The Three Cities Trilogy, Complete

Francois began to laugh: “The portrait is perhaps a little overdrawn,” said he, “still there’s truth in it, a great deal of truth.”

“I have known several of them,” continued Pierre, who was growing animated. “And among them all I have noticed that a fear of being duped leads them to reaction against the entire effort, the whole work of the century. Disgust with liberty, distrust of science, denial of the future, that is what they now profess. And they have such a horror of the commonplace that they would rather believe in nothing or the incredible. It may of course be commonplace to say that two and two make four, yet it’s true enough; and it is far less foolish for a man to say and repeat it than to believe, for instance, in the miracles of Lourdes.”

Francois glanced at the priest in astonishment. The other noticed it and strove to restrain himself. Nevertheless, grief and anger carried him away whenever he spoke of the educated young people of the time, such as, in his despair, he imagined them to be. In the same way as he had pitied the toilers dying of hunger in the districts of misery and want, so here he overflowed with contempt for the young minds that lacked bravery in the presence of knowledge, and harked back to the consolation of deceptive spirituality, the promise of an eternity of happiness in death, which last was longed for and exalted as the very sum of life. Was not the cowardly thought of refusing to live for the sake of living so as to discharge one’s simple duty in being and making one’s effort, equivalent to absolute assassination of life? However, the Ego was always the mainspring; each one sought personal happiness. And Pierre was grieved to think that those young people, instead of discarding the past and marching on to the truths of the future, were relapsing into shadowy metaphysics through sheer weariness and idleness, due in part perhaps to the excessive exertion of the century, which had been overladen with human toil.

However, Francois had begun to smile again. “But you are mistaken,” said he; “we are not all like that at the Ecole Normale. You only seem to know the Normalians of the Section of Letters, and your opinions would surely change if you knew those of the Section of Sciences. It is quite true that the reaction against Positivism is making itself felt among our literary fellow-students, and that they, like others, are haunted by the idea of that famous bankruptcy of science. This is perhaps due to their masters, the neo-spiritualists and dogmatical rhetoricians into whose hands they have fallen. And it is still more due to fashion, the whim of the times which, as you have very well put it, regards scientific truth as bad taste, something graceless and altogether too brutal for light and distinguished minds. Consequently, a young fellow of any shrewdness who desires to please is perforce won over to the new spirit.”

“The new spirit!” interrupted Pierre, unable to restrain himself. “Oh! that is no mere innocent, passing fashion, it is a tactical device and a terrible one, an offensive return of the powers of darkness against those of light, of servitude against free thought, truth and justice.”

Then, as the young man again looked at him with growing astonishment, he relapsed into silence. The figure of Monseigneur Martha had risen before his eyes, and he fancied he could again hear the prelate at the Madeleine, striving to win Paris over to the policy of Rome, to that spurious neo-Catholicism which, with the object of destroying democracy and science, accepted such portions of them as it could adapt to its own views. This was indeed the supreme struggle. Thence came all the poison poured forth to the young. Pierre knew what efforts were being made in religious circles to help on this revival of mysticism, in the mad hope of hastening the rout of science. Monseigneur Martha, who was all-powerful at the Catholic University, said to his intimates, however, that three generations of devout and docile pupils would be needed before the Church would again be absolute sovereign of France.

“Well, as for the Ecole Normale,” continued Francois, “I assure you that you are mistaken. There are a few narrow bigots there, no doubt. But even in the Section of Letters the majority of the students are sceptics at bottom – sceptics of discreet and good-natured average views. Of course they are professors before everything else, though they are a trifle ashamed of it; and, as professors, they judge things with no little pedantic irony, devoured by a spirit of criticism, and quite incapable of creating anything themselves. I should certainly be astonished to see the man of genius whom we await come out of their ranks. To my thinking, indeed, it would be preferable that some barbarian genius, neither well read nor endowed with critical faculty, or power of weighing and shading things, should come and open the next century with a hatchet stroke, sending up a fine flare of truth and reality… But, as for my comrades of the Scientific Section, I assure you that neo-Catholicism and Mysticism and Occultism, and every other branch of the fashionable phantasmagoria trouble them very little indeed. They are not making a religion of science, they remain open to doubt on many points; but they are mostly men of very clear and firm minds, whose passion is the acquirement of certainty, and who are ever absorbed in the investigations which continue throughout the whole vast field of human knowledge. They haven’t flinched, they have remained Positivists, or Evolutionists, or Determinists, and have set their faith in observation and experiment to help on the final conquest of the world.”

Francois himself was growing excited, as he thus confessed his faith while strolling along the quiet sunlit garden paths. “The young indeed!” he resumed. “Do people know them? It makes us laugh when we see all sorts of apostles fighting for us, trying to attract us, and saying that we are white or black or grey, according to the hue which they require for the triumph of their particular ideas! The young, the real ones, why, they’re in the schools, the laboratories and the libraries. It’s they who work and who’ll bring to-morrow to the world. It’s not the young fellows of dinner and supper clubs, manifestoes and all sorts of extravagances. The latter make a great deal of noise, no doubt; in fact, they alone are heard. But if you knew of the ceaseless efforts and passionate striving of the others, those who remain silent, absorbed in their tasks. And I know many of them: they are with their century, they have rejected none of its hopes, but are marching on to the coming century, resolved to pursue the work of their forerunners, ever going towards more light and more equity. And just speak to them of the bankruptcy of science. They’ll shrug their shoulders at the mere idea, for they know well enough that science has never before inflamed so many hearts or achieved greater conquests! It is only if the schools, laboratories and libraries were closed, and the social soil radically changed, that one would have cause to fear a fresh growth of error such as weak hearts and narrow minds hold so dear!”

At this point Francois’s fine flow of eloquence was interrupted. A tall young fellow stopped to shake hands with him; and Pierre was surprised to recognise Baron Duvillard’s son Hyacinthe, who bowed to him in very correct style. “What! you here in our old quarter,” exclaimed Francois.

“My dear fellow, I’m going to Jonas’s, over yonder, behind the Observatory. Don’t you know Jonas? Ah! my dear fellow, he’s a delightful sculptor, who has succeeded in doing away with matter almost entirely. He has carved a figure of Woman, no bigger than the finger, and entirely soul, free from all baseness of form, and yet complete. All Woman, indeed, in her essential symbolism! Ah! it’s grand, it’s overpowering. A perfect scheme of aesthetics, a real religion!”

Francois smiled as he looked at Hyacinthe, buttoned up in his long pleated frock-coat, with his made-up face, and carefully cropped hair and beard. “And yourself?” said he, “I thought you were working, and were going to publish a little poem, shortly?”

“Oh! the task of creating is so distasteful to me, my dear fellow! A single line often takes me weeks… Still, yes, I have a little poem on hand, ‘The End of Woman.’ And you see, I’m not so exclusive as some people pretend, since I admire Jonas, who still believes in Woman. His excuse is sculpture, which, after all, is at best such a gross materialistic art. But in poetry, good heavens, how we’ve been overwhelmed with Woman, always Woman! It’s surely time to drive her out of the temple, and cleanse it a little. Ah! if we were all pure and lofty enough to do without Woman, and renounce all those horrid sexual questions, so that the last of the species might die childless, eh? The world would then at least finish in a clean and proper manner!”

Thereupon, Hyacinthe walked off with his languid air, well pleased with the effect which he had produced on the others.

“So you know him?” said Pierre to Francois.

“He was my school-fellow at Condorcet, we were in the same classes together. Such a funny fellow he was! A perfect dunce! And he was always making a parade of Father Duvillard’s millions, while pretending to disdain them, and act the revolutionist, for ever saying that he’d use his cigarette to fire the cartridge which was to blow up the world! He was Schopenhauer, and Nietzsche, and Tolstoi, and Ibsen, rolled into one! And you can see what he has become with it all: a humbug with a diseased mind!”

“It’s a terrible symptom,” muttered Pierre, “when through ennui or lassitude, or the contagion of destructive fury, the sons of the happy and privileged ones start doing the work of the demolishers.”

Francois had resumed his walk, going down towards the ornamental water, where some children were sailing their boats. “That fellow is simply grotesque,” he replied; “but how would you have sane people give any heed to that mysticism, that awakening of spirituality which is alleged by the same doctrinaires who started the bankruptcy of science cry, when after so brief an evolution it produces such insanity, both in art and literature? A few years of influence have sufficed; and now Satanism, Occultism and other absurdities are flourishing; not to mention that, according to some accounts, the Cities of the Plains are reconciled with new Rome. Isn’t the tree judged by its fruits? And isn’t it evident that, instead of a renascence, a far-spreading social movement bringing back the past, we are simply witnessing a transitory reaction, which many things explain? The old world would rather not die, and is struggling in a final convulsion, reviving for a last hour before it is swept away by the overflowing river of human knowledge, whose waters ever increase. And yonder, in the future, is the new world, which the real young ones will bring into existence, those who work, those who are not known, who are not heard. And yet, just listen! Perhaps you will hear them, for we are among them, in their ‘quarter.’ This deep silence is that of the labour of all the young fellows who are leaning over their work-tables, and day by day carrying forward the conquest of truth.”

So saying Francois waved his hand towards all the day-schools and colleges and high schools beyond the Luxembourg garden, towards the Faculties of Law and Medicine, the Institute and its five Academies, the innumerable libraries and museums which made up the broad domain of intellectual labour. And Pierre, moved by it all, shaken in his theories of negation, thought that he could indeed hear a low but far-spreading murmur of the work of thousands of active minds, rising from laboratories, studies and class, reading and lecture rooms. It was not like the jerky, breathless trepidation, the loud clamour of factories where manual labour toils and chafes. But here, too, there were sighs of weariness, efforts as killing, exertion as fruitful in its results. Was it indeed true that the cultured young were still and ever in their silent forge, renouncing no hope, relinquishing no conquest, but in full freedom of mind forging the truth and justice of to-morrow with the invincible hammers of observation and experiment?

Francois, however, had raised his eyes to the palace clock to ascertain the time. “I’m going to Montmartre,” he said; “will you come part of the way with me?”

Pierre assented, particularly as the young man added that on his way he meant to call for his brother Antoine at the Museum of the Louvre. That bright afternoon the Louvre picture galleries were steeped in warm and dignified quietude, which one particularly noticed on coming from the tumult and scramble of the streets. The majority of the few people one found there were copyists working in deep silence, which only the wandering footsteps of an occasional tourist disturbed. Pierre and Francois found Antoine at the end of the gallery assigned to the Primitive masters. With scrupulous, almost devout care he was making a drawing of a figure by Mantegna. The Primitives did not impassion him by reason of any particular mysticism and ideality, such as fashion pretends to find in them, but on the contrary, and justifiably enough, by reason of the sincerity of their ingenuous realism, their respect and modesty in presence of nature, and the minute fidelity with which they sought to transcribe it. He spent days of hard work in copying and studying them, in order to learn strictness and probity of drawing from them – all that lofty distinction of style which they owe to their candour as honest artists.

Pierre was struck by the pure glow which a sitting of good hard work had set in Antoine’s light blue eyes. It imparted warmth and even feverishness to his fair face, which was usually all dreaminess and gentleness. His lofty forehead now truly looked like a citadel armed for the conquest of truth and beauty. He was only eighteen, and his story was simply this: as he had grown disgusted with classical studies and been mastered by a passion for drawing, his father had let him leave the Lycee Condorcet when he was in the third class there. Some little time had then elapsed while he felt his way and the deep originality within him was being evolved. He had tried etching on copper, but had soon come to wood engraving, and had attached himself to it in spite of the discredit into which it had fallen, lowered as it had been to the level of a mere trade. Was there not here an entire art to restore and enlarge? For his own part he dreamt of engraving his own drawings, of being at once the brain which conceives and the hand which executes, in such wise as to obtain new effects of great intensity both as regards perception and touch. To comply with the wishes of his father, who desired each of his sons to have a trade, he earned his bread like other engravers by working for the illustrated newspapers. But, in addition to this current work, he had already engraved several blocks instinct with wonderful power and life. They were simply copies of real things, scenes of everyday existence, but they were accentuated, elevated so to say, by the essential line, with a maestria which on the part of so young a lad fairly astonished one.

“Do you want to engrave that?” Francois asked him, as he placed his copy of Mantegna’s figure in his portfolio.

“Oh! no, that’s merely a dip into innocence, a good lesson to teach one to be modest and sincere. Life is very different nowadays.”

Then, while walking along the streets – for Pierre, who felt growing sympathy for the two young fellows, went with them in the direction of Montmartre, forgetful of all else, – Antoine, who was beside him, spoke expansively of his artistic dreams.

“Colour is certainly a power, a sovereign source of charm, and one may, indeed, say that without colour nothing can be completely represented. Yet, singularly enough, it isn’t indispensable to me. It seems to me that I can picture life as intensely and definitely with mere black and white, and I even fancy that I shall be able to do so in a more essential manner, without any of the dupery which lies in colour. But what a task it is! I should like to depict the Paris of to-day in a few scenes, a few typical figures, which would serve as testimony for all time. And I should like to do it with great fidelity and candour, for an artist only lives by reason of his candour, his humility and steadfast belief in Nature, which is ever beautiful. I’ve already done a few figures, I will show them to you. But ah! if I only dared to tackle my blocks with the graver, at the outset, without drawing my subject beforehand. For that generally takes away one’s fire. However, what I do with the pencil is a mere sketch; for with the graver I may come upon a find, some unexpected strength or delicacy of effect. And so I’m draughtsman and engraver all in one, in such a way that my blocks can only be turned out by myself. If the drawings on them were engraved by another, they would be quite lifeless… Yes, life can spring from the fingers just as well as from the brain, when one really possesses creative power.”

They walked on, and when they found themselves just below Montmartre, and Pierre spoke of taking a tramcar to return to Neuilly, Antoine, quite feverish with artistic passion, asked him if he knew Jahan, the sculptor, who was working for the Sacred Heart. And on receiving a negative reply, he added: “Well, come and see him for a moment. He has a great future before him. You’ll see an angel of his which has been declined.”

Then, as Francois began to praise the angel in question, Pierre agreed to accompany them. On the summit of the height, among all the sheds which the building of the basilica necessitated, Jahan had been able to set up a glazed workshop large enough for the huge angel ordered of him. His three visitors found him there in a blouse, watching a couple of assistants, who were rough-hewing the block of stone whence the angel was to emerge. Jahan was a sturdy man of thirty-six, with dark hair and beard, a large, ruddy mouth and fine bright eyes. Born in Paris, he had studied at the Fine Art School, but his impetuous temperament had constantly landed him in trouble there.

“Ah! yes,” said he, “you’ve come to see my angel, the one which the Archbishop wouldn’t take. Well, there it is.”

The clay model of the figure, some three feet high, and already drying, looked superb in its soaring posture, with its large, outspread wings expanding as if with passionate desire for the infinite. The body, barely draped, was that of a slim yet robust youth, whose face beamed with the rapture of his heavenly flight.

“They found him too human,” said Jahan. “And after all they were right. There’s nothing so difficult to conceive as an angel. One even hesitates as to the sex; and when faith is lacking one has to take the first model one finds and copy it and spoil it. For my part, while I was modelling that one, I tried to imagine a beautiful youth suddenly endowed with wings, and carried by the intoxication of his flight into all the joy of the sunshine. But it upset them, they wanted something more religious, they said; and so then I concocted that wretched thing over there. After all, one has to earn one’s living, you know.”

So saying, he waved his hand towards another model, the one for which his assistants were preparing the stone. And this model represented an angel of the correct type, with symmetrical wings like those of a goose, a figure of neither sex, and commonplace features, expressing the silly ecstasy that tradition requires.

“What would you have?” continued Jahan. “Religious art has sunk to the most disgusting triteness. People no longer believe; churches are built like barracks, and decorated with saints and virgins fit to make one weep. The fact is that genius is only the fruit of the social soil; and a great artist can only send up a blaze of the faith of the time he lives in. For my part, I’m the grandson of a Beauceron peasant. My father came to Paris to set himself up in business as a marble worker for tombstones and so forth, just at the top of the Rue de la Roquette. It was there I grew up. I began as a workman, and all my childhood was spent among the masses, in the streets, without ever a thought coming to me of setting foot in a church. So few Parisians think of doing so nowadays. And so what’s to become of art since there’s no belief in the Divinity or even in beauty? We’re forced to go forward to the new faith, which is the faith in life and work and fruitfulness, in all that labours and produces.”

Then suddenly breaking off he exclaimed: “By the way, I’ve been doing some more work to my figure of Fecundity, and I’m fairly well pleased with it. Just come with me and I’ll show it you.”

Thereupon he insisted on taking them to his private studio, which was near by, just below Guillaume’s little house. It was entered by way of the Rue du Calvaire, a street which is simply a succession of ladder-like flights of steps. The door opened on to one of the little landings, and one found oneself in a spacious, well-lighted apartment littered with models and casts, fragments and figures, quite an overflow of sturdy, powerful talent. On a stool was the unfinished model of Fecundity swathed in wet cloths. These Jahan removed, and then she stood forth with her rounded figure, her broad hips and her wifely, maternal bosom, full of the milk which nourishes and redeems.

“Well, what do you think of her?” asked Jahan. “Built as she is, I fancy that her children ought to be less puny than the pale, languid, aesthetic fellows of nowadays!”

While Antoine and Francois were admiring the figure, Pierre, for his part, took most interest in a young girl who had opened the door to them, and who had now wearily reseated herself at a little table to continue a book she was reading. This was Jahan’s sister, Lise. A score of years younger than himself, she was but sixteen, and had been living alone with him since their father’s death. Very slight and delicate looking, she had a most gentle face, with fine light hair which suggested pale gold-dust. She was almost a cripple, with legs so weak that she only walked with difficulty, and her mind also was belated, still full of childish naivete. At first this had much saddened her brother, but with time he had grown accustomed to her innocence and languor. Busy as he always was, ever in a transport, overflowing with new plans, he somewhat neglected her by force of circumstances, letting her live beside him much as she listed.

Pierre had noticed, however, the sisterly impulsiveness with which she had greeted Antoine. And the latter, after congratulating Jahan on his statue, came and sat down beside her, questioned her and wished to see the book which she was reading. During the last six months the most pure and affectionate intercourse had sprung up between them. He, from his father’s garden, up yonder on the Place du Tertre, could see her through the huge window of that studio where she led so innocent a life. And noticing that she was always alone, as if forsaken, he had begun to take an interest in her. Then had come acquaintance; and, delighted to find her so simple and so charming, he had conceived the design of rousing her to intelligence and life, by loving her, by becoming at once the mind and the heart whose power fructifies. Weak plant that she was, in need of delicate care, sunshine and affection, he became for her all that her brother had, through circumstances, failed to be. He had already taught her to read, a task in which every mistress had previously failed. But him she listened to and understood. And by slow degrees a glow of happiness came to the beautiful clear eyes set in her irregular face. It was love’s miracle, the creation of woman beneath the breath of a young lover who gave himself entirely. No doubt she still remained very delicate, with such poor health that one ever feared that she might expire in a faint sigh; and her legs, moreover, were still too weak to admit of her walking any distance. But all the same, she was no longer the little wilding, the little ailing flower of the previous spring.

Jahan, who marvelled at the incipient miracle, drew near to the young people. “Ah!” said he, “your pupil does you honour. She reads quite fluently, you know, and understands the fine books you send her. You read to me of an evening now, don’t you, Lise?”

She raised her candid eyes, and gazed at Antoine with a smile of infinite gratitude. “Oh! whatever he’ll teach me,” she said, “I’ll learn it, and do it.”