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Praise for Elizabeth Flock’s debut novel Me & Emma:
‘Brilliantly written, this is a must-read.”
—Closer
“This is an amazing tale … We urge you to read it –
you won’t be disappointed!”
—OK!
Praise for Elizabeth Flock’s debut novel But Inside I’m Screaming:
“Another gripping story from the author of Me & Emma, this is a highly personal tale of a young woman who finds herself losing control of her life.” 5 Stars —OK!
“An intriguing plot which is both disturbing and shocking.” —B Magazine
“… an absorbing novel … this former reporter writes a story that’s hard to put down.” —The Oakland Tribune
“.an insightful, touching and, yes, even funny account of what it’s like to lose control as the world watches …” —New York Times bestselling author Mary Jane Clark
“From the first page, Elizabeth Flock takes you inside the mind and heart of a young woman of promise, about to be destroyed by her own past. A riveting, fast-paced tale …” —Judy Woodruff, CNN
“Once I started it, I could not put it down. The author’s realistic writings about what goes on in a psychiatric hospital are amazing.” —Writers Unlimited
Also by Elizabeth Flock
ME & EMMA
BUT INSIDE I’M SCREAMING
Available now from MIRA® Books
www.mirabooks.co.uk
For my brother, Regi Brack
Chapter one
2001
Five-fifteen p.m. Henry pushes open the door, drops his keys on the front hall table. “Mom?”
He turns into the living room, shut up and dark, the curtain drawn against the brightness of the fall day. His shrunken mother is on the couch balancing a highball in one hand, a cigarette burning out in the other, in clothes that once fit properly but now swallow her up. Her thinning brown hair is flecked with gray and hanging loose from a swirl of a bun.
“David?” she asks, not yet pulling her stare from the television set.
“No, Mom. It’s me,” he says, “Henry.”
She looks over and sees that yes, it is Henry. He can see the disappointment in her eyes, glazed over from the glow of the TV.
He takes the cigarette from her, stubs it out in the overflowing ashtray on the coffee table and makes a mental note to clean up all the drink rings and ashes.
He opens the curtains with the string pulley and when he turns back to her she is shading her eyes against the light, but then her hand drops back down to the couch.
“How are you?” he asks.
She does not answer him, but he is used to that and so has not waited for a reply.
In the kitchen he opens the refrigerator to see what he’ll need to pick up at the grocery store.
Over the din of squealing contestants spinning large dials, Henry asks, “How’re you feeling?”
“Are you just home from football?” she asks. “How was practice?”
“I’m home from work, Mom,” he says, taking a deep breath and leaning down to scoop her up. “Remember?”
She clasps her hands behind his neck, holding on, bumping along in his arms with each step up the stairs.
Henry is gentle placing her into her bed. Moving through the room, he picks up a Ladies’ Home Journal that has fallen to the floor from her nightstand, and replaces it within reach, right side up. On top of the Readers’ Digest.
“How was work?” she asks, pulling the covers up.
He pauses on his way out of the master bedroom to answer her.
“You know what? It was a hard day,” he says. He sighs the kind of sigh that carries a weight. “Bye, Mom. I’m going out for a while but I’ll be back later, okay? I’ll check on you later.”
She is already sleeping when he leaves.
It was not always this way.
“Henry, pass the baked beans, please,” his mother says. She rests her cigarette in the notch of the ashtray and reaches across the picnic table toward him.
The clay container feels heavy to seven-year-old Henry and he concentrates very hard to make sure it does not tip on its way over the deviled eggs with the paprika sprinkled on top. Black flies scatter.
“Thank you,” she says. She is making a point by emphasizing the please and thank you and waits with an expectation of you’re welcome from Henry. He stops chewing and with split-second reasoning decides the greater offense would be to talk with his mouth full so he nods his you’re welcome and hopes his mother will accept this as the best he can do under the circumstances. Did you see I did the right thing right you looked at me like it was good so maybe I did, he thinks, in one jumbled seven-year-old thought process.
“Can I be excused?” Henry’s older brother, Brad, asks.
“You haven’t finished your hot dog yet,” she says. Henry races to finish his own, to escape into the sunny day, away from the fragments of adult conversation floating over his head: Detroit riots. Sergeant Pepper and The Downfall of The Beatles. The Smothers Brothers, which he had indeed watched with his parents one night when they let Henry and Brad stay up past their bedtime, but Henry had not really liked the show and fell asleep before it finished so all he really wanted right now was to be released from the table.
Brad crams the rest of the hot dog into his mouth and says, “Now can I?” Wonder bread bun flicks out of his mouth.
Their mother sighs at Brad and looks away so their father, Edgar Powell, says, “Yes.”
Henry’s father has a spot of ketchup on the front of his madras shirt, and Henry can tell this is bothering him because he keeps wiping it with his paper napkin and sighing in disgust when it refuses to disappear.
“Can I, too?” Henry asks. The dinner is cutting into the July twilight that won’t hold its breath for long. So they squirm to be released because even hot dogs don’t make up for lost time in summer light, a conch-shell call to the young boys.
“I swear it’s impossible to keep these children in one place for more than five minutes,” Henry’s mother says to the two other mothers on her side of the bench, who nod sympathetically, yes, yes it is hard to keep them in line so why even try just let them go boys will be boys after all.
“Yes, you may both be excused,” she says, leaning across the table so her husband can light her next cigarette with his Zippo lighter.
Henry notices she has not completely stubbed out her last cigarette. He looks up to see if this bothers her as much as it does him, and determining it does not appear to bother her in the least, he finger-stops the Coke in his straw and releases it over the smoking remains of cigarette. Gulping the last of his drink he sighs “aah” like in the commercial but is disappointed nobody notices his attempt at humor so he races off after Brad. On the way he picks up a stick because they’d agreed to play cowboys and Indians and he remembers he is supposed to be an Indian and Indians used sticks not guns to fight the cowboys so he’d better get a good one because Brad is tough competition.
“Wait up,” Henry calls out.
Back at the table all are laughing at a joke one of the men makes and the women are shaking their heads at its silliness. All except Edgar Powell.
Edgar Powell is the sort of man who only says “God bless you” after the first sneeze. If multiple sneezes follow he pointedly ignores them. For Edgar Powell this is a pragmatic choice, a studied economy of words, not a malicious wish that the sneezer be condemned to damnation. He is equally frugal with his laughter.
“Boys, watch out for your brother,” their mother calls and Henry groans, watching his just barely two-year-old brother David toddle toward them, arms Frankenstein-extended. David David David, it’s always take care of your brother and watch out for your brother. Brad’s the oldest so he gets to do older-kid stuff, David’s the baby so he gets all the attention, and then there’s me, invisible me, he says to himself, kicking at a rock, waiting for Brad to shoot him like he always does. Henry’s truth is that he is the one who does everything right. But this seems very little compared to David David David and Brad Brad Brad, and he wishes his parents saw the gut punches, the head locks or the Chinese water torture where Brad pins him down and lets the string of spit hang down almost to his face before sucking it back up. Then there was the time Brad made Henry eat dirt, which still humiliates him even though it happened last year. Thankfully Matt Rollins, who gave Brad the idea in the first place, moved to Baltimore not long after. At least I’m not a tattletale, he thinks. His best friend, Petey, had cautioned against tattling and had told of even worse big-brother tortures. Never ever tell on him, Petey had said in the fort they’d built in back of Henry’s house.
Sometimes, though, it was easy not to tattle because Brad would unexpectedly stick up for him at school if the occasion presented itself. Or Brad would talk baseball with him—in a know-it-all way, but still. Life was good when this happened. It made it all worthwhile when, say, the Yankees won and they shouted with joy and leaped into each other’s arms and punched their fists into the air with happiness.
“David’s a cowboy with you,” he calls out to Brad.
“No, he’s not,” Brad yells, hiding somewhere out of Henry’s sight.
“Yes, he is. There are more cowboys than Indians so he’s on your team,” he says. He turns to David, who has now reached him. “Davey, go over there, Brad’s calling you. Go over there to Brad.”
“Bad?” David has not yet mastered his r’s and Henry has encouraged this coincidental nickname.
“Yeah, Bad,” Henry says, gently pushing his brother toward the fringe of the park. “Go over there.”
“Ha-ha,” he calls out. “He’s coming over.”
“Yeah, well, you just got shot so you’re dead,” Brad says, standing up from not as far away as Henry had imagined.
Cowboys and Indians gives way to a makeshift series of sticks balanced across rocks at different heights so the boys can leap over them, taking turns being Evel Knievel. But Brad hurts his knee and starts a wrestling match that is incomplete as David repeatedly tries to take part and boys, watch out for your brother dots it and it is therefore far less satisfying than any of them had hoped. Henry’s cousin, Tommy, at ten is bigger than both of them, and at one point has Brad pinned down requiring Henry to jump onto Tommy’s back to peel him off.
“Get off,” he says. “Get off,” because brothers innately stick together against outside foes even cousin foes.
It’s two against one. The Powell boys against cousin Tommy carries on until that, too, is exhausted. They scatter then and Henry wanders off into the wood to see what’s what. Let Brad watch David for once how come he always gets out of it anyway, Henry thinks. It’s such a gyp.
It is two or three yards into the thick, cool shade of trees when Henry happens on two birds. It’s clear they are fighting and he stops to watch. They are well matched—the same breed, the same size. It does not occur to Henry that he has the power to put a stop to this. To intervene. To interrupt the natural course of events. He is frozen and spellbound. He finds it strange how silent they are, the pecking brutal, the feathers—the long ones on top—start peeling off. The bird on the bottom, the one being nailed over and over again by the beak, struggles slightly but Henry sees it is resigned. Horrified, Henry watches the weak one give in. The downy smaller feathers underneath floating in the air like dandelion fluff. The beak pecking pecking pecking red with blood. Henry is surprised at the brightness of the color, so much like his mother’s lipstick or like the fake Dracula blood he had smeared on either side of his mouth last Halloween.
The dying bird finally manages a mournful squawk.
“Stop,” he says out loud, finding his voice. “Stop it,” he shouts, running forward, waving his arms. “Stop.”
The bloody beak rises and the bird flaps off. Henry’s spindly legs walk to the mess on the pine needles. He squats down next to the bird on its side, a beady eye finds his, locks and then shuts.
“It’s okay,” he whispers. “It’s okay now.” He is trying to soothe the bird but is sick at his stomach seeing he is too late.
Not so far away the stronger bird waits to finish what he had started.
“Go,” Henry yells. Tears in his eyes he rushes at the bird. “Go away. Go.”
He returns to the bird on the ground and kneels. This is the closest he has ever been to a bird. He reaches out, and with his index finger, he strokes the top of the bird’s head. The only part that is not bloody. It is membrane-soft, smooth and still warm and Henry finds it the saddest thing he has ever ever seen in the whole wide universe.
There is no time to bury it; Brad will be looking for him, Henry thinks. Or Tommy. Or maybe his mother. If he is gone too long. And it feels like he’s been gone too long.
“Sorry,” he whispers. “Sorry, bird.” On his haunches he allows the tears to fall.
It astounds him that he is only steps from his family, from all the picnic activity. He does not tell anyone about it. He keeps it for himself, feeling he alone was entrusted with the weight, the responsibility of being the only witness to this spectacularly rare event. It is fine with him that no one notices he is no longer playing. He takes a stick and hits random bushes at the edge of the clearing … mad at himself he had allowed it to happen. Come to think of it, he thinks, thank God Mom and Dad didn’t find me, not that they really would have, but still—they would have asked why I let the bird die.
The boys are called back to help throw out soggy paper plates and clinking beer bottles. The mothers are stacking the Tupperware and drinking out of plastic cups, giggling at something one or the other has said before the boys reach the table in near darkness.
In the car ride home the boys are quiet, drunk with exhaustion. David has fallen asleep between them, his head bobbing with each bump in the road. In front of them their mother moves closer to their father, who is driving. The station wagon has one long continuous front seat and their father reaches out and drapes his arm across the top of the seat back, across their mother’s shoulders, and their murmuring this and that about who said what mixes in with the sound of the engine and Henry next feels his father’s arms scooping him up to carry him into the house. Brad trails them, his steps weaving in sleepiness.
Ahead of them on the front walk his mother is carrying David.
Henry dreamily reaches his first finger to his little brother’s head he confuses with the bird’s, so soft and smooth. But David’s head just out of reach.
Chapter two
1977
Henry’s fingers are too numb to tie a good knot in his cleats so he jams the leftover strings under the tongue and hopes they’ll stay.
“Powell!” His coach speaks in exclamation points. “Look alive! You’re going back in!”
He tilts forward so he can see down the bench to the running back, who has just hobbled off the field cradling a hurt elbow, steam rising off his body like a cup of coffee, curling up into the cold fall air. Henry wonders how it is he can suddenly feel his own heart beating in his throat. I’m the last of the Powell men to do something really do something so I can’t screw up I really can’t please God don’t let me screw this up, he thinks.
“Wake up, Powell!” The coach’s head flicks to the right only by an inch or so but communicates exasperation perfectly and Henry jumps up.
He stomps warmth into his legs, and at the sound of the whistle he shoots out onto the field, passing the wide receiver, who had gone in to give Henry a break and who now looks relieved to be coming out. Henry knows why: the smallest guy on the other team is still bigger than their running back, the Fridge, nicknamed more for his eating habits than for his resemblance to a professional football player. At first a source of profound embarrassment, Fridge now calls himself by his own nickname. “Hi, it’s Fridge,” he’ll say into the phone to a teammate’s mother. When she calls up the stairs to her son “Fridge is on the phone,” she momentarily forgets she is rapidly disappearing from her teenager’s life like a Polaroid in reverse.
The whistle blows again. Henry is aware that he very nearly bounces when he is tackled to the ground.
A hand dangles above his helmet but instead of reaching out for it he heaves himself up off the frozen playing field. You take hold of that hand and you might as well hang a LOSER sign on your back, he thinks. Henry moves back into position. Inhaling, he focuses. He looks over and across to the quarterback. Steve Wilson. Telepathically they speak … the words carried silently through the air, molecules of code that will separate this moment from all others. A ballet choreographed in an instant, this instant, one that will set Henry Powell on an entirely different, life-changing trajectory. They nod at each other and turn back to the game. Tick tick tick: time resumes.
Whistles … numbers called out … grunts all around … thumps of bodies hitting the ground.
But then this: Henry is free, the opposing players moving over to the Fridge, forgetting Henry altogether, as both he and Steve Wilson knew they would. The conductor has tapped his baton on the music stand and the ballet begins.
“Twenty-four!” The shout comes from a distance. To clue the others into the Wilson-Powell Plan. Wilson’s young voice cracks in hormonal urgency.
“Do it!” His coach is mouthing from the sideline. Henry’s legs propel him farther away from Wilson, getting him into place for the grand finale.
For if this catch is not made the game is lost. Like the last five minutes of a television drama at the end of the May season, the suspense hovers in the air and threatens to remain unresolved. The crowd swells collectively to the edge of bleacher seats—perhaps because the spectators sense the beauty of the choreography that is now apparent to all but the opposing team or, more likely, it is so cold the metal makes sitting nearly unbearable.
“Twenty-four!”
The play calls for him to catch the ball, zigzag over, run as many yards as possible and pass underhanded to the running back, Ted Marshall. It will be Marshall’s job to run the ball into the end zone. The coach’s voice seems distorted to Henry, like slow motion during the turning point in that drama when the main character accidentally falls off a ledge, her lover reaching for her in vain, calling her name that one … last … time.
His arms extend into the air. He tilts his head up into the dark sky and wonders for a moment how he’ll be able to see the ball against the storm clouds, which now seem pigskin-brown.
Thump.
The backslap, good natured though it was, startles him back to 1984 and causes an unfortunate cringe that is noticed all around. “That was something, Powell,” the man is saying, eyeing his own profile in the three-sided mirror. “No offense, but I never thought you’d make that catch. It was impossible. How many yards was it? Then the touchdown. Jesus. Incredible,” he sucks in his protruding belly and turns this way and that, eyes never leaving the mirror. “You should’ve seen it,” he says to his girlfriend, who is checking her watch. “After that the season turned around. We went to the state championship. Thanks to that. Scouts were there and everything. Hey, whatever happened to Teddy that day?”
Henry Powell shrugs his answer and throats are cleared. Neal Peterson, a former teammate, exhales, releases his stomach muscles, and turns away from his reflection. The stilted reminiscence comes to an end as they both knew it would. Henry, who is now kneeling with a wrist corsage of pins, to fold cuffs up so the pants will break just so.
“How about a little longer up front on the left—yeah, that’s right,” Peterson says. “Great. When do you think these will be ready? I’ve got to fly to Houston next week.”
“I can get them to you by Friday,” Henry says, rubbing another waxy white line along the fold in back. The pins are already in all the way around the pant leg—why bother with the white chalk on top of it, he thinks. He’s not as adept as his boss, Mr. Beardsley, and ends up rubbing the white line onto his thumb and index finger.
“You heard from anybody lately?” Peterson reaches back for his wallet with the scratchy Velcro flap that still holds despite years of crumbs and loose threads wedged into the black nubs. His jacket sleeves fall back down and Peterson is slightly annoyed to again have to winch them back up, above his elbows.
“Naw,” Henry says. He scribbles tailor notes onto the generic order pad Mr. Beardsley says must be on hand at all times, “in case of emergencies.” Henry wonders what kind of crisis would call for a white-green-pink triplicate of a guest check.
“Heard from Benny the other day. From Cancún, that fat bastard.” Peterson laughs, certain that Henry, too, appreciates Benny’s spirit of adventure. But to Henry, Benny is as anonymous now as he was back in high school. Henry cannot even conjure up his face. But to someone like Neal Peterson the cast of the Class of 1978 will remain photographically burned on the yearbook that is his brain.
“That guy’s crazy,” he is saying, “drunk off his ass in some Mexican place, calling me. Jesus.” Another admiring chuckle from Neal Peterson as his credit card slides back into place alongside another that reads License to Chill along the top, a Carlos & Charlie insignia underneath rattan-style letters spelling out Panama City. “You gotta come out with us, man. We’re hitting Blackie’s later. Mills’ll be there. And Smith-er-eens. And Figger. Remember him? He was two years ahead of us? Newton’s his last name—you know him. Yeah, you do. He’s the one with the sleepy eye who got the shit kicked out of him outside Carvel’s after that Homecoming game, whatever year that was. Remember? How could you not know Newton? Anyway, come out tonight. Blackie’s at ten. Catch you later, Powell!” His finger pointing, thumb cocking an invisible trigger, while the other hand lowers his Ray Bans back down off the top of his head to the bridge of his nose before pushing at the door clearly marked Pull.
The store windows at Baxter’s have sheets of amber plastic coating on the inside, to protect clothes from the sun’s destructive rays, but Henry sees, when Peterson hurries out the door after his girlfriend (humbled, he thinks, by the pushing-not-pulling thing), it’s cloudy out, stormy even, rendering Peterson’s sunglasses useless. But if Sonny Crockett wears sunglasses on dark days, Henry smirks to himself, so does Neal Peterson.
Henry detaches the pink copy of the guest check and folds it into the pinned-up slacks. Anticipating a long empty day, he sets the bundle aside so he’ll have something to do later.
The truth is Henry does know Newton. Figger. A man-child who had facial hair in eighth grade and told everyone Henry had VD when Henry refused to give him his A+ paper on Tess of the D’Urbervilles in ninth grade.
Of course he knows Newton.