International Miscellany of Literature, Art and Science, Vol. 1

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M. JULES LECHEVALIER, known in this country chiefly as one of the foreign Correspondents of The Tribune, but in Europe as an able writer on the Social Sciences, has recently delivered in Paris and Berlin, and in London, (where he is residing as a political exile,) a series of lectures, which will soon be given to the world in a volume, upon the subject of his favorite studies. M. Lechevalier's system, which he denominates "New Political Economy," is based upon the principle of association, in opposition to that of competition and laissez-faire, which constitute the groundwork of the school of the present political economists. In the course of his series he pointed out the gradual tendency of the competitive principle to produce extremes of riches and poverty, and ultimately revolutions, and maintained, that by the adoption of the associative principle alone, society can be preserved from confusion and destruction. He contends that the new political economy, or Socialism, is essentially Conservative, while the present system of unlimited competition, or buying cheap and selling dear, is destructive, M. Lechevalier pretends to base his system on the moral principles of Christ, and maintains that Christianity cannot be practically carried out in any other way. His lectures abound in examples of the working of the two opposing systems.

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The Doctrinal Tract and Book Society, Boston, are going forward in the work of re-publishing the old standard works of the New-England theology. They have issued a fine edition of Bellamy and have procured an edition of Edwards the younger. They are now about commencing the stereotyping of Catlin's Compendium, and the whole works of Dr. Hopkins. We wish they would go back a century further, and give us the best works of Mather and his contemporaries.

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There is a political novel by OTTO MULLER, of Manheim, announced, under the title Georg Volker: ein Vreiheits Roman, which is said to give a faithful picture of the Baden revolution, and to open with the rise of the peasantry in the Ottenwald.

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THE DUC DE LA ROUCHEFOUCAULD's celebrated "Moral Reflections, Sentences, and Maxims," have just appeared in a new and very much improved translation, and with notes, pointing out similarities of sentiments in ancient and modern authors, and sometimes proving that Rochefoucauld's good things have been made use of without sufficient acknowledgment, by moderns. There is also an introduction, which dissertates well on the purpose and quality of the reflections. Such books were once very popular; but in this country they have not been much read. We have indeed had numerous editions of "Lacon," and Dr. Bettner's "Acton" has found a thousand purchasers; but the Rev. Dr. Hooker's "Maxims," which, in our opinion, are as good as anything of their kind in the English language, we believe have not attracted attention, and Mr. Simms's "Egeria" has been printed only in the columns of a newspaper.

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A new theory has just been propounded at Paris in a book called "Armanase," (a Sanscrit word, meaning the "Reign of Capacity"). The author asserts the present forms of administrative government are injurious instead of useful to society, and ought to be replaced by institutions of a new and different order. His principle is, that the sovereignty of the individual ought to be instituted for that of governments, and that great associations of mutual assurance may be advantageously substituted for the existing system of management by office-holders. The author shows also that the progress of the natural and mechanical sciences will deliver man from the pressure of the more painful sorts of labor; and that wealth, freed from the barriers which now hinder its circulation, would be distributed freely throughout society. Intellectual property would be seriously guaranteed, and would enrich the men of genius, whose inventions and discoveries are now profitable, not to the authors, but to the capitalists who take advantage of them. By this means an important element of revolutions will be removed. The author proposes, that in order to prevent all suffering, a civil list shall be set apart for the people, who will be the king. This civil list is to be composed of a tax of one per cent., levied on all who have property in favor of those who have nothing. But, says he, let no one imagine that all would be dissolution and ruin in this system, without law or government. Crimes and offenses will be tried by juries, that is to say, by a living code. Property will no longer be seizable for debt, and the courts will become useless. Everybody shall have the absolute right to buy land by paying its possessor ten per cent, on its value: this is to give a chance for carrying on all sorts of grand public enterprises without trouble from the proprietors of little pieces of land. It may perhaps be doubted, whether the "Reign of Capacity" has exhibited any astonishing endowments in that respect.

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THACKERAY, in Pendennis, has given offense, it appears, to some of the gensd'armes of the Press, by his satirical sketches of the literary profession. Those whose withers are unwrung will admit the truth of many pages and laugh at the caricature in the rest. In the last number of the North British Review is a clever article upon the subject, written with good temper and good sense. Hitherto publishers have been ridiculed and declaimed against as "tyrants" and "tradesmen,"—made to bear the onus of "poetical" improvidence, and to sustain the weight of a crime which no author can pardon—the rejection of manuscripts. The authors have painted the portraits of publishers; but an ancient fable suggests that if the lion had painted a certain picture, it would not have been a lion we should see biting the dust.

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M. DE LUYNES is now engaged at Paris in publishing a work on the antiquities of Cyprus. He has discovered a number of inscriptions in ancient Cyprian writing, and is having them engraved on copper. The writing is that which preceded the introduction of the Phoenician character upon the island, and seems to have no affinity either with that or with the Assyrian, which is discovered to have been once used there. The work of M. de Luynes will open a new problem for the philologists. It will be difficult to decipher the inscriptions and language, unless there can be found somewhere an ancient Cyprian inscription, with a translation in some known tongue; but in a time which has read the riddles of the pyramids, nothing of this sort is to be despaired of. M. de Luynes is the last of the great French nobles who makes a worthy use of his riches.

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SIR ROBERT PEEL left full and specific directions in his will for the early publication of his political memoirs; and ordered that the profits arising from the publication shall be given to some public institution for the education of the working-classes. He believed his manuscripts and correspondence to be of great value, as showing the characters of the great men of his age; and directed that his correspondence with the Queen and Prince Albert shall not be published during their lives without their express consent. He confided the task of preparing these memoirs to Lord Mahon and Mr. Cardwell. Their duty will, however, be comparatively light, though delicate, from the admirable and orderly state in which he left his papers.

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MR. JOHN P. BROWN, author of "The Turkish Nights Entertainments," recently published by Putnam, is now on a visit to this country as the Secretary of the Commissioner of the Sublime Porte, Captain Ammin Bey.

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EUGENE SUE'S new romance "The Mysteries of the People," has been prohibited in Prussia.

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M. BURNET DE PESLE has just published the first part of his Examen Critique de la Succession des Dynasties Egyptiennes, a work to which competent critics assign a high value. He follows the method of Champollion, rejecting hypotheses and admitting only the testimony of the historians and monuments. At the same time he treats his subject with independence and originality, though he advances nothing for the sake of novelty. The second part of the work will be devoted to the discussion of the ancient inscriptions, dynasty by dynasty, and reign by reign.

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WASHINGTON IRVING is claimed by the English as by both birth and spirit a British author. In the question of copyright lately before the Vice Chancellor, the case rested in part upon a plea that Mr. Irving's father was from the Orkneys and his mother from Falmouth, so that, though he was born in New York, he was not an alien. Still, our "Diedrich Knickerbocker" was Colonel Irving once, and served in this capacity against the king, and it will not he safe for him to establish the position assumed by his publisher.

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M. ARAGO, having completed his love-labor in honor of Condorcet, is again abstracting from scientific pursuits a portion of his time, to prepare a memoir upon the acts and doings of the Provisional Government of 1848 of which he was a member. It is said to be a curious work which will enlighten much that is yet dark in the history of that period, throwing additional obloquy upon some members, and relieving others of a portion of that which they have hitherto borne. M. Chemiega is also engaged upon his own account in similar historical labors.

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DR. OLIVER WENDELL HOLMES, on the 9th of September, delivered a poem, described by a correspondent of the Commercial Advertiser as one of his finest compositions, before a large audience, assembled to dedicate a rural cemetery at Pittsfield, Mass.

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M. DUGANNE, some of whose songs and dramatic pieces have the ring of true metal, has just completed a satire entitled "Parnassus in Pillory," and with the motto, "Lend me your ears." We have seen some advance sheets of it, which are full of wit and spirit.

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SOUTH CAROLINA has always been prolific of epics. Those of Mr. Simmons, Dr. Marks of Barhamville, and some others, have been tried, and-the court of criticism has now before it from the same quarter "America Discovered, in Twelve Books."

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JOHN NEAL has given notice of his intention to write a history of American Literature "in two large octavo volumes," and he invites authors who are not afraid to show their books, to send them to him at Portland without delay.

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"GERMANIA, ITS COURTS, CAMPS AND PEOPLE," is the title of a brace of volumes by "the Baroness Blaize de Bury." And who, pray, is the Baroness Blaize de Bury? A writer in The Leader answers after this wise:

"Why, sir, she is somewhat of a myth, making her avatars in literature with all the caprice and variety of Vishnou or Brougham; her maiden name of Rose Stewart has not, that we can discover, been stained with printer's ink, but we trace her as 'Arthur Dudley' in the Revue des Deux Mondes writing upon Bulwer and Dickens, we next find her as 'Maurice Flassan' in Les Français Aeints par eux-mémes. Rumor further whispereth that she had a finger in 'Albert Lunel,' one of the eccentricities of an eccentric law-lord, which was hurriedly suppressed, one knows not why; in the Edinburgh Review she wrote a paper on Molière, and for Charles Knight's Weekly Volume a pleasant little book about Racine, on the title-page of which she is styled 'Madame Blaize Bury;' since that time you observe she has blossomed into a Baroness de Bury! Let us add that she is the wife of Henri Blaze, known as agreeable critic and the translator of Faust, that she is said to be a great favorite with the author of 'Albert Lunel,' and that she has the two novels 'Mildred Vernon' and 'Leonie Vermont' placed to her account: how many other shapes she may have assumed we know not; are these not enough? Whether, after all, a flesh-and-blood Madame de Bury exists is more than We can decide. Une supposition! what if, after all, she should turn out to be Lord Brougham himself? The restless energy of that Scottish Phenomenon renders everything possible. He does not agree with Pliny's witty friend, that it is better to be idle than to do nothing—satius est otiosum esse quam nihil agere."

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REV. CHARLES ELLIOT, D.D. of Cincinnati, has published, through the Methodist printing house of that city, an important work on Slavery, in two duodecimo volumes. Dr. Ellliot has declined the acceptance of the Biblical Professorship in McKendree College, on the ground that he is busily engaged in preparing works for the press, including a thorough investigation of the Biblical argument in defense of slavery.

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A NEW edition of a Lexicon of the Dakota language (of an Indian tribe near Lake Superior,) has just been completed by the missionaries. It contains upward of fifteen thousand words. Near thirteen years or more of labor have been expended upon it.

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JUDGE SYDNEY BREESE, late U.S. Senator, at the commencement of Knox College, delivered a discourse before the Literary Societies on the Early History of Illinois. It is said to be part of a volume he is preparing, and had reference to the first ninety years of Illinois history.

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MR. LAYARD, in excavating beneath the great pyramid at Nimroud, had penetrated a mass of masonry, within which he had discovered the tomb and statue of Sardanapalus, with full annals of that monarch's reign engraved on the walls.

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MR. H. H. WILSON, F.R.S., has published in London, a collection of Ancient Hindu Hymns, constituting the First Ashtaka, or Book, of the Rig-Veda, the oldest Authority for the religious and social institutions of the Hindus. The translation of the Rig-Veda-Sonhita is valuable for the scholar who wishes to study the most ancient belief, opinions, and modes of the Hindus, so far as they can be gathered from hymns addressed to the deities. At the same time, their mystery or obscurity, increased by remoteness of years, is perhaps so considerable, that it will require peculiar learning to profit by the materials this most ancient and important of the Vedas contains.

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DR. SHELTON MACKENZIE, author of "Mornings at Matlock," has been appointed, through the influence of Lord Brougham, to the office of official assignee to the Court of Bankruptcy, in Manchester.

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The Fine Arts.

THE FINE ARTS IN AMERICA are not in a state of remarkable perfection, if we may credit a writer in the Augsburg Allgemeine Zeitung. This critic is evidently honest and impartial, but not perfectly well informed. He supposes that the majority of the artists as well as of the scholars in the country are emigrants from Europe; and affirms that artists of great talent, who have been esteemed and encouraged in Europe, have been reduced to misery in America, and compelled to resort to common labor for their living. Latterly, however, fashion has brought pictures into market; and we may now hear, in more refined circles, here and there a misapplied artistic term, which shows that art is somewhat thought of. It is characteristic that an American will often bargain for pictures by the square foot. The New York Art Union has done a good deal of good in the culture of taste for art, and from the Philadelphia Art Union much may also be expected. The daguerreotypes taken here may be compared with the best of Voightländer of Vienna and Williams of Liverpool. The talbotypes of this country are better than all others. Lithographing is done mostly by French and Germans; wood-cutting and steel-engraving by Englishmen and Americans. The products of the latter two resemble perfectly those of the same arts in England. Dramatic and musical art are in a feeble condition. The theaters in the great cities have been visited by the writer, and nothing admirable found in them. They are all private enterprises, and no great things are to be expected in that line without the aid of a government. The theaters are built and furnished in the most elegant and even luxurious style. The Italian Opera in New York is supplied by European artists whose best days are over. The actors never rise to any commendable excellence, and the pieces they perform are well adapted to their talents. Hardly ever is anything classical produced upon the stage.

The German drama in the United States is spoken of as being in a condition of even more desperate degradation. The writer's remarks on that subject will not specially interest our readers; but we trust that what we have given above from his strictures will be edifying to all whom it may concern.

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FROM ROME we hear of an extensive undertaking about to be commenced in the way of Catholic Art. The plan is this: Overbeck, whose designs from Scripture history are familiar to all lovers of Art who have not overlooked one of the most remarkable geniuses of the times, is now employed upon fourteen compositions representing the fourteen Stations or pauses of the Lord on his way to the cross. Part of them are already done, and to judge from them the series will surpass all previous works of this great master. These designs are to be multiplied to the greatest extent and put within the means of churches, convents and even the poorest classes of the people. They will appear of the size of the original in colored lithography, which will probably be executed in Germany. Engravings of half size on copper are to be executed by the eminent engraver Bartoccini, who is familiar with Overbeck's manner, and who has worked under him in Germany. Indeed Bartoccini is already best known from the engravings of Overbeck's designs to the New Testament, the best of which were from his burin. In addition there are to be editions of these compositions in middling and small sizes as well as in wood engravings. The object is to provide something which has real artistic merit in place of the wretched pictures which are offered for the devotion of the faithful in so many churches and in Catholic prayer-books. The Pope himself, to whom the first colored drawings have been shown, takes a lively interest in the enterprise, and will probably recommend it in a special circular to all the bishops.

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CHARLES MULLER, a German sculptor, whose group, "The Singer's Curse," Received the second prize at the Exposition of 1849, at Paris, has arrived in this country, where he proposes to take up his residence. The Tribune states that "The Singer's Curse" will soon be exhibited to the public in this city. It was suggested by one of the finest of Uhland's works.

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The city of Paris is about to erect along the grand avenue of the Champs Elysées three hundred statues, in marble, of Parisians distinguished in the administration of the city, in letters, in science, the fine arts or commerce. The statues will alternate with beautiful little fountains, and will form rows on each side of the avenue.

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POWER'S STATUE OF EVE is now-having been rescued from the waters off the coast of Spain—on the way to New York, and it will soon be here. The Prince Demidoff has purchased the figure of the Greek Slave, originally commenced for Mr. Robb of New Orleans, for £700, being £100 more than Mr. Robb was to have given for it. The Prince has placed it in a room by itself, in his palace at St. Donato, near Florence. He is one of the finest critics of art now living, and his collection of masterpieces constitutes to the man of taste one of the chief attractions of Italy. From a letter of Powers now before us, we learn that the model of his "America" was finished, and on the first of August the marble was about to be commenced, in the same size. This the sculptor and his friends think will be his greatest work. We are happy in being able to mention a fact eminently honorable to a distinguished American gentleman, in this connection. When the statue of Eve was lost, Powers wrote to the underwriters to pay the insurance ($6000) to Mr. J.S. Preston of South Carolina, upon whom the loss was to fall; but Mr. Preston instantly upon hearing the circumstance directed that every cent of the money should be sent to the artist, expressing only a regret that the country suffered the loss of a performance so admirable. Mr. Powers had not at this time heard of the loss of the statue of Mr. Calhoun. This great work has not yet been recovered, but Mr. Kellogg has still hopes of its being rescued in perfect safety.

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The Venice Statuto of the 13th August announces that Venice and Italy have experienced an irreparable loss. The celebrated Barbarigo Gallery, known for ages, comprised amongst other masterpieces seventeen paintings of Titian, the Magdalen, Venus, St. Sebastian; the famous portraits of the Doge Barbarigo, of Philip XIV., &c. After the extinction of the Barbarigo family, Count Nicholas Giustiniani, the brothers Barbaco, and the merchants Benetti, who became proprietors of the collection, presented it to the Government. The Viceroy Raniere offered it for sale in 1847 to the Austrian Government, which refused to buy it. It has been lately purchased by the Court of Russia for five hundred and sixty thousand francs.

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PAINTING AND SCULPTURES of the early northern artists from the eighth to the sixteenth century have just been discovered in great numbers in Gothland, by Dr. Marilignis, of the Stockholm Royal Academy of Fine Arts. He was sent to search for them by the Academy, and has spent eighteen months in his mission. A large proportion of the pictures were found in chapels built during the eleventh and twelfth centuries, and were covered with thick coats of plaster, which had to be removed with great care. The results of Dr. Marilignis' investigations will be published by the Swedish Government.

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THE INAUGURATION OF THE STATUE OF LARREY, the famous surgeon of the Imperial army, at the Val-de-Grace, took place in Paris lately. Among the assistants at this solemnity not the least interesting portion was a corps of one hundred invalids upon whom Larrey had operated. The hero of the day was Dupin, who walked in to the flourish of drums and trumpets at the head of the commission of the monument. The statue of bronze, by David, of Angers, was unvailed amid the clang of "sonorous metal blowing martial sounds." Old Dupin, in a fit of happy inspiration, jumped up on the chair from which he presided, and delivered perhaps the best speech he ever made. He drew, in lively touches, the mission of the man whose hospital is the battle-field, of his intrepid coolness and humane devotion. Larrey was wounded, while binding the wounds of others, in Egypt and at Waterloo, in the days of glory and of disaster. The President of the Assembly spoke with much feeling, and when he came down from his chair a general rush was made by his friends to embrace him.

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THE STANDISH GALLERY OF PICTURES in the Louvre was decreed by the French courts, a few days before his death, to be the private property of the late Louis Philippe. It was left to the king by Mr. Frank Hall Standish, in 1838. The library of this collection is very valuable. It contains among other rare books the Bible of Cardinal Ximenes, valued alone at $5000. One of the last acts of Louis Philippe was to present it to the French people. He was desirous only of vindicating his rights in the courts. The gallery therefore will not be removed.

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THE ANNUAL EXHIBITION OF PICTURES by Düsseldorf artists was opened in that city about the middle of July. Landscapes are rather predominant. In their line the works of Alexander Michelis, August Kossler, Weba and Fischer are the best. Ten pictures of peasant life in Norway by Adolf Tidemond, a Norwegian artist, are said to display very remarkable merit. They were retained in the exhibition only a few days, being destined for the royal chateau of Oskarshall. Of historical pictures there is nothing worth mentioning.

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The Brussells Herald states that the artistic value of the works of art contained in the churches of Antwerp, eleven in number, is by the late financial report of the province estimated at 49,763,000 francs-nearly ten millions of dollars.

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LEUTZE'S PICTURE of Washington Crossing the Delaware is nearly finished at Düsseldorf, and is much praised by several letter-writers who have seen it.

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MR. POWELL, at Paris, expects to finish his picture for the Capitol about the first of February.

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EDGAR ALLEN POE

By R.W. GRISWOLD.

The family of EDGAR A. POE was one of the oldest and most reputable in Baltimore. David Poe, his paternal grandfather, was a Quartermaster-General in the Maryland line during the Revolution, and the intimate friend of Lafayette, who, during his last visit to the United States, called personally upon the General's widow, and tendered her acknowledgments for the services rendered to him by her husband. His great-grandfather, John Poe, married in England, Jane, a daughter of Admiral James McBride, noted in British naval history, and claiming Kindred with some of the most illustrious English families. His father, David Poe, jr., the fourth son of the Quartermaster-General, was several years a law student in Baltimore, but becoming enamored of an English actress, named Elizabeth Arnold, whose prettiness and vivacity more than her genius for the stage made her a favorite, he eloped with her, and after a short period, having married her, became himself an actor. They continued six or seven years in the theaters of the principal cities, and finally died, within a few weeks of each other, in Richmond, leaving three children, Henry, Edgar, and Rosalie, in utter destitution.