John Harding 2-Book Gothic Collection

Copyright

The Borough Press

An imprint of HarperCollinsPublishers Ltd

1 London Bridge Street

London SE1 9GF

www.harpercollins.co.uk

Copyright © John Harding 2015

Cover layout design © HarperCollinsPublishers 2015

Cover layout design © HarperCollinsPublishers Ltd 2015

John Harding asserts the moral right to be identified as the author of these works.

Catalogue copies of these books are available from the British Library.

These novels are entirely works of fiction. The names, characters and incidents portrayed in them are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.

Ebook Edition © October 2015 ISBN: 9780008162955

Version: 2015-09-07

Contents

Cover

Title Page

Copyright

Florence & Giles

The Girl Who Couldn’t Read

About the Author

Also by John Harding

About the Publisher

JOHN HARDING

Florence & Giles

Copyright

The Borough Press

An imprint of HarperCollinsPublishers Ltd

1 London Bridge Street

London, SE1 9GF

www.harpercollins.co.uk

First published by Blue Door in 2010

Copyright © John Harding 2010

Cover layout design © HarperCollinsPublishers Ltd 2010

Cover photographs © Scott Dingman/Getty Images (girl looking through broken window); Shutterstock (stairwell).

John Harding asserts the moral right to be identified as the author of this work.

A catalogue copy of this book is available from the British Library.

This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.

Ebook Edition © February 2010 ISBN: 9780007315062

Version: 2015-09-07

Dedication

For Norah

Contents

Cover

Title Page

Copyright

Dedication

The Swan

Part One

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Part Two

Chapter 10

Chapter 11

Chapter 12

Chapter 13

Chapter 14

Chapter 15

Chapter 16

Chapter 17

Chapter 18

Chapter 19

Chapter 20

Chapter 21

Chapter 22

Chapter 23

Chapter 24

Chapter 25

Chapter 26

Chapter 27

Chapter 28

Chapter 29

Chapter 30

Chapter 31

Chapter 32

Acknowledgements

The Swan

It was April, I remember, though my spirit was December,

When a broken bird was lifted from the darkness of the lake,

In the sun white feathers gleaming, from her mouth black water streaming,

While within my voice was screaming until I thought my heart would break;

It was I who watched her dying, drifting, drifting, waiting in her wake

For God her soul to take.

1

It is a curious story I have to tell, one not easily absorbed and understood, so it is fortunate I have the words for the task. If I say so myself, who probably shouldn’t, for a girl my age I am very well worded. Exceeding well worded, to speak plain. But because of the strict views of my uncle regarding the education of females, I have hidden my eloquence, under-a-bushelled it, and kept any but the simplest forms of expression bridewelled within my brain. Such concealment has become my habit and began on account of my fear, my very great fear, that were I to speak as I think, it would be obvious I had been at the books and the library would be banned. And, as I explained to poor Miss Whitaker (it was shortly before she tragicked upon the lake), that was a thing I did not think I could bear.

Blithe House is a great barn, a crusty stone mansion of many rooms, so immense it takes my little brother, Giles, who is as fast of limb as he is not of wit, three minutes and more to run through its length, a house uncomfortabled and shabbied by prudence, a neglect of a place, tightly pursed (my absent uncle having lost interest in it), leaked and rotted and mothed and rusted, coldly draughted, dim lit and crawled with dark corners, so that, even though I have lived here all of my life that I can remember, sometimes, especially on a winter’s eve in the fadery of twilight, it shivers me quite.

Blithe is two-hearted, one warm, one cold; one bright, the other shadowy even on the sunniest of days. The kitchen, where the stove is always burny hot, is jollied by fat Meg, our cook, smiley and elbowed in flour, often to be found flirted by John, the manservant, who seeks a kiss but is happy to make do with a floury smack. Next door, with a roaring fire nine months of the year, is the housekeeper’s sitting room, where you may find Mrs Grouse either armchaired and sewing or desked with a puzzlery of papers, trying, as she says, to ‘make head nor tail’ of things and – what seems to me contradictory – to make their ends meet. These two rooms together make one heart, the warm.

The cold heart (but not for me! Ah, not for me!) beats at the other end of the house. Unloved and unvisited, save by me, the library could not be more unlike the kitchen: unfired, cool even in the burnery of summer, freezing in winter, windows darked by never-opened thick drapes, so I have to steal candles to read there and afterward scrape their guilty drippery from the floor. From one end to the other is one hundred and four of my shoed feet, and thirty-seven wide. Three men could stand one upon the other and scarce touch the ceiling. Every inch of wall, aside from the door, the draped windows and their window seats, is wooden shelving, from floor to ceiling, all fully booked.

No maid ever ventures here; the floors are left unbroomed, for unfootfalled as they are, what would be the point? The shelves go unfingerprinted, the wheeled ladders to the upper ones unmoved, the books upon them yearning for an opening, the whole place a dustery of disregard.

It has always been so (apart from the governessed times, of which more anon), leastways as far as I remember, for I first made my way here a third of my lifetime ago, when I was eight. We were then still ungovernessed, because Giles, who is some three years my junior, the one the teaching’s for, was considered too young for school or indeed any kind of learning, and we were hide-and-seeking one day when I opened a strange door, one that hitherto had always been locked – or so I had thought, probably on account of its stiffness, which my younger self could not manage – to refuge from him there, and discovered this great treasury of words. The game was straightway forgotten; I shelf-to-shelfed, extracting book after book, the opening of each a sneezery of dust. Of course I could not then read, yet that somehow wondered me even more, all these thousands – millions more like – of coded lines of undecipherable print. Many books were illustrated, woodcutted and colour-plated, a frustratory of captions beneath, every one of which taught me the miserable impotence of finger-tracery.

Later, after I had been scolded for going missing for so long that Mrs Grouse had everyone searching for me, not only all the maids but floury Meg and John too, I asked her if she would teach me to read. I instincted not to mention the library and it feared me quite when she gave me a quizzical look and said, ‘Now missy, what in the world has made you think of that?’

It was one of those questions it’s best not to answer, for if you keep quiet, grown-ups will always go on to something else; they lack the persistence of children. She deep-breathed in and long-sighed it out. ‘The truth is, Miss Florence, that I’m not exactly sure your uncle would want that. He has made clear to me his views on the education of young women. I think he would say that this was not the time.’

‘But please, Mrs Grouse, he wouldn’t have to know. I wouldn’t tell a soul and if he should visit unexpectedly I would hide my book behind my back and stuff it under the cushions of the chair. You could teach me in your sitting room; even the servants need not know.’

She laughed and then serioused again. She lined her brow. ‘I’m sorry, Miss Florence, I wish I could, I really do, but it’s more than my job’s worth.’ She got her mouth into a smile, something it was always ready to do. ‘But I tell you what, there’s a little housekeeping left this month, maybe enough for a new doll. Now, young lady, what say you to a new doll?’

I said yes to the doll; it was better to appear bought off, but her refusal to help me, far from discouraging me, opposited, and merely stubborned my resolve. Slowly, and with some difficulty, I taught myself to read. I lingered the kitchen and stole letters from John when he was reading the newspaper. I would point to an ‘s’ or a ‘b’ and ask him to tell me its sound. One day in the library I fortuned upon a child’s primer and from that and from here and there, I eventually broke the code.

So began the sneakery of my life. In those early days Giles and I were let wild; much of the day we could play as we liked. We had only two restrictions: one was to avoid the old well, although that was anyway covered up with planks and paving slabs too heavy for us to lift and so was just one of those things grown-ups like to worry themselves about and presented no danger to us at all; the other was to stay away from the lake, which was exceeding deep in parts, and perhaps might. How like grown-ups it is to see danger where there is none; to look for it in a lake or a well, which offer no harm in themselves without the agency of human malevolence or neglect. Yet these same cautious adults would be all unaware when the threat to us children actually came, for unlike us, for all their talk of the house being full of ghosts and ghouls, they had long ago ceased to hear unexplained footsteps in the dark.

Running apart, my brother Giles has not many talents, but one thing he is good at is keeping a secret. When I took him to the library, he little cared for the books, although he could be occupied by colour plates of birds or butterflies for an hour or two. He was happy enough scampering up and down the ladders and climbing the shelves or hiding behind the drapes, or else he would play outside; you could trust him, even at that early age, to avoid the lake, or Mrs Grouse’s prying eyes.

I, meanwhile, spent hour after hour reading, and because my absences, although unremarked during the daytime, would be noticed in the evenings, my bedroom became a smugglery of books. After Giles reached the age of eight and was sent away to school, of course, my life turned into an unheedery of anyone else. I could come and go as I liked; this part of the house was largely unvisited, and I grew so bold I scarce worried about anyone seeing me enter or leave the library, or disturbing the dust that lived there. In this way I absorbed Gibbon’s Decline and Fall, the novels of Sir Walter Scott, Jane Austen, Dickens, Trollope, George Eliot, the poetry of Longfellow, Whitman, Keats, Wordsworth and Coleridge, the stories of Edgar Allan Poe, they were all there. But one writer towered them all. Shakespeare, of course. I started with Romeo and Juliet, moved on to the histories, and soon made short work of the rest. I wept for King Lear, I feared Othello, and dreaded Macbeth; Hamlet I simply adored. The sonnets weeped me. Above all, I fell in love with the iambic pentameter, a strange passion for an eleven-year-old girl.

The thing I liked most about Shakespeare was his free and easy way with words. It seemed that if there wasn’t a word for what he wanted to say, he simply made one up. He barded the language. For making up words, he knocks any other writer dead. When I am grown and a writer myself, as I know I shall be, I intend to Shakespeare a few words of my own. I am already practising now.

It was always my greatest ambition to see Shakespeare on stage, but there is no theatre between here and New York City, hopelessing my wish. Last summer, not long before Giles was sent off to school, the people who have the estate next door, the Van Hoosiers, came calling; they had a son, Theodore, a couple of years older than me, an only child they wished to unbore. They lived in New York most of the year, travelling the hundred miles or so up here only in summer to escape the heat of the city, and the young man had no one to keep him amused and so he excited to find me. He sat and doe-eyed me all through tea.

Afterward Mrs Grouse suggested I show Theodore the lake. Now it misfortuned that Giles was ill in bed that day, confined by a severe headache. My brother is as sickly as I am well; he has illness enough for us both, while I have no time to be indisposed, having all the looking after and worrying to do. Giles’s absence now, when young Van Hoosier and I outdoorsed, gave my visitor free rein with me. He nuisanced me, obsessed as he was by my allowing him to give me a kiss. I had no fixed objection to this, being, as I was, not much younger than Juliet when she got herself romanced, but young Van Hoosier was no Romeo. He had a large head and eyes like balls that stood out from their sockets. He looked like a giant bug. Now, I am tall for my age, but Theodore was even taller, without half as much flesh; he beanpoled above me, which did not endear him to me, for I have never been one who could stand to be looked down upon.

We were side-by-siding on a stone bench beside the lake and I shifted myself to other-end from him, for I found his attentions annoying and was about ready to get up and leave, but then he let slip, no doubt at some mention of mine of Shakespeare, that he had seen Hamlet. I alerted and sat up straight and looked at him anew. Perhaps, after all, this boy might not be so unbooked as he succeeded so well in appearing; there were possibilities here, I sensed. I offered him a deal. I would allow him the kiss he so craved, if he would write a love poem for me.

Well, he pulled out a notebook and pencil and got right down to it there and then, and in no time at all was ripping out the page he’d written on and handing it to me, which impressed me quite, though I dare say you can guess what befell. Foolish girl, I wanted him to summer’s day me, I really thought he might. Instead, of course, he doggerelled me and, after he’d forced the kiss he claimed was his due, left me crying by the lake, not only roughly kissed but badly Longfellowed too. Here is how the Van Hoosier ode finished, so you’ll understand for yourself:

What fellow who has any sense

Would not want to kiss Florence?

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