Heart-Histories and Life-Pictures

Intelligence of his daughter's good deeds did not, so often as before, reach the old baron's ears; and yet Nina drew as much money as before, and had twice asked to have the sum doubled. The father could not understand the meaning of all this. He did not believe that any thing was wrong—he had too much confidence in Nina—but he was puzzled. We will briefly apprise the reader of the cause of this change.

One day—it was nearly a year from the time Nina had become a constant visitor at Blanche Delebarre's—the young lady sat reading a book in the matron's cottage. She was alone—Blanche having gone out to visit a sick neighbor at Nina's request. A form suddenly darkened the door, and some one entered hurriedly. Nina raised her eyes, and met the gaze of a youthful strange, who had paused and stood looking at her with surprise and admiration. With more confusion, but with not less of wonder and admiration, did Nina return the stranger's gaze.

"Is not this the cottage of Blanche Delebarre?" asked he, after a moment's pause. His voice was low and musical.

"It is," replied Nina. "She has gone to visit a sick neighbor, but will return shortly."

"Is my mother well?" asked the youth.

Nina rose to her feet. This, then, was Pierre Delebarre, of whom his mother had so often spoke. The heart of the maiden fluttered.

"The good Blanche is well," was her simple reply. "I will go and say to her that her son has come home. It will make her heart glad."

"My dear young lady, no!" said Pierre. "Do not disturb my mother in her good work. Let her come home and meet me here—the surprise will add to the pleasure. Sit down again. Pardon my rudeness—but are not you the young lady from the castle, of whom my mother so often writes to me as the good angel of the village? I am sure you must be, or you would not be alone in my mother's cottage."

Nina's blushes deepened, but she answered without disguise that she was from the castle.

A full half hour passed before Blanche returned. The young and artless couple did not talk of love with their lips during that time, but their eyes beamed with a mutual passion. When the mother entered, so much were they interested in each other, that they did not hear her approaching footstep. She surprised them leaning toward each other in earnest conversation.

The joy of the mother's heart was great on meeting her son. He was wonderfully improved since she last saw him—had grown several inches, and had about him the air of one born of gentle blood, rather than the air of a peasant. Nina staid only a very short time after Blanche returned, and then hurried away from the cottage.

The brief interview held with young Pierre sealed the maiden's fate. She knew nothing of love before the beautiful youth stood before her—her heart was as pure as an infant's—she was artlessness itself. She had heard him so often spoken of by his mother, that she had learned to think of Pierre as the kindest and best of youths. She saw him, for the first time, as one to love. His face, his tones, the air of refinement and intelligence that was about him, all conspired to win her young affections. But of the true nature of her feelings, Nina was as yet ignorant. She did not think of love. She did not, therefore, hesitate as to the propriety of continuing her visits at the cottage of Blanche Delebarre, nor did she feel any reserve in the presence of Pierre. Not until the enamored youth presumed to whisper the passion her presence had awakened in his bosom, did she fully understand the cause of the delight she always felt while by his side.

After Pierre had been home a few weeks, he ventured to explain to his mother the cause of his unexpected and unannounced return. He had disagreed with his uncle, who, in a passion, had reminded him of his dependence. This the high-spirited youth could not bear, and he left his uncle's house within twenty-four hours, with a fixed resolution never to return. He had come back to the village, resolved, he said, to lead a peasant's life of toil, rather than live with a relative who could so far forget himself as to remind him of his dependence. Poor Blanche was deeply grieved. All her fond hopes for her son were at an end. She looked at his small, delicate hands and slender pro-portions, and wept when she thought of a peasant's life of hard labor.

A very long time did not pass before Nina made a proposition to Blanche, that relieved, in some measure, the painful depression under which she labored. It was this. Pierre had, from a child, exhibited a decided talent for painting. This talent had been cultivated by the uncle, and Pierre was, already, quite a respectable artist. But he needed at least a year's study of the old masters, and more accurate instruction than he had yet received, before he would be able to adopt the painter's calling as one by which he could take an independent position in society as a man. Understanding this fully, Nina said that Pierre must go to Florence, and remain there a year, in order to perfect himself in the art, and that she would claim the privilege of bearing all the expense. For a time, the young man's proud spirit shrunk from an acceptance of this generous offer; but Nina and the mother overruled all his objections, and almost forced him to go.

It may readily be understood, now, why Nina ceased to render accurate accounts of her charitable expenditures to her father. The baron entertained not the slightest suspicion of the real state of affairs, until about a year afterward, when a fine looking youth presented himself one day, and boldly preferred a claim to his daughter's hand. The old man was astounded.

"Who, pray, are you," he said, "that presume to make such a demand?"

"I am the son of a peasant," replied Pierre, bowing, and casting his eyes to the ground, "and you may think it presumption, indeed, for me to aspire to the hand of your noble daughter. But a peasant's love is as pure as the love of a prince; and a peasant's heart may beat with as high emotions."

"Young man," returned the baron, angrily, "your assurance deserves punishment. But go—never dare cross my threshold again! You ask an impossibility. When my daughter weds, she will not think of stooping to a presumptuous peasant. Go, sir!"

Pierre retired, overwhelmed with confusion. He had been weak enough to hope that the Baron Holbein would at least consider his suit, and give him some chance of showing himself worthy of his daughter's hand. But this repulse dashed every hope the earth.

As soon as he parted with the young man, the father sent a servant for Nina. She was not in her chamber—nor in the house. It was nearly two hours before she came home. When she entered the presence of her father, he saw, by her countenance, that all was not right with her.

"Who was the youth that came here some hours ago?" he asked, abruptly.

Nina looked up with a frightened air, but did not answer.

"Did you know that he was coming?" said the father.

The maiden's eyes drooped to the ground, and her lips remained sealed.

"A base-born peasant! to dare—"

"Oh, father! he is not base! His heart is noble," replied Nina, speaking from a sudden impulse.

"He confessed himself the son of a peasant! Who is he?"

"He is the son of Blanche Delebarre," returned Nina, timidly. "He has just returned from Florence, an artist of high merit. There is nothing base about him, father!"

"The son of a peasant, and an artist, to dare approach me and claim the hand of my child! And worse, that child to so far forget her birth and position as to favor the suit! Madness! And this is your good Blanche!—your guide in all works of benevolence! She shall be punished for this base betrayal of the confidence I have reposed in her."

Nina fell upon her knees before her father, and with tears and earnest entreaties pleaded for the mother of Pierre; but the old man was wild and mad with anger. He uttered passionate maledictions on the head of Blanche and her presumptuous son, and positively forbade Nina again leaving the castle on any pretext whatever, under the penalty of never being permitted to return.

Had so broad an interdiction not been made, there would have been some glimmer of light in Nina's dark horizon; she would have hoped for some change—would have, at least, been blessed with short, even if stolen, interviews with Pierre. But not to leave the castle on any pretext—not to see Pierre again! This was robbing life of every charm. For more than a year she had loved the young man with an affection to which every day added tenderness and fervor. Could this be blotted out in an instant by a word of command? No! That love must burn on the same.

The Baron Holbein loved his daughter; she was the bright spot in life. To make her happy, he would sacrifice almost anything. A residence of many years in the world had shown him its pretensions, its heartlessness, the worth of all its titles and distinctions. He did not value them too highly. But, when a peasant approached and asked the hand of his daughter, the old man's pride, that was smouldering in the ashes, burned up with a sudden blaze. He could hardly find words to express his indignation. It took but a few days for this indignation to burn low. Not that he felt more favorable to the peasant—but, less angry with his daughter. It is not certain that time would not have done something favorable for the lovers in the baron's mind. But they could not wait for time. Nina, from the violence and decision displayed by her father, felt hopeless of any change, and sought an early opportunity to steal away from the castle and meet Pierre, notwithstanding the positive commands that had been issued on the subject. The young man, in the thoughtless enthusiasm of youth, urged their flight.

"I am master of my art," he said, with a proud air. "We can live in Florence, where I have many friends."

The youth did not find it hard to bring the confiding, artless girl into his wishes. In less than a month the baron missed his child. A letter explained all. She had been wedded to the young peasant, and they had left for Florence. The letter contained this clause, signed by both Pierre and Nina:—

"When our father will forgive us, and permit our return, we shall be truly happy—but not till then."

The indignant old man saw nothing but impertinent assurance in this. He tore up the letter, and trampled it under his feet, in a rage. He swore to renounce his child forever!

For the Baron Holbein, the next twelve months were the saddest of his life. Too deeply was the image of his child impressed upon his heart, for passion to efface it. As the first ebullitions subsided, and the atmosphere of his mind grew clear again, the sweet face of his child was before him, and her tender eyes looking into his own. As the months passed away, he grew more and more restless and unhappy. There was an aching void in bosom. Night after night he would dream of his child, and awake in the morning and sigh that the dream was not reality. But pride was strong—he would not countenance her disobedience.

More than a year had passed away, and not one word had come from his absent one, who grew dearer to his heart every day. Once or twice he had seen the name of Pierre Delebarre in the journals, as a young artist residing Florence, who was destined, to become eminent. The pleasure these announcements gave him was greater than he would confess, even to himself.

One day he was sitting in his library endeavoring to banish the images that haunted him too continually, when two of his servants entered, bearing a large square box in their arms, marked for the Baron Holbein. When the box was opened, it was found to contain a large picture, enveloped in a cloth. This was removed and placed against the wall, and the servants retired with the box. The baron, with unsteady hands, and a heart beating rapidly, commenced removing the cloth that still held the picture from view. In a few moments a family group was before him. There sat Nina, his lovely, loving and beloved child, as perfect, almost, as if the blood were glowing in her veins. Her eyes were bent fondly upon a sleeping cherub that lay in her arms. By her side sat Pierre, gazing upon her face in silent joy. For only a single instant did the old man gaze upon this scene, before the tears were gushing over his cheeks and falling to the floor like rain. This wild storm of feeling soon subsided, and, in the sweet calm that followed, the father gazed with unspeakable tenderness for a long time upon the face of his lovely child, and with a new and sweeter feeling upon the babe that lay, the impersonation of innocence, in her arms. While in this state of mind, he saw, for the first time, written on the bottom of the picture—"NOT GREAT, BUT HAPPY."

A week from the day on which the picture was received, the Baron Holbein entered Florence. On inquiring for Pierre Delebarre, he found that every one knew the young artist.

"Come," said one, "let me go with you to the exhibition, and show you his picture that has taken the prize. It is a noble production. All Florence is alive with its praise."

The baron went to the exhibition. The first picture that met his eyes on entering the door was a counterpart of the one he had received, but larger, and, in the admirable lights in which it was arranged, looked even more like life.

"Isn't it a grand production?" said the baron's conductor.

"My sweet, sweet child!" murmured the old man, in a low thrilling voice. Then turning, he said, abruptly—

"Show me where I can find this Pierre Delebarre."

"With pleasure. His house is near at hand," said his companion.

A few minutes walk brought them to the artist's dwelling.

"That is an humble roof," said the man, pointing to where Pierre lived, "but it contains a noble man." He turned away, and the baron entered alone. He did not pause to summon any one, but walked in through the open door. All was silent. Through a neat vestibule, in which were rare flowers, and pictures upon the wall, he passed into a small apartment, and through that to the door of an inner chamber It was half open. He looked in. Was it another picture? No, it was in very truth his child; and her babe lay in her arms, as he had just seen it, and Pierre sat before her looking tenderly in her face. He could restrain himself no longer. Opening the door, he stepped hurriedly forward, and, throwing his arms around the group, said in broken voice—"God bless you, my children!"

The tears that were shed; the smiles that beamed from glad faces; the tender words that were spoken, and repeated again and again; why need we tell of all these? Or why relate how happy the old man was when the dove that had flown from her nest came back with her mate by her side The dark year had passed, and there was sunshine again in his dwelling, brighter sunshine than before. Pierre never painted so good a picture again as the one that took the prize—that was his masterpiece.

The Young Baron Holbein has an immense picture gallery, and is a munificent patron of the arts. There is one composition on his walls he prizes above all the rest. The wealth of India could not purchase it. It is the same that took the prize when he was but a babe and lay in his mother's arms. The mother who held him so tenderly, and the father who gazed so lovingly upon her pure young brow have passed away, but they live before him daily, and he feels their gentle presence ever about him for good.