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"You said I should come this morning to see about work—"
"Oh," he interrupted. "Um—yes. What is your name?"
"Carrie Meeber."
"Yes," said he. "You come with me."
He led the way through dark, box-lined aisles which had the smell of new shoes, until they came to an iron door which opened into the factory proper. There was a large, low-ceiled room, with clacking, rattling machines at which men in white shirt sleeves and blue gingham aprons were working. She followed him diffidently through the clattering automatons, keeping her eyes straight before her, and flushing slightly. They crossed to a far corner and took an elevator to the sixth floor. Out of the array of machines and benches, Mr. Brown signalled a foreman.
"This is the girl," he said, and turning to Carrie, "You go with him." He then returned, and Carrie followed her new superior to a little desk in a corner, which he used as a kind of official centre.
"You've never worked at anything like this before, have you?" he questioned, rather sternly.
"No, sir," she answered.
He seemed rather annoyed at having to bother with such help, but put down her name and then led her across to where a line of girls occupied stools in front of clacking machines. On the shoulder of one of the girls who was punching eye-holes in one piece of the upper, by the aid of the machine, he put his hand.
"You," he said, "show this girl how to do what you're doing. When you get through, come to me."
The girl so addressed rose promptly and gave Carrie her place.
"It isn't hard to do," she said, bending over. "You just take this so, fasten it with this clamp, and start the machine."
She suited action to word, fastened the piece of leather, which was eventually to form the right half of the upper of a man's shoe, by little adjustable clamps, and pushed a small steel rod at the side of the machine. The latter jumped to the task of punching, with sharp, snapping clicks, cutting circular bits of leather out of the side of the upper, leaving the holes which were to hold the laces. After observing a few times, the girl let her work at it alone. Seeing that it was fairly well done, she went away.
The pieces of leather came from the girl at the machine to her right, and were passed on to the girl at her left. Carrie saw at once that an average speed was necessary or the work would pile up on her and all those below would be delayed. She had no time to look about, and bent anxiously to her task. The girls at her left and right realised her predicament and feelings, and, in a way, tried to aid her, as much as they dared, by working slower.
At this task she laboured incessantly for some time, finding relief from her own nervous fears and imaginings in the humdrum, mechanical movement of the machine. She felt, as the minutes passed, that the room was not very light. It had a thick odour of fresh leather, but that did not worry her. She felt the eyes of the other help upon her, and troubled lest she was not working fast enough.
Once, when she was fumbling at the little clamp, having made a slight error in setting in the leather, a great hand appeared before her eyes and fastened the clamp for her. It was the foreman. Her heart thumped so that she could scarcely see to go on.
"Start your machine," he said, "start your machine. Don't keep the line waiting."
This recovered her sufficiently and she went excitedly on, hardly breathing until the shadow moved away from behind her. Then she heaved a great breath.
As the morning wore on the room became hotter. She felt the need of a breath of fresh air and a drink of water, but did not venture to stir. The stool she sat on was without a back or foot-rest, and she began to feel uncomfortable. She found, after a time, that her back was beginning to ache. She twisted and turned from one position to another slightly different, but it did not ease her for long. She was beginning to weary.
"Stand up, why don't you?" said the girl at her right, without any form of introduction. "They won't care."
Carrie looked at her gratefully. "I guess I will," she said.
She stood up from her stool and worked that way for a while, but it was a more difficult position. Her neck and shoulders ached in bending over.
The spirit of the place impressed itself on her in a rough way. She did not venture to look around, but above the clack of the machine she could hear an occasional remark. She could also note a thing or two out of the side of her eye.
"Did you see Harry last night?" said the girl at her left, addressing her neighbour.
"No."
"You ought to have seen the tie he had on. Gee, but he was a mark."
"S-s-t," said the other girl, bending over her work. The first, silenced, instantly assumed a solemn face. The foreman passed slowly along, eyeing each worker distinctly. The moment he was gone, the conversation was resumed again.
"Say," began the girl at her left, "what jeh think he said?"
"I don't know."
"He said he saw us with Eddie Harris at Martin's last night." "No!" They both giggled.
A youth with tan-coloured hair, that needed clipping very badly, came shuffling along between the machines, bearing a basket of leather findings under his left arm, and pressed against his stomach. When near Carrie, he stretched out his right hand and gripped one girl under the arm.
"Aw, let me go," she exclaimed angrily. "Duffer."
He only grinned broadly in return.
"Rubber!" he called back as she looked after him. There was nothing of the gallant in him.
Carrie at last could scarcely sit still. Her legs began to tire and she wanted to get up and stretch. Would noon never come? It seemed as if she had worked an entire day. She was not hungry at all, but weak, and her eyes were tired, straining at the one point where the eye-punch came down. The girl at the right noticed her squirmings and felt sorry for her. She was concentrating herself too thoroughly—what she did really required less mental and physical strain. There was nothing to be done, however. The halves of the uppers came piling steadily down. Her hands began to ache at the wrists and then in the fingers, and towards the last she seemed one mass of dull, complaining muscles, fixed in an eternal position and performing a single mechanical movement which became more and more distasteful, until as last it was absolutely nauseating. When she was wondering whether the strain would ever cease, a dull-sounding bell clanged somewhere down an elevator shaft, and the end came. In an instant there was a buzz of action and conversation. All the girls instantly left their stools and hurried away in an adjoining room, men passed through, coming from some department which opened on the right. The whirling wheels began to sing in a steadily modifying key, until at last they died away in a low buzz. There was an audible stillness, in which the common voice sounded strange.
Carrie got up and sought her lunch box. She was stiff, a little dizzy, and very thirsty. On the way to the small space portioned off by wood, where all the wraps and lunches were kept, she encountered the foreman, who stared at her hard.
"Well," he said, "did you get along all right?"
"I think so," she replied, very respectfully.
"Um," he replied, for want of something better, and walked on.
Under better material conditions, this kind of work would not have been so bad, but the new socialism which involves pleasant working conditions for employees had not then taken hold upon manufacturing companies.
The place smelled of the oil of the machines and the new leather—a combination which, added to the stale odours of the building, was not pleasant even in cold weather. The floor, though regularly swept every evening, presented a littered surface. Not the slightest provision had been made for the comfort of the employees, the idea being that something was gained by giving them as little and making the work as hard and unremunerative as possible. What we know of foot-rests, swivel-back chairs, dining-rooms for the girls, clean aprons and curling irons supplied free, and a decent cloak room, were unthought of. The washrooms were disagreeable, crude, if not foul places, and the whole atmosphere was sordid.
Carrie looked about her, after she had drunk a tinful of water from a bucket in one corner, for a place to sit and eat. The other girls had ranged themselves about the windows or the work-benches of those of the men who had gone out. She saw no place which did not hold a couple or a group of girls, and being too timid to think of intruding herself, she sought out her machine and, seated upon her stool, opened her lunch on her lap. There she sat listening to the chatter and comment about her. It was, for the most part, silly and graced by the current slang. Several of the men in the room exchanged compliments with the girls at long range.
"Say, Kitty," called one to a girl who was doing a waltz step in a few feet of space near one of the windows, "are you going to the ball with me?"
"Look out, Kitty," called another, "you'll jar your back hair."
"Go on, Rubber," was her only comment.
As Carrie listened to this and much more of similar familiar badinage among the men and girls, she instinctively withdrew into herself. She was not used to this type, and felt that there was something hard and low about it all. She feared that the young boys about would address such remarks to her—boys who, beside Drouet, seemed uncouth and ridiculous. She made the average feminine distinction between clothes, putting worth, goodness, and distinction in a dress suit, and leaving all the unlovely qualities and those beneath notice in overalls and jumper.
She was glad when the short half hour was over and the wheels began to whirr again. Though wearied, she would be inconspicuous. This illusion ended when another young man passed along the aisle and poked her indifferently in the ribs with his thumb. She turned about, indignation leaping to her eyes, but he had gone on and only once turned to grin. She found it difficult to conquer an inclination to cry.
The girl next her noticed her state of mind. "Don't you mind," she said. "He's too fresh."
Carrie said nothing, but bent over her work. She felt as though she could hardly endure such a life. Her idea of work had been so entirely different. All during the long afternoon she thought of the city outside and its imposing show, crowds, and fine buildings. Columbia City and the better side of her home life came back. By three o'clock she was sure it must be six, and by four it seemed as if they had forgotten to note the hour and were letting all work overtime. The foreman became a true ogre, prowling constantly about, keeping her tied down to her miserable task. What she heard of the conversation about her only made her feel sure that she did not want to make friends with any of these. When six o'clock came she hurried eagerly away, her arms aching and her limbs stiff from sitting in one position.
As she passed out along the hall after getting her hat, a young machine hand, attracted by her looks, made bold to jest with her.
"Say, Maggie," he called, "if you wait, I'll walk with you."
It was thrown so straight in her direction that she knew who was meant, but never turned to look.
In the crowded elevator, another dusty, toil-stained youth tried to make an impression on her by leering in her face.
One young man, waiting on the walk outside for the appearance of another, grinned at her as she passed.
"Ain't going my way, are you?" he called jocosely.
Carrie turned her face to the west with a subdued heart. As she turned the corner, she saw through the great shiny window the small desk at which she had applied. There were the crowds, hurrying with the same buzz and energy-yielding enthusiasm. She felt a slight relief, but it was only at her escape. She felt ashamed in the face of better dressed girls who went by. She felt as though she should be better served, and her heart revolted.
Chapter V. A GLITTERING NIGHT FLOWER—THE USE OF A NAME
Drouet did not call that evening. After receiving the letter, he had laid aside all thought of Carrie for the time being and was floating around having what he considered a gay time. On this particular evening he dined at "Rector's," a restaurant of some local fame, which occupied a basement at Clark and Monroe Streets. There—after he visited the resort of Fitzgerald and Moy's in Adams Street, opposite the imposing Federal Building. There he leaned over the splendid bar and swallowed a glass of plain whiskey and purchased a couple of cigars, one of which he lighted. This to him represented in part high life—a fair sample of what the whole must be. Drouet was not a drinker in excess. He was not a moneyed man. He only craved the best, as his mind conceived it, and such doings seemed to him a part of the best. Rector's, with its polished marble walls and floor, its profusion of lights, its show of china and silverware, and, above all, its reputation as a resort for actors and professional men, seemed to him the proper place for a successful man to go. He loved fine clothes, good eating, and particularly the company and acquaintanceship of successful men. When dining, it was a source of keen satisfaction to him to know that Joseph Jefferson was wont to come to this same place, or that Henry E. Dixie, a well-known performer of the day, was then only a few tables off. At Rector's he could always obtain this satisfaction, for there one could encounter politicians, brokers, actors, some rich young "rounders" of the town, all eating and drinking amid a buzz of popular commonplace conversation.
"That's So-and-so over there," was a common remark of these gentlemen among themselves, particularly among those who had not yet reached, but hoped to do so, the dazzling height which money to dine here lavishly represented.
"You don't say so," would be the reply.
"Why, yes, didn't you know that? Why, he's manager of the Grand Opera House."
When these things would fall upon Drouet's ears, he would straighten himself a little more stiffly and eat with solid comfort. If he had any vanity, this augmented it, and if he had any ambition, this stirred it. He would be able to flash a roll of greenbacks too some day. As it was, he could eat where THEY did.
His preference for Fitzgerald and Moy's Adams Street place was another yard off the same cloth. This was really a gorgeous saloon from a Chicago standpoint. Like Rector's, it was also ornamented with a blaze of incandescent lights, held in handsome chandeliers. The floors were of brightly coloured tiles, the walls a composition of rich, dark, polished wood, which reflected the light, and coloured stucco-work, which gave the place a very sumptuous appearance. The long bar was a blaze of lights, polished woodwork, coloured and cut glassware, and many fancy bottles. It was a truly swell saloon, with rich screens, fancy wines, and a line of bar goods unsurpassed in the country.
At Rector's, Drouet had met Mr. G. W. Hurstwood, manager of Fitzgerald and Moy's. He had been pointed out as a very successful and well-known man about town. Hurstwood looked the part, for, besides being slightly under forty, he had a good, stout constitution, an active manner, and a solid, substantial air, which was composed in part of his fine clothes, his clean linen, his jewels, and, above all, his own sense of his importance. Drouet immediately conceived a notion of him as being some one worth knowing, and was glad not only to meet him, but to visit the Adams Street bar thereafter whenever he wanted a drink or a cigar.
Hurstwood was an interesting character after his kind. He was shrewd and clever in many little things, and capable of creating a good impression. His managerial position was fairly important—a kind of stewardship which was imposing, but lacked financial control. He had risen by perseverance and industry, through long years of service, from the position of barkeeper in a commonplace saloon to his present altitude. He had a little office in the place, set off in polished cherry and grill-work, where he kept, in a roll-top desk, the rather simple accounts of the place—supplies ordered and needed. The chief executive and financial functions devolved upon the owners—Messrs. Fitzgerald and Moy—and upon a cashier who looked after the money taken in.
For the most part he lounged about, dressed in excellent tailored suits of imported goods, a solitaire ring, a fine blue diamond in his tie, a striking vest of some new pattern, and a watch-chain of solid gold, which held a charm of rich design, and a watch of the latest make and engraving. He knew by name, and could greet personally with a "Well, old fellow," hundreds of actors, merchants, politicians, and the general run of successful characters about town, and it was part of his success to do so. He had a finely graduated scale of informality and friendship, which improved from the "How do you do?" addressed to the fifteen-dollar-a-week clerks and office attaches, who, by long frequenting of the place, became aware of his position, to the "Why, old man, how are you?" which he addressed to those noted or rich individuals who knew him and were inclined to be friendly. There was a class, however, too rich, too famous, or too successful, with whom he could not attempt any familiarity of address, and with these he was professionally tactful, assuming a grave and dignified attitude, paying them the deference which would win their good feeling without in the least compromising his own bearing and opinions. There were, in the last place, a few good followers, neither rich nor poor, famous, nor yet remarkably successful, with whom he was friendly on the score of good-fellowship. These were the kind of men with whom he would converse longest and most seriously. He loved to go out and have a good time once in a while—to go to the races, the theatres, the sporting entertainments at some of the clubs. He kept a horse and neat trap, had his wife and two children, who were well established in a neat house on the North Side near Lincoln Park, and was altogether a very acceptable individual of our great American upper class—the first grade below the luxuriously rich.
Hurstwood liked Drouet. The latter's genial nature and dressy appearance pleased him. He knew that Drouet was only a travelling salesman—and not one of many years at that—but the firm of Bartlett, Caryoe & Company was a large and prosperous house, and Drouet stood well. Hurstwood knew Caryoe quite well, having drunk a glass now and then with him, in company with several others, when the conversation was general. Drouet had what was a help in his business, a moderate sense of humour, and could tell a good story when the occasion required. He could talk races with Hurstwood, tell interesting incidents concerning himself and his experiences with women, and report the state of trade in the cities which he visited, and so managed to make himself almost invariably agreeable. To-night he was particularly so, since his report to the company had been favourably commented upon, his new samples had been satisfactorily selected, and his trip marked out for the next six weeks.
"Why, hello, Charlie, old man," said Hurstwood, as Drouet came in that evening about eight o'clock. "How goes it?" The room was crowded.
Drouet shook hands, beaming good nature, and they strolled towards the bar.
"Oh, all right."
"I haven't seen you in six weeks. When did you get in?"
"Friday," said Drouet. "Had a fine trip."
"Glad of it," said Hurstwood, his black eyes lit with a warmth which half displaced the cold make-believe that usually dwelt in them. "What are you going to take?" he added, as the barkeeper, in snowy jacket and tie, leaned toward them from behind the bar.
"Old Pepper," said Drouet.
"A little of the same for me," put in Hurstwood.
"How long are you in town this time?" inquired Hurstwood.
"Only until Wednesday. I'm going up to St. Paul."
"George Evans was in here Saturday and said he saw you in Milwaukee last week."
"Yes, I saw George," returned Drouet. "Great old boy, isn't he? We had quite a time there together."
The barkeeper was setting out the glasses and bottle before them, and they now poured out the draught as they talked, Drouet filling his to within a third of full, as was considered proper, and Hurstwood taking the barest suggestion of whiskey and modifying it with seltzer.
"What's become of Caryoe?" remarked Hurstwood. "I haven't seen him around here in two weeks."
"Laid up, they say," exclaimed Drouet. "Say, he's a gouty old boy!"
"Made a lot of money in his time, though, hasn't he?"
"Yes, wads of it," returned Drouet. "He won't live much longer. Barely comes down to the office now."
"Just one boy, hasn't he?" asked Hurstwood.
"Yes, and a swift-pacer," laughed Drouet.
"I guess he can't hurt the business very much, though, with the other members all there."
"No, he can't injure that any, I guess."
Hurstwood was standing, his coat open, his thumbs in his pockets, the light on his jewels and rings relieving them with agreeable distinctness. He was the picture of fastidious comfort.
To one not inclined to drink, and gifted with a more serious turn of mind, such a bubbling, chattering, glittering chamber must ever seem an anomaly, a strange commentary on nature and life. Here come the moths, in endless procession, to bask in the light of the flame. Such conversation as one may hear would not warrant a commendation of the scene upon intellectual grounds. It seems plain that schemers would choose more sequestered quarters to arrange their plans, that politicians would not gather here in company to discuss anything save formalities, where the sharp-eared may hear, and it would scarcely be justified on the score of thirst, for the majority of those who frequent these more gorgeous places have no craving for liquor. Nevertheless, the fact that here men gather, here chatter, here love to pass and rub elbows, must be explained upon some grounds. It must be that a strange bundle of passions and vague desires give rise to such a curious social institution or it would not be.
Drouet, for one, was lured as much by his longing for pleasure as by his desire to shine among his betters. The many friends he met here dropped in because they craved, without, perhaps, consciously analysing it, the company, the glow, the atmosphere which they found. One might take it, after all, as an augur of the better social order, for the things which they satisfied here, though sensory, were not evil. No evil could come out of the contemplation of an expensively decorated chamber. The worst effect of such a thing would be, perhaps, to stir up in the material-minded an ambition to arrange their lives upon a similarly splendid basis. In the last analysis, that would scarcely be called the fault of the decorations, but rather of the innate trend of the mind. That such a scene might stir the less expensively dressed to emulate the more expensively dressed could scarcely be laid at the door of anything save the false ambition of the minds of those so affected. Remove the element so thoroughly and solely complained of—liquor—and there would not be one to gainsay the qualities of beauty and enthusiasm which would remain. The pleased eye with which our modern restaurants of fashion are looked upon is proof of this assertion.
Yet, here is the fact of the lighted chamber, the dressy, greedy company, the small, self-interested palaver, the disorganized, aimless, wandering mental action which it represents—the love of light and show and finery which, to one outside, under the serene light of the eternal stars, must seem a strange and shiny thing. Under the stars and sweeping night winds, what a lamp-flower it must bloom; a strange, glittering night-flower, odour-yielding, insect-drawing, insect-infested rose of pleasure.