The Cook's Decameron: a study in taste, containing over two hundred recipes for Italian dishes

PART I. THE COOK'S DECAMERON

Prologue

The Marchesa di Sant'Andrea finished her early morning cup of tea, and then took up the batch of correspondence which her maid had placed on the tray. The world had a way of treating her in kindly fashion, and hostile or troublesome letters rarely veiled their ugly faces under the envelopes addressed to her; wherefore the perfection of that pleasant half-hour lying between the last sip of tea and the first step to meet the new day was seldom marred by the perusal of her morning budget. The apartment which she graced with her seemly presence was a choice one in the Mayfair Hotel, one which she had occupied for the past four or five years during her spring visit to London; a visit undertaken to keep alive a number of pleasant English friendships which had begun in Rome or Malta. London had for her the peculiar attraction it has for so many Italians, and the weeks she spent upon its stones were commonly the happiest of the year.

The review she took of her letters before breaking the seals first puzzled her, and then roused certain misgivings in her heart. She recognised the handwriting of each of the nine addresses, and at the same time recalled the fact that she was engaged to dine with every one of the correspondents of this particular morning. Why should they all be writing to her? She had uneasy forebodings of postponement, and she hated to have her engagements disturbed; but it was useless to prolong suspense, so she began by opening the envelope addressed in the familiar handwriting of Sir John Oglethorpe, and this was what Sir John had to say—

"My Dear Marchesa, words, whether written or spoken, are powerless to express my present state of mind. In the first place, our dinner on Thursday is impossible, and in the second, I have lost Narcisse and forever. You commented favourably upon that supreme of lobster and the Ris de Veau a la Renaissance we tasted last week, but never again will you meet the handiwork of Narcisse. He came to me with admirable testimonials as to his artistic excellence; with regard to his moral past I was, I fear, culpably negligent, for I now learn that all the time he presided over my stewpans he was wanted by the French police on a charge of murdering his wife. A young lady seems to have helped him; so I fear Narcisse has broken more than one of the commandments in this final escapade. The truly great have ever been subject to these momentary aberrations, and Narcisse being now in the hands of justice—so called—our dinner must needs stand over, though not, I hope, for long. Meantime the only consolation I can perceive is the chance of a cup of tea with you this afternoon."

"J. O."

Sir John Oglethorpe had been her husband's oldest and best friend. He and the Marchesa had first met in Sardinia, where they had both of them gone in pursuit of woodcock, and since the Marchesa had been a widow, she and Sir John had met either in Rome or in London every year. The dinner so tragically manque had been arranged to assemble a number of Anglo-Italian friends; and, as Sir John was as perfect as a host as Narcisse was as a cook, the disappointment was a heavy one. She threw aside the letter with a gesture of vexation, and opened the next.

"Sweetest Marchesa," it began, "how can I tell you my grief at having to postpone our dinner for Friday. My wretched cook (I gave her seventy-five pounds a year), whom I have long suspected of intemperate habits, was hopelessly inebriated last night, and had to be conveyed out of the house by my husband and a dear, devoted friend who happened to be dining with us, and deposited in a four-wheeler. May I look in tomorrow afternoon and pour out my grief to you? Yours cordially,

"Pamela St. Aubyn Fothergill."

When the Marchesa had opened four more letters, one from Lady Considine, one from Mrs. Sinclair, one from Miss Macdonnell, and one from Mrs. Wilding, and found that all these ladies were obliged to postpone their dinners on account of the misdeeds of their cooks, she felt that the laws of average were all adrift. Surely the three remaining letters must contain news of a character to counterbalance what had already been revealed, but the event showed that, on this particular morning, Fortune was in a mood to strike hard. Colonel Trestrail, who gave in his chambers carefully devised banquets, compounded by a Bengali who was undoubtedly something of a genius, wrote to say that this personage had left at a day's notice, in order to embrace Christianity and marry a lady's-maid who had just come into a legacy of a thousand pounds under the will of her late mistress. Another correspondent, Mrs. Gradinger, wrote that her German cook had announced that the dignity of womanhood was, in her opinion, slighted by the obligation to prepare food for others in exchange for mere pecuniary compensation. Only on condition of the grant of perfect social equality would she consent to stay, and Mrs. Gradinger, though she held advanced opinions, was hardly advanced far enough to accept this suggestion. Last of all, Mr. Sebastian van der Roet was desolate to announce that his cook, a Japanese, whose dishes were, in his employer's estimation, absolute inspirations, had decamped and taken with him everything of value he could lay hold of; and more than desolate, that he was forced to postpone the pleasure of welcoming the Marchesa di Sant' Andrea at his table.

When she had finished reading this last note, the Marchesa gathered the whole mass of her morning's correspondence together, and uttering a few Italian words which need not be translated, rolled it into a ball and hurled the same to the farthest corner of the room. "How is it," she ejaculated, "that these English, who dominate the world abroad, cannot get their food properly cooked at home? I suppose it is because they, in their lofty way, look upon cookery as a non-essential, and consequently fall victims to gout and dyspepsia, or into the clutches of some international brigandaccio, who declares he is a cordon bleu. One hears now and again pleasant remarks about the worn-out Latin races, but I know of one Latin race which can do better than this in cookery." And having thus delivered herself, the Marchesa lay back on the pillows and reviewed the situation.

She was sorry in a way to miss the Colonel's dinner. The dishes which the Bengali cook turned out were excellent, but the host himself was a trifle dictatorial and too fond of the sound of his own voice, while certain of the inevitable guests were still worse. Mrs. Gradinger's letter came as a relief; indeed the Marchesa had been wondering why she had ever consented to go and pretend to enjoy herself by eating an ill-cooked dinner in company with social reformers and educational prigs. She really went because she liked Mr. Gradinger, who was as unlike his wife as possible, a stout youth of forty, with a breezy manner and a decided fondness for sport. Lady Considine's dinners were indifferent, and the guests were apt to be a bit too smart and too redolent of last season's Monte Carlo odour. The Sinclairs gave good dinners to perfectly selected guests, and by reason of this virtue, one not too common, the host and hostess might be pardoned for being a little too well satisfied with themselves and with their last new bibelot. The Fothergill dinners were like all other dinners given by the Fothergills of society. They were costly, utterly undistinguished, and invariably graced by the presence of certain guests who seemed to have been called in out of the street at the last moment. Van der Roet's Japanese menus were curious, and at times inimical to digestion, but the personality of the host was charming. As to Sir John Oglethorpe, the question of the dinner postponed troubled her little: another repast, the finest that London's finest restaurant could furnish, would certainly be forthcoming before long. In Sir John's case, her discomposure took the form of sympathy for her friend in his recent bereavement. He had been searching all his life for a perfect cook, and he had found, or believed he had found, such an one in Narcisse; wherefore the Marchesa was fully persuaded that, if that artist should evade the guillotine, she would again taste his incomparable handiwork, even though he were suspected of murdering his whole family as well as the partner of his joys.