Shattered Image

www.millsandboon.co.uk

Of old Thou hast created me from nothing

And honoured me with Thy Divine Image,

But when I disobeyed Thy commandment,

Thou hast returned me to the earth whence I was taken.

Lead me back again to Thy Likeness,

Refashioning my ancient beauty.

—Christian Funeral Chant

Author’s Note

While the City of Austin, the City of Houston and the Towns of Manor, Giddings and Hempstead exist, the persons and events that take place in this story are fictional and do not reflect any real persons or events. Any resemblance by any characters herein, or this story, to real persons or events is purely coincidental. Further, the Towns of Angler’s Point, Rock Hill and Viola, to the best of the author’s knowledge, are fictional places.

This book is dedicated to my father, Louis Gregory Margos, Jr., who didn’t live to see me complete this work, much less to appreciate its publication. He was an amateur (only in the sense of wages) race driver, a master mechanic, and a machinist and heli-arc welder with a penchant for restoring classic Mustangs. He taught me some of the best things I know, including an appreciation for great automobiles and the proper way to take a hairpin turn. He was father, hero, teacher and friend. I love you, Daddy. “Drive on!”

Louis Gregory Margos, Jr.

1922–1994

May his memory be eternal

First of all, I would like to thank my mother, who never faltered in her support of me during all my writing projects. She made sacrifices to assure my success, and I could not have accomplished any of this without her. I love you very much, Mom.

Also, thanks to my two sisters, Carol and Jill, who are my best friends and buck me up when I’m down, with a special thanks to Carol for shooting my photo. Thanks to my brother-in-law, Myron, for helping me with all the stuff I don’t know how to do, and to my niece and nephew, Jeni and Gregory, for just being themselves. Also thanks goes to my dear friend, Sue Stevens, who constantly gives me moral support and kicks my rear as necessary. Thanks also to Mary Long (aka the “Kid”) who gives pretty good advice for a youngster.

Thanks to my godfather, Deacon George Bithos and his great wife, Presvytera Ria, for all their support and understanding, and for being part of my family and letting me be part of theirs.

I would also like to thank my Spiritual Father, Fr. Jordan G. Brown, who advised me in many spiritual areas both as background for this book, and just in general over the many years we have been friends and spiritual relatives.

To my friend, John Esper, for brainstorming on the title. Nice work, dude.

Special thanks goes to my agent Helen Breitwieser, who believed in me at a time when I had begun to lose that belief in myself. I did not expect such steadfast encouragement, advice and undaunted support. I am blessed, Helen, by your professionalism and your friendship.

Thanks also goes to my mentor in business, and attorney, W. Robert Dyer, Jr. Bob, you took a stupid kid and educated her. The things you have taught me have proven invaluable indeed. I don’t know where I’d be in life without your guidance and support, I just know I’m glad I won’t have to find out.

Finally, it is fitting and right that we should all acknowledge all the women and men who served in the Vietnam War, but in particular those women and men who served so valiantly in the medical field, facing death to save life. I would most especially like to acknowledge and thank my friends Doyle Dunn (who served in Vietnam in the American Red Cross) and his wife, Lauri Dunn, R.N., former captain in the United States Air Force and a Vietnam veteran. Both Lauri and Doyle were an invaluable resource to me in the writing of this book. Thank you so very much for all of your help to me, and for serving our country in such a difficult time.

Thanks and acknowledgment to the great teams at CILHI (Central Identification Laboratory Hawaii) who make incredible sacrifices and go to the far reaches of this planet to bring home our departed soldiers.

I would also like to acknowledge and pay tribute to all of those Americans who died in Vietnam in the service of our country (8 women and over 58,000 men) and to the many—too many—who still remain missing in action. At this writing, there are still more than 1,900 Americans missing in action from the Vietnam War—lest we ever forget.

May their memory be eternal.

Contents

Chapter One

Chapter Two

Chapter Three

Chapter Four

Chapter Five

Chapter Six

Chapter Seven

Chapter Eight

Chapter Nine

Chapter Ten

Chapter Eleven

Chapter Twelve

Chapter Thirteen

Chapter Fourteen

Chapter Fifteen

Chapter Sixteen

Chapter Seventeen

Chapter Eighteen

Chapter Nineteen

Chapter One

The dense fog slithered up the riverbank, coiling itself around the traffic light ahead of me and partially obscuring the green glow until I was underneath it. With daylight barely peeking over the limestone cliffs on the other bank, the fog was an especially unwanted handicap. I plunged the clutch pedal into the floor and, feeling the ball of the gearshift lever in the palm of my hand, I eased the stick down into second, slid the clutch slowly out of the floor and appreciated the rumble of the downshift and the tug of the engine braking. With my left palm I wheeled the car into a left turn and began my descent down the hill to the low-water bridge below the Tom Miller Dam. They called that machine of mine a Mustang, but it had a roar and rumble more like a wildcat.

I pulled the car over to the edge of the road when I reached the island in the middle of the bridge. Red Bud Isle they called it, but on that morning it was a gray silhouette on gray water shrouded in a thick, gray mist. I was sick of this weather and ready for spring and Texas sunshine.

I could see red and blue strobing lights through the underbelly of the fog. Bones found on the riverbank of Red Bud Isle had attracted a large and serious crowd, and I was about to become part of it. It would be my job to put a face back on the deceased.

As I turned off the key, I saw Malcolm walking toward the car. His uniform looked as if he’d slept in it.

“Well, Toni, I could sure hear those wheels comin’ before I ever saw them.”

“Uh-huh.”

“Wow, what a machine. You know Steve McQueen drove one like this in Bullitt.”

“Mine is a ’65.”

“It’s just like the one McQueen drove.”

“McQueen’s was a ’67. Where’s Chris, Malcolm?”

“Sorry, Toni, off to the right-hand side of the bridge here, and then down on this side of the island.”

I began to walk toward the area to which Malcolm had directed me.

“Toni, can I drive it sometime?”

“Absolutely not, Malcolm,” I called over my shoulder, stifling what I really wanted to say. Somehow Malcolm always brought out the worst in me. I should have been more patient and tolerant. Satan sends the simple to make us stumble.

It was cool out and the dampness of the fog added even more of a chill. I was wearing my jeans and black western boots, with the pointy toes like a real Texan, and an old faded yellow T-shirt. Most people would have worn a light jacket in the cool air, but I was enjoying it in my shirtsleeves.

This was the least favorite part of my job as a forensic sculptor, but a necessary part of it nevertheless. Luckily, most of the bodies I saw in my work were devoid of flesh—a far cry from the sights I had seen in Vietnam as a nurse.

I made my way through the redbuds and other trees that covered the islet. The trees were dense and the underbrush was thick in between them. Boots and jeans were definitely the right gear to be wearing. Straight in front of me, several hundred feet beyond the tip of the island loomed the concrete face of the Tom Miller Dam. The soft rushing of the water from the hydraulic power plant provided backup for the mourning doves cooing their morning song. As I made my way through the foliage, the smell of damp earth, tree buds and tall grasses moistened by dew filled the air. The fog was lifting with the sunrise and thinning to a wispy ribbon overhead and I could see the back of Dr. Christine Nakis, the Travis County medical examiner, near the island’s edge. Her short, dark hair curled over the collar of her lab coat and she stood with both hands on her hips overseeing the excavation of Austin’s latest John or Jane Doe. Between Chris and the river was a muddy area where the excavation was being carried out by three forensic technicians.

I walked down to the riverbank and stopped several feet to the left of Chris. A finger bone was pointed directly at me—well, not actually “pointing” per se, but it was sticking out of the mud and I happened to be in its path. A few inches down the bank, the curve of a pelvic bone emerged. The mud was sticky reddish-brown clay and the sole of my boots stuck in it and made a sucking sound as I pulled one foot up and stepped next to Chris.

Chris had an extensive background as a forensic anthropologist in addition to her work as a medical examiner. Because of that background, Chris understood why I liked to be in on a case as soon as possible. It helped me get a “feeling” for the victim and how he or she was murdered. She had awakened me at 5:30 a.m., given me the bare particulars and told me where to meet her. She stood there, intent on the riverbank, neatly dressed in a khaki skirt and a white button-down shirt with the white lab coat over her clothes. The sides of her shoes were caked with the red-brown mud that had curled up over the soles as Chris had made her way to the water’s edge. At five-seven it seemed that I towered over Chris’s five-foot-three stature. She looked over and up at me when I moved next to her.

“Nice outfit,” she said sarcastically.

“When you wake me up at five-thirty in the morning to come to the river bottom to look at a body, don’t expect me to dress up.”

She smiled. “Actually I’m jealous. If I didn’t have to go to the morgue and work a full day after this, I’d dress like that, too.”

“How long do you think it’ll take them to get the body out?”

“A while.”

“That’s accurate.”

Chris gave me the eye roll.

“So, any idea of gender yet?”

“The skull is in pieces and there’s not enough of the pelvis out of the mud yet. When there is, I can make an educated guess—although I’d prefer to do all that back in the morgue after I have all the bones.”

“How long do you think the victim has been here?”

“Not as long as it has been dead.”

“That’s interesting, Chris, but I was really looking for something more specific.”

Chris sighed, “Sorry. I’d say the person has been dead for years, but the bones have been here less than a couple of weeks. The City was doing some wastewater construction down here about a month ago and this would have been discovered then with all the equipment and digging…”

“So, are you saying this person was killed, buried somewhere else and then reburied here just a couple of weeks ago?”

“I’m not saying the body was ever buried anywhere, but it was definitely not buried here for long.”

“Well now, that’s a new twist. Not a very pretty twist, but it’s new. How can you be so sure? Maybe the sewer crews weren’t around this spot.”

“It was a fresh grave and shallow. The bones we’ve uncovered weren’t in the proper anatomical arrangement either and it isn’t like the victim was dismembered. It’s like someone just dumped them here in a hole, in a jumble.”

“Nice. So, they dumped bones in the hole, in lieu of a body or body parts that decomposed here.”

“Right. Also, I’d say the victim has been dead more than ten years—just guessing from the bones I’ve seen so far.”

“Interesting.”

“Yeah. Oh, as I said, the skull is in a few pieces, but we have it bagged and I’ll put it together for you.”

“Okay. Do you have most of the teeth?”

“Yes.”

“Good, that’ll help me with the reconstruct.”

“It’ll also help us make a positive ID when someone recognizes the victim from your artwork.”

I nodded. “So, who are the cops on this one?”

“Your son and his partner. They’re over on the other side of the road talking to the kayaker that found the body.”

I decided to go see what Mike and Tommy were doing. I saw them talking to a young man dressed in a wet suit and reloading a kayak onto the top of his SUV. As I walked closer to them, they appeared to be leaving the man to his business and began to walk toward me.

My son, Mike Sullivan, was a homicide detective. He was tall, lean and wore his strawberry-blond hair cut short. Mike always wore a jacket and tie and nice shoes. He was a clean-cut, all-American-looking guy. His round, cherubic face belied his thirty years.

Mike’s partner, Tommy Lucero, was a more senior detective and virtually Mike’s polar opposite. Tommy always wore khakis with a button-down shirt open at the neck, western boots and no jacket. Tommy didn’t wear a tie unless he was at a wedding or a funeral. He had been a rookie detective when my husband, Jack, was alive. He was ten years senior to Mike, but the difference in their appearances went beyond the ten-year age span.

Tommy was tall, but dark and muscular and chiseled in his body and facial features. He had an intensity that contrasted with Mike’s mischievous humor, and a directness that counteracted Mike’s avoidance of conflict. Mike’s blue eyes sparkled with his good nature and Tommy’s black eyes flashed with his passions. The things that would seem to make my son and his partner so incompatible were the very things that made them such a great team. Their strengths filled one another’s weaknesses. Their friendship had made them the best homicide team in the department.

“So, what’s the kayaker’s story?” I asked.

“Discovered the bones this morning on his way up to the dam,” Tommy said as he greeted me.

“On his way up to the dam?”

“Yeah, he and some other kayakers go up there to ride the waters that come through the floodgates,” Mike explained.

“All this in spite of a sign right up there near the dam that specifically warns people not to do that.”

“Yeah, well, there’s nothing we can do to stop them,” Tommy said. “Besides, this time one of them did us a favor by finding this person. Otherwise, spring rains come and they crank open three of those gates, and that whole area down there where he found the victim—all underwater.”

“Bones washing down the river, Mom.”

“Thank you for the graphic explanation, son. I was having trouble figuring that out for myself.”

Tommy smiled and continued, “The guy was paddling by, saw the bones, got up close, saw they looked human and called 911 on his cell phone.”

“We don’t consider him to be a suspect,” my son added.

“Well, since he looks like he’s about twenty-one or twenty-two years old, I’d say you’re right.”

Mike furrowed his brow at me. “What does that have to do with anything?”

“Chris says the victim’s been dead at least ten years, so the Crazy Kayaker would have been an adolescent at the time this person died. While it’s possible that an adolescent can commit murder, I don’t think it’s probable under these circumstances.”

“Why is it that you get all the good info before I do?”

“Because I ask, and because I hang out with the medical examiner.”

“Mom, would you go sculpt something, please.”

“You’re just bent because you have to admit that Mom still knows something you don’t know.”

Mike gave me an eye roll and a sigh and Tommy started to laugh.

“Yeah, easy for you to laugh,” my son said. “Your mom doesn’t show up at crime scenes and bust your chops.”

“No,” Tommy said. “My mom waits until I come home for a nice Sunday dinner, and then she busts my chops.”

“At least she’s feeding you those killer tamales while she takes you down. By the way, she hasn’t sent me any of those tamales lately—or has she, and you’re just eating them all before I get any?”

Tommy smiled slyly and raised an eyebrow. “Hey, if you want any tamales, go see the woman in person and get your own. I’m not your errand boy.”

“I haven’t been invited. I was being polite.”

“You don’t need an invitation and you know it. My mom makes a bigger fuss over you than she does me. I have to go to your mom’s house to get attention like that.”

Mike looked at me. “You’re feeding him and not inviting me?”

“Well, if you don’t need an invitation at his mother’s house, why would you need an invitation to come to your own childhood home? You can come over for dinner anytime you like.”

“Yeah, whatever.”

“You’re awfully grumpy this morning, young man.”

“Some of us had to get up early, shower and actually get dressed before we came down here,” he said, giving my casual attire the once-over.

Tommy laughed again. “Hey, man, don’t be dissing your mom like that. Toni’s totally cool, and a pretty good-looking chick, if I may say so.”

“Ick! You may not say so. This is my mom, and you’re my partner. Besides, you have a girlfriend.”

“I’m not dead, Mike. I may have a girlfriend, but I know a good-looking woman when I see one.”

“Thank you, Tommy.”

“You’re totally welcome, Toni. You raised this guy?”

“Yes.”

“Man, I would have thought you and Jack would have whipped more respect into him than this.” Tommy smiled, thoroughly enjoying himself.

“He's had issues lately, I guess.”

“Yeah, and my issue is, I’m the only guy on the force working homicides with my mom, and taking abuse from my partner simultaneously.”

I smiled, patted my son on the arm and said, “You’re such an abused child. Such a sad life.”

I started walking back to the car.

Tommy laughed out loud.

“Later, Toni,” Tommy yelled as I walked away.

I turned and waved as I got into the Mustang.

I stood at the back screen door, inhaling the fragrance of mountain laurel, redbud and ornamental peach blended by rainwater with the mustiness of oak and elm. It was three in the morning and the back of my neck was stiff from the five hours I had just spent reconstructing the face of a murder victim found near Hutto off of Highway 79. A thirtyish-year-old woman had been laid to rest in an untimely fashion in a grove of cottonwood trees. There she had spent the winter decomposing with the leaves, until two high-school kids hiked by and found her. Lieutenant Drew Smith of the Texas Rangers had asked me to put the woman’s face back on her skull in the hopes that someone might recognize her. Without her identity, there was no hope of finding her killer.

I dug gray clay shavings out from under my fingernails and rolled my head back in a circular fashion to loosen the sore muscles. The half moon peeked between branches of new growth overhead and the soft, intermittent dripping of water from the eaves and trees hypnotized me into meditation in my fatigue. My eyes glazed over and I drifted back in time to a day I remembered working in the garage with my dad. The car was an old ’50 Chevy that needed an oil change and the rain outside pounded down while Daddy instructed me on the finer points of removing and replacing an oil filter.

The phone rang like an alarm and I was startled out of my reverie. I hurried into the kitchen and picked up the receiver on the old black clunker on the wall.

“You sleepin’, Toni?” an exhausted voice breathed.

“No, kid, I’m not. Sounds like you aren’t either.”

“Uh-uh,” she groaned.

“So what’re you doing about it?”

“Drank some hot tea earlier. Slept for a while. Been awake again now for an hour or so. What’re you doin’up?”

My caller was one of the best fire investigators in the state. In her late thirties, Lieutenant Leonie “Leo” Driskill had retired from “active combat” as a firefighter with the Austin Fire Department and now fought fires with her brain cells. She had a real knack for analyzing human behavior, too.

“I’ve spent the evening putting a face back on a dead gal,” I said. “Started on it earlier today, gave it up for a while, went back to it about ten. I’m almost done now, but I think I’m gonna get some sleep here in a bit.”

“You can do that? Just say I’m gonna go get some sleep and lie down and sleep comes?”

“Yep.”

“Dead girl doesn’t keep you awake after all that?”

“Nope. I’m trying to bring her some peace. I’m okay with that.”

“Hmm. Got too many fires in my head, Toni. Can’t put ’em out long enough to grab eight.”

I knew it wasn’t just fires keeping her awake, but she changed the subject back to my current reconstruction case, wanting to know more about the victim. I told her what we knew and then I mentioned the bones found on Red Bud Isle the previous morning. Leo was Tommy’s girlfriend, but he had not mentioned the case to her. For all his teasing of Mike, Tommy had his own issues with a girlfriend who was as good an investigator as he was. I think if she had been in the police department instead of the fire department, their relationship might not have lasted. I thought Leo was actually better than either Tommy or my own son. Soon, I would request Leo to use her special insight into criminal behavior to help sort out the facts that would unfold in the coming days.

Chapter Two

The eyes are what haunt you—those beady, lifeless eyes, sculpted out of gray clay. I sculpted the “hair” out of clay as well. I would always sculpt a neutral style to the hair—short and combed for men, pulled away from the face for women. If the woman had short hair, the pulled-back style would mimic that. If the woman wore her hair long, she probably pulled it up or back from time to time, and again the style would be similar. Occasionally, there would be some hair left on a skeleton, or some article of clothing or a hair ornament that would give me a clue as to the actual appearance of the hair. In those instances, I would sculpt hair for the figure that I thought more accurately reflected the person’s actual hairstyle.

There were several styles of forensic reconstructive art. There was the two-dimensional medium of charcoal and pencil drawings, which I used only in certain instances. There were sculptors who used glass eyes and actual wigs to finish their sculptures. There were sculptors who used fiberglass and other materials for sculpting. I liked to do most of my reconstructions in the three-dimensional medium of sculpture with pure clay. It wasn’t better, it was just that I was more comfortable with it. I used plastics for making the molds, and plaster for casting the duplicated skulls, but the final result was just the clay. There was science in all the measurements that went into reapplying “flesh” to the skull, but the end result was a melding of that science with classical art. There seemed something more human about it all when I was finished.

My studio is a long room on one end of my house. There are windows on either end of the room—the front and back of the house. The ceiling is only nine feet—I prefer a twelve-foot one myself, but my house was what it was. Anyway, I have several tables in the room for various stages of my work and also for keeping busts that I’ve finished. There are some pedestals with work that I’d done purely for art, and I have a drafting board where I do sketches for all of my work.