Adam Bede

But NOW the roast beef was finished and the cloth was drawn, leaving a fair large deal table for the bright drinking-cans, and the foaming brown jugs, and the bright brass candlesticks, pleasant to behold. NOW, the great ceremony of the evening was to begin—the harvest-song, in which every man must join. He might be in tune, if he liked to be singular, but he must not sit with closed lips. The movement was obliged to be in triple time; the rest was ad libitum.

As to the origin of this song—whether it came in its actual state from the brain of a single rhapsodist, or was gradually perfected by a school or succession of rhapsodists, I am ignorant. There is a stamp of unity, of individual genius upon it, which inclines me to the former hypothesis, though I am not blind to the consideration that this unity may rather have arisen from that consensus of many minds which was a condition of primitive thought, foreign to our modern consciousness. Some will perhaps think that they detect in the first quatrain an indication of a lost line, which later rhapsodists, failing in imaginative vigour, have supplied by the feeble device of iteration. Others, however, may rather maintain that this very iteration is an original felicity, to which none but the most prosaic minds can be insensible.

The ceremony connected with the song was a drinking ceremony. (That is perhaps a painful fact, but then, you know, we cannot reform our forefathers.) During the first and second quatrain, sung decidedly forte, no can was filled.

 Here’s a health unto our master,The founder of the feast;Here’s a health unto our masterAnd to our mistress!And may his doings prosper,Whate’er he takes in hand,For we are all his servants,And are at his command.

But now, immediately before the third quatrain or chorus, sung fortissimo, with emphatic raps of the table, which gave the effect of cymbals and drum together, Alick’s can was filled, and he was bound to empty it before the chorus ceased.

Then drink, boys, drink!And see ye do not spill,For if ye do, ye shall drink two,For ‘tis our master’s will.

When Alick had gone successfully through this test of steady-handed manliness, it was the turn of old Kester, at his right hand—and so on, till every man had drunk his initiatory pint under the stimulus of the chorus. Tom Saft—the rogue—took care to spill a little by accident; but Mrs. Poyser (too officiously, Tom thought) interfered to prevent the exaction of the penalty.

To any listener outside the door it would have been the reverse of obvious why the “Drink, boys, drink!” should have such an immediate and often-repeated encore; but once entered, he would have seen that all faces were at present sober, and most of them serious—it was the regular and respectable thing for those excellent farm-labourers to do, as much as for elegant ladies and gentlemen to smirk and bow over their wine-glasses. Bartle Massey, whose ears were rather sensitive, had gone out to see what sort of evening it was at an early stage in the ceremony, and had not finished his contemplation until a silence of five minutes declared that “Drink, boys, drink!” was not likely to begin again for the next twelvemonth. Much to the regret of the boys and Totty: on them the stillness fell rather flat, after that glorious thumping of the table, towards which Totty, seated on her father’s knee, contributed with her small might and small fist.

When Bartle re-entered, however, there appeared to be a general desire for solo music after the choral. Nancy declared that Tim the waggoner knew a song and was “allays singing like a lark i’ the stable,” whereupon Mr. Poyser said encouragingly, “Come, Tim, lad, let’s hear it.” Tim looked sheepish, tucked down his head, and said he couldn’t sing, but this encouraging invitation of the master’s was echoed all round the table. It was a conversational opportunity: everybody could say, “Come, Tim,” except Alick, who never relaxed into the frivolity of unnecessary speech. At last, Tim’s next neighbour, Ben Tholoway, began to give emphasis to his speech by nudges, at which Tim, growing rather savage, said, “Let me alooan, will ye? Else I’ll ma’ ye sing a toon ye wonna like.” A good-tempered waggoner’s patience has limits, and Tim was not to be urged further.

“Well, then, David, ye’re the lad to sing,” said Ben, willing to show that he was not discomfited by this check. “Sing ‘My loove’s a roos wi’out a thorn.’”

The amatory David was a young man of an unconscious abstracted expression, which was due probably to a squint of superior intensity rather than to any mental characteristic; for he was not indifferent to Ben’s invitation, but blushed and laughed and rubbed his sleeve over his mouth in a way that was regarded as a symptom of yielding. And for some time the company appeared to be much in earnest about the desire to hear David’s song. But in vain. The lyricism of the evening was in the cellar at present, and was not to be drawn from that retreat just yet.

Meanwhile the conversation at the head of the table had taken a political turn. Mr. Craig was not above talking politics occasionally, though he piqued himself rather on a wise insight than on specific information. He saw so far beyond the mere facts of a case that really it was superfluous to know them.

“I’m no reader o’ the paper myself,” he observed to-night, as he filled his pipe, “though I might read it fast enough if I liked, for there’s Miss Lyddy has ‘em and ‘s done with ‘em i’ no time. But there’s Mills, now, sits i’ the chimney-corner and reads the paper pretty nigh from morning to night, and when he’s got to th’ end on’t he’s more addle-headed than he was at the beginning. He’s full o’ this peace now, as they talk on; he’s been reading and reading, and thinks he’s got to the bottom on’t. ‘Why, Lor’ bless you, Mills,’ says I, ‘you see no more into this thing nor you can see into the middle of a potato. I’ll tell you what it is: you think it’ll be a fine thing for the country. And I’m not again’ it—mark my words—I’m not again’ it. But it’s my opinion as there’s them at the head o’ this country as are worse enemies to us nor Bony and all the mounseers he’s got at ‘s back; for as for the mounseers, you may skewer half-a-dozen of ‘em at once as if they war frogs.’”

“Aye, aye,” said Martin Poyser, listening with an air of much intelligence and edification, “they ne’er ate a bit o’ beef i’ their lives. Mostly sallet, I reckon.”

“And says I to Mills,” continued Mr. Craig, “‘Will you try to make me believe as furriners like them can do us half th’ harm them ministers do with their bad government? If King George ‘ud turn ‘em all away and govern by himself, he’d see everything righted. He might take on Billy Pitt again if he liked; but I don’t see myself what we want wi’ anybody besides King and Parliament. It’s that nest o’ ministers does the mischief, I tell you.’”

“Ah, it’s fine talking,” observed Mrs. Poyser, who was now seated near her husband, with Totty on her lap—“it’s fine talking. It’s hard work to tell which is Old Harry when everybody’s got boots on.”

“As for this peace,” said Mr. Poyser, turning his head on one side in a dubitative manner and giving a precautionary puff to his pipe between each sentence, “I don’t know. Th’ war’s a fine thing for the country, an’ how’ll you keep up prices wi’out it? An’ them French are a wicked sort o’ folks, by what I can make out. What can you do better nor fight ‘em?”

“Ye’re partly right there, Poyser,” said Mr. Craig, “but I’m not again’ the peace—to make a holiday for a bit. We can break it when we like, an’ I’m in no fear o’ Bony, for all they talk so much o’ his cliverness. That’s what I says to Mills this morning. Lor’ bless you, he sees no more through Bony!…why, I put him up to more in three minutes than he gets from’s paper all the year round. Says I, ‘Am I a gardener as knows his business, or arn’t I, Mills? Answer me that.’ ‘To be sure y’ are, Craig,’ says he—he’s not a bad fellow, Mills isn’t, for a butler, but weak i’ the head. ‘Well,’ says I, ‘you talk o’ Bony’s cliverness; would it be any use my being a first-rate gardener if I’d got nought but a quagmire to work on?’ ‘No,’ says he. ‘Well,’ I says, ‘that’s just what it is wi’ Bony. I’ll not deny but he may be a bit cliver—he’s no Frenchman born, as I understand—but what’s he got at’s back but mounseers?’”

Mr. Craig paused a moment with an emphatic stare after this triumphant specimen of Socratic argument, and then added, thumping the table rather fiercely, “Why, it’s a sure thing—and there’s them ‘ull bear witness to’t—as i’ one regiment where there was one man a-missing, they put the regimentals on a big monkey, and they fit him as the shell fits the walnut, and you couldn’t tell the monkey from the mounseers!”

“Ah! Think o’ that, now!” said Mr. Poyser, impressed at once with the political bearings of the fact and with its striking interest as an anecdote in natural history.

“Come, Craig,” said Adam, “that’s a little too strong. You don’t believe that. It’s all nonsense about the French being such poor sticks. Mr. Irwine’s seen ‘em in their own country, and he says they’ve plenty o’ fine fellows among ‘em. And as for knowledge, and contrivances, and manufactures, there’s a many things as we’re a fine sight behind ‘em in. It’s poor foolishness to run down your enemies. Why, Nelson and the rest of ‘em ‘ud have no merit i’ beating ‘em, if they were such offal as folks pretend.”

Mr. Poyser looked doubtfully at Mr. Craig, puzzled by this opposition of authorities. Mr. Irwine’s testimony was not to be disputed; but, on the other hand, Craig was a knowing fellow, and his view was less startling. Martin had never “heard tell” of the French being good for much. Mr. Craig had found no answer but such as was implied in taking a long draught of ale and then looking down fixedly at the proportions of his own leg, which he turned a little outward for that purpose, when Bartle Massey returned from the fireplace, where he had been smoking his first pipe in quiet, and broke the silence by saying, as he thrust his forefinger into the canister, “Why, Adam, how happened you not to be at church on Sunday? Answer me that, you rascal. The anthem went limping without you. Are you going to disgrace your schoolmaster in his old age?”

“No, Mr. Massey,” said Adam. “Mr. and Mrs. Poyser can tell you where I was. I was in no bad company.”

“She’s gone, Adam—gone to Snowfield,” said Mr. Poyser, reminded of Dinah for the first time this evening. “I thought you’d ha’ persuaded her better. Nought ‘ud hold her, but she must go yesterday forenoon. The missis has hardly got over it. I thought she’d ha’ no sperrit for th’ harvest supper.”

Mrs. Poyser had thought of Dinah several times since Adam had come in, but she had had “no heart” to mention the bad news.

“What!” said Bartle, with an air of disgust. “Was there a woman concerned? Then I give you up, Adam.”

“But it’s a woman you’n spoke well on, Bartle,” said Mr. Poyser. “Come now, you canna draw back; you said once as women wouldna ha’ been a bad invention if they’d all been like Dinah.”

“I meant her voice, man—I meant her voice, that was all,” said Bartle. “I can bear to hear her speak without wanting to put wool in my ears. As for other things, I daresay she’s like the rest o’ the women—thinks two and two ‘ll come to make five, if she cries and bothers enough about it.”

“Aye, aye!” said Mrs. Poyser; “one ‘ud think, an’ hear some folks talk, as the men war ‘cute enough to count the corns in a bag o’ wheat wi’ only smelling at it. They can see through a barn-door, they can. Perhaps that’s the reason THEY can see so little o’ this side on’t.”

Martin Poyser shook with delighted laughter and winked at Adam, as much as to say the schoolmaster was in for it now.

“Ah!” said Bartle sneeringly, “the women are quick enough—they’re quick enough. They know the rights of a story before they hear it, and can tell a man what his thoughts are before he knows ‘em himself.”

“Like enough,” said Mrs. Poyser, “for the men are mostly so slow, their thoughts overrun ‘em, an’ they can only catch ‘em by the tail. I can count a stocking-top while a man’s getting’s tongue ready an’ when he outs wi’ his speech at last, there’s little broth to be made on’t. It’s your dead chicks take the longest hatchin’. Howiver, I’m not denyin’ the women are foolish: God Almighty made ‘em to match the men.”

“Match!” said Bartle. “Aye, as vinegar matches one’s teeth. If a man says a word, his wife ‘ll match it with a contradiction; if he’s a mind for hot meat, his wife ‘ll match it with cold bacon; if he laughs, she’ll match him with whimpering. She’s such a match as the horse-fly is to th’ horse: she’s got the right venom to sting him with—the right venom to sting him with.”

“Yes,” said Mrs. Poyser, “I know what the men like—a poor soft, as ‘ud simper at ‘em like the picture o’ the sun, whether they did right or wrong, an’ say thank you for a kick, an’ pretend she didna know which end she stood uppermost, till her husband told her. That’s what a man wants in a wife, mostly; he wants to make sure o’ one fool as ‘ull tell him he’s wise. But there’s some men can do wi’out that—they think so much o’ themselves a’ready. An’ that’s how it is there’s old bachelors.”

“Come, Craig,” said Mr. Poyser jocosely, “you mun get married pretty quick, else you’ll be set down for an old bachelor; an’ you see what the women ‘ull think on you.”

“Well,” said Mr. Craig, willing to conciliate Mrs. Poyser and setting a high value on his own compliments, “I like a cleverish woman—a woman o’ sperrit—a managing woman.”

“You’re out there, Craig,” said Bartle, dryly; “you’re out there. You judge o’ your garden-stuff on a better plan than that. You pick the things for what they can excel in—for what they can excel in. You don’t value your peas for their roots, or your carrots for their flowers. Now, that’s the way you should choose women. Their cleverness ‘ll never come to much—never come to much—but they make excellent simpletons, ripe and strong-flavoured.”

“What dost say to that?” said Mr. Poyser, throwing himself back and looking merrily at his wife.

“Say!” answered Mrs. Poyser, with dangerous fire kindling in her eye. “Why, I say as some folks’ tongues are like the clocks as run on strikin’, not to tell you the time o’ the day, but because there’s summat wrong i’ their own inside…”

Mrs. Poyser would probably have brought her rejoinder to a further climax, if every one’s attention had not at this moment been called to the other end of the table, where the lyricism, which had at first only manifested itself by David’s sotto voce performance of “My love’s a rose without a thorn,” had gradually assumed a rather deafening and complex character. Tim, thinking slightly of David’s vocalization, was impelled to supersede that feeble buzz by a spirited commencement of “Three Merry Mowers,” but David was not to be put down so easily, and showed himself capable of a copious crescendo, which was rendering it doubtful whether the rose would not predominate over the mowers, when old Kester, with an entirely unmoved and immovable aspect, suddenly set up a quavering treble—as if he had been an alarum, and the time was come for him to go off.

The company at Alick’s end of the table took this form of vocal entertainment very much as a matter of course, being free from musical prejudices; but Bartle Massey laid down his pipe and put his fingers in his ears; and Adam, who had been longing to go ever since he had heard Dinah was not in the house, rose and said he must bid good-night.

“I’ll go with you, lad,” said Bartle; “I’ll go with you before my ears are split.”

“I’ll go round by the Common and see you home, if you like, Mr. Massey,” said Adam.

“Aye, aye!” said Bartle; “then we can have a bit o’ talk together. I never get hold of you now.”

“Eh! It’s a pity but you’d sit it out,” said Martin Poyser. “They’ll all go soon, for th’ missis niver lets ‘em stay past ten.”

But Adam was resolute, so the good-nights were said, and the two friends turned out on their starlight walk together.

“There’s that poor fool, Vixen, whimpering for me at home,” said Bartle. “I can never bring her here with me for fear she should be struck with Mrs. Poyser’s eye, and the poor bitch might go limping for ever after.”

“I’ve never any need to drive Gyp back,” said Adam, laughing. “He always turns back of his own head when he finds out I’m coming here.”

“Aye, aye,” said Bartle. “A terrible woman!—made of needles, made of needles. But I stick to Martin—I shall always stick to Martin. And he likes the needles, God help him! He’s a cushion made on purpose for ‘em.”

“But she’s a downright good-natur’d woman, for all that,” said Adam, “and as true as the daylight. She’s a bit cross wi’ the dogs when they offer to come in th’ house, but if they depended on her, she’d take care and have ‘em well fed. If her tongue’s keen, her heart’s tender: I’ve seen that in times o’ trouble. She’s one o’ those women as are better than their word.”

“Well, well,” said Bartle, “I don’t say th’ apple isn’t sound at the core; but it sets my teeth on edge—it sets my teeth on edge.”

Chapter LIV

The Meeting on the Hill

ADAM understood Dinah’s haste to go away, and drew hope rather than discouragement from it. She was fearful lest the strength of her feeling towards him should hinder her from waiting and listening faithfully for the ultimate guiding voice from within.

“I wish I’d asked her to write to me, though,” he thought. “And yet even that might disturb her a bit, perhaps. She wants to be quite quiet in her old way for a while. And I’ve no right to be impatient and interrupting her with my wishes. She’s told me what her mind is, and she’s not a woman to say one thing and mean another. I’ll wait patiently.”

That was Adam’s wise resolution, and it throve excellently for the first two or three weeks on the nourishment it got from the remembrance of Dinah’s confession that Sunday afternoon. There is a wonderful amount of sustenance in the first few words of love. But towards the middle of October the resolution began to dwindle perceptibly, and showed dangerous symptoms of exhaustion. The weeks were unusually long: Dinah must surely have had more than enough time to make up her mind. Let a woman say what she will after she has once told a man that she loves him, he is a little too flushed and exalted with that first draught she offers him to care much about the taste of the second. He treads the earth with a very elastic step as he walks away from her, and makes light of all difficulties. But that sort of glow dies out: memory gets sadly diluted with time, and is not strong enough to revive us. Adam was no longer so confident as he had been. He began to fear that perhaps Dinah’s old life would have too strong a grasp upon her for any new feeling to triumph. If she had not felt this, she would surely have written to him to give him some comfort; but it appeared that she held it right to discourage him. As Adam’s confidence waned, his patience waned with it, and he thought he must write himself. He must ask Dinah not to leave him in painful doubt longer than was needful. He sat up late one night to write her a letter, but the next morning he burnt it, afraid of its effect. It would be worse to have a discouraging answer by letter than from her own lips, for her presence reconciled him to her will.

You perceive how it was: Adam was hungering for the sight of Dinah, and when that sort of hunger reaches a certain stage, a lover is likely to still it though he may have to put his future in pawn.

But what harm could he do by going to Snowfield? Dinah could not be displeased with him for it. She had not forbidden him to go. She must surely expect that he would go before long. By the second Sunday in October this view of the case had become so clear to Adam that he was already on his way to Snowfield, on horseback this time, for his hours were precious now, and he had borrowed Jonathan Burge’s good nag for the journey.

What keen memories went along the road with him! He had often been to Oakbourne and back since that first journey to Snowfield, but beyond Oakbourne the greystone walls, the broken country, the meagre trees, seemed to be telling him afresh the story of that painful past which he knew so well by heart. But no story is the same to us after a lapse of time—or rather, we who read it are no longer the same interpreters—and Adam this morning brought with him new thoughts through that grey country, thoughts which gave an altered significance to its story of the past.

That is a base and selfish, even a blasphemous, spirit which rejoices and is thankful over the past evil that has blighted or crushed another, because it has been made a source of unforeseen good to ourselves. Adam could never cease to mourn over that mystery of human sorrow which had been brought so close to him; he could never thank God for another’s misery. And if I were capable of that narrow-sighted joy in Adam’s behalf, I should still know he was not the man to feel it for himself. He would have shaken his head at such a sentiment and said, “Evil’s evil, and sorrow’s sorrow, and you can’t alter it’s natur by wrapping it up in other words. Other folks were not created for my sake, that I should think all square when things turn out well for me.”

But it is not ignoble to feel that the fuller life which a sad experience has brought us is worth our own personal share of pain. Surely it is not possible to feel otherwise, any more than it would be possible for a man with cataract to regret the painful process by which his dim blurred sight of men as trees walking had been exchanged for clear outline and effulgent day. The growth of higher feeling within us is like the growth of faculty, bringing with it a sense of added strength. We can no more wish to return to a narrower sympathy than a painter or a musician can wish to return to his cruder manner, or a philosopher to his less complete formula.

Something like this sense of enlarged being was in Adam’s mind this Sunday morning, as he rode along in vivid recollection of the past. His feeling towards Dinah, the hope of passing his life with her, had been the distant unseen point towards which that hard journey from Snowfield eighteen months ago had been leading him. Tender and deep as his love for Hetty had been—so deep that the roots of it would never be torn away—his love for Dinah was better and more precious to him, for it was the outgrowth of that fuller life which had come to him from his acquaintance with deep sorrow. “It’s like as if it was a new strength to me,” he said to himself, “to love her and know as she loves me. I shall look t’ her to help me to see things right. For she’s better than I am—there’s less o’ self in her, and pride. And it’s a feeling as gives you a sort o’ liberty, as if you could walk more fearless, when you’ve more trust in another than y’ have in yourself. I’ve always been thinking I knew better than them as belonged to me, and that’s a poor sort o’ life, when you can’t look to them nearest to you t’ help you with a bit better thought than what you’ve got inside you a’ready.”

It was more than two o’clock in the afternoon when Adam came in sight of the grey town on the hill-side and looked searchingly towards the green valley below, for the first glimpse of the old thatched roof near the ugly red mill. The scene looked less harsh in the soft October sunshine than it had in the eager time of early spring, and the one grand charm it possessed in common with all wide-stretching woodless regions—that it filled you with a new consciousness of the overarching sky—had a milder, more soothing influence than usual, on this almost cloudless day. Adam’s doubts and fears melted under this influence as the delicate weblike clouds had gradually melted away into the clear blue above him. He seemed to see Dinah’s gentle face assuring him, with its looks alone, of all he longed to know.

He did not expect Dinah to be at home at this hour, but he got down from his horse and tied it at the little gate, that he might ask where she was gone to-day. He had set his mind on following her and bringing her home. She was gone to Sloman’s End, a hamlet about three miles off, over the hill, the old woman told him—had set off directly after morning chapel, to preach in a cottage there, as her habit was. Anybody at the town would tell him the way to Sloman’s End. So Adam got on his horse again and rode to the town, putting up at the old inn and taking a hasty dinner there in the company of the too chatty landlord, from whose friendly questions and reminiscences he was glad to escape as soon as possible and set out towards Sloman’s End. With all his haste it was nearly four o’clock before he could set off, and he thought that as Dinah had gone so early, she would perhaps already be near returning. The little, grey, desolate-looking hamlet, unscreened by sheltering trees, lay in sight long before he reached it, and as he came near he could hear the sound of voices singing a hymn. “Perhaps that’s the last hymn before they come away,” Adam thought. “I’ll walk back a bit and turn again to meet her, farther off the village.” He walked back till he got nearly to the top of the hill again, and seated himself on a loose stone, against the low wall, to watch till he should see the little black figure leaving the hamlet and winding up the hill. He chose this spot, almost at the top of the hill, because it was away from all eyes—no house, no cattle, not even a nibbling sheep near—no presence but the still lights and shadows and the great embracing sky.