From Place to Place

A trifle foot-weary and decidedly overheated, young Mr. Green came out of the East Side by way of Nassau Street, and at Fulton turned north into Broadway. Just across from the old Astor House, a man wearing a stringy beard and a dusty black suit stood at the curbing, apparently waiting for a car. He carried an umbrella under one arm and at his feet rested a brown wicker suit-case with the initials "G. W. T." and the address, "Enid, Oklahoma," stencilled on its side in black letters. Plainly he was a stranger in the city. Between glances down the street to see whether his car was nearing him, he counted the upper stories of the near-by skyscrapers and gazed at the faces of those who streamed past him.

His roving eye fell upon a splendid badge of gold enamel gleaming against a background of blue serge, and his face lighted with the joy of one meeting a most dear friend in a distant land. Shifting his umbrella from the right hand to the left, he gave three successive and careful tugs at his right coat lapel, all the while facing Judson Green. Following this he made a military salute and then, stepping two paces forward, he undertook to engage Green's hand in a peculiar and difficult cross-fingered clasp. And he uttered cabalistic words of greeting in some strange tongue, all the while beaming gladly.

In less than no time, though, his warmth all changed to indignation; and as Green backed away, retreating in poor order and some embarrassment, he gathered from certain remarks thrown after him, that the outraged brother from Enid was threatening him with arrest and prosecution as a rank impostor—for wearing, without authority, the sacred insignia of an Imperial Past Potentate of the Supreme Order of Knightly Somethings or Other—he didn't catch the last words, being then in full flight. So the adventure-seeker counted that day lost too and buried the Oriental emblem at the bottom of a bureau drawer to keep it out of mischief.

He read the papers closely, seeking there the seeds of adventure. In one of them, a pathetic story appeared, telling of a once famous soldier of fortune starving in a tenement on Rivington Street, a man who in his day—so the papers said—had made rulers and unmade them, had helped to alter the map of more than one continent. Green investigated personally. The tale turned out to be nine-tenths reporter's imagination, and one-tenth, a garrulous, unreliable old man.

In another paper was an advertisement richly laden with veiled pleadings for immediate aid from a young woman who described herself as being in great danger. He looked into this too, but stopped looking, when he ran into an affable and accommodating press-agent. The imperilled young lady was connected with the drama, it seemed, and she sought free advertisement and was willing to go pretty far to get it.

Coming away from a roof garden show one steaming night, a slinky-looking, slightly lame person asked Green for the time, and as Green reached for his watch he endeavoured to pick Green's pocket. Being thwarted in this, the slinky person made slowly off. A Van Bibber would have hired vigilant aides to dog the footsteps of the disappointed thief and by harrying him forth with threats from wherever he stopped, would speedily have driven him desperate from lack of sleep and lack of food. Green had read somewhere of this very thing having been done successfully. He patterned after the plan. He trailed the gimpy one to where he mainly abided and drove him out of one lunchroom, and dispossessed him from one lodging house; and at that, giving his pursuer malevolent looks, the "dip" went limping to the Grand Central and caught the first train leaving for the West.

And then, at the fag end of the summer, when all his well-laid plans had one by one gone agley, chance brought to Green an adventure—sheer chance and a real adventure. The circumstance of a deranged automobile was largely responsible—that and the added incident of a broken shoe-string.

It was in the first week in September and Judson Green, a tired, badly sunburned young man, disappointed and fagged, looked forward ten days to the expiration of the three months, when confessing himself beaten, and what was worse, wrong, he must pay over one hundred dollars to the jubilant Wainright. With him it wasn't the money—he had already spent the amount of the wager several times over in the prosecution of his vain campaigning after adventure—it was the upsetting of his pet theory; that was the worst part of it.

I believe I stated a little earlier in this narrative that Judson Green was a young man of profoundly professed theories. It came to pass, therefore, that on the Saturday before Labour Day, Judson Green, being very much out of sorts, found himself very much alone and didn't know what to do with himself. He thought of the beaches, but dismissed the thought. Of a Saturday afternoon in the season, the sea beaches that lie within the city bounds are a-crawl with humans. There is small pleasure in surf-bathing where you must share every wave with from one to a dozen total strangers.

Mr. Green climbed into his car and told his driver to take him to Van Cortlandt Park, which, lying at the northernmost boundaries of New York City, had come, with successive northerly shifts of the centre of population, to be the city's chief playground.

When, by reason of a confusion of tongues, work was knocked off on the Tower of Babel, if then all hands had turned to outdoor sports, the resultant scene would have been, I imagine, much like the picture that is presented on most Saturdays on the sixty-acre stretch of turf known as Indian Field, up in Van Cortlandt Park. Here there are baseball games by the hundred and football games by the score—all the known varieties of football games too, Gaelic, Soccer, Rugby and others; and coal black West Indian negroes in white flannels, with their legs buskined like the legs of comic opera brigands, play at cricket, meanwhile shouting in the broadest of British accents; and there is tennis on the tennis courts and boating on the lake near-by and golf on the links that lie beyond the lake. Also, in odd corners, there are all manners of queer Scandinavian and Latin games, for which no one seems to know the name; and on occasion, there are polo matches.

Accordingly, when his car drew up at the edge of the parking space, our young man beheld a wide assortment of sporting events spread before his eyes. The players disported themselves with enthusiasm, for there was now a soft coolness in the air. But the scars of a brutal summer still showed, in the turf that was burnt brown and crisp, and in the withered leaves on the elms, and in white dust inches deep on the roadways.

Young Mr. Green sat at his ease and looked until he was tired of looking, and then he gave the order for a home-bound spin. Right here was where chanced stepped in and diverted him from his appointed paths. For the car, now turned cityward, had rolled but a few rods when a smell of overheated metals assailed the air, and with a tired wheezing somewhere down in its vital organs, the automobile halted itself. The chauffeur spent some time tinkering among its innermost works before he stood up, hot and sweaty and disgusted, to announce that the breakdown was serious in character. He undertook to explain in highly technical terms the exact nature of the trouble, but his master had no turn for mechanics and small patience for listening. He gathered that it would take at least an hour to mend the mishap, perhaps even longer, and he was not minded to wait.

"I'll walk across yonder and catch the subway," he said. "You mend the car and bring it downtown when you get it mended."

At its farthest point north, the Broadway subway, belying its name, emerges from the earth and becomes an elevated structure, rearing high above the ground. Its northernmost station stands aloft, butt-ended and pierced with many windows, like a ferry-boat cabin set up on stilts. Through a long aisle of sun-dried trees, Judson Green made for this newly risen landmark. A year or two years before, all this district had been well wooded and sparsely inhabited. But wherever a transit line goes in New York it works changes in the immediate surroundings, and here at this particular spot, the subway was working them, and many of them. Through truck patches and strips of woodland, cross-streets were being cut, and on the hills to the westward, tall apartment houses were going up. On the raw edge of a cut, half of an old wooden mansion stood, showing tattered strips of an ancient flowered wallpaper and a fireplace, clinging like a chimney-swift's nest to a wall, where the rest of the room had been sheared away bodily. Along Broadway, beyond a huddle of merry-go-rounds and peanut stands, a row of shops had sprung up, as it were, overnight; they were shiny, trim, citified shops, looking a trifle strange now in this half-transformed setting, but sure to have plenty of neighbours before long. There was even a barber shop, glittering inside and out with the neatness of newness, and complete, even to a manicuring table and a shoe-shining stand. The door of the shop was open; within, electric fans whirred in little blurs of rapid movement.

See now how chance still served our young man: Crossing to the station, Judson Green took note of this barber shop and took note also that his russet shoes had suffered from his trudge through the dusty park. Likewise one of the silken strings had frayed through; the broken end stood up through the top eyelet in an untidy fringed effect. So he turned off short and went into the little place and mounted the new tall chair that stood just inside the door. The only other customer in the place was in the act of leaving. This customer got up from the manicure table opposite the shoe-shining stand, slipped a coin into the palm of the manicure girl and passed out, giving Green a brief profile view of a thin, bearded face. Behind the back of her departing patron, the manicure girl shrugged her shoulders inside of an ornate bodice and screwed up her nose derisively. It was plainly to be seen that she did not care greatly for him she had just served.

From where he was languidly honing a razor, the head barber, he who presided over the first of the row of three chairs, spoke:

"You ought'nter be making faces at your regular steadies, Sadie. If you was to ask me, I think you've got a mash on that there gent."

The young person thus addressed shook her head with a sprightly motion.

"Not on your life," she answered. "There's certainly something about that man I don't like."

"It don't never pay to knock a stand-by," opined the head barber, banteringly.

As though seeking sympathy from these gibes, the young lady denominated as Sadie turned toward the well-dressed, alert-looking young man who had just come in. Apparently he impressed her as a person in whom she might confide.

"Speaking about the fella that just went out," she said. "August yonder is all the time trying to guy me about him. I should worry! He ain't my style. Honest, I think he's nutty."

Politely Green uttered one of those noncommittal sounds that may be taken to mean almost anything. But the manicure lady was of a temperament needing no prompting. She went on, blithe to be talking to a new listener.

"Yes, sir, I think he's plumb dippy. He first came in here about two weeks ago to have his nails did, and I don't know whether you'll believe it or not—but August'll tell you it's the truth—he's been back here every day since. And the funniest part of it is I'm certain sure he never had his nails done in his life before then—they was certainly in a untidy state the first time he came. And there's another peculiar thing about him. He always makes me scrape away down under his nails, right to the quick. Sometimes they bleed and it must hurt him."

"Apparently the gentleman has the manicuring habit in a serious form," said Green, seeing that Miss Sadie had paused, in expectation of an answer from him.

"He sure has—in the most vi'lent form," she agreed. "He's got other habits too. He's sure badly stuck on the movies."

"I beg your pardon—on the what?"

"On the movies—the moving pictures," she explained. "Well, oncet in a while I enjoy a good fillum myself, but I'm no bigot on the subject—I can take my movies or I can let 'em be. But not that man that just now went out. All the time I'm doing his nails he don't talk about nothing else hardly, except the moving pictures, he's seen that day or the day before. It's right ridiculous, him being a grown-up man and everything. I actually believe he never misses a new fillum at that new moving picture place three doors above here, or at that other one, that's opened up down by Two Hundred an' Thirtieth Street. He seems to patronise just those two. I guess he lives 'round here somewhere. Yet he don't seem to be very well acquainted in this part of town neither. Well, it sure takes all kind of people to make a world, don't it?"

Temporarily Miss Sadie lapsed into silence, never noticing that what she said had caused her chief auditor to bend forward in absorbed interest. He sat with his eyes on the Greek youth who worked over his shoes, but his mind was busy with certain most interesting speculations.

When the bootblack had given his restored and resplendent russets a final loving rub, and had deftly inserted a new lace where the old one had been, Mr. Green decided that he needed a manicure and he moved across the shop, and as the manicure lady worked upon his nails he siphoned the shallow reservoir of her little mind as dry as a bone. The job required no great amount of pump-work either, for this Miss Sadie dearly loved the sound of her own voice and was gratefully glad to tell him all she knew of the stranger who favoured such painful manicuring processes and who so enjoyed a moving picture show. For his part, Green had seen only the man's side face, and that casually and at a fleeting glance; but before the young lady was through with her description, he knew the other's deportment and contour as though he had passed him a hundred times and each time had closely studied him.

To begin with, the man was sallow and dark, and his age was perhaps thirty, or at most thirty-two or three. His beard was newly grown; it was a young beard, through which his chin and chops still showed. He smoked cigarettes constantly—the thumb and forefinger of his right hand were stained almost black, and Miss Sadie, having the pride of her craft, had several times tried unsuccessfully to bleach them of their nicotine disfigurements.

He had a manner about him which the girl described as "kind of suspicious and scary,"—by which Green took her to mean that he was shy and perhaps furtive in his bearing. His teeth, his eyes, his expression, his mode of dress—Mr. Green knew them all before Miss Sadie gave his left hand a gentle pat as a sign that the job was concluded. He tipped her generously and caught the next subway train going south.

Southbound subway trains run fast, especially when the rush of traffic is northward. Within the hour Judson Green sat in the reading room of his club, industriously turning the pages of the club's file of the World for the past month. Presently he found what he was seeking. He read a while, and for a while then he took notes. Pocketing his notes, he ate dinner alone and in due season thereafter he went home and to bed. But before this, he sent off a night lettergram to the Byrnes private detective agency down in Park Row. He wanted—so in effect the message ran—the best man in the employ of that concern to call upon him at his bachelor apartments in the Hotel Sedgwick, in the morning at ten o'clock. The matter was urgent, important—and confidential.

If the man who knocked at Green's sitting-room door that next morning at ten was not the best man of the Byrnes staff he looked the part. He was square-jawed, with an appraising eye and a good pair of shoulders. He had the right kind of a name for a detective, too. The name was Cassidy—Michael J.

"Mr. Cassidy," said Judson Green, when the preliminaries of introduction were over, "you remember, don't you, what the papers said at the time of the Steinway murder about the suspect Maxwell, the old man's nephew—the description they printed of him, and all?"

"I ought to," said Cassidy. "Our people had that case from the start—I worked on it myself off and on, up until three days ago." From memory he quoted: "Medium height, slender, dark-complected, smooth-faced and about thirty-one years old; a good dresser and well educated; smokes cigarettes constantly; has one upper front tooth crowned with gold—" He hesitated, searching his memory for more details.

"Remember anything else about him that was striking?" prompted Green.

"Let's see?" pondered Mr. Cassidy. Then after a little pause, "No, that's all I seem to recall right now."

"How about his being a patron of moving pictures?"

"That's right," agreed the other, "that's the only part of it I forgot." He repeated pretty exactly the language of the concluding paragraph of the official police circular that all the papers had carried for days: "Formerly addicted to reading cheap and sensational novels, now an inveterate attendant of motion-picture theatres." He glanced at Judson Green over his cigar. "What's the idea?" he asked. "Know something about this case?"

"Not much," said Green, "except that I have found the man who killed old Steinway."

Forgetting his professional gravity, up rose Mr. Cassidy, and his chair, which had been tilted back, brought its forelegs to the floor with a thump.

"No!" he said, half-incredulously, half-hopefully.

"Yes," stated Mr. Green calmly. "At least I've found Maxwell. Or anyway, I think I have."

Long before he was through telling what he had seen and heard the afternoon before, Mr. Cassidy, surnamed Michael J., was almost sitting in his lap. When the younger man had finished his tale the detective fetched a deep and happy breath.

"It sounds good to me," he commented, "it certainly sounds to me like you've got the right dope on this party. But listen, Mr. Green, how do you figure in this here party's fad for getting himself manicured as a part of the lay-out—I can see it all but that?"

"Here is how I deduced that element of the case," stated Green. "Conceding this man to be the fugitive Maxwell, it is quite evident that he has a highly developed imagination—his former love of trashy literature and his present passion for moving pictures would both seem to prove that. Now then, you remember that all the accounts of that murder told of the deep marks of finger-nail scratches in the old man's throat. If this man is the murderer, I would say, from what we know of him, that he cannot rid himself of the feeling that the blood of his victim is still under his nails. And so, nursing that delusion, he goes daily to that manicure girl–"

He got no farther along than that. Mr. Cassidy extended his large right hand in a congratulatory clasp, and admiration was writ large upon his face.

"Colonel," he said, "you're immense—you oughter be in the business. Say, when are we going to nail this guy?"

"Well," said Green, "I think we should start watching his movements at once, but we should wait until we are pretty sure of the correctness of our theory before acting. And of course, in the meanwhile, we must deport ourselves in such a way as to avoid arousing his suspicions."

"Just leave that to me. You do the expert thinking on this here case; I'll guarantee a good job of trailing."

Inside of forty-eight hours these two, working discreetly, knew a good deal of their man. For example, they knew that under the name of Morrison he was living in a summer boarding house on a little hill rising to the west of the park; that he had been living there for a little more than a fortnight; that his landlady didn't know his business, but thought that he must be an invalid. Among the other lodgers the impression prevailed that he suffered from a nervous trouble. Mornings, he kept to his room, sleeping until late. In fact, as well as the couple occupying the room below his might judge, he did most of his sleeping in the daytime—they heard him night after night, walking the floor until all hours.

A maid-servant of ultra conversational tendencies gratuitously furnished most of these valued details, after Michael J. Cassidy had succeeded in meeting her socially.

Afternoons, the suspect followed a more or less regular itinerary. He visited the manicure girl at the new barber shop; he patronized one or both of the moving picture places in the vicinity, but usually both, and then he went for a solitary walk through the park, and along toward dusk he returned to the boarding house, ate his supper and went to his room. He had no friends, apparently; certainly he had no callers. He received no letters and seemingly wrote none. Cassidy was convinced; he burned with eagerness to make the arrest without further delay. For this would be more than a feather in the Cassidy cap; it would be a whole war bonnet.

"You kin stay in the background if you want to," he said. "Believe me, I'm perfectly willing to take all the credit for pulling off this pinch."

As he said this they were passing along Broadway just above the subway terminal. The straggling line of new shops was on one side and the park stretched away on the other. Green was on the inner side of the pavement. Getting no answer to his suggestion, Mr. Cassidy started to repeat it.

"I heard you," said Green, stopping now dead short, directly in front of the resplendent front of the Regal Motion Picture Palace. He contemplated with an apparently unwarranted interest the illuminated and lithographed announcements of the morrow's bill.

"I'm perfectly willing to stay in the background," he said. "But—but I've just this very minute thought of a plan that ought to make us absolutely sure of our man—providing the plan works! Are you at all familiar with the tragedy of 'Macbeth'?"

"I don't know as I am," admitted Mr. Cassidy honestly. "When did it happen and who done it?"

Again his employer seemed not to hear him.

"Let's go into this place," he said, turning in towards the hospitable portals of the Regal. "I want to have a business talk with the proprietor of this establishment, if he's in."

The manager was in, and they had their talk; but after all it was money—which in New York speaks with such a clarion-loud and convincing voice—that did most of the talking. As soon as Judson Green had produced a bill-roll of august proportions, the proprietor, doubtful until that moment, showed himself to be a man open to all reasonable arguments. Moreover, he presently scented in this enterprise much free advertisement for his place.

On the following afternoon, the weather being rainy, the Regal opened its doors for the three-o'clock performance to an audience that was smaller than common and mostly made up of dependable neighbourhood patrons. However, there were at least two newcomers present. They sat side by side, next to central aisle, in the rearmost row of chairs—Judson Green and Michael J. Cassidy. Their man was almost directly in front of them, perhaps halfway down toward the stage. Above a scattering line of heads of women and children they could see, in the half light of the darkened house, his head and shoulders as he bent his body forward at an interested angle.

Promptly on the hour, a big bull's-eye of light flashed on, making a shimmering white target in the middle of the screen. The music started up, and a moving-picture soloist with a moving-picture soloist's voice, appeared in the edge of the illuminated space and rendered a moving-picture ballad, having reference to the joys of life down in Old Alabam', where the birds are forever singing in the trees and the cotton-blossoms bloom practically without cessation. This, mercifully, being soon over, a film entitled "The Sheriff's Sweetheart" was offered, and for a time, in shifting pictures, horse-thieves in leather "chaps," and heroes in open-necked shirts, and dashing cow-girls in divided skirts, played out a thrilling drama of the West, while behind them danced and quivered a background labelled Arizona, but suggesting New Jersey. When the dashing and intrepid sheriff had, after many trials, won his lady love, the ballad singer again obliged throatily, and then from his coop in the little gallery the lantern man made an announcement, in large, flickering letters, of a film depicting William Shakespeare's play, "Macbeth."