The Three Cities Trilogy, Complete

And now Pierre beheld all those palaces which he had conjured up around him, resuscitated, resplendent in the full sunlight. They were as if linked together, parted merely by the narrowest of passages. In order that not an inch of that precious summit might be lost, they had sprouted thickly like the monstrous florescence of strength, power, and unbridled pride which satisfied itself at the cost of millions, bleeding the whole world for the enjoyment of one man. And in truth there was but one palace altogether, a palace enlarged as soon as one emperor died and was placed among the deities, and another, shunning the consecrated pile where possibly the shadow of death frightened him, experienced an imperious need to build a house of his own and perpetuate in everlasting stone the memory of his reign. All the emperors were seized with this building craze; it was like a disease which the very throne seemed to carry from one occupant to another with growing intensity, a consuming desire to excel all predecessors by thicker and higher walls, by a more and more wonderful profusion of marbles, columns, and statues. And among all these princes there was the idea of a glorious survival, of leaving a testimony of their greatness to dazzled and stupefied generations, of perpetuating themselves by marvels which would not perish but for ever weigh heavily upon the earth, when their own light ashes should long since have been swept away by the winds. And thus the Palatine became but the venerable base of a monstrous edifice, a thick vegetation of adjoining buildings, each new pile being like a fresh eruption of feverish pride; while the whole, now showing the snowy brightness of white marble and now the glowing hues of coloured marble, ended by crowning Rome and the world with the most extraordinary and most insolent abode of sovereignty – whether palace, temple, basilica, or cathedral – that omnipotence and dominion have ever reared under the heavens.

But death lurked beneath this excess of strength and glory. Seven hundred and thirty years of monarchy and republic had sufficed to make Rome great; and in five centuries of imperial sway the people-king was to be devoured down to its last muscles. There was the immensity of the territory, the more distant provinces gradually pillaged and exhausted; there was the fisc consuming everything, digging the pit of fatal bankruptcy; and there was the degeneration of the people, poisoned by the scenes of the circus and the arena, fallen to the sloth and debauchery of their masters, the Caesars, while mercenaries fought the foe and tilled the soil. Already at the time of Constantine, Rome had a rival, Byzantium; disruption followed with Honorius; and then some ten emperors sufficed for decomposition to be complete, for the bones of the dying prey to be picked clean, the end coming with Romulus Augustulus, the sorry creature whose name is, so to say, a mockery of the whole glorious history, a buffet for both the founder of Rome and the founder of the empire.

The palaces, the colossal assemblage of walls, storeys, terraces, and gaping roofs, still remained on the deserted Palatine; many ornaments and statues, however, had already been removed to Byzantium. And the empire, having become Christian, had afterwards closed the temples and extinguished the fire of Vesta, whilst yet respecting the ancient Palladium. But in the fifth century the barbarians rush upon Rome, sack and burn it, and carry the spoils spared by the flames away in their chariots. As long as the city was dependent on Byzantium a custodian of the imperial palaces remained there watching over the Palatine. Then all fades and crumbles in the night of the middle ages. It would really seem that the popes then slowly took the place of the Caesars, succeeding them both in their abandoned marble halls and their ever-subsisting passion for domination. Some of them assuredly dwelt in the palace of Septimius Severus; a council of the Church was held in the Septizonium; and, later on, Gelasius II was elected in a neighbouring monastery on the sacred mount. It was as if Augustus were again rising from the tomb, once more master of the world, with a Sacred College of Cardinals resuscitating the Roman Senate. In the twelfth century the Septizonium belonged to some Benedictine monks, and was sold by them to the powerful Frangipani family, who fortified it as they had already fortified the Colosseum and the arches of Constantine and Titus, thus forming a vast fortress round about the venerable cradle of the city. And the violent deeds of civil war and the ravages of invasion swept by like whirlwinds, throwing down the walls, razing the palaces and towers. And afterwards successive generations invaded the ruins, installed themselves in them by right of trover and conquest, turned them into cellars, store-places for forage, and stables for mules. Kitchen gardens were formed, vines were planted on the spots where fallen soil had covered the mosaics of the imperial halls. All around nettles and brambles grew up, and ivy preyed on the overturned porticoes, till there came a day when the colossal assemblage of palaces and temples, which marble was to have rendered eternal, seemed to dive beneath the dust, to disappear under the surging soil and vegetation which impassive Nature threw over it. And then, in the hot sunlight, among the wild flowerets, only big, buzzing flies remained, whilst herds of goats strayed in freedom through the throne-room of Domitian and the fallen sanctuary of Apollo.

A great shudder passed through Pierre. To think of so much strength, pride, and grandeur, and such rapid ruin – a world for ever swept away! He wondered how entire palaces, yet peopled by admirable statuary, could thus have been gradually buried without any one thinking of protecting them. It was no sudden catastrophe which had swallowed up those masterpieces, subsequently to be disinterred with exclamations of admiring wonder; they had been drowned, as it were – caught progressively by the legs, the waist, and the neck, till at last the head had sunk beneath the rising tide. And how could one explain that generations had heedlessly witnessed such things without thought of putting forth a helping hand? It would seem as if, at a given moment, a black curtain were suddenly drawn across the world, as if mankind began afresh, with a new and empty brain which needed moulding and furnishing. Rome had become depopulated; men ceased to repair the ruins left by fire and sword; the edifices which by their very immensity had become useless were utterly neglected, allowed to crumble and fall. And then, too, the new religion everywhere hunted down the old one, stole its temples, overturned its gods. Earthly deposits probably completed the disaster – there were, it is said, both earthquakes and inundations – and the soil was ever rising, the alluvia of the young Christian world buried the ancient pagan society. And after the pillaging of the temples, the theft of the bronze roofs and marble columns, the climax came with the filching of the stones torn from the Colosseum and the Theatre of Marcellus, with the pounding of the statuary and sculpture-work, thrown into kilns to procure the lime needed for the new monuments of Catholic Rome.

It was nearly one o’clock, and Pierre awoke as from a dream. The sun-rays were streaming in a golden rain between the shiny leaves of the ever-green oaks above him, and down below Rome lay dozing, overcome by the great heat. Then he made up his mind to leave the garden, and went stumbling over the rough pavement of the Clivus Victoriae, his mind still haunted by blinding visions. To complete his day, he had resolved to visit the old Appian Way during the afternoon, and, unwilling to return to the Via Giulia, he lunched at a suburban tavern, in a large, dim room, where, alone with the buzzing flies, he lingered for more than two hours, awaiting the sinking of the sun.

Ah! that Appian Way, that ancient queen of the high roads, crossing the Campagna in a long straight line with rows of proud tombs on either hand – to Pierre it seemed like a triumphant prolongation of the Palatine. He there found the same passion for splendour and domination, the same craving to eternise the memory of Roman greatness in marble and daylight. Oblivion was vanquished; the dead refused to rest, and remained for ever erect among the living, on either side of that road which was traversed by multitudes from the entire world. The deified images of those who were now but dust still gazed on the passers-by with empty eyes; the inscriptions still spoke, proclaiming names and titles. In former times the rows of sepulchres must have extended without interruption along all the straight, level miles between the tomb of Caecilia Metella and that of Casale Rotondo, forming an elongated cemetery where the powerful and wealthy competed as to who should leave the most colossal and lavishly decorated mausoleum: such, indeed, was the craving for survival, the passion for pompous immortality, the desire to deify death by lodging it in temples; whereof the present-day monumental splendour of the Genoese Campo Santo and the Roman Campo Verano is, so to say, a remote inheritance. And what a vision it was to picture all the tremendous tombs on the right and left of the glorious pavement which the legions trod on their return from the conquest of the world! That tomb of Caecilia Metella, with its bond-stones so huge, its walls so thick that the middle ages transformed it into the battlemented keep of a fortress! And then all the tombs which follow, the modern structures erected in order that the marble fragments discovered might be set in place, the old blocks of brick and concrete, despoiled of their sculptured-work and rising up like seared rocks, yet still suggesting their original shapes as shrines, cippi, and sarcophagi. There is a wondrous succession of high reliefs figuring the dead in groups of three and five; statues in which the dead live deified, erect; seats contrived in niches in order that wayfarers may rest and bless the hospitality of the dead; laudatory epitaphs celebrating the dead, both the known and the unknown, the children of Sextius Pompeius Justus, the departed Marcus Servilius Quartus, Hilarius Fuscus, Rabirius Hermodorus; without counting the sepulchres venturously ascribed to Seneca and the Horatii and Curiatii. And finally there is the most extraordinary and gigantic of all the tombs, that known as Casale Rotondo, which is so large that it has been possible to establish a farmhouse and an olive garden on its substructures, which formerly upheld a double rotunda, adorned with Corinthian pilasters, large candelabra, and scenic masks.*

* Some believe this tomb to have been that of Messalla Corvinus,

the historian and poet, a friend of Augustus and Horace; others

ascribe it to his son, Aurelius Messallinus Cotta. – Trans.

Pierre, having driven in a cab as far as the tomb of Caecilia Metella, continued his excursion on foot, going slowly towards Casale Rotondo. In many places the old pavement appears – large blocks of basaltic lava, worn into deep ruts that jolt the best-hung vehicles. Among the ruined tombs on either hand run bands of grass, the neglected grass of cemeteries, scorched by the summer suns and sprinkled with big violet thistles and tall sulphur-wort. Parapets of dry stones, breast high, enclose the russet roadsides, which resound with the crepitation of grasshoppers; and, beyond, the Campagna stretches, vast and bare, as far as the eye can see. A parasol pine, a eucalyptus, some olive or fig trees, white with dust, alone rise up near the road at infrequent intervals. On the left the ruddy arches of the Acqua Claudia show vigorously in the meadows, and stretches of poorly cultivated land, vineyards, and little farms, extend to the blue and lilac Sabine and Alban hills, where Frascati, Rocca di Papa, and Albano set bright spots, which grow and whiten as one gets nearer to them. Then, on the right, towards the sea, the houseless, treeless plain grows and spreads with vast, broad ripples, extraordinary ocean-like simplicity and grandeur, a long, straight line alone parting it from the sky. At the height of summer all burns and flares on this limitless prairie, then of a ruddy gold; but in September a green tinge begins to suffuse the ocean of herbage, which dies away in the pink and mauve and vivid blue of the fine sunsets.

As Pierre, quite alone and in a dreary mood, slowly paced the endless, flat highway, that resurrection of the past which he had beheld on the Palatine again confronted his mind’s eye. On either hand the tombs once more rose up intact, with marble of dazzling whiteness. Had not the head of a colossal statue been found, mingled with fragments of huge sphinxes, at the foot of yonder vase-shaped mass of bricks? He seemed to see the entire colossal statue standing again between the huge, crouching beasts. Farther on a beautiful headless statue of a woman had been discovered in the cella of a sepulchre, and he beheld it, again whole, with features expressive of grace and strength smiling upon life. The inscriptions also became perfect; he could read and understand them at a glance, as if living among those dead ones of two thousand years ago. And the road, too, became peopled: the chariots thundered, the armies tramped along, the people of Rome jostled him with the feverish agitation of great communities. It was a return of the times of the Flavians or the Antonines, the palmy years of the empire, when the pomp of the Appian Way, with its grand sepulchres, carved and adorned like temples, attained its apogee. What a monumental Street of Death, what an approach to Rome, that highway, straight as an arrow, where with the extraordinary pomp of their pride, which had survived their dust, the great dead greeted the traveller, ushered him into the presence of the living! He may well have wondered among what sovereign people, what masters of the world, he was about to find himself – a nation which had committed to its dead the duty of telling strangers that it allowed nothing whatever to perish – that its dead, like its city, remained eternal and glorious in monuments of extraordinary vastness! To think of it – the foundations of a fortress, and a tower sixty feet in diameter, that one woman might be laid to rest! And then, far away, at the end of the superb, dazzling highway, bordered with the marble of its funereal palaces, Pierre, turning round, distinctly beheld the Palatine, with the marble of its imperial palaces – the huge assemblage of palaces whose omnipotence had dominated the world!

But suddenly he started: two carabiniers had just appeared among the ruins. The spot was not safe; the authorities watched over tourists even in broad daylight. And later on came another meeting which caused him some emotion. He perceived an ecclesiastic, a tall old man, in a black cassock, edged and girt with red; and was surprised to recognise Cardinal Boccanera, who had quitted the roadway, and was slowly strolling along the band of grass, among the tall thistles and sulphur-wort. With his head lowered and his feet brushing against the fragments of the tombs, the Cardinal did not even see Pierre. The young priest courteously turned aside, surprised to find him so far from home and alone. Then, on perceiving a heavy coach, drawn by two black horses, behind a building, he understood matters. A footman in black livery was waiting motionless beside the carriage, and the coachman had not quitted his box. And Pierre remembered that the Cardinals were not expected to walk in Rome, so that they were compelled to drive into the country when they desired to take exercise. But what haughty sadness, what solitary and, so to say, ostracised grandeur there was about that tall, thoughtful old man, thus forced to seek the desert, and wander among the tombs, in order to breathe a little of the evening air!

Pierre had lingered there for long hours; the twilight was coming on, and once again he witnessed a lovely sunset. On his left the Campagna became blurred, and assumed a slaty hue, against which the yellowish arcades of the aqueduct showed very plainly, while the Alban hills, far away, faded into pink. Then, on the right, towards the sea, the planet sank among a number of cloudlets, figuring an archipelago of gold in an ocean of dying embers. And excepting the sapphire sky, studded with rubies, above the endless line of the Campagna, which was likewise changed into a sparkling lake, the dull green of the herbage turning to a liquid emerald tint, there was nothing to be seen, neither a hillock nor a flock – nothing, indeed, but Cardinal Boccanera’s black figure, erect among the tombs, and looking, as it were, enlarged as it stood out against the last purple flush of the sunset.

Early on the following morning Pierre, eager to see everything, returned to the Appian Way in order to visit the catacomb of St. Calixtus, the most extensive and remarkable of the old Christian cemeteries, and one, too, where several of the early popes were buried. You ascend through a scorched garden, past olives and cypresses, reach a shanty of boards and plaster in which a little trade in “articles of piety” is carried on, and there a modern and fairly easy flight of steps enables you to descend. Pierre fortunately found there some French Trappists, who guard these catacombs and show them to strangers. One brother was on the point of going down with two French ladies, the mother and daughter, the former still comely and the other radiant with youth. They stood there smiling, though already slightly frightened, while the monk lighted some long, slim candles. He was a man with a bossy brow, the large, massive jaw of an obstinate believer and pale eyes bespeaking an ingenuous soul.

“Ah! Monsieur l’Abbe,” he said to Pierre, “you’ve come just in time. If the ladies are willing, you had better come with us; for three Brothers are already below with people, and you would have a long time to wait. This is the great season for visitors.”

The ladies politely nodded, and the Trappist handed a candle to the priest. In all probability neither mother nor daughter was devout, for both glanced askance at their new companion’s cassock, and suddenly became serious. Then they all went down and found themselves in a narrow subterranean corridor. “Take care, mesdames,” repeated the Trappist, lighting the ground with his candle. “Walk slowly, for there are projections and slopes.”

Then, in a shrill voice full of extraordinary conviction, he began his explanations. Pierre had descended in silence, his heart beating with emotion. Ah! how many times, indeed, in his innocent seminary days, had he not dreamt of those catacombs of the early Christians, those asylums of the primitive faith! Even recently, while writing his book, he had often thought of them as of the most ancient and venerable remains of that community of the lowly and simple, for the return of which he called. But his brain was full of pages written by poets and great prose writers. He had beheld the catacombs through the magnifying glass of those imaginative authors, and had believed them to be vast, similar to subterranean cities, with broad highways and spacious halls, fit for the accommodation of vast crowds. And now how poor and humble the reality!

“Well, yes,” said the Trappist in reply to the ladies’ questions, “the corridor is scarcely more than a yard in width; two persons could not pass along side by side. How they dug it? Oh! it was simple enough. A family or a burial association needed a place of sepulchre. Well, a first gallery was excavated with pickaxes in soil of this description – granular tufa, as it is called – a reddish substance, as you can see, both soft and yet resistant, easy to work and at the same time waterproof. In a word, just the substance that was needed, and one, too, that has preserved the remains of the buried in a wonderful way.” He paused and brought the flamelet of his candle near to the compartments excavated on either hand of the passage. “Look,” he continued, “these are the loculi. Well, a subterranean gallery was dug, and on both sides these compartments were hollowed out, one above the other. The bodies of the dead were laid in them, for the most part simply wrapped in shrouds. Then the aperture was closed with tiles or marble slabs, carefully cemented. So, as you can see, everything explains itself. If other families joined the first one, or the burial association became more numerous, fresh galleries were added to those already filled. Passages were excavated on either hand, in every sense; and, indeed, a second and lower storey, at times even a third, was dug out. And here, you see, we are in a gallery which is certainly thirteen feet high. Now, you may wonder how they raised the bodies to place them in the compartments of the top tier. Well, they did not raise them to any such height; in all their work they kept on going lower and lower, removing more and more of the soil as the compartments became filled. And in this wise, in these catacombs of St. Calixtus, in less than four centuries, the Christians excavated more than ten miles of galleries, in which more than a million of their dead must have been laid to rest. Now, there are dozens of catacombs; the environs of Rome are honeycombed with them. Think of that, and perhaps you will be able to form some idea of the vast number of people who were buried in this manner.”

Pierre listened, feeling greatly impressed. He had once visited a coal pit in Belgium, and he here found the same narrow passages, the same heavy, stifling atmosphere, the same nihility of darkness and silence. The flamelets of the candles showed merely like stars in the deep gloom; they shed no radiance around. And he at last understood the character of this funereal, termite-like labour – these chance burrowings continued according to requirements, without art, method, or symmetry. The rugged soil was ever ascending and descending, the sides of the gallery snaked: neither plumb-line nor square had been used. All this, indeed, had simply been a work of charity and necessity, wrought by simple, willing grave-diggers, illiterate craftsmen, with the clumsy handiwork of the decline and fall. Proof thereof was furnished by the inscriptions and emblems on the marble slabs. They reminded one of the childish drawings which street urchins scrawl upon blank walls.

“You see,” the Trappist continued, “most frequently there is merely a name; and sometimes there is no name, but simply the words In Pace. At other times there is an emblem, the dove of purity, the palm of martyrdom, or else the fish whose name in Greek is composed of five letters which, as initials, signify: ‘Jesus Christ, Son of God, Saviour.’”

He again brought his candle near to the marble slabs, and the palm could be distinguished: a central stroke, whence started a few oblique lines; and then came the dove or the fish, roughly outlined, a zigzag indicating a tail, two bars representing the bird’s feet, while a round point simulated an eye. And the letters of the short inscriptions were all askew, of various sizes, often quite misshapen, as in the coarse handwriting of the ignorant and simple.

However, they reached a crypt, a sort of little hall, where the graves of several popes had been found; among others that of Sixtus II, a holy martyr, in whose honour there was a superbly engraved metrical inscription set up by Pope Damasus. Then, in another hall, a family vault of much the same size, decorated at a later stage, with naive mural paintings, the spot where St. Cecilia’s body had been discovered was shown. And the explanations continued. The Trappist dilated on the paintings, drawing from them a confirmation of every dogma and belief, baptism, the Eucharist, the resurrection, Lazarus arising from the tomb, Jonas cast up by the whale, Daniel in the lions’ den, Moses drawing water from the rock, and Christ – shown beardless, as was the practice in the early ages – accomplishing His various miracles.

“You see,” repeated the Trappist, “all those things are shown there; and remember that none of the paintings was specially prepared: they are absolutely authentic.”

At a question from Pierre, whose astonishment was increasing, he admitted that the catacombs had been mere cemeteries at the outset, when no religious ceremonies had been celebrated in them. It was only later, in the fourth century, when the martyrs were honoured, that the crypts were utilised for worship. And in the same way they only became places of refuge during the persecutions, when the Christians had to conceal the entrances to them. Previously they had remained freely and legally open. This was indeed their true history: cemeteries four centuries old becoming places of asylum, ravaged at times during the persecutions; afterwards held in veneration till the eighth century; then despoiled of their holy relics, and subsequently blocked up and forgotten, so that they remained buried during more than seven hundred years, people thinking of them so little that at the time of the first searches in the fifteenth century they were considered an extraordinary discovery – an intricate historical problem – one, moreover, which only our own age has solved.