The Sleeper Awakes
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"What sort of people are these?" he asked abruptly.
"Workers – prosperous workers. What you would have called the middle class. Independent tradesmen with little separate businesses have vanished long ago, but there are store servers, managers, engineers of a hundred sorts. To-night is a holiday of course, and every dancing place in the city will be crowded, and every place of worship."
"But – the women?"
"The same. There's a thousand forms of work for women now. But you had the beginning of the independent working-woman in your days. Most women are independent now. Most of these are married more or less – there are a number of methods of contract – and that gives them more money, and enables them to enjoy themselves."
"I see," said Graham, looking at the flushed faces, the flash and swirl of movement, and still thinking of that nightmare of pink helpless limbs. "And these are – mothers."
"Most of them."
"The more I see of these things the more complex I find your problems.
This, for instance, is a surprise. That news from Paris was a surprise."
In a little while he spoke again:
"These are mothers. Presently, I suppose, I shall get into the modern way of seeing things. I have old habits of mind clinging about me – habits based, I suppose, on needs that are over and done with. Of course, in our time, a woman was supposed not only to bear children, but to cherish them, to devote herself to them, to educate them – all the essentials of moral and mental education a child owed its mother. Or went without. Quite a number, I admit, went without. Nowadays, clearly, there is no more need for such care than if they were butterflies. I see that! Only there was an ideal – that figure of a grave, patient woman, silently and serenely mistress of a home, mother and maker of men – to love her was a sort of worship – "
He stopped and repeated, "A sort of worship."
"Ideals change," said the little man, "as needs change."
Graham awoke from an instant reverie and Asano repeated his words.
Graham's mind returned to the thing at hand.
"Of course I see the perfect reasonableness of this. Restraint, soberness, the matured thought, the unselfish act, they are necessities of the barbarous state, the life of dangers. Dourness is man's tribute to unconquered nature. But man has conquered nature now for all practical purposes – his political affairs are managed by Bosses with a black police – and life is joyous."
He looked at the dancers again. "Joyous," he said.
"There are weary moments," said the little officer, reflectively.
"They all look young. Down there I should be visibly the oldest man. And in my own time I should have passed as middle-aged."
"They are young. There are few old people in this class in the work cities."
"How is that?"
"Old people's lives are not so pleasant as they used to be, unless they are rich to hire lovers and helpers. And we have an institution called Euthanasy."
"Ah! that Euthanasy!" said Graham. "The easy death?"
"The easy death. It is the last pleasure. The Euthanasy Company does it well. People will pay the sum – it is a costly thing – long beforehand, go off to some pleasure city and return impoverished and weary, very weary."
"There is a lot left for me to understand," said Graham after a pause. "Yet I see the logic of it all. Our array of angry virtues and sour restraints was the consequence of danger and insecurity. The Stoic, the Puritan, even in my time, were vanishing types. In the old days man was armed against Pain, now he is eager for Pleasure. There lies the difference. Civilisation has driven pain and danger so far off – for well-to-do people. And only well-to-do people matter now. I have been asleep two hundred years."
For a minute they leant on the balustrading, following the intricate evolution of the dance. Indeed the scene was very beautiful.
"Before God," said Graham, suddenly, "I would rather be a wounded sentinel freezing in the snow than one of these painted fools!"
"In the snow," said Asano, "one might think differently."
"I am uncivilised," said Graham, not heeding him. "That is the trouble. I am primitive – Paleolithic. Their fountain of rage and fear and anger is sealed and closed, the habits of a lifetime make them cheerful and easy and delightful. You must bear with my nineteenth century shocks and disgusts. These people, you say, are skilled workers and so forth. And while these dance, men are fighting – men are dying in Paris to keep the world – that they may dance."
Asano smiled faintly. "For that matter, men are dying in London," he said.
There was a moment's silence.
"Where do these sleep?" asked Graham.
"Above and below – an intricate warren."
"And where do they work? This is – the domestic life."
"You will see little work to-night. Half the workers are out or under arms. Half these people are keeping holiday. But we will go to the work places if you wish it."
For a time Graham watched the dancers, then suddenly turned away. "I want to see the workers. I have seen enough of these," he said.
Asano led the way along the gallery across the dancing hall. Presently they came to a transverse passage that brought a breath of fresher, colder air.
Asano glanced at this passage as they went past, stopped, went back to it, and turned to Graham with a smile. "Here, Sire," he said, "is something – will be familiar to you at least – and yet – . But I will not tell you. Come!"
He led the way along a closed passage that presently became cold. The reverberation of their feet told that this passage was a bridge. They came into a circular gallery that was glazed in from the outer weather, and so reached a circular chamber which seemed familiar, though Graham could not recall distinctly when he had entered it before. In this was a ladder – the first ladder he had seen since his awakening – up which they went, and came into a high, dark, cold place in which was another almost vertical ladder. This they ascended, Graham still perplexed.
But at the top he understood, and recognised the metallic bars to which he clung. He was in the cage under the ball of St. Paul's. The dome rose but a little way above the general contour of the city, into the still twilight, and sloped away, shining greasily under a few distant lights, into a circumambient ditch of darkness.
Out between the bars he looked upon the wind-clear northern sky and saw the starry constellations all unchanged. Capella hung in the west, Vega was rising, and the seven glittering points of the Great Bear swept overhead in their stately circle about the Pole.
He saw these stars in a clear gap of sky. To the east and south the great circular shapes of complaining wind-wheels blotted out the heavens, so that the glare about the Council House was hidden. To the southwest hung Orion, showing like a pallid ghost through a tracery of iron-work and interlacing shapes above a dazzling coruscation of lights. A bellowing and siren screaming that came from the flying stages warned the world that one of the aeroplanes was ready to start. He remained for a space gazing towards the glaring stage. Then his eyes went back to the northward constellations.
For a long time he was silent. "This," he said at last, smiling in the shadow, "seems the strangest thing of all. To stand in the dome of St. Paul's and look once more upon these familiar, silent stars!"
Thence Graham was taken by Asano along devious ways to the great gambling and business quarters where the bulk of the fortunes in the city were lost and made. It impressed him as a well-nigh interminable series of very high halls, surrounded by tiers upon tiers of galleries into which opened thousands of offices, and traversed by a complicated multitude of bridges, footways, aerial motor rails, and trapeze and cable leaps. And here more than anywhere the note of vehement vitality, of uncontrollable, hasty activity, rose high. Everywhere was violent advertisement, until his brain swam at the tumult of light and colour. And Babble Machines of a peculiarly rancid tone were abundant and filled the air with strenuous squealing and an idiotic slang. "Skin your eyes and slide," "Gewhoop, Bonanza," "Gollipers come and hark!"
The place seemed to him to be dense with people either profoundly agitated or swelling with obscure cunning, yet he learnt that the place was comparatively empty, that the great political convulsion of the last few days had reduced transactions to an unprecedented minimum. In one huge place were long avenues of roulette tables, each with an excited, undignified crowd about it; in another a yelping Babel of white-faced women and red-necked leathery-lunged men bought and sold the shares of an absolutely fictitious business undertaking which, every five minutes, paid a dividend of ten per cent, and cancelled a certain proportion of its shares by means of a lottery wheel.
These business activities were prosecuted with an energy that readily passed into violence, and Graham approaching a dense crowd found at its centre a couple of prominent merchants in violent controversy with teeth and nails on some delicate point of business etiquette. Something still remained in life to be fought for. Further he had a shock at a vehement announcement in phonetic letters of scarlet flame, each twice the height of a man, that "WE ASSURE THE PROPRAIET'R. WE ASSURE THE PROPRAIET'R."
"Who's the proprietor?" he asked.
"You."
"But what do they assure me?" he asked. "What do they assure me?"
"Didn't you have assurance?"
Graham thought. "Insurance?"
"Yes – Insurance. I remember that was the older word. They are insuring your life. Dozands of people are taking out policies, myriads of lions are being put on you. And further on other people are buying annuities. They do that on everybody who is at all prominent. Look there!"
A crowd of people surged and roared, and Graham saw a vast black screen suddenly illuminated in still larger letters of burning purple. "Anuetes on the Propraiet'r – x 5 pr. G." The people began to boo and shout at this, a number of hard breathing, wild-eyed men came running past, clawing with hooked fingers at the air. There was a furious crush about a little doorway.
Asano did a brief, inaccurate calculation. "Seventeen per cent, per annum is their annuity on you. They would not pay so much per cent, if they could see you now, Sire. But they do not know. Your own annuities used to be a very safe investment, but now you are sheer gambling, of course. This is probably a desperate bid. I doubt if people will get their money."
The crowd of would-be annuitants grew so thick about them that for some time they could move neither forward nor backward. Graham noticed what appeared to him to be a high proportion of women among the speculators, and was reminded again of the economic independence of their sex. They seemed remarkably well able to take care of themselves in the crowd, using their elbows with particular skill, as he learnt to his cost. One curly-headed person caught in the pressure for a space, looked steadfastly at him several times, almost as if she recognised him, and then, edging deliberately towards him, touched his hand with her arm in a scarcely accidental manner, and made it plain by a look as ancient as Chaldea that he had found favour in her eyes. And then a lank, grey-bearded man, perspiring copiously in a noble passion of self-help, blind to all earthly things save that glaring bait, thrust between them in a cataclysmal rush towards that alluring "X 5 pr. G."
"I want to get out of this," said Graham to Asano. "This is not what I came to see. Show me the workers. I want to see the people in blue. These parasitic lunatics – "
He found himself wedged into a straggling mass of people.
CHAPTER XXI
THE UNDER-SIDE
From the Business Quarter they presently passed by the running ways into a remote quarter of the city, where the bulk of the manufactures was done. On their way the platforms crossed the Thames twice, and passed in a broad viaduct across one of the great roads that entered the city from the North. In both cases his impression was swift and in both very vivid. The river was a broad wrinkled glitter of black sea water, overarched by buildings, and vanishing either way into a blackness starred with receding lights. A string of black barges passed seaward, manned by blue-clad men. The road was a long and very broad and high tunnel, along which big-wheeled machines drove noiselessly and swiftly. Here, too, the distinctive blue of the Labour Department was in abundance. The smoothness of the double tracks, the largeness and the lightness of the big pneumatic wheels in proportion to the vehicular body, struck Graham most vividly. One lank and very high carriage with longitudinal metallic rods hung with the dripping carcasses of many hundred sheep arrested his attention unduly. Abruptly the edge of the archway cut and blotted out the picture.
Presently they left the way and descended by a lift and traversed a passage that sloped downward, and so came to a descending lift again. The appearance of things changed. Even the pretence of architectural ornament disappeared, the lights diminished in number and size, the architecture became more and more massive in proportion to the spaces as the factory quarters were reached. And in the dusty biscuit-making place of the potters, among the felspar mills, in the furnace rooms of the metal workers, among the incandescent lakes of crude Eadhamite, the blue canvas clothing was on man, woman and child.
Many of these great and dusty galleries were silent avenues of machinery, endless raked out ashen furnaces testified to the revolutionary dislocation, but wherever there was work it was being done by slow-moving workers in blue canvas. The only people not in blue canvas were the overlookers of the work-places and the orange-clad Labour Police. And fresh from the flushed faces of the dancing halls, the voluntary vigours of the business quarter, Graham could note the pinched faces, the feeble muscles, and weary eyes of many of the latter-day workers. Such as he saw at work were noticeably inferior in physique to the few gaily dressed managers and forewomen who were directing their labours. The burly labourers of the old Victorian times had followed that dray horse and all such living force producers, to extinction; the place of his costly muscles was taken by some dexterous machine. The latter-day labourer, male as well as female, was essentially a machine-minder and feeder, a servant and attendant, or an artist under direction.
The women, in comparison with those Graham remembered, were as a class distinctly plain and flat-chested. Two hundred years of emancipation from the moral restraints of Puritanical religion, two hundred years of city life, had done their work in eliminating the strain of feminine beauty and vigour from the blue canvas myriads. To be brilliant physically or mentally, to be in any way attractive or exceptional, had been and was still a certain way of emancipation to the drudge, a line of escape to the Pleasure City and its splendours and delights, and at last to the Euthanasy and peace. To be steadfast against such inducements was scarcely to be expected of meanly nourished souls. In the young cities of Graham's former life, the newly aggregated labouring mass had been a diverse multitude, still stirred by the tradition of personal honour and a high morality; now it was differentiating into an instinct class, with a moral and physical difference of its own – even with a dialect of its own.
They penetrated downward, ever downward, towards the working places. Presently they passed underneath one of the streets of the moving ways, and saw its platforms running on their rails far overhead, and chinks of white lights between the transverse slits. The factories that were not working were sparsely lighted; to Graham they and their shrouded aisles of giant machines seemed plunged in gloom, and even where work was going on the illumination was far less brilliant than upon the public ways.
Beyond the blazing lakes of Eadhamite he came to the warren of the jewellers, and, with some difficulty and by using his signature, obtained admission to these galleries. They were high and dark, and rather cold. In the first a few men were making ornaments of gold filigree, each man at a little bench by himself, and with a little shaded light. The long vista of light patches, with the nimble fingers brightly lit and moving among the gleaming yellow coils, and the intent face like the face of a ghost, in each shadow, had the oddest effect.
The work was beautifully executed, but without any strength of modelling or drawing, for the most part intricate grotesques or the ringing of the changes on a geometrical motif. These workers wore a peculiar white uniform without pockets or sleeves. They assumed this on coming to work, but at night they were stripped and examined before they left the premises of the Department. In spite of every precaution, the Labour policeman told them in a depressed tone, the Department was not infrequently robbed.
Beyond was a gallery of women busied in cutting and setting slabs of artificial ruby, and next these were men and women working together upon the slabs of copper net that formed the basis of cloisonné tiles. Many of these workers had lips and nostrils a livid white, due to a disease caused by a peculiar purple enamel that chanced to be much in fashion. Asano apologised to Graham for this offensive sight, but excused himself on the score of the convenience of this route. "This is what I wanted to see," said Graham; "this is what I wanted to see," trying to avoid a start at a particularly striking disfigurement.
"She might have done better with herself than that," said Asano.
Graham made some indignant comments.
"But, Sire, we simply could not stand that stuff without the purple," said Asano. "In your days people could stand such crudities, they were nearer the barbaric by two hundred years."
They continued along one of the lower galleries of this cloisonné factory, and came to a little bridge that spanned a vault. Looking over the parapet, Graham saw that beneath was a wharf under yet more tremendous archings than any he had seen. Three barges, smothered in floury dust, were being unloaded of their cargoes of powdered felspar by a multitude of coughing men, each guiding a little truck; the dust filled the place with a choking mist, and turned the electric glare yellow. The vague shadows of these workers gesticulated about their feet, and rushed to and fro against a long stretch of white-washed wall. Every now and then one would stop to cough.
A shadowy, huge mass of masonry rising out of the inky water, brought to Graham's mind the thought of the multitude of ways and galleries and lifts that rose floor above floor overhead between him and the sky. The men worked in silence under the supervision of two of the Labour Police; their feet made a hollow thunder on the planks along which they went to and fro. And as he looked at this scene, some hidden voice in the darkness began to sing.
"Stop that!" shouted one of the policemen, but the order was disobeyed, and first one and then all the white-stained men who were working there had taken up the beating refrain, singing it defiantly – the Song of the Revolt. The feet upon the planks thundered now to the rhythm of the song, tramp, tramp, tramp. The policeman who had shouted glanced at his fellow, and Graham saw him shrug his shoulders. He made no further effort to stop the singing.
And so they went through these factories and places of toil, seeing many painful and grim things. That walk left on Graham's mind a maze of memories, fluctuating pictures of swathed halls, and crowded vaults seen through clouds of dust, of intricate machines, the racing threads of looms, the heavy beat of stamping machinery, the roar and rattle of belt and armature, of ill-lit subterranean aisles of sleeping places, illimitable vistas of pin-point lights. Here was the smell of tanning, and here the reek of a brewery, and here unprecedented reeks. Everywhere were pillars and cross archings of such a massiveness as Graham had never before seen, thick Titans of greasy, shining brickwork crushed beneath the vast weight of that complex city world, even as these anemic millions were crushed by its complexity. And everywhere were pale features, lean limbs, disfigurement and degradation.
Once and again, and again a third time, Graham heard the song of the revolt during his long, unpleasant research in these places, and once he saw a confused struggle down a passage, and learnt that a number of these serfs had seized their bread before their work was done. Graham was ascending towards the ways again when he saw a number of blue-clad children running down a transverse passage, and presently perceived the reason of their panic in a company of the Labour Police armed with clubs, trotting towards some unknown disturbance. And then came a remote disorder. But for the most part this remnant that worked, worked hopelessly. All the spirit that was left in fallen humanity was above in the streets that night, calling for the Master, and valiantly and noisily keeping its arms.
They emerged from these wanderings and stood blinking in the bright light of the middle passage of the platforms again. They became aware of the remote hooting and yelping of the machines of one of the General Intelligence Offices, and suddenly came men running, and along the platforms and about the ways everywhere was a shouting and crying. Then a woman with a face of mute white terror, and another who gasped and shrieked as she ran.
"What has happened now?" said Graham, puzzled, for he could not understand their thick speech. Then he heard it in English and perceived that the thing that everyone was shouting, that men yelled to one another, that women took up screaming, that was passing like the first breeze of a thunderstorm, chill and sudden through the city, was this: "Ostrog has ordered the Black Police to London. The Black Police are coming from South Africa… The Black Police. The Black Police."
Asano's face was white and astonished; he hesitated, looked at Graham's face, and told him the thing he already knew. "But how can they know?" asked Asano.
Graham heard someone shouting. "Stop all work. Stop all work," and a swarthy hunchback, ridiculously gay in green and gold, came leaping down the platforms toward him, bawling again and again in good English, "This is Ostrog's doing, Ostrog the Knave! The Master is betrayed." His voice was hoarse and a thin foam dropped from his ugly shouting mouth. He yelled an unspeakable horror that the Black Police had done in Paris, and so passed shrieking, "Ostrog the Knave!"
For a moment Graham stood still, for it had come upon him again that these things were a dream. He looked up at the great cliff of buildings on either side, vanishing into blue haze at last above the lights, and down to the roaring tiers of platforms, and the shouting, running people who were gesticulating past. "The Master is betrayed!" they cried. "The Master is betrayed!"
Suddenly the situation shaped itself in his mind real and urgent. His heart began to beat fast and strong.
"It has come," he said. "I might have known. The hour has come."
He thought swiftly. "What am I to do?"
"Go back to the Council House," said Asano.
"Why should I not appeal – ? The people are here."
"You will lose time. They will doubt if it is you. But they will mass about the Council House. There you will find their leaders. Your strength is there – with them."
"Suppose this is only a rumour?"
"It sounds true," said Asano.
"Let us have the facts," said Graham.
Asano shrugged his shoulders. "We had better get towards the Council House," he cried. "That is where they will swarm. Even now the ruins may be impassable."
Graham regarded him doubtfully and followed him.
They went up the stepped platforms to the swiftest one, and there Asano accosted a labourer. The answers to his questions were in the thick, vulgar speech.
"What did he say?" asked Graham.
"He knows little, but he told me that the Black Police would have arrived here before the people knew – had not someone in the Wind-Vane Offices learnt. He said a girl."
"A girl? Not – ?"
"He said a girl – he did not know who she was. Who came out from the Council House crying aloud, and told the men at work among the ruins."