My Fire Opal, and Other Tales

The refractory wretch, his arms, legs, and neck confined in wooden stocks, is seated, nude, in a small, dark closet. From three to four barrels of water are placed above his head, at an elevation of six to eight feet. Unable to change in the slightest degree his position, he receives upon the top of his head, drop by drop, in sudden shower or heavy douche (as may best suit the fancy of his tormentor), this terrible bath. As a devilish after-thought of the inventor, a trench-like collar is made to encircle the victim's neck; as the water descends, this collar fills, and it is so contrived that at the least movement of the sufferer's head the water shall flow into his mouth and nostrils, until he is upon the verge of strangulation. By order of the Board, the shower bath was, in 18 – , set up in the State Prison. Could that criminal institution have furnished an unlimited supply of waterproof brains, it might have flourished there indefinitely; but mad convicts are troublesome, nay, sometimes dangerous, and insanity behind the bars is, therefore, not to be wantonly induced.

Hodges, a provokingly incorrigible sinner, had been, time out of mind, "under treatment." At the command of Warden Flint, he had (putting it in Peter Floome's own forcible English) "ben showered out of his wits, and into his wits, an' then showered right over agin." In the abnormal mental state induced by this prolonged torture, the wretched creature had finally turned upon his tormentor. Discouraged by this unlooked-for practical result of the shower-bath, the Board subsequently ordered the discontinuance of its use in the prison; and Hodges was the last subject of that infernal contrivance.

He was brought to trial for the murder of his keeper, and acquitted on the ground of insanity; and finally made good his escape from this troublous life, by a leap from an upper window of the State Insane Hospital.

Hodges was an accomplished rogue, and a second comer to the prison, and it is to be inferred that by the door of death "he went to his place," leaving the world none the poorer by his withdrawal from it; all the same, he is to be congratulated on his ultimate escape from the penal water cure.

It is May-day; and high tide with the Saganock. It is a brimful hurrying river, and, at this moment, fully verifies that distracting old saw, "Time and tide stay for no man." And here, amid budding lilacs and singing robins, some half head taller, and two good years older than on the day when she bade a final adieu to the prison, is May-blossom. On this sunny slope of the Parker lawn she is prospecting for early violets. Her sweet face has grown thinner. Violet circles underline her soft gray eyes. Her lips are as threads of scarlet wool, and, listening, you may hear her cough – deep and hollow. Alas! It is a sound to make the heart ache.

Soon wearied by her futile search, the child returns to her cosy corner on "the stoop," and there, curled up beneath the soft warm folds of an afghan, watches the westering sun, the fleecy clouds, and the familiar river speeding on to the sea.

Meantime, at the north door, Dr. Abel Foster, the family "medicine man," briskly alights from his buggy. Before his hand can touch the knocker it is opened by Miss Paulina herself. "Good afternoon, my dear lady; and so pussy is still ailing, is she?" cries the good doctor (this with assumed nonchalance, slightly overdone).

"Yes, Doctor Foster," replies Miss Parker; "and will you kindly sound her lungs to-day, and let me know the worst? One flinches indeed, but, if it must come – why, then – " an ominous quaver in the gentle voice; and the doctor shrewdly interrupts:

"Bless you, madam! I'm in a terrible hurry! Twenty patients waiting for me this minute! Let me see the little girl at once."

May-blossom is called in, her blue-veined wrist consigned to the doctor's big feelers; her tongue submitted to a critical inspection; and, after undergoing a prolonged professional thumping and hearkening, she is soundly hugged and kissed, and, with a nod and a smile, dismissed. After this, Doctor Foster and the lady of the mansion are closeted awhile together. The buggy then passes down the drive, and disappears on the long dusty road. Soon after, the south door opens, and a face, pale and sad, but very calm, bends over the child, who has again returned to her out-door seat. Very tenderly is the warm afghan folded about the small, fragile form. The robins no longer sing. The sun, half-obscured, is going down. The burying-ground stands drearily out against the murky sky. The pines wail mournfully, and the river – at ebbing tide – murmurs in sad refrain. Old Harmy, moulding tea-biscuits at her kitchen window, imparts to Mandy Ann – who is shaving the dried beef for tea – her belief that Miss Paulina "hes gone clean crazy, settin' out-doors with that child, an' the dew a fallin' this very minnit, like sixty!" Miss Paulina – recovering her wits – hurries her darling in. The tea-table is already laid in the south keeping-room, beside the wide fireplace, with its ancient crane, and its Scriptural border of watery blue Dutch tiles; and, in the cheerful apple-wood blaze, the two partake together of that now almost obsolete meal – a substantial six o'clock tea. May-blossom is then snugly settled among the cushions of a wide chintz lounge, and the elder lady, in a low seat beside her, and holding lovingly her small wasted hand, – as is her wont, – chats pleasantly with her darling, in the soft, quiet gloaming. At nine, they pass, hand in hand, to Miss Paulina's own chamber, where the child's cot has long been established. May-blossom undressed, kissed, and blessed, creeps drowsily between its warm blankets, and is soon sound asleep. Miss Paulina, in her dressing-gown, broods over the dying fire, far into the night. Alas! have not all her best beloved gone from her? Why might not Heaven have spared to her this last – the one ewe lamb, so tenderly carried in her arms, and warmed in her lonely bosom? Why not; ah, why? She recalls the blessed comfort of two love-lightened years; the daily lessons, when to teach this bright little creature had been a mere pastime; their woodland fern and flower-gatherings, their winter fireside cosiness, all the nameless homely delights of love's dear fellowship – wayside flowers, that, scarce perceived, blossom along life's trodden ways. And now it is all coming to an end! Nothing will be left her but one small, grass-grown grave! As if there were not already graves enough in her world!

May-blossom, though not a sickly child, had never been robust; and when, at midwinter, she had taken the measles, this epidemic of childhood had gone hard with her. She had convalesced but slowly; an ugly cough had set in, and could not be routed; and now there were hectic afternoons, debilitating night-sweats, succeeded by mornings of lassitude; and, to-day, Doctor Foster had summed up his diagnosis in one dreadful word —consumption!

"The child," explained the good doctor – tears blinding his kind old eyes – "has grown up (as it were) in the cellar; delicate nervous organization; too much brain; too little out-door life; and the outcome of it all is simply this – with that cough, and that constitution (God help us!) an angel from heaven couldn't save her!"

Summer is coming. The buttercups are here. May-blossom is better. She sleeps well, coughs less, and her appetite is mending. Buoyed by deceitful hope, Miss Paulina takes heart, and the train for Boston, from whence, – crowned with the spoil of a half day's shopping, – she is, at this very moment, returning. The carryall fairly groans under its accumulated bundles; and the steel-clasped bag upon her arm is plethoric, to the last degree. Hours have passed since she parted from her darling. Hastily alighting, she hurries in. There is an under-quaver of anxiety in her voice as she calls, "May! May, May, dear!" Where can the child be, that she has not run to meet her! "May!" again, and louder – still no reply. Yet now a never-to-be-mistaken voice comes cooingly from the kitchen. "Who can the darling be fondling? (Harmy Patterson, though staunch and loving, is not one to unbend to endearments!) Her kitten, most likely."

She softly opens the kitchen door. Amazement stays her feet upon the threshold! Harmy, mute with horror, indicates with stretched forefinger her own clean patchwork-cushioned rocker, wherein, bolt upright, sits an unknown man, – and such a man! His coarse, dusty garments (evidently fashioned without the slightest reference to their present wearer) hang scarecrow-wise upon his graceless form. Under his slouched hat (which he democratically retains) he seems to skulk abjectly from the gazer's eye; as well he may, for, unshaven and unshorn, his wide mouth stained with tobacco, his hands and face begrimed with dust, he looks, every inch, the wretched outcast that he is! And (no wonder that old Harmy gapes distraught), seated lovingly upon this creature's knee, her dainty fingers clasping his dirty hand, her golden curls brushing his grimy neck, is May-blossom, – yes, May-blossom, her own sweet self, beaming, and fond, and absolutely unconscious of the incongruity of the situation. And this forlorn being, craving still of humanity but leave to carry on its shoulders the shamed head of a man, is a convict, – our old prison acquaintance, Peter Floome, May-blossom's sometime nurse, and always friend!

Lightly springing from her unseemly perch, the child hastens to greet Miss Paulina, and, hanging fondly upon her hand, cries eagerly, "Oh, auntie, darling, I'm so glad you've come! Here's Peter, dear old Peter! He's pardoned out, auntie, and, isn't it nice? He can come and see me every day now if he likes.

"Why, auntie! (somewhat crestfallen) aren't you glad? and won't you shake hands with him? Peter is nice, auntie, and he used to take such care of me when I was ever so little. You'll like Peter when he's washed up, and so will Harmy, though she does mind him just a little now, because she's not acquainted with him." (Harmy, sotto voce, and emphatically, "Lord sakes, no; an' don't never want to be!") Here, reminiscences of prison etiquette visiting Peter's dazed mind, he shuffles bashfully to his feet, and, pulling distractedly at his matted forelock, goes through a certain gymnic performance, supposed, by himself, to constitute a bow. The ice thus broken, Peter finds his tongue, and blurts out a "Good day, marm, hope I see yer well, marm."

Miss Paulina bows, a pause, ensues. Peter looks admiringly at May-blossom, and, thereby gaining inspiration, finds himself equal to a second attempt at conversation.

"She's growed, marm, like the mischief!" he asserts; "but I knowed her, I did, the minute I sot eyes on her out there in the mowin' lot! an' she knowed me, she did! Yes, yes, she knowed Peter; she knowed him. Poor old Peter! who don't hardly know himself nowerdays." Here Peter's voice gets husky, and, brushing away a dirty tear, with his greasy coat sleeve, he seems to await the issue. Peter Floome is downrightly the social antipodes of the lady of the homestead. Conventionally they do not stand side by side in the human group, but, like Swedenborg's unfraternal angels, "feet to feet." Yet in the artless harangue of this poor creature there is a touch of honest nature that at once makes them kin.

"And I, too, must know you, Peter," she says, cordially advancing and taking in her own clean palm his dirty hand.

Unable to express his appreciation of the honour thus conferred, Peter twirls his thumbs, ventures a side glance at Harmy, and, again utterly disparaged in his own eyes, looks uneasily at the floor.

Prompt to reconcile the cowed creature to himself, Miss Parker courteously says: "And now, Peter, you would, I think, like to go up to Reuben's bedroom and have a good wash. By and by Harmy shall give you tea, and then we must hear all about the pardon, and how you happened here, and what you mean to do with yourself, and what we can do for you. Come, Mabel, dear; Peter, you know, is your company. Show him up-stairs, my darling."

Again the small, soft hand is laid in the rough, brown paw, and Peter Floome, – in a state of absolute bewilderment as to his personal identity, – shuffles awkwardly off with the delighted child. And what says Harmy Patterson to all this? "Here's a convict, a horrid convict," cries she, "and invited to tea, an' that child a huggin' an' kissin' him, in cold blood! Lord! Lord! what is the Parkers comin' to?" Here, unable further to pursue the fallen social fortunes of the house, Harmy covers her face with her checked apron and bursts into tears. Grieved at the discomfiture of her old servant and friend, Miss Parker essays a word of expostulation. She appeals to her hospitality, her humanity, reminds her of her professed discipleship of Him who "sat at meat" with the sinner. In vain! as well might she have addressed herself to Harmy's stone molasses jug, which, dropped from her grasp in the sudden shock of Peter's advent, now lies prone upon the kitchen floor. Foiled in her kindly endeavour, the mistress quietly withdraws. Harmy, left alone, sobs herself into a comparatively tranquil frame of mind. Coming to the rescue of her molasses jug, she carefully ascertains that no minute fracture is consequent upon the fall, and that no wasteful drop has exuded from the wooden stopper, and, forthwith, sets vigorously to, on a batch of soft gingerbread, whose manufacture had been interrupted by the entrance of Peter Floome. While she stirs her cake, Harmy sighs, and profoundly resolves in her mind "the fitnesses." In her social lexicon a convict is a vile wretch. In her catechism he is given over to damnation from the foundation of the world – God-devoted to the very devil himself!

Miss Paulina Parker, in her chamber, washes her hands, and also ponders the "fitnesses." This starved outcast is her brother. She has taken him by the hand. Christian ethics demonstrate the fitness of this act. The hand was, no doubt, dirty. Yet, what matters it? Soap and water set one right again. Soap and water tell, too, upon Peter Floome, when, after a characteristically superficial ablution, he emerges from Reuben's bedroom, a trifle improved in complexion, but still a sorry specimen of humanity, and, escorted by May-blossom, is whisked out-of-doors, on a hasty tour of inspection. Led by this happy little creature (now holding his hand, now dropping it to run on and, turning, take in his effect, and then skip gayly in advance), Peter visits the chicken-coop, the beehive, the flower garden, the stables, and the pig-pen, and, last of all, the apple orchard, now rosy-white with bloom.

There, reclined upon the grass, beneath the flowering boughs of a patriarch tree, Miss Paulina ere long comes upon the oddly matched pair. Peter, wreathed with buttercups and dandelions, and wearing his flowery honours like another "Bottom," sits beside his "Titania," who in fond infatuation "His amiable cheek doth coy."

"Pity," thinks the intruder, "to spoil so quaint a picture." The sun is, however, already low, and she calls her darling in from the dewfall. In the kitchen, Harmy has made reluctant preparations for Peter's inner man; grimly remarking to Mandy Ann (who has meantime returned from an errand at the store) that "it does go agin' her, to put on span clean table-cloths for sich creeturs, an' to waste good vittels where they can't no how be sensed." A convict being, at Mandy Ann's estimate, an ineligible, if not dangerous guest, as Peter and May-blossom enter at one door, she vanishes by another. Harmy dons her cape-bonnet, and marches stiffly into the kitchen garden, leaving the disreputable visitor to his child hostess.

Peter Floome had not figured at a tea-drinking for many a long year, and, naturally, his company manners are somewhat rusty. Possibly, his table etiquette (or, rather, his entire lack of it) might have shocked his too partial entertainer (who, with fine innate courtesy, has laid herself a cup and plate, and is keeping her guest in countenance by taking her own tea with him), had not his evident satisfaction in the meal entirely engrossed her mind, for (Harmy to the contrary, notwithstanding) Peter is inherently inclined to "sense good vittels." It is quaintly picturesque, this tea-drinking of "Bottom" and "Titania;" this odd contrast of loutishness and elegance, although (as I grieve to record) "Bottom" does absolutely ignore the butter-knife; does thrust his wet spoon into the sugar bowl; and, vigourously blowing his hot tea, in scorn of popular prejudice, lap the same from his slopping saucer, and shovel in the apple sauce with his knife-blade. "Titania's" pretty efforts to put "Bottom" at his ease are, indeed, a thing to behold; for, conscious of his own want of keeping with the unwonted occasion, Peter is, to the very last degree, awkward and abashed. Nevertheless, the encouraging smiles of his small hostess carry him victoriously to the end of this harrowing experience. Other social exigencies yet await this much-tried man. Directly after tea, he is taken by May-blossom to that inner sanctuary, Miss Parker's parlour, where, amid oppressively elegant surroundings, he is further weighed to earth by the disparaging sense of his own abjectness.

Prison life, on the solitary plan, is not conducive to colloquial glibness, nor is Peter Floome habitually garrulous. Many cups of Harmy's strong green tea have, however, limbered his tongue, and, once he is well seated, and has made a final, though terribly unsatisfactory, disposal of his long arms and obtrusive legs, he finds himself sufficiently at ease for narrative effort, and, at the request of his gracious hostess, wades desperately into his subject.

"I s'pose now, marm," he begins, "that you dun' know as my real name ain't Peter Floome. No more, either, does this pretty little creetur. The Ballous, you see (Ephryam Ballou's my name), was allers stuck on theirselves, an' when it come to prison, I says to myself, anyhow, I won't spile the fambly-tree, so I got put down anonermous-like on them prison books, an' Ephe Ballou ain't never been heerd on to the 'palace,' you bet. Its twenty-three years, come next fall, marm, sence I sot Hiram Hall's barn afire. I was mighty peppery in them days, an' Hiram an' me, we had a fallin' out. He served me darned mean, Hiram did, an' my dander was up an' so was his'n, an' we had it hot an' heavy, an' (savin' your presence, marm, an' hern) I told Hiram I'd give him h – l some day. After that, I cooled off some, and went home. I was pretty riley yit, though, an' all suppertime I sot thinkin' to myself how I'd come up with that d – d blasted sneak. That's what I called him then, marm, fur I'd had a leetle too much old cider, an' didn't feel like pickin' out my words. 'By jiminy!' says I to myself, 'I've got it now! I'll hide in Hiram's barn, an', when folks is turned in, I'll jest let the critters out, and set fire to the old shebang! That'll plague him fust-rate.' Well, arter supper, I sez to mother, sez I, 'I'm goin' to be out middlin' late to-night, mother, an' you better not set up for me. Put the key under the door-mat, an' I'll be all right,' sez I.

"Poor old mother!" continued Peter, reflectively, and lowering his voice. "Arter that I was out; and a long while, too, an' she sot up fur me, mother did. Bless her patient old soul! Yes, yes, she sot up fur her bad boy jest five year an' six months, an' then her old heart broke, an' she turned in for good an' all, mother did, an' I couldn't so much as see her kivered up!"

Here Peter is fain to take breath and heart, and Miss Paulina (herself in tears) comforts May-blossom, who is sobbing aloud. After this pathetic interruption, Peter, apparently composed by a prolonged fit of sneezing, regains the thread of his narrative.

"'Scuse me, marm," he apologizes, "I b'leeve thinkin' o' mother I got a leetle grain ahead o' my story, but, as I sed, I'd made up my mind how to come up with Hiram, an' that night I got ahead on him sure afore he locked up, for there I was, stowed away in his haymow, as slick as grease! Well, jest as the Presberteren meetin'-house time struck 'leven, I crep' down to the stalls, turned out the cow an' the horse, an' druv 'em down to the medder lot; then I walked back, put a match er two under the mow, an' made tracks fer hum. Well," sighed Peter, "the rest on it's an ugly story, marm, an' p'r'aps you druther this innocent little creetur shouldn't hear it." May-blossom is now "all ears," and Miss Parker, signifying her assent, Peter goes on. "Well, 'bout 'leven the wind riz, an' afore that barn got well agoin' it blowed a perfect harrycane, an' them sparks was a flyin' like the mischief! 'Lord help us,' sez I, looking out my bedroom winder, 's'pos'n' it kerries 'em as fur's Hiram's house!' An' sure 'nuff, it did; an' it bein' a dry spell, the ruff blazed up like tinder! I was there in a jiffy, helpin' on' em git out the truck. I'd got all over my huff now. I was sober as a jedge, an' I'd' a' gin my head for a football to had that night's work undid! Well, there was lots o' furnitoor in the house, an' Hiram he was a graspin' man, an' bound to git the hull on it out, an' arter it got too hot fur the rest on us, he hung on, an' – well – the last time he went in, he stayed. Poor Hiram! I could e'en a'most have changed places with him; for arter that, I wa'n't no ways sot on livin'. I knowed I wa'n't nothin' less than a murderer, an' I wa'n't easy nowhere, 'specially to hum, where mother was round, settin' as much store by me as ever. Well, by'm by, when folks got wind o' my havin' a spat with Hiram, an' his owin' on me, they put this an' that together, an' I was took up for arson; an' I can't say as I was sorry, neither.

"Well, to make short on't, I was nigh about hung; but the governor, he stepped in at the last minnit, an' sent me to State Prison for life. When it come to that pass, 'I won't disgrace the fam'ly,' sez I. 'The Ballous figgered pooty well in the revelooshing,' sez I, 'an' that name sha'n't never be writ in the prison 'count book, ef I kin hinder it.' So, es I've told you, marm, I had myself writ down as Peter Floome. I hadn't no nigh relations 'cept mother and sister Betsy. Uncle George's family'd settled in Illinoise, an' we didn't hear from 'em once in a dog's age. Betsy was a young gal then an' had a beau. She was allus pooty toppin', an' sez I, 'it don't stan' to reason she'll be comin' to the State Prison to see her own brother; but there's mother,' sez I, 'she'll come reg'lar, I reckon; same's she did to the jail;' so I writ her a letter, an' gin her word how I was, an' who she must ask arter in case she come. Bless her dear old soul!

"The very next Friday, there she was on the spot! Arter that, reg'lar as clock work, once in three months, rain or shine, there was mother!

"Mothers, you see, marm, never misses. Wives, an' sisters, an' children, now an' then do keep up to the mark, but mothers, on the hull, is about the only reg'lar prison stan'bys. Well, mother sot a good deal o' store by me, an' when I see her gittin' thin, I knowed what fretted her, an' sez I to myself, 'she won't hold out forever, an' when she's gone, the Lord help me!'

"Well," continued Peter, huskily, "by'm by she went, mother did; but (dropping his voice to a confidential whisper) mothers is master hands to hang on, an' no mistake! An' sure's you're 'live, ef she didn't keep right on with them visits! jest as reg'lar as ef nothin' hed turned up! Ev'ry time the quarter come round, on a Friday night, jest as the clock struck one, there stood mother, large as life, at the gratin' o' my cell. She never once opened her head; but, when I see her stan' there so smilin' an' pleasant, I sez to myself, 'she's done frettin', anyhow;' an', though I warn't never no great hand at prayin', I did thank God for that. I never let on 'bout them visits, for 'bout that time things got pesky upside down with me, an' the boys they used to say, 'Peter's cranky.' 'So,' sez I, 'ef I was to tell 'um, they wouldn't none on 'em b'leeve me.' An' I jest kep' dark, an' year arter year mother come reg'lar, an' we had it all to ourselves. By'm by Hiram, he come. Not reg'lar, like mother did, but off an' on. Well, ghosts is poor company, marm; an' arter a while I got clean upsot, and wa'n't wurth an old shoe.

"But I'm gittin' kinder ahead o' my story. Arter mother died, Betsy she thawed out some, an' come to see me twice, an' then she got married an' went to Californy. She writ one or two letters to me an' I answered 'em punctooal, but by'm by she left off writin', an' I knew she'd gin me up. An' then I got sorter cross-grained an' callous; an' sez I to myself, 'what's the odds anyhow, it can't last to all etarnity; an' by'm by I'll go out o' this, feet fust, an' I hope 't 'ill be the last o' me.'"