From Place to Place
- -
- 100%
- +
Dusk impended when he found himself approaching his three-room house, looming up as a black oblong, where it stood aloof from its neighbours, with vacant lands about it. The house faced north and south. On the nearer edge of the unfenced common, which extended up to it on the eastern side, he noted as he drew close that somebody—perhaps a boy, or more probably a group of boys—had made a bonfire of fallen autumn leaves and brushwood. Going away as evening came, they had left their bonfire to burn itself out. The smouldering pile was almost under his bedroom window. He regretted rather that the boys had gone; an urgent longing for human companionship of some sort, however remote—a yearning he had never before felt with such acuteness—was upon him. Tormented, as he still was, by strange vagaries, he had almost to force himself to unlock the front door and cross the threshold into the gloomy interior of his cottage. But before entering, and while he yet wrestled with a vague desire to retrace his steps and go back down the street, he stooped and picked up his copy of the afternoon paper which the carrier, with true carrierlike accuracy, had flung upon the narrow front porch.
Inside the house, the floor gave off sharp little sounds, the warped floor squeaking and wheezing under the weight of his tread. Subconsciously, this irritated him; a lot of causes were combining to harass him, it seemed; there was a general conspiracy on the part of objects animate and inanimate to make him—well, suspicious. And Uncle Tobe was not given to nervousness, which made it worse. He was ashamed of himself that he should be in such state. Glancing about him in a furtive, almost in an apprehensive way, he crossed the front room to the middle room, which was his bed chamber, the kitchen being the room at the rear. In the middle room he lit a coal-oil lamp which stood upon a small centre table. Alongside the table he opened out the paper and glanced at a caption running half-way across the top of the front page; then, fretfully he crumpled up the printed sheet in his hand and let it fall upon the floor. He had no desire to read the account of his one failure. Why should the editor dwell at such length and with so prodigal a display of black head-line type upon this one bungled job when every other job of all the jobs that had gone before, had been successful in every detail? Let's see, now, how many men had he hanged with precision and with speed and with never an accident to mar the proceedings? A long, martialed array of names came trooping into his brain, and along with the names the memories of the faces of all those dead men to whom the names had belonged. The faces began to pass before him in a mental procession. This wouldn't do. Since there were no such things as ghosts or haunts; since, as all sensible men agreed, the dead never came back from the grave, it was a foolish thing for him to be creating those unpleasant images in his mind. He shook his head to clear it of recollections which were the better forgotten. He shook it again and again.
He would get to bed; a good night's rest would make him feel better and more natural. It was an excellent idea—this idea of sleep. So he raised the bottommost half of the curtain-less side window for air, drew down the shade by the string suspended from its lower cross breadth, until the lower edge of the shade came even with the window sash, and undressed himself to his undergarments. He was about to blow out the light when he remembered he had left the money that was the price of his morning's work in his trousers which hung, neatly folded, across the back of a chair by the centre table. He was in the act of withdrawing the bills from the bottom of one of the trouser-pockets when right at his feet there was a quick, queer sound of rustling. As he glared down, startled, out from under the crumpled newspaper came timorously creeping a half-grown, sickly looking rat, minus its tail, having lost its tail in a trap, perhaps, or possibly in a battle with other rats.
At best a rat is no pleasant bedroom companion, and besides, Uncle Tobe had been seriously annoyed. He kicked out with one of his bare feet, taking the rat squarely in its side as it scurried for its hole in the wainscoting. He hurt it badly. It landed with a thump ten feet away and sprawled out on the floor kicking and squealing feebly. Holding the wad of bills in his left hand, with his right Uncle Tobe deftly plucked up the crushed vermin by the loose fold of skin at the nape of its neck, and with a quick flirt of his arm tossed it sidewise from him to cast it out of the half-opened window. He returned to the table and bent over and blew down the lamp chimney, and in the darkness felt his way across the room to his bed. He stretched himself full length upon it, drew the cotton comforter up to cover him, and shoved the money under the pillow.
His fingers were relaxing their grip on the bills when he saw something—something which instantly turned him stiff and rigid and deathly cold all over, leaving him without will-power or strength to move his head or shift his gaze. Over the white, plastered wall alongside his bed an unearthly red glow sprang up, turning a deeper, angrier red as it spread and widened. Against this background next stood out two perpendicular masses like the broad shadows of uprights—like the supporting uprights of a gallows, say—and in the squared space of brightness thus marked off, depending midway from the shadow crossing it at right angles at the top, appeared a filmy, fine line, which undoubtedly was the shadow of a cord, and at the end of the cord dangled a veritable jumping-jack of a silhouette, turning and writhing and jerking, with a shape which in one breath grotesquely lengthened and in the next shrank up to half its former dimensions, which kicked out with indistinct movements of its lower extremities, which flapped with foreshortened strokes of the shadowy upper limbs, which altogether so contorted itself as to form the likeness of a thing all out of perspective, all out of proportion, and all most horribly reminiscent.
A heart with valves already weakened by a chronic affection can stand just so many shocks in a given time and no more.
A short time later in this same night, at about eight-forty-five o'clock, to be exact, a man who lived on the opposite side of the unfenced common gave the alarm of fire over the telephone. The Chickaloosa fire engine and hose reels came at once, and with the machines numerous citizens.
In a way of speaking, it turned out to be a false alarm. A bonfire of leaves and brush, abandoned at dusk by the boys who kindled it, had, after smouldering a while, sprung up briskly and, flaming high, was now scorching the clap-boarded side of the Dramm house.
There was no need for the firemen to uncouple a line of hose from the reel. While two of them made shift to get retorts of a patent extinguisher from the truck, two more, wondering why Uncle Tobe, even if in bed and asleep at so early an hour, had not been aroused by the noise of the crowd's coming, knocked at his front door. There being no response from within at once, they suspected something must be amiss. With heaves of their shoulders they forced the door off its hinges, and entering in company, they groped their passage through the empty front room into the bedroom behind it, which was lighted after a fashion by the reflection from the mounting flames without.
The tenant was in bed; he lay on his side with his face turned to the wall; he made no answer to their hails. When they bent over him they knew why. No need to touch him, then, with that look on his face and that stare out of his popped eyes. He was dead, all right enough; but plainly had not been dead long; not more than a few minutes, apparently. One of his hands was shoved up under his pillow with the fingers touching a small roll containing seven ten-dollar bills and one five-dollar bill; the other hand still gripped a fold of the coverlet as though the fatal stroke had come upon the old man as he lifted the bedclothing to draw it up over his face. These incidental facts were noted down later after the coroner had been called to take charge; they were the subject of considerable comment next day when the inquest took place. The coroner was of the opinion that the old man had been killed by a heart seizure, and that he had died on the instant the attack came.
However, this speculation had no part in the thoughts of the two startled firemen at the moment of the finding of the body. What most interested them, next only to the discovery of the presence of the dead man there in the same room with them, was a queer combination of shadows which played up and down against the wall beyond the bed, it being plainly visible in the glare of the small conflagration just outside.
With one accord they turned about, and then they saw the cause of the phenomenon, and realised that it was not very much of a phenomenon after all, although unusual enough to constitute a rather curious circumstance. A crippled, tailless rat had somehow entangled its neck in a loop at the end of the dangling cord of the half-drawn shade at the side window on the opposite side of the room and, being too weak to wriggle free, was still hanging there, jerking and kicking, midway of the window opening. The glow of the pile of burning leaves and brush behind and beyond it, brought out its black outlines with remarkable clearness.
The patterned shadow upon the wall, though, disappeared in the same instant that the men outside began spraying their chemical compound from the two extinguishers upon the ambitious bonfire to douse it out, and one of the firemen slapped the rat down to the floor and killed it with a stamp of his foot.
CHAPTER II
THE BROKEN SHOELACE
IIN the aching, baking middle of a sizzling New York's summer, there befell New York's regular "crime wave." When the city is a brazen skillet, whereon mankind, assailed by the sun from above and by the stored-up heat from below, fries on both sides like an egg; when nerves are worn to frazzle-ends; when men and women, suffocating by tedious degrees in the packed and steaming tenements, lie there and curse the day they were born—then comes the annual "crime wave," as the papers love to name it. In truth the papers make it first and then they name it. Misdeeds of great and small degree are ranged together and displayed in parallel columns as common symptoms of a high tide of violence, a perfect ground swell of lawlessness. To a city editor the scope of a crime wave is as elastic a thing as a hot weather "story," when under the heading of Heat Prostrations are listed all who fall in the streets, stricken by whatsoever cause. This is done as a sop to local pride, proving New York to be a deadlier spot in summer than Chicago or St. Louis.
True enough, in such a season, people do have shorter tempers than at other times; they come to blows on small provocation and come to words on still less. So maybe there was a real "crime wave," making men bloody-minded and homicidal. Be that as it may, the thing reached its apogee in the murder of old Steinway, the so-called millionnaire miser of Murray Hill, he being called a millionnaire because he had money, and a miser because he saved it.
It was in mid-August that the aged Steinway was choked to death in his rubbishy old house in East Thirty-ninth Street, where by the current rumour of the neighbourhood, he kept large sums in cash. Suspicion fell upon the recluse's nephew, one Maxwell, who vanished with the discovery of the murder.
The police compiled and widely circulated a description of the suspect, his looks, manners, habits and peculiarities; and certain distant relatives and presumptive heirs of the dead man came forward promptly, offering a lump sum in cash for his capture, living; but all this labour was without reward. The fugitive went uncaptured, while the summer dragged on to its end, burning up in the fiery furnace of its own heat.
For one dweller of the city—and he, I may tell you, is the central figure in this story—it dragged on with particular slowness. Judson Green, the hero of our tale—if it has any hero—was a young man of some wealth and more leisure. Also he was a young man of theories. For example, he had a theory that around every corner of every great city romance lurked, ready for some one to come and find it. True, he never had found it, but that, he insisted, was because he hadn't looked for it; it was there all right, waiting to be flushed, like a quail from a covert.
Voicing this belief over a drink at a club, on an evening in June, he had been challenged promptly by one of those argumentative persons who invariably disagree with every proposition as a matter of principle, and for the sake of the debate.
"All rot, Green," the other man had said. "Just plain rot. Adventure's not a thing that you find yourself. It's something that comes and finds you—once in a life-time. I'll bet that in three months of trying you couldn't, to save your life, have a real adventure in this town—I mean an adventure out of the ordinary. Elopements and automobile smash-ups are barred."
"How much will you bet?" asked Judson Green.
"A hundred," said the other man, whose name was Wainwright.
Reaching with one hand for his fountain pen, Judson Green beckoned a waiter with the other and told him to bring a couple of blank checks.
IISo that was how it had started, and that was why Judson Green had spent the summer in New York instead of running away to the north woods or the New England shore, as nearly everybody he knew did. Diligently had he sought to win that hundred dollars of the contentious Wainwright; diligently had he ranged from one end of New York to the other, seeking queer people and queer things—seeking anything that might properly be said to constitute adventure. Sometimes a mildly interested and mildly satirical friend accompanied him; oftener he went alone, an earnest and determined young man. Yet, whether with company or without it, his luck uniformly was poor. The founts of casual adventure had, it seemed, run stone dry; such weather was enough to dry up anything.
Yet he had faithfully tried all those formulas which in the past were supposed to have served the turns of those seeking adventure in a great city. There was the trick of bestowing a thousand-dollar bill upon a chance vagrant and then trailing after the recipient to note what happened to him, in his efforts to change the bill. Heretofore, in fiction at least, the following of this plan had invariably brought forth most beautiful results. Accordingly, Judson Green tried it.
He tried it at Coney Island one July evening. He chose Coney Island deliberately, because of all the places under the sun, Coney Island is pre-eminently the home and haunt of the North American dime. At Coney, a dime will buy almost anything except what a half-dime will buy. On Surf Avenue, then, which is Coney's Greatest Common Divisor, he strolled back and forth, looking for one of an aspect suitable for this experiment. Mountain gorges of painted canvas and sheet-tin towered above him; palace pinnacles of lath and plaster speared the sky; the moist salt air, blowing in from the adjacent sea, was enriched with dust and with smells of hot sausages and fried crabs, and was shattered by the bray of bagpipes, the exact and mechanical melodies of steam organs, and the insistent, compelling, never-dying blat of the spieler, the barker and the ballyhoo. Also there were perhaps a hundred thousand other smells and noises, did one care to take the time and trouble to classify them. And here the very man he sought to find, found him.
There came to him, seeking alms, one who was a thing of shreds and patches and broken shoes. His rags seemed to adhere to him by the power of cohesive friction rather than by any visible attachments; it might have been years since he had a hat that had a brim. It was in the faint and hungered whine of the professional that he asked for the money to buy one cup of coffee; yet as he spoke, his breath had the rich alcoholic fragrance of a hot plum pudding with brandy sauce.
The beggar made his plea and, with a dirty palm outstretched, waited in patient suppliance. He sustained the surprise of his whole panhandling life. He was handed a new, uncreased one-thousand-dollar bill. He was told that he must undertake to change the bill and spend small fractional parts of it. Succeeding here, he should have five per cent of it for his own. As Judson Green impressed these details upon the ragged vagrant's dazed understanding, he edged closer and closer to his man, ready to cut off any sudden attempt at flight.
The precaution was entirely unnecessary. Perhaps it was because this particular panhandler had the honour of his profession—in moments of confidence he might have told you, with some pride, that he was no thief. Or possibly the possession of such unheard-of wealth crippled his powers of imagination. There are people who are made financially embarrassed by having no money at all, but more who are made so by having too much. Our most expensive hotels are full of whole families who, having become unexpectedly and abruptly wealthy, are now suffering from this painful form of financial embarrassment; they wish to disburse large sums freely and gracefully, and they don't know how. They lack the requisite training. In a way of speaking, this mendicant of Coney Island was perhaps of this class. With his jaw lolling, he looked at the stranger dubiously, uncertainly, suspiciously, meanwhile studying the stranger's yellow-back.
"You want me to git this here bill changed?" he said dully.
"That is the idea," said Judson Green, patiently. "You are to take it and change it—and I will trail behind you to see what happens. I'm merely making an experiment, with your help, and I'm willing to pay for it."
"This money ain't counterfeit?" inquired the raggedy one. "This ain't no game to git me in bad?"
"Well, isn't it worth taking a chance on?" cross-fired Green. The pimpled expanse of face lost some of its doubt, and the owner of the face fetched a deep breath.
"You're on," he decided. "Where'bouts'll I start?"
"Anywhere you please," Judson Green told him. "You said you were hungry—that for two days you hadn't eaten a bite?"
"Aw, boss, that was part of the spiel," he confessed frankly. "Right now I'm that full of beef stew I couldn't hold another bite."
"Well, how about a drink? A long, cool glass of beer, say? Or anything you please."
The temporary custodian of the one-thousand-dollar bill mentally considered this pleasing project; his bleared eye glinted brighter.
"Naw," he said, "not jist yit. If it's all the same to you, boss, I'll wait until I gits a good thirst on me. I think I'll go into that show yonder, to start on." He pointed a finger towards a near-by amusement enterprise. This institution had opened years before as "The Galveston Flood." Then, with some small scenic changes, it had become "The Mount Pelee Disaster," warranted historically correct in all details; now it was "The Messina Earthquake," no less. Its red and gold gullet of an entrance yawned hungrily, not twenty yards from where they stood.
"Go ahead," ordered Judson Green, confirming the choice with a nod. "And remember, my friend, I will be right behind you."
Nothing, however, seemed further from the panhandler's thoughts than flight. His rags fluttered freely in the evening air and his sole-less shoes flopped up and down upon his feet, rasping his bare toes, as he approached the nearest ticket booth.
Behind the wicket sat a young woman of much self-possession. By all the outward signs she was a born and bred metropolitan and therefore one steeled against surprise and armed mentally against trick and device. Even before she spoke you felt sure she would say oily if she meant early, and early if she meant oily—sure linguistic marks of the native-born New York cockney.
To match the environment of her employment she wore a costume that was fondly presumed to be the correct garbing of a Sicilian peasant maid, including a brilliant bodice that laced in front and buttoned behind, an imposing headdress, and on both her arms, bracelets of the better known semi-precious metals.
Coming boldly up to her, the ragged man laid upon the shelf of the wicket his precious bill—it was now wadded into a greenish-yellow wisp like a sprig of celery top—and said simply, "One!"
With a jangle of her wrist jewelry, the young woman drew the bill in under the bars and straightened it out in front of her. She considered, with widening gaze, the numeral 1 and the three naughts following it. Then through the bars she considered carefully him who had brought it. From one to the other and back again she looked.
"Woit one minute," she said. It is impossible to reproduce in cold type the manner in which this young woman uttered the word minute. But there was an "o" in it and a labial hint of an extra "u."
"Woit, please," she said again, and holding the bill down flat with one hand she turned and beckoned to some one at her left.
A pace behind the panhandler, Judson Green watched. Now the big comedy scene was coming, just as it always came in the books. Either the tattered possessor of the one-thousand-dollar bill would be made welcome by a gratified proprietor and would be given the liberty of the entire island and would have columns written about him by a hundred gratified press-agents, or else there would be a call for the police and for the first time in the history of New York a man would be locked up, not for the common crime of having no money, but for having too much money.
Obedient to the young woman's request, the panhandler waited. At her beck there came a stout person in a green coat and red trousers—Italian soldiers wear these colours, or at least they often do at Coney Island—and behind her free hand the young woman whispered in his ear. He nodded understandingly, cast a sharp look at the opulent individual in the brimless hat, and then hurried away toward the inner recesses of the entrance. In a minute he was back, but not with determined police officers behind him. He came alone and he carried in one hand a heavy canvas bag that gave off a muffled jingling sound, and in the other, a flat green packet.
The young woman riffled through the packet and drove a hand into the jingling bag. Briskly she counted down before her the following items in currency and specie:
Four one-hundred-dollar bills, six fifty-dollar bills, twelve twenty-dollar bills, five ten-dollar bills, one five-dollar bill, four one-dollar bills, one fifty-cent piece, one quarter, two dimes and one nickel. Lifting one of the dimes off the top of this pleasing structure, she dropped it in a drawer; then she shoved the remaining mound of money under the wicket, accompanying it by a flat blue ticket of admission, whisked the one-thousand-dollar bill out of sight and calmly awaited the pleasure of the next comer.
All downcast and disappointed, Green drew his still bewildered accomplice aside, relieved him of the bulk of his double handful of change, endowed him liberally with cash for his trouble, and making his way to where his car waited, departed in haste and silence for Manhattan. A plan that was recommended by several of the leading fiction authorities as infallible, had, absolutely failed him.
IIIOther schemes proved equally disappointing. Choosing mainly the cool of the evening, he travelled the town from the primeval forests of the Farther Bronx to the sandy beaches of Ultimate Staten Island, which is in the city, and yet not of it. He roamed through queer streets and around quaint by-corners, and he learned much strange geography of his city and yet had no delectable adventures.
Once, acting on the inspiration of the plot of a popular novel that he had read at a sitting, he bought at an East Side pawnshop a strange badge, or token, of gold and black enamel, all mysteriously embossed over with intertwined Oriental signs and characters. Transferring this ornament from the pawnshop window to the lapel of his coat, he went walking first through the Syrian quarter, where the laces and the revolutionary plots come from, and then through the Armenian quarter, where the rugs come from, and finally in desperation through the Greek quarter, where the plaster statues and the ripe bananas come from.
By rights,—by all the rights of fiction,—he, wearing this jewelled emblem in plain sight, should have been hailed by a bearded foreigner and welcomed to the inner councils of some secret Bund, cabal, council or propaganda, as one coming from afar, bearing important messages. It should have turned out so, certainly. In this case, however, the sequel was very different and in a great measure disappointing.