The Three Cities Trilogy, Complete

III

AT a quarter to ten o’clock on the following morning Pierre came down to the first floor of the mansion for his audience with Cardinal Boccanera. He had awoke free of all fatigue and again full of courage and candid enthusiasm; nothing remaining of his strange despondency of the previous night, the doubts and suspicions which had then come over him. The morning was so fine, the sky so pure and so bright, that his heart once more palpitated with hope.

On the landing he found the folding doors of the first ante-room wide open. While closing the gala saloons which overlooked the street, and which were rotting with old age and neglect, the Cardinal still used the reception-rooms of one of his grand-uncles, who in the eighteenth century had risen to the same ecclesiastical dignity as himself. There was a suite of four immense rooms, each sixteen feet high, with windows facing the lane which sloped down towards the Tiber; and the sun never entered them, shut off as it was by the black houses across the lane. Thus the installation, in point of space, was in keeping with the display and pomp of the old-time princely dignitaries of the Church. But no repairs were ever made, no care was taken of anything, the hangings were frayed and ragged, and dust preyed on the furniture, amidst an unconcern which seemed to betoken some proud resolve to stay the course of time.

Pierre experienced a slight shock as he entered the first room, the servants’ ante-chamber. Formerly two pontifical gente d’armi in full uniform had always stood there amidst a stream of lackeys; and the single servant now on duty seemed by his phantom-like appearance to increase the melancholiness of the vast and gloomy hall. One was particularly struck by an altar facing the windows, an altar with red drapery surmounted by a baldacchino with red hangings, on which appeared the escutcheon of the Boccaneras, the winged dragon spitting flames with the device, Bocca nera, Alma rossa. And the grand-uncle’s red hat, the old huge ceremonial hat, was also there, with the two cushions of red silk, and the two antique parasols which were taken in the coach each time his Eminence went out. And in the deep silence it seemed as if one could almost hear the faint noise of the moths preying for a century past upon all this dead splendour, which would have fallen into dust at the slightest touch of a feather broom.

The second ante-room, that was formerly occupied by the secretary, was also empty, and it was only in the third one, the anticamera nobile, that Pierre found Don Vigilio. With his retinue reduced to what was strictly necessary, the Cardinal had preferred to have his secretary near him – at the door, so to say, of the old throne-room, where he gave audience. And Don Vigilio, so thin and yellow, and quivering with fever, sat there like one lost, at a small, common, black table covered with papers. Raising his head from among a batch of documents, he recognised Pierre, and in a low voice, a faint murmur amidst the silence, he said, “His Eminence is engaged. Please wait.”

Then he again turned to his reading, doubtless to escape all attempts at conversation.

Not daring to sit down, Pierre examined the apartment. It looked perhaps yet more dilapidated than the others, with its hangings of green damask worn by age and resembling the faded moss on ancient trees. The ceiling, however, had remained superb. Within a frieze of gilded and coloured ornaments was a fresco representing the Triumph of Amphitrite, the work of one of Raffaelle’s pupils. And, according to antique usage, it was here that the berretta, the red cap, was placed, on a credence, below a large crucifix of ivory and ebony.

As Pierre grew used to the half-light, however, his attention was more particularly attracted by a recently painted full-length portrait of the Cardinal in ceremonial costume – cassock of red moire, rochet of lace, and cappa thrown like a royal mantle over his shoulders. In these vestments of the Church the tall old man of seventy retained the proud bearing of a prince, clean shaven, but still boasting an abundance of white hair which streamed in curls over his shoulders. He had the commanding visage of the Boccaneras, a large nose and a large thin-lipped mouth in a long face intersected by broad lines; and the eyes which lighted his pale countenance were indeed the eyes of his race, very dark, yet sparkling with ardent life under bushy brows which had remained quite black. With laurels about his head he would have resembled a Roman emperor, very handsome and master of the world, as though indeed the blood of Augustus pulsated in his veins.

Pierre knew his story which this portrait recalled. Educated at the College of the Nobles, Pio Boccanera had but once absented himself from Rome, and that when very young, hardly a deacon, but nevertheless appointed oblegate to convey a berretta to Paris. On his return his ecclesiastical career had continued in sovereign fashion. Honours had fallen on him naturally, as by right of birth. Ordained by Pius IX himself, afterwards becoming a Canon of the Vatican Basilica, and Cameriere segreto, he had risen to the post of Majordomo about the time of the Italian occupation, and in 1874 had been created a Cardinal. For the last four years, moreover, he had been Papal Chamberlain (Camerlingo), and folks whispered that Leo XIII had appointed him to that post, even as he himself had been appointed to it by Pius IX, in order to lessen his chance of succeeding to the pontifical throne; for although the conclave in choosing Leo had set aside the old tradition that the Camerlingo was ineligible for the papacy, it was not probable that it would again dare to infringe that rule. Moreover, people asserted that, even as had been the case in the reign of Pius, there was a secret warfare between the Pope and his Camerlingo, the latter remaining on one side, condemning the policy of the Holy See, holding radically different opinions on all things, and silently waiting for the death of Leo, which would place power in his hands with the duty of summoning the conclave, and provisionally watching over the affairs and interests of the Church until a new Pope should be elected. Behind Cardinal Pio’s broad, stern brow, however, in the glow of his dark eyes, might there not also be the ambition of actually rising to the papacy, of repeating the career of Gioachino Pecci, Camerlingo and then Pope, all tradition notwithstanding? With the pride of a Roman prince Pio knew but Rome; he almost gloried in being totally ignorant of the modern world; and verily he showed himself very pious, austerely religious, with a full firm faith into which the faintest doubt could never enter.

But a whisper drew Pierre from his reflections. Don Vigilio, in his prudent way, invited him to sit down: “You may have to wait some time: take a stool.”

Then he began to cover a large sheet of yellowish paper with fine writing, while Pierre seated himself on one of the stools ranged alongside the wall in front of the portrait. And again the young man fell into a reverie, picturing in his mind a renewal of all the princely pomp of the old-time cardinals in that antique room. To begin with, as soon as nominated, a cardinal gave public festivities, which were sometimes very splendid. During three days the reception-rooms remained wide open, all could enter, and from room to room ushers repeated the names of those who came – patricians, people of the middle class, poor folks, all Rome indeed, whom the new cardinal received with sovereign kindliness, as a king might receive his subjects. Then there was quite a princely retinue; some cardinals carried five hundred people about with them, had no fewer than sixteen distinct offices in their households, lived, in fact, amidst a perfect court. Even when life subsequently became simplified, a cardinal, if he were a prince, still had a right to a gala train of four coaches drawn by black horses. Four servants preceded him in liveries, emblazoned with his arms, and carried his hat, cushion, and parasols. He was also attended by a secretary in a mantle of violet silk, a train-bearer in a gown of violet woollen stuff, and a gentleman in waiting, wearing an Elizabethan style of costume, and bearing the berretta with gloved hands. Although the household had then become smaller, it still comprised an auditore specially charged with the congregational work, a secretary employed exclusively for correspondence, a chief usher who introduced visitors, a gentleman in attendance for the carrying of the berretta, a train-bearer, a chaplain, a majordomo and a valet-de-chambre, to say nothing of a flock of underlings, lackeys, cooks, coachmen, grooms, quite a population, which filled the vast mansions with bustle. And with these attendants Pierre mentally sought to fill the three spacious ante-rooms now so deserted; the stream of lackeys in blue liveries broidered with emblazonry, the world of abbes and prelates in silk mantles appeared before him, again setting magnificent and passionate life under the lofty ceilings, illumining all the semi-gloom with resuscitated splendour.

But nowadays – particularly since the Italian occupation of Rome – nearly all the great fortunes of the Roman princes have been exhausted, and the pomp of the great dignitaries of the Church has disappeared. The ruined patricians have kept aloof from badly remunerated ecclesiastical offices to which little renown attaches, and have left them to the ambition of the petty bourgeoisie. Cardinal Boccanera, the last prince of ancient nobility invested with the purple, received scarcely more than 30,000 lire* a year to enable him to sustain his rank, that is 22,000 lire,** the salary of his post as Camerlingo, and various small sums derived from other functions. And he would never have made both ends meet had not Donna Serafina helped him with the remnants of the former family fortune which he had long previously surrendered to his sisters and his brother. Donna Serafina and Benedetta lived apart, in their own rooms, having their own table, servants, and personal expenses. The Cardinal only had his nephew Dario with him, and he never gave a dinner or held a public reception. His greatest source of expense was his carriage, the heavy pair-horse coach, which ceremonial usage compelled him to retain, for a cardinal cannot go on foot through the streets of Rome. However, his coachman, an old family servant, spared him the necessity of keeping a groom by insisting on taking entire charge of the carriage and the two black horses, which, like himself, had grown old in the service of the Boccaneras. There were two footmen, father and son, the latter born in the house. And the cook’s wife assisted in the kitchen. However, yet greater reductions had been made in the ante-rooms, where the staff, once so brilliant and numerous, was now simply composed of two petty priests, Don Vigilio, who was at once secretary, auditore, and majordomo, and Abbe Paparelli, who acted as train-bearer, chaplain, and chief usher. There, where a crowd of salaried people of all ranks had once moved to and fro, filling the vast halls with bustle and colour, one now only beheld two little black cassocks gliding noiselessly along, two unobtrusive shadows flitting about amidst the deep gloom of the lifeless rooms.

* 1,200 pounds.

** 880 pounds.

And Pierre now fully understood the haughty unconcern of the Cardinal, who suffered time to complete its work of destruction in that ancestral mansion, to which he was powerless to restore the glorious life of former times! Built for that shining life, for the sovereign display of a sixteenth-century prince, it was now deserted and empty, crumbling about the head of its last master, who had no servants left him to fill it, and would not have known how to pay for the materials which repairs would have necessitated. And so, since the modern world was hostile, since religion was no longer sovereign, since men had changed, and one was drifting into the unknown, amidst the hatred and indifference of new generations, why not allow the old world to collapse in the stubborn, motionless pride born of its ancient glory? Heroes alone died standing, without relinquishing aught of their past, preserving the same faith until their final gasp, beholding, with pain-fraught bravery and infinite sadness, the slow last agony of their divinity. And the Cardinal’s tall figure, his pale, proud face, so full of sovereign despair and courage, expressed that stubborn determination to perish beneath the ruins of the old social edifice rather than change a single one of its stones.

Pierre was roused by a rustling of furtive steps, a little mouse-like trot, which made him raise his head. A door in the wall had just opened, and to his surprise there stood before him an abbe of some forty years, fat and short, looking like an old maid in a black skirt, a very old maid in fact, so numerous were the wrinkles on his flabby face. It was Abbe Paparelli, the train-bearer and usher, and on seeing Pierre he was about to question him, when Don Vigilio explained matters.

“Ah! very good, very good, Monsieur l’Abbe Froment. His Eminence will condescend to receive you, but you must wait, you must wait.”

Then, with his silent rolling walk, he returned to the second ante-room, where he usually stationed himself.

Pierre did not like his face – the face of an old female devotee, whitened by celibacy, and ravaged by stern observance of the rites; and so, as Don Vigilio – his head weary and his hands burning with fever – had not resumed his work, the young man ventured to question him. Oh! Abbe Paparelli, he was a man of the liveliest faith, who from simple humility remained in a modest post in his Eminence’s service. On the other hand, his Eminence was pleased to reward him for his devotion by occasionally condescending to listen to his advice.

As Don Vigilio spoke, a faint gleam of irony, a kind of veiled anger appeared in his ardent eyes. However, he continued to examine Pierre, and gradually seemed reassured, appreciating the evident frankness of this foreigner who could hardly belong to any clique. And so he ended by departing somewhat from his continual sickly distrust, and even engaged in a brief chat.

“Yes, yes,” he said, “there is a deal of work sometimes, and rather hard work too. His Eminence belongs to several Congregations, the Consistorial, the Holy Office, the Index, the Rites. And all the documents concerning the business which falls to him come into my hands. I have to study each affair, prepare a report on it, clear the way, so to say. Besides which all the correspondence is carried on through me. Fortunately his Eminence is a holy man, and intrigues neither for himself nor for others, and this enables us to taste a little peace.”

Pierre took a keen interest in these particulars of the life led by a prince of the Church. He learnt that the Cardinal rose at six o’clock, summer and winter alike. He said his mass in his chapel, a little room which simply contained an altar of painted wood, and which nobody but himself ever entered. His private apartments were limited to three rooms – a bed-room, dining-room, and study – all very modest and small, contrived indeed by partitioning off portions of one large hall. And he led a very retired life, exempt from all luxury, like one who is frugal and poor. At eight in the morning he drank a cup of cold milk for his breakfast. Then, when there were sittings of the Congregations to which he belonged, he attended them; otherwise he remained at home and gave audience. Dinner was served at one o’clock, and afterwards came the siesta, lasting until five in summer and until four at other seasons – a sacred moment when a servant would not have dared even to knock at the door. On awaking, if it were fine, his Eminence drove out towards the ancient Appian Way, returning at sunset when the Ave Maria began to ring. And finally, after again giving audience between seven and nine, he supped and retired into his room, where he worked all alone or went to bed. The cardinals wait upon the Pope on fixed days, two or three times each month, for purposes connected with their functions. For nearly a year, however, the Camerlingo had not been received in private audience by his Holiness, and this was a sign of disgrace, a proof of secret warfare, of which the entire black world spoke in prudent whispers.

“His Eminence is sometimes a little rough,” continued Don Vigilio in a soft voice. “But you should see him smile when his niece the Contessina, of whom he is very fond, comes down to kiss him. If you have a good reception, you know, you will owe it to the Contessina.”

At this moment the secretary was interrupted. A sound of voices came from the second ante-room, and forthwith he rose to his feet, and bent very low at sight of a stout man in a black cassock, red sash, and black hat, with twisted cord of red and gold, whom Abbe Paparelli was ushering in with a great display of deferential genuflections. Pierre also had risen at a sign from Don Vigilio, who found time to whisper to him, “Cardinal Sanguinetti, Prefect of the Congregation of the Index.”

Meantime Abbe Paparelli was lavishing attentions on the prelate, repeating with an expression of blissful satisfaction: “Your most reverend Eminence was expected. I have orders to admit your most reverend Eminence at once. His Eminence the Grand Penitentiary is already here.”

Sanguinetti, loud of voice and sonorous of tread, spoke out with sudden familiarity, “Yes, yes, I know. A number of importunate people detained me! One can never do as one desires. But I am here at last.”

He was a man of sixty, squat and fat, with a round and highly coloured face distinguished by a huge nose, thick lips, and bright eyes which were always on the move. But he more particularly struck one by his active, almost turbulent, youthful vivacity, scarcely a white hair as yet showing among his brown and carefully tended locks, which fell in curls about his temples. Born at Viterbo, he had studied at the seminary there before completing his education at the Universita Gregoriana in Rome. His ecclesiastical appointments showed how rapidly he had made his way, how supple was his mind: first of all secretary to the nunciature at Lisbon; then created titular Bishop of Thebes, and entrusted with a delicate mission in Brazil; on his return appointed nuncio first at Brussels and next at Vienna; and finally raised to the cardinalate, to say nothing of the fact that he had lately secured the suburban episcopal see of Frascati.* Trained to business, having dealt with every nation in Europe, he had nothing against him but his ambition, of which he made too open a display, and his spirit of intrigue, which was ever restless. It was said that he was now one of the irreconcilables who demanded that Italy should surrender Rome, though formerly he had made advances to the Quirinal. In his wild passion to become the next Pope he rushed from one opinion to the other, giving himself no end of trouble to gain people from whom he afterwards parted. He had twice already fallen out with Leo XIII, but had deemed it politic to make his submission. In point of fact, given that he was an almost openly declared candidate to the papacy, he was wearing himself out by his perpetual efforts, dabbling in too many things, and setting too many people agog.

* Cardinals York and Howard were Bishops of Frascati. – Trans.

Pierre, however, had only seen in him the Prefect of the Congregation of the Index; and the one idea which struck him was that this man would decide the fate of his book. And so, when the Cardinal had disappeared and Abbe Paparelli had returned to the second ante-room, he could not refrain from asking Don Vigilio, “Are their Eminences Cardinal Sanguinetti and Cardinal Boccanera very intimate, then?”