stared straight at Sally and spittle, visible even at a distance, sprayed from her mouth. The voice was low, monotonous and cultivated. ‘Impious bitch. Whore of Babylon. Daughter of Satan. May God damn you and yours.’

Sally said nothing. She stared at the woman and tried to pray for her. Even those who did not believe in God were willing to blame the shortcomings of their lives on him. God was hard to find so his ministers made convenient substitutes.

The woman’s lips were still moving. Sally tried to blot out the stream of increasingly obscene curses. In the congregation, more and more heads craned towards the back of the church. Some of them belonged to children. It wasn’t right that children should hear this.

She was aware of Michael standing up, passing Lucy to Derek’s wife in the pew in front, and stepping into the aisle. She was aware, too, of Stella walking westwards down the nave towards the woman in the raincoat. Stella was one of the churchwardens, a tall, stately black woman who appeared never to be in a hurry.

Everything Sally saw, even Lucy and Michael, seemed both physically remote and to belong to a lesser order of importance. It impinged on her no more than the flickering images on a television set with the sound turned down. Her mind was focused on the woman in the beret and raincoat, not on her appearance or what she was saying but on the deeper reality beneath. Sally tried with all her might to get through to her. She found herself visualizing a stone wall topped with strands of barbed wire.

Michael and Stella had reached the woman now. Like an obliging child confronted by her parents, she held out her arms, giving one hand to Michael and one to Stella; she closed her mouth at last but her eyes were still on Sally. For an instant Michael, Stella and the woman made a strangely familiar tableau: a scene from a Renaissance painting, perhaps, showing a martyr about to be dragged uncomplainingly to the stake, with her eyes staring past the invisible face of the artist, standing where her accuser would be, to the equally invisible heavenly radiance beyond.

The tableau destroyed itself. Stella scooped up the carrier bag with her free hand. She and Michael drew the woman along the pew and walked with her towards the west door. Their shoes clattered on the bright Victorian tiles and rang on the central-heating gratings. The woman did not struggle but she twisted herself round until she was walking sideways. This allowed her to turn her head as far as she could and continue to stare at Sally.

The heavy oak door opened. The sound of traffic poured into the church. Sally glimpsed sunlit buildings, black railings and a blue sky. The door closed with a dull, rolling boom. For an instant the boom didn’t sound like a closing door at all: it was more like the whirr of great wings beating the air.

Sally took a deep breath. As she exhaled, a picture filled her mind: an angel, stern and heavily feathered, the detail hard and glittering, the wings flexing and rippling. She pushed the picture away.

‘God does not change,’ she said again, her voice grim. ‘But we do.’

Afterwards Derek said, ‘These days we need bouncers, not churchwardens.’

Sally turned to look at him combing his thinning hair in the vestry mirror. ‘Seriously?’

‘We wouldn’t be the first.’ His reflection gave her one of his pastoral smiles. ‘I don’t mean it, of course. But you’ll have to get used to these interruptions. We get all sorts in Kensal Vale. It’s not some snug little suburb.’

This was a dig at Sally’s last parish, a predominantly middle-class enclave in the diocese of St Albans. Derek took a perverse pride in the statistics of Kensal Vale’s suffering.

‘She needs help,’ Sally said.

‘Perhaps. I suspect she’s done this before. There have been similar reports elsewhere in the diocese. Someone with a bee in her bonnet about women in holy orders.’ He slipped the comb into his pocket and turned to face her. ‘Plenty of them around, I’m afraid. We just have to grin and bear it. Or rather them. We get worse interruptions than dotty old ladies, after all – drunks, drug addicts and nutters in all shapes and sizes.’ He smiled, pulling back his lips to reveal teeth so perfect they looked false. ‘Maybe bouncers aren’t such a bad idea after all.’

Sally bit back a reply to the effect that it was a shame they couldn’t do something more constructive. It was early days yet. She had only just started her curacy at St George’s, Kensal Vale. Salaried parish jobs for women deacons were scarce, and she would be a fool to antagonize Derek before her first Sunday was over. Perhaps, too, she was being unfair to him.

She checked her appearance in the mirror. After all this time the dog collar still felt unnatural against her neck. She had wanted what the collar symbolized for so long. Now she wasn’t sure.

Derek was too shrewd a manager to let dislike fester unnecessarily. ‘I liked your sermon. A splendid beginning to your work here. Do you think we should make more of the parallels between feminism and the antislavery movement?’

A few minutes later Sally followed him through the church to the Parish Room, which occupied what had once been the Lady Chapel. Its conversion last year had been largely due to Derek’s gift for indefatigable fund-raising. About thirty people had lingered after the service to drink grey, watery coffee and meet their new curate.

Lucy saw her mother first. She ran across the floor and flung her arms around Sally’s thighs.

‘I wanted you,’ Lucy muttered in an accusing whisper. She was holding her doll Jimmy clamped to her nose, a sign of either tiredness or stress. ‘I wanted you. I didn’t like that nasty old woman.’

Sally patted Lucy’s back. ‘I’m here, darling, I’m here.’

Stella towed Michael towards them. She was in her forties, a good woman, Sally suspected, but one who dealt in certainties and liked the sound of her own voice and the authority her position gave her in the affairs of the parish. Michael looked dazed.