A Time of War

A Time of War

Copyright

Voyager

An Imprint of HarperCollinsPublishers

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First published in Great Britain by

HarperCollinsPublishers 1993

Copyright © Katharine Kerr 1993

Katharine Kerr asserts the moral right to be identified as the author of this work

This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

All rights reserved under International and Pan–American Copyright Conventions. By payment of the required fees, you have been granted the non–exclusive, non–transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.

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Source ISBN: 9780586211977

Ebook Edition © JULY 2014 ISBN: 9780007375370

Version: 2014–08–11

Dedication

For Richard Wilfred Ashton

My grandfather

Contents

Cover

Title Page

Copyright

Dedication

Map

Pronunciation Notes

The Westlands

Part One: Puer

Part Two: Amissio

Part Three: Puella

Part Four: Via

Part Five: Carcer

Part Six: Caput Draconis

Keep Reading

Appendices: Historical Notes

Glossary

Acknowledgments

About the Author

Also by the Author

About the Publisher

Map

Pronunciation Notes

Vowels are divided by Deverry scribes into two classes: noble and common. Nobles have two pronunciations; commons, one.

A as in father when long; a shorter version of the same sound, as in far, when short.

O as in bone when long; as in pot when short.

W as the oo in spook when long; as in roof when short.

Y as the i in machine when long; as the e in butter when short.

E as in pen.

I as in pin.

U as in pun.

Vowels are generally long in stressed syllables; short in unstressed. Y is the primary exception to this rule. When it appears as the last letter of a word, it is always long whether that syllable is stressed or not.

Diphthongs generally have one consistent pronunciation.

AE as the a in mane.

AI as in aisle.

AU as the ow in how.

EO as a combination of eh and oh.

EW as in Welsh, a combination of eh and oo.

IE as in pier.

OE as the oy in boy.

UI as the North Welsh wy, a combination of oo and ee.

Note that OI is never a diphthong, but is two distinct sounds, as in carnoic, (KAR-noh-ik).

Consonants are mostly the same as in English, with these exceptions:

C is always hard as in cat.

G is always hard as in get.

DD is the voiced th as in thin or breathe, but the voicing is more pronounced than in English. It is opposed to TH, the unvoiced sound as in th or breath. (This is the sound that the Greeks called the Celtic tau.)

R is heavily rolled.

RH is a voiceless R, approximately pronounced as if it were spelled hr in Deverry proper. In Eldidd, the sound is fast becoming indistinguishable from R.

DW, GW, and TW are single sounds, as in Gwendolen or twit.

Y is never a consonant.

I before a vowel at the beginning of a word is consonantal, as it is in the plural ending -ion, pronounced yawn.

Doubled consonants are both sounded clearly, unlike in English. Note, however, that DD is a single letter, not a doubled consonant.

Accent is generally on the penultimate syllable, but compound words and place names are often an exception to this rule.

I have used this system of transcription for the Bardekian and Elvish alphabets as well as the Deverrian, which is, of course, based on the Greek rather than the Roman model. On the whole, it works quite well for the Bardekian, at least. As for Elvish, in a work of this sort it would be ridiculous to resort to the elaborate apparatus by which scholars attempt to transcribe that most subtle and nuanced of tongues.

As those who have been following the earlier works in this series know, a certain Elvish professor of Elvish has chosen to waste his supposedly valuable time by disputing this obvious point. Since the man refuses to see reason and stop his scurrilous attacks upon us, my publishers and I have been forced to sue for redress in the malover of the gwerbrets of Aberwyn, much as it distresses us to waste the clearly valuable time of this court. Although the case has yet to be accepted for deliberation, readers will be kept apprised of future developments, never fear.

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