The Wheat Princess

Sybert shook his head in a puzzled frown. ‘What I can’t make out,’ he said in a low tone, ‘is why they should leave everything so open. They must have known that we would find out before we went to bed that the servants were missing. Who usually locks up?’

‘Pietro.’

‘You and I will lock up to-night.’ He considered a moment. ‘We mustn’t let him out within sight of the grove. A window on the eastern side of the house would be best, where the shrubbery grows close to the walls.’

Marcia led the way into a little store-room opening from the kitchen, and Sybert gave Gervasio his last directions.

‘Keep well in the shadow of the trees across the driveway and down around the lower terrace. Creep on your hands and knees through the wheat field, and then strike straight for the cross-roads and run every step of the way. Capisci?’

Gervasio nodded, and Marcia bent and kissed him and whispered in his ear, ‘If you bring the soldiers, Gervasio, you may live with us always and be our little boy, just like Gerald.’

He nodded again, fairly trembling with anxiety to get started. Sybert carefully swung the window open, and the little fellow dropped to the ground and crept like a cat into the shadows. They stood by the open window for several minutes, straining their ears to listen, but no sound came back except the peaceful music of a summer night—the murmur of insects and the songs of nightingales. Gervasio had got off safely.

‘Now we’ll lock the house,’ Sybert added in an undertone, ‘so that when our friends come to call they will have to come the front way.’

He closed the window softly and examined with approval the inside shutters. They were made of solid wood with heavy iron bolts and hinges. The villa had been planned in the old days before the police force was as efficient as now, and it was quite prepared to stand a siege.

‘It will take considerable strength to open these, and some noise,’ he remarked as he swung the shutters to and shot the bolts.

They groped their way out and went from room to room, closing and bolting the windows and doors with as little noise as possible. Sybert appeared, to Marcia’s astonished senses, to be in an unusually light-hearted frame of mind. Once or twice he laughed softly, and once, when her hand touched his in the dark, she felt that same warm thrill run through her as on that other moonlight night.

They came last to the big vaulted dining-room which had served as chapel in the devotional days of the Vivalanti. The three glass doors at the end were open to the moonlight, which flooded the apartment, softening the crude outlines of the frescoes on the ceiling to the beauty of old masters. Sybert paused with his back to the doors to look up and down approvingly.

‘Do you know, it isn’t half bad in this light,’ he remarked casually to Marcia. ‘That old fellow up there,’ he nodded toward Bacchus reclining among the vines in the central panelling, ‘might be a Michelangelo in the moonlight, and in the sunlight he isn’t even a Carlo Dolci.’

Marcia stared. What could he be thinking of to choose this time of all others to be making art criticisms? Never had she heard him express the slightest interest in the subject before. She had been under so great a strain for so long, such a succession of shocks, that she was nearly at the end of her self-control. And then to have Sybert acting in this unprecedented way! She looked past him out of the door toward the black shadow of the ilexes, and shuddered as she thought of what they might conceal. The next moment Sybert had stepped out on to the balcony.

‘Mr. Sybert!’ she cried aghast. ‘They may be watching us. Come back.’

He laughed and seated himself sidewise on the iron railing. ‘If they’re watching us, they’re doubtless wondering why we’re closing the house so carefully. We’ll stop here a few minutes and let them see we’re unsuspicious; that we’re just shutting the doors for fear of draughts and not of burglars.’

‘They’ll shoot you,’ she gasped, her eyes upon his white suit, which made a shining target in the moonlight.

‘Nonsense, Miss Marcia! They couldn’t hit me if they tried.’ He marked the distance to the grove with a calculating eye. ‘There’s no danger of their trying, however. They won’t risk giving their plot away just for the sake of nabbing me; I’m not King Humbert. They don’t hate me as much as that.’ He leaned forward with another laugh. ‘Come out and talk to me, Miss Marcia. Let me see how brave you are.’

Marcia flattened herself against the wall. ‘I’m not brave. Please come back, Mr. Sybert. We must tell Uncle Howard.’

If Marcia did not know Sybert to-night, he did not know himself. He was under a greater strain than she. He had sworn that he would not see her again, and he had weakly come to-night; he had promised himself that he would not talk to her, that he would not by the slightest sign betray his feelings, and he found himself thrown with her under the most intimate conditions. They shared a secret; they were in danger together. It was within the realms of possibility that he would be killed to-night. The Camorrists had attempted it before; they might succeed this time. He actually did not care; he almost welcomed the notion. Ambition was dead within him; he had nothing to live for and he was reckless. He thought that Marcia was in love with another man, but he dimly divined his own influence over her. Once at least, he told himself—once, before she went back to the boy she had chosen, she should acknowledge his power; she should bend her will to his. He knew that she was frightened, but she should conquer her fear. She should come out into the moonlight and stand beside him, hand in hand, facing the shadows of the ilex grove.

He bent forward, watching her as she stood in her white evening gown outlined against the dark tapestry of the wall, her face surrounded by glowing hair, her grey eyes big with amazement and fear.

He stretched out his hand toward her. ‘Marcia,’ he called in a low, insistent tone. ‘Come here, Marcia. Come out here and stand beside me, or I shall think you are a coward.’

She turned aside with a little shuddering gasp and hid her head against the wall. What if they should shoot him in the back as he sat there?

Sybert suddenly came to himself and sprang forward with an apology. ‘Oh, I beg your pardon, Miss Marcia; I didn’t mean to frighten you. I don’t know what I’m saying.’

He began closing the doors and shutters farthest away. As he reached her side he paused and looked at her. Her eyes were shut and she did not move. He closed and barred the last shutter, and they stood silent in the dark. Marcia was struggling to control herself. ‘I shall think you a coward,’ was ringing in her ears. She had borne a great deal to-day, from the moment when she had first seen the man asleep in the grass; and now, as she opened her eyes in the darkness, a sudden rush of fear swept over her such as she had experienced in the old wine-cellar. It was not fear of any definite thing; she could be as brave as any one in the face of visible danger. It was merely a wild, unreasoning sensation of physical terror, bred of the dark and overwrought nerves. She stretched out her hand and touched Sybert to be sure he was there. The next moment she was beyond herself. ‘I’m afraid,’ she sobbed out, and she clung to him convulsively.

She felt him put his arm around her. ‘Marcia! My dear little girl. There’s nothing to be afraid of. When they find we are on our guard they won’t dare molest us. Nothing can hurt you.’ It was so exactly his tone to Gerald, she would have laughed had she not been crying too hard to stop. Then suddenly his arms tightened about her. ‘Marcia,’ he whispered hoarsely, ‘Marcia,’ and he bent his head until his lips touched hers. They stood for an instant without moving; then she felt him become quickly rigid as he dropped his arms and gently loosened her hands. They groped their way into the hall without a word, and neither looked at the other. They were both ashamed. The tears still stood in Marcia’s eyes, but her cheeks were scarlet. And Sybert was pale beneath the olive of his skin.

He stepped to the threshold of the salon. ‘Ah, Copley,’ he said in a low tone. ‘Are you nearly through? I want to tell you something.’

Copley waved him off without looking up. ‘Sh—it’s a crucial moment. Don’t interrupt. The scores are even and only one hand more to play. I’ll be out in a few minutes.’

Marcia sat down in a chair on the loggia. It was on the opposite side of the house from the ilex grove, and besides, her spasm of fear had passed. Everything was blotted out of her mind except what had just happened. Her thoughts, her feelings, were in wild commotion; but one thing stood out clearly. She had thrown herself into his arms and he had kissed her; and then—he had unloosed her hands. She shut her eyes and winced at the thought; she felt that she could never face him again.

And on the other end of the loggia Sybert was pacing up and down, lighting cigarettes and throwing them away. He, too, was fiercely calling himself names. He had frightened her when he knew that she was beside herself with nervousness; he had taken advantage of the fact that she did not know what she was doing; he knew that she was engaged to Paul Dessart, and he had forgotten that he was a gentleman. With a quick glance toward the salon, he threw away his cigarette, and crossing the loggia, he sat down in a chair at Marcia’s side. She shrank back quickly, and he leaned forward with his elbows on his knees and his eyes on the brick floor.

‘Marcia,’ he said in a tone so low that it was barely audible, ‘I love you. I know you don’t care for me; I know you are engaged to another man. I didn’t mean to see you again; most of all I didn’t mean to tell you. I had no right to take advantage of you when you were off your guard, but—I couldn’t help it; I’m not so strong as I thought I was. Please forgive me and forget about it.’

Marcia drew a deep breath and shut her eyes. Her throat suddenly felt hot and dry. The rush of joy that swept over her made her feel that she could face anything. She had but to say, ‘I am not engaged to another man,’ and all would come right. She raised her head and looked back into Sybert’s deep eyes. It was he this time who dropped his gaze.

‘Mr. Sybert–’ she whispered.

A shadow suddenly fell between them, and they both sprang to their feet with a little exclamation. A man was standing before them as unexpectedly as though he had risen from the earth or dropped from the sky. He was short and thick-set, with coarsely accentuated features; he wore a loose white shirt and a red cotton sash, and though the shirt was fastened at the throat, Marcia could see the mark of the crucifix on his brown skin as plainly as if it were visible.

‘It’s the tattooed man!’ she gasped out, but as she felt Sybert’s restraining touch on her arm she calmed herself.

The man took off his hat with a polite bow and an impertinent smile.

‘Buona sera, signorina,’ he murmured. ‘Buona sera, Friend of the Poor. I’m sorry to interrupt you, but I come on business molto urgente.’

‘What is your business?’ Sybert asked sharply.

‘My business is with Signor Copley.’

‘What is this? Some one to see me?’ Copley asked, appearing in the doorway. ‘Well, my man,’ he added in Italian, ‘what can I do for you?’

‘Uncle Howard, don’t speak to him! It’s the tattooed man,’ Marcia cried. ‘There’s a plot. He wants to kill you.’

An expression approaching amusement flitted over Mr. Copley’s face as he looked his visitor over.

‘I wish to speak to the signore alone, in private, on urgent business,’ the man reiterated, looking scowlingly from one face to the other. He did not understand the foreign language they spoke among themselves, and he felt that it gave them an advantage.

‘Don’t speak to him alone,’ Sybert warned. ‘He’s dangerous.’

‘Well, what do you want?’ Copley demanded peremptorily. ‘Say whatever you have to say here.’

The man glanced at Marcia and Sybert, and then, shrugging his shoulders in true Italian fashion, turned to Copley.

‘I wish the money of the poor,’ he said.

‘The money of the poor? I haven’t any money of the poor.’

‘Si, si, signore. The money you stole from the mouths of the poor—the wheat money.’

Marcia shuddered at the word ‘wheat.’ It seemed to her that it would follow her to her dying day.

‘Ah! So it’s the wheat money, is it? Well, my good man, that happens to be my money. I didn’t steal it from the mouths of the poor. I bought the wheat myself to give to the poor, and I sold it for half as much as I paid for it; and with the money I intend to buy more wheat. In the meantime, however, I shall keep it in my own hands.’

‘You don’t remember me, signore, but I remember you. We met in Naples.’

Copley bowed. ‘On which occasion I put you in jail—a pleasure I shall avail myself of a second time if you trouble me any further.’

‘I have come for the money.’

‘You fool! Do you think I carry thirty thousand lire around in my pockets? The money is in the Banca d’Italia in Rome. You may call there if you wish it.’

The man put his hands to his mouth and whistled.

‘Ah! It’s a plot, is it!’ Copley exclaimed.

‘Si, signore. It is a plot, and there are those who will carry it out.’

He turned with an angry snarl, and before Sybert could spring forward to stop him he had snatched a stiletto from his girdle. Copley threw up his arm to protect himself, and received the blow in the shoulder. Before the man could strike again, Sybert was upon him and had thrown him backward across the balustrade. At the same moment half a dozen men burst from the ilex grove and ran across the terrace; and one of them—it was Pietro—levelled the stolen rifle as he ran.

‘Back into the house!’ Sybert shouted, ‘and bar the salon windows.’ He himself sprang back to the threshold and snatched out his revolver. ‘You fools!’ he cried to the Italians in front. ‘We’re all armed men. We’ll shoot you like dogs.’

For answer Pietro fired the rifle, and the glass of an upper window crashed.

Sybert closed the door and dropped the bar across it. He faced the excited group in the hall with a little laugh. ‘If that’s a specimen of his marksmanship, we haven’t much to fear from Pietro.’

He glanced quickly from one to the other. Marcia, in the salon, was slamming the shutters down. Mrs. Melville and Mrs. Copley were standing in the doorway with white faces, too amazed to move. Copley, in the middle of the hall, with his right arm hanging limp, was dripping blood on the marble pavement while he loudly called for a pistol; and Melville was standing on a chair hastily tearing from the wall a collection of fourteenth-century Florentine arms.

‘Pietro’s got your pistol,’ Sybert said. ‘But I’ve got five shots in mine, and we’ll do for the sixth man with one of those bludgeons. I ought to have shot that tattooed fellow when I had the chance—he’s the leader—but I’ll make up for it yet.’

A storm of blows on the door behind him brought out another laugh. ‘That door is as solid as the side of the house. They can hammer on it all night without getting in.’

The assailants had evidently arrived at the same conclusion, for the blows ceased while they consulted. A crash of glass in the salon followed, and Sybert sprang in there, calling to Melville to guard the hall window. The shutters held against the first impact of the men’s bodies, and they drew off for a minute and then redoubled the blows. They were evidently using the butt of the rifle as a battering-ram, and the stoutest of hinges could not long withstand such usage. With a groan one side of the shutter gave way and swung inward on a single hinge.

‘Put out the lights,’ Sybert called over his shoulder to Marcia, and he fired a shot through the aperture. The assailants fell back with groans and curses, but the next moment, raising the cry, ‘Avanti! Avanti!’ they came on with a rush, the Camorrist leading with the stolen revolver in his hand. Sybert took deliberate aim and fired. The man slowly sank to his knees and fell forward on his face. His comrades dragged him back.

Marcia, in the darkness behind, shut her eyes and clenched her hands. It was the first time she had ever seen a person die, and the sight was sickening. The men withdrew from the window and those waiting inside heard them consulting in low, angry guttural tones. The next moment there was a crash of glass at the hall window which opened into the loggia, and again the rifle as a battering-ram.

‘Ah!’ said Sybert under his breath, and he thrust the revolver into Marcia’s hand. ‘Quick, take that to Melville and bring me one of those spiked truncheons. We’ll make ’em think we’ve got a regular arsenal in here.’

Marcia obeyed without a word, and the next moment shots and cries rang out in the hall. She had scarcely placed the unwieldy weapon in Sybert’s hands when another man thrust himself into the salon opening. They had evidently determined to divide their forces and attack the two breaches at once. Both Marcia and Sybert recognized the man instantly. It was Tarquinio, the son of Domenico, the baker of Castel Vivalanti.

‘Tarquinio! You fool! Go back,’ Sybert cried.

‘Ah-h—Signor Siberti!’ the young fellow cried as he lunged forward with a stiletto. ‘You have betrayed us!’

Sybert shut his lips, and reversing the truncheon, struck him with the handle a ringing blow on the head. Tarquinio fell forward into the darkness of the room, and the moonlight streamed in on his bloody face.

Sybert bent over him a moment with white lips. ‘You poor fool!’ he muttered. ‘I had to do it.’

The next moment Marcia uttered a joyous cry that rang through the rooms.

‘Listen!’

A silence of ten seconds followed, while both besieged and besiegers held their breath. The sound was unmistakable—a shout far down the avenue and the beat of galloping hoofs.

‘The soldiers!’ she cried, and the men outside, as if they had understood the word, echoed the cry.

‘I soldati! I soldati!’

The next moment a dozen carabinieri swept into sight, the moonlight gleaming brightly on their white cross-belts and polished mountings. The men on the loggia dropped their weapons and dashed for cover, while the soldiers leaped from their horses and with spiked muskets chased them into the trees.

Sybert hastily bent over Tarquinio and dragged him back into the shadow.

‘Is he alive?’ Marcia whispered.

‘He’s only stunned. And, poor fellow, he doesn’t know any better; he was nothing but their dupe. It’s a pity to send him to the galleys for life.’

They dropped a rug over the man and turned into the hall, which was hot with the smell of powder and smoking candles. Sybert threw the door wide and let the moonlight stream in. It was a queer sight it looked upon. Copley, weak from his wound, had collapsed into a tall carved chair, while the two ladies, in blood-stained evening dresses, were anxiously bending over him. Melville, with the still smoking revolver in his hand and a jewelled dagger sticking from his pocket, was frenziedly inquiring, ‘For the Lord’s sake, has any one got any whisky?’ Gerald, in his white nightgown and little bare legs, was howling dismally on the stairway; while Granton, from the landing, looked grimly down upon the scene with the air of an avenging Nemesis. The next moment the soldiers had come trooping in, and everything was a babel of cries and ejaculations and excited questions. In the midst of the confusion Mrs. Copley suddenly drew herself up and pronounced her ultimatum.

‘On the very first steamer that sails, we are going back to America to live!’

Marcia uttered a little hysterical laugh, and Melville joined in.

‘And I think you’d better go with them, my boy,’ he said, laying a grimy hand on Sybert’s arm. ‘I suspect that your goose is pretty thoroughly cooked in Italy.’

Sybert shook the elder man’s hand off, with a short laugh that was not very mirthful.

‘I’ve suspected that for some time.’ And he turned on his heel and strode out to the loggia, where he began talking with the soldiers.

‘Poor fellow!’ Melville glanced at Marcia and shook his head. ‘It’s a bad dose!’ he murmured. ‘I have a curiosity to see with what grace he swallows it.’

Marcia looked after Sybert with eyes that were filled with sympathy. She realized that it was a bitter time for him, though she did not know just why; but she had seen the spasm that crossed his face at Tarquinio’s cry, ‘You have betrayed us!’ She half started to follow him, and then she drew back quickly. Through the open door she had caught a glimpse of Sybert and a soldier bending over the Camorrist’s body. They had opened his shirt in front, and she had seen the purple crucifix covered with blood. She leaned back against the wall, faint at the sight. It seemed as if the impressions of this dreadful day could never leave her!