Secrets in the Shadows

Contents

Hannah Emery

Dedication

PART ONE

Chapter Two

Chapter Three

Chapter Four

Chapter Five

Chapter Six

Chapter Seven

Chapter Eight

PART TWO

Chapter Ten

Chapter Eleven

Chapter Twelve

Chapter Thirteen

Chapter Fourteen

Chapter Fifteen

Chapter Sixteen

PART THREE

Chapter Eighteen

Chapter Nineteen

Chapter Twenty

Chapter Twenty One

Chapter Twenty Two

Chapter Twenty Three

Chapter Twenty Four

Chapter Twenty Five

Chapter Twenty Six

Chapter Twenty Seven

Chapter Twenty Eight

Chapter Twenty Nine

Chapter Thirty

Chapter Thirty One

Chapter Thirty Two

Chapter Thirty Three

PART FOUR

Chapter Thirty Five

Chapter Thirty Six

Chapter Thirty Seven

Chapter Thirty Eight

Chapter Thirty Nine

About HarperImpulse

Copyright

About the Publisher

Hannah Emery

I studied English at the University of Chester and I have written stories for as long as I can remember. I love writing about how fragile the present is and how so much of it depends on chance events that took place years ago. My favourite things in life are my family, my friends, books, baking on a Saturday afternoon, going out for champagne and dinner and having cosy weekends away. I live in Blackpool with my husband and our little girl. Find out more at hannahcemery.wordpress.com and follow me on Twitter @hannahcemery.

For my family: past, present and future

PART ONE

Chapter One

Grace, 2008

Grace should be with Eliot.

Grace should be the one to take a bite of Eliot’s toast in the morning, to text him and see what he fancies for dinner, to carry around a solid weight of certainty that he is hers and she is his.

But Grace isn’t the one with Eliot, and doesn’t know how to be.

She sighs shakily and glances up as she walks along the promenade to Ash Books. She can barely see Blackpool Tower for the autumn mist. It’s a blue, cool morning and her icy breath streams behind her as she clatters down the glittering concrete. The tide is in, and to her left is the wide expanse of grey sea that she knows so well. Salty spray spits at her and she wipes it quickly from her face, disturbed by what the sea contains. By the time Grace reaches the shop an hour later, her face is stinging with the bite of cold air.

Even today hasn’t taken her mind off Eliot. She is tired of thinking about him, but her thoughts are pulled to the image of him like pins to a magnet. When Grace sleeps, which isn’t often, Eliot’s face floats through her dreams and his voice weaves around the jumbled stories of her subconscious. When she wakes, she can think of nothing but her connection to him.

Grace’s mother called it a gift.

There is only one person who has the power to make Grace think of something else. He is the only person who can make her feel as though the future might be different somehow. But he is not here.

After a slight pause, Grace tugs off one of her blue woollen mittens with her teeth so that she can find her keys in her bag, unlocks the heavy green door and shudders as she enters the bookshop.

As Grace enters Ash Books, she looks around and takes in her new business venture. Opening a secondhand bookshop with her twin sister Elsie seemed straightforward at first. Grace loves books, and Elsie loves books. The business loan application went through easily. It all seemed too simple to be the wrong thing to do.

There are new pine shelves lining each of the ivory walls, mostly filled with second-hand novels. Grace thought that they should sell only children’s books and Elsie argued that they shouldn’t narrow their target customer. The rainbow of creased spines is the result of their spat: a mixture of men’s black crime, women’s powder-blue romance and a colourful burst of children’s books piled up at the back of the shop. Grace runs a finger along the spines of the books on the shelf to her left, careful not to move them from their perfectly lined up positions. Her eyes wander to the stray leaflet on the counter.

ASH BOOKS OPENING DAY

COME AND SEE OUR NEW SHOP! DON’T LEAVE IT TOO LATE!

As she stares at the exclamations that scream out at her in acid yellow and thinks about the day ahead, a surge of panic fizzes through Grace’s blood and into her stomach, where it sits like a dissolving tablet. Hopefully Elsie will be here soon.

The scent of yellowed paper that has been thumbed through a hundred times hangs in the air like nicotine. The counter is to the left, cluttered with boxes of pens and lists of things to do before the grand opening. Grace moves over to a pile of stock behind the counter and picks up a stuffed owl that Elsie bought them as a good luck gift. Elsie has a thing for owls. She places him on top of the counter, then stands back to take in the view.

‘Perhaps you could be our lucky charm?’ Grace asks the owl, who glares at her with his frozen black eyes in response.

No, he doesn’t look right at all. And he might scare small children. Grace glances at the door uneasily, her nerves easing a little when she sees her sister appear behind it. Elsie is laden with tote bags and wearing a royal blue beret that Grace immediately recognises as her own.

‘You’re here already!’ Elsie says to Grace as she unwraps her gigantic yellow scarf from around her neck. She tosses the scarf on the floor next to where she dumps her bags. ‘Shall we make a coffee and then straighten up? We’ve got an hour until we officially open.’

Grace holds the owl up. ‘I’m worried he’ll scare the children,’ she says.

‘He won’t. He’s cute.’ Elsie snatches the owl from Grace and plonks him back in his rightful position next to the till.

The twins are quiet as they unpack the final boxes of books and gifts that they ordered last minute to try and fill up their shelves. As the boxes dwindle, the shelves begin to look a little more cluttered with choice and the counter and surrounding floor become tidy.

‘It’s finally starting to come together,’ Grace says, pushing a strand of black hair from her face. ‘It looks better than I thought it would when I first arrived.’

‘And still fifteen minutes to spare,’ Elsie says as she folds down the last empty box.

‘Yes,’ Grace frowns, ‘so why is somebody already at the door?’ As the tall figure behind the glass motions to be let in, Grace walks over to the front of the shop.

‘Oh, Mags! It’s you!’ Grace unlocks the door and ushers Mags in. ‘I’m so glad you made it. You’re our first customer! Come and have a look around.’

Elsie makes some more coffee in their little staff room at the back of the shop and Grace walks Mags around, pointing out the novels that she has given them to sell. Mags smiles at Grace and squeezes her arm as they return to the counter.

‘I’m so happy for you girls. It’s about time something good happened for you both, after everything you’ve been through.’

Elsie returns with three potently scented coffees and puts them down on the counter. ‘I hope it works out. We just kind of went for it without thinking it through in too much detail,’ she says, taking a sip of coffee and wincing when she realises it’s far too hot.

‘Well, that’s exactly what you have to do. People get far too wrapped up in what they think they should do, rather than what they want.’

Grace stares at Mags for a moment, thinking of her own mother. There’s a short silence, peppered with blows on coffees to cool them. After a few moments, Mags takes her oversized handbag from where she dropped it behind the counter and swoops out a bunch of roses wrapped in bright pink paper.

‘I brought you these. But I’ve just realised that you probably don’t have a vase here. I’ll pop and get you one later. Or I might send someone in my place.’

Just as Mags says this, the bell above the door tinkles again and two elderly women enter, cooing over The Wizard of Oz window display, which Grace assembled late last night after stumbling upon a 1960 edition of the book amongst their stock. Dorothy is a doll borrowed from the toyshop next door, and the yellow brick road is gathered crepe paper. Paper poppies surround the road, and in them nestles The Wonderful Wizard of Oz.

It’s October, the last week of the illuminations, which always means that Blackpool and the surrounding towns are swelled with families who are there to see the flashing show of lights that dangles along the whole length of the promenade before the end of the season in November. The till is constantly beeping and at 2 p.m. they run out of paper bags. It’s the silly things that are sold first: the extras that Grace bought on a whim and Elsie didn’t think would match the shop of their imagination. Teddy bears wearing Ash Books hoodies; bundles of marshmallows in cellophane tied with curling ribbon; cheap children’s books with gaudy covers are all grabbed without much thought, paid for, probably forgotten soon after.

Towards the end of the day, when the buzz of new customers has died down, Grace is in the small office at the back counting through the money they have taken when she hears Elsie call her.

‘Somebody has brought us a vase for our flowers,’ Elsie shouts from the front.

Grace smiles as she piles the notes neatly on the desk and stands up, expecting to see Mags in the shop again, brandishing a vase. But when she turns around and sees who has just come through the door, Grace feels all the blood in her body rush to her head.

‘My mum said something about you needing a vase?’ Noel says, smiling at the twins and setting the vase on the counter.

‘When did you get back here?’ Grace asks, trying to dismiss the instant confusion that swarms around her mind, the warmth that blasts through her body at the sight of him.

‘Just now. I had a couple of days’ holiday to take, and I couldn’t miss the grand opening, could I?’

Elsie beams. ‘Grace, why don’t you show Noel all our stuff?’

‘I think he’s capable of looking himself,’ Grace says, suddenly sullen. Elsie shouldn’t try to pair her with Noel. Elsie has no idea. It’s just not that easy.

Noel touches Grace’s arm. ‘Come on, Grace. Give me a tour.’

Grace softens. ‘Okay.’

They wander around the shop, arm in arm to the back, where there are more boxes piled like bricks, two old office chairs and a small desk. The desk is crammed with the notes that Grace was counting when Noel arrived, piles of books and magazines, cups, a jar of cheap coffee, some powdered milk and a kettle.

‘So you came all the way from London just to see our shop on its opening day?’ Grace asks.

‘Yeah. I’ve heard how hard you’ve both been working, and I wanted to come and see how your first day was going.’

Grace flicks the little kettle on the desk on. ‘That’s really nice of you. Has Bea come here with you?’

‘No. She’s had to stay and work.’

There’s a silence, which is softened by the bubbling kettle. Grace glances across at Noel. He has been a part of Grace’s life for as long as she can remember, since those early, bright days that seem so out of reach.

‘How is Bea?’ Grace asks him, busying herself with cups, not really wanting to think about Bea at all, cursing herself for asking.

‘She’s okay.’

And then, because she has had a big day, and because it’s been so long since she has seen him, and just because she wants to, Grace puts the cups down, moves forward and hugs Noel.

A long time ago, the worst time in Grace’s life, a time filled with screams and horror and nightmares and loneliness, Noel made things slightly more bearable for Grace. She was only sixteen then, and full of jagged emotions that made her feel as though she might tear open at any moment. Grace hasn’t hugged Noel for a long time, but now his solid, strong arms are around her again, his clean, musky scent transporting her back in time, she remembers that when she did hug him all those years ago, she felt safe and still for that moment, as though nothing was moving.

With Eliot, everything is moving, all the time.

Grace sighs, and breaks away from Noel. ‘Come on. It’s almost time to close.’

Chapter Two

Louisa, 1960

Louisa was in her bedroom when it happened.

She hadn’t been thinking about her mother to start with. She’d been lying on her bed with her feet up on the wall reading Bunty, when the strips on the pages before her became fuzzy as though they were hot.

This had happened before: it always happened before a vision. Louisa’s sight became silver around the edges and her head ached, as though what was in it was too big for her mind. And then she would see something that was about to happen. Louisa was the only girl she knew who had such premonitions. She delighted her friends by telling them what would be for school dinner before it had even been served, or what colour Miss Kirk’s dress would be before she came into the classroom.

So now, as Louisa’s head began to pulse with pain, she knew that she was about to see something that would happen shortly. It won’t be anything of interest, Louisa thought, for it never was. She shook her head, wanting to continue reading her strip about The Four Marys, but a stubborn image floated before her eyes, as though she was watching television. She scratched her leg idly as the vision began, but her body stiffened when, in her mind, she saw her mother wander out of their tall house, across the cool sand and into the roaring sea beyond. Louisa felt a suffocating pain in her chest as the sharp picture in her mind showed her mother’s skirt billowing out with water, as she moved further and further out to sea until she had vanished completely. The image disappeared as quickly as it had arrived. Louisa tasted salt and fear, and then nothing.

She flung her magazine onto the floor and sped downstairs to the kitchen, where she had heard her mother clattering about a few minutes before. Her mother had been more and more distracted lately, and Louisa had felt as though something might be the matter with her. There had been more of the nightmares than ever before. Twice in the night, Louisa had heard her mother moaning and crying. Those blue, anxious hours came back to her now, as she stood alone in the kitchen.

‘She’s fine. What I just imagined meant nothing,’ Louisa said to herself, her voice too loud in the empty room. She tried to make herself calm down a little, but her breaths had become short and sharp, and her heart was light and trembling.

Louisa called her mother, but there was no answer. She looked all around the kitchen for a note, a sign that her mother might be back any moment, but all she found was a half-finished cup of tea and an uncooked blackberry pie. She thudded upstairs, into all the empty rooms, and then fled back downstairs to the kitchen, knocking the pie from the kitchen table as she flew past it and out of the back door into the whipping, salty air.

‘Mum,’ she tried to call. Her limbs dragged along as though they were being pulled back, and her shout for her mother was sucked back into her mouth. She could not speak. She could not yell. Come and find me, she pleaded silently.

Louisa searched and searched and searched; she waited until her voice returned and bellowed for her mother over and over again; she wandered up and down the beach until her feet were numb and prickled with sand. Eventually she gave up and walked from the beach to Dr Barker’s house.

Dr Barker lived a few streets down from Louisa and her mother. Dr Barker tells me what to do too much, her mother used to say. But Louisa liked him. Something about him made her feel safe.

Louisa rapped on the blue front door. There was an immediate fumbling coming from within: a shift in sound and movement. Louisa tensed as Dr Barker loomed towards the glass window. She had never visited him alone before.

‘Louisa, what can I do to help you?’ Dr Barker said as he appeared in the doorway. A single white crumb of bread, or perhaps cake, dangled from his beard like a charm from a necklace and Louisa wondered how long it had been there. She didn’t imagine Dr Barker was the type of man who looked in the mirror very often so the crumb could have been there for hours, perhaps even days. For a very short moment, this thought eclipsed Louisa’s day so far. But as soon as it passed, the bright, burning memory reappeared.

‘I’m sorry to bother you. I didn’t know who else to go to. It’s my mother. I think she might be in trouble. I think she might have gone into the sea,’ Louisa said, noticing when she had finished speaking that her face was wet and that she was crying.

It was as though Dr Barker knew exactly what had happened. He didn’t make an urgent attempt to reach for his big leather bag that he kept by the door. He didn’t swoop his big brown cloak over his gigantic shoulders. He just held out an old, papery hand and stroked Louisa’s head kindly, and gave her a grey handkerchief to dry away her seawater tears.

Louisa stayed in Dr Barker’s living room whilst he went out to try and find her mother. She sat alone with his half-eaten cheese sandwich (that explained the crumb, then), his ticking clock and his scratchy carpet. She kicked her heels against his fuzzy green chair, and realised that whenever she saw a cheese sandwich from now on, she would think of her lost mother wading into the sea.

She lifted a leg and kicked the plate from the table so that the sandwich split and fell to the ground.

Had her mother seen that from wherever she was now?

Louisa sprang to her feet and reassembled the soft spongy bread and waxy cheese. She put it on its plate and back onto the table, muttering something about kicking it by accident.

Just in case.

When Dr Barker returned, his face was puckered into a strange, sympathetic bundle of features. He took Louisa’s hand in his.

‘Louisa, my dear.’ Louisa waited for him to say more, for more words to come out from the depths of his beard. But none came. He shook his head and his eyes filled with grey water and turned pink around the edges. She looked down at his paper hands and at hers inside them.

‘You shall sleep here tonight,’ Dr Barker eventually said. ‘I’ll find you a blanket.’

So Dr Barker found Louisa a blanket and she found herself thinking about how much her mother would have liked the blanket because her mother loved colours and the blanket was made of hundreds of different colours, all wrapped around each other.

Louisa’s mother used to speak in colours. She used to ask what Louisa’s mood was, and Louisa would answer in a colour. It was a game Louisa liked and was good at. ‘Red’, she might say, if her day had made her angry; ‘blue!’ she would shout if she was cold; ‘yellow!’ she would holler if she felt happy and the sun was shining.

As Louisa lay wrapped in all the colours of the blanket on Dr Barker’s couch, she tried to think of a colour to describe how she felt now. But no colour came. Her mind and her thoughts were clear, like ice.

The next day, Dr Barker took Louisa back to her house. As they walked towards the front door, Louisa looked up at the grey building. It seemed different somehow: taller and more intimidating. Louisa could hear the sounds that she had always heard from the Pleasure Beach, but the squeals of joy now sounded more like screams of terror. They came in waves, like the waves of the sea.

The pie that Louisa had knocked over the day before was the only thing out of place. Its purple innards spewed out over the grey stone floor in a bloody mess and its sour scent drifted up around Louisa like a ghost.

‘Get together anything you want to bring with you, dear Louisa.’ The way Dr Barker spoke made Louisa want to cry. A lump of pain appeared in her throat. She tried to swallow it down as she climbed upstairs to her bedroom. The summer holidays had filled the small, square room with shells and books and socks, and Louisa had planned to tidy it up before she returned to school. Her copy of Bunty lay on the floor where she had dropped it after the vision of her mother the day before, making her feel sick and hot.

‘I don’t know what I’ll need.’

Dr Barker didn’t seem to know what a twelve-year-old girl with a missing mother might need either. But that didn’t matter. He knew to take Louisa’s hand, and to offer her his handkerchief and to walk beside her as she left her house behind.

Louisa stayed with Dr Barker for a time. She couldn’t remember how long. Those days were misshapen and blurry in her memory, as though they had been left outside and rained on. One day, while she was sitting in Dr Barker’s lounge, there finally came a moment when suddenly she felt a tiny crack of space opening between that terrible day when she had lost her mother and her life now. Dr Barker’s eyes twinkled when Louisa told him that she felt a little better and that she might be hungry. He slipped out of the room, leaving his newspaper and his reading glasses to peep at Louisa from the little table next to his chair. When he returned, he handed Louisa a plate with daisies around the rim and a ham sandwich stacked together in the centre. Louisa took a bite and focused on the daisies.

It was soon after the sandwich that Louisa found herself in Dr Barker’s car, which smelt faintly of leather and fish. Dr Barker was very quiet for most of the journey. It was after almost an hour when he turned to Louisa, his big hands settled on the steering wheel, and said:

‘Louisa, today is a very special day. Because today, you’re going to live with your father.’

Chapter Three

Grace, 2008

‘A toast is definitely in order!’ Grace says as she struggles with the cork of a champagne bottle.

It’s the evening of the opening of Ash Books and the twins and Eliot are at Rose House, the old guest house that Elsie lives in by herself. The three of them ate at the pub across the road from the shop for dinner, Elsie warning them that they wouldn’t be able to eat away their profits every night and Grace rolling her eyes and pointing out that they deserved a treat.

‘Was it a huge success then?’ Eliot asks.

Grace avoids eye contact with Eliot. Tonight needs to be simple. She nods and allows herself a congratulatory ‘whoop!’ as she finally manages to pop out the stubborn cork.