- -
- 100%
- +
DEAN KOONTZ
77 Shadow Street
From here in the Nutland,
To Ed and Carol Gorman,
Out there in the Heartland,
With undiminished affection
after all these years.
Epigraph
O dark dark dark.
They all go into the dark…
—T. S. ELIOT, East Coker
Contents
Cover
Title Page
Dedication
Epigraph
Part One
Chapter 1: The North Elevator
Chapter 2: The Basement Security Room
Chapter 3: The Basement Pool
Chapter 4: Apartment 3-C
Chapter 5: Apartment 2-C
Chapter 6: Apartment 3-C
Chapter 7: Apartment 2-A
Chapter 8: Apartment 2-C
One
Chapter 9: Apartment 2-A
Chapter 10: The Basement Security Room
Chapter 11: Apartment 3-F
One
Chapter 12: Apartment 3-A
Chapter 13: Apartment 3-D
Chapter 14: Apartment 2-G
Chapter 15: Apartment 2-A
One
Chapter 16: Topper’s
Chapter 17: Apartment 3-D
Chapter 18: Apartment 1-C
Chapter 19: Apartment 2-G
Chapter 20: Apartment 3-F
One
Chapter 21: Here and There
One
Chapter 22: Apartment 2-F
Chapter 23: Apartment 3-H
One
Chapter 24: Here and There
One
Part Two
Chapter 25: Topper’s
Chapter 26: Here and There
One
Chapter 27: Here and There
One
Chapter 28: Topper’s
Chapter 29: Here and There
One
Chapter 30: Here and There
One
Chapter 31: Here and There
One
Chapter 32: Here and There
One
Chapter 33: Here and There
One
Chapter 34: 77 Shadow Street
About the Author
Other Books by Dean Koontz
Copyright
About the Publisher
PART ONE Where the Shadows Gather
How slow the shadow creeps; but when ’tis pastHow fast the shadows fall. How fast! How fast!
—HILAIRE BELLOC, For a Sundial
Chapter 1
The North Elevator
Bitter and drunk, Earl Blandon, a former United States senator, got home at 2:15 A.M. that Thursday with a new tattoo: a two-word obscenity in blue block letters between the knuckles of the middle finger of his right hand. Earlier in the night, at a cocktail lounge, he’d thrust that stiff digit at another customer who didn’t speak English and who was visiting from some third-world backwater where the meaning of the offending gesture evidently wasn’t known in spite of countless Hollywood films in which numerous cinema idols had flashed it. In fact, the ignorant foreigner seemed to mistake the raised finger for some kind of friendly hello and reacted by nodding repeatedly and smiling. Earl was frustrated directly out of the cocktail lounge and into a nearby tattoo parlor, where he resisted the advice of the needle artist and, at the age of fifty-eight, acquired his first body decoration.
When Earl strode through the front entrance of the exclusive Pendleton, into the lobby, the night concierge, Norman Fixxer, greeted him by name. Norman sat on a stool behind the reception counter to the left, a book open in front of him, looking like a ventriloquist’s dummy: eyes wide and blue and glassy, pronounced marionette lines like scars in his face, head cocked at an odd angle. In a tailored black suit and a crisp white shirt and a black bow tie, with a fussily arranged white pocket handkerchief blossoming from the breast pocket of his coat, Norman was overdressed by the standards of the two other concierges who worked the earlier shifts.
Earl Blandon didn’t like Norman. He didn’t trust him. The concierge tried too hard. He was excessively polite. Earl didn’t trust polite people who tried too hard. They always proved to be hiding something. Sometimes they hid the fact that they were FBI agents, pretending instead to be lobbyists with a suitcase full of cash and a deep respect for the power of a senator. Earl didn’t suspect that Norman Fixxer was an FBI agent in disguise, but the concierge was for damn sure something more than what he pretended to be.
Earl acknowledged Norman’s greeting with only a scowl. He wanted to raise his newly lettered middle finger, but he restrained himself. Offending a concierge was a bad idea. Your mail might go missing. The suit you expected back from the dry cleaner by Wednesday evening might be delivered to your apartment a week later. With food stains. Although flashing the finger at Norman would be satisfying, a full apology would require doubling the usual Christmas gratuity.
Consequently, Earl scowled across the marble-floored lobby, his embellished finger curled tightly into his fist. He went through the inner door that Norman buzzed open for him and into the communal hallway, where he turned left and, licking his lips at the prospect of a nightcap, proceeded to the north elevator.
His third-floor apartment was at the top of the building. He did not have a city view, only windows on the courtyard, and seven other apartments shared that level, but his unit was sufficiently well-positioned to justify calling it his penthouse, especially because it was in the prestigious Pendleton. Earl once owned a five-acre estate with a seventeen-room manor house. He liquidated it and other assets to pay the ruinous fees of the blood-sucking, snake-hearted, lying-bastard, may-they-all-rot-in-hell defense attorneys.
As the elevator doors slid shut and as the car began to rise, Earl surveyed the hand-painted mural that covered the walls above the white wainscoting and extended across the ceiling: bluebirds soaring joyously through a sky in which the clouds were golden with sunlight. Sometimes, like now, the beauty of the scene and the joy of the birds seemed forced, aggravatingly insistent, so that Earl wanted to get a can of spray paint and obliterate the entire panorama.
He might have vandalized it if there hadn’t been security cameras in the hallways and in the elevator. But the homeowners’ association would only restore it and make him pay for the work. Large sums of money no longer came to him in suitcases, in valises, in fat manila envelopes, in grocery bags, in doughnut-shop boxes, or taped to the bodies of high-priced call girls who arrived naked under leather trench coats. These days, this former senator so frequently felt the urge to deface so many things that he needed to strive to control himself lest he vandalize his way into the poorhouse.
He closed his eyes to shut out the schmaltzy scene of sun-washed bluebirds. When the air temperature abruptly dropped perhaps twenty degrees in an instant, as the car passed the second floor, Earl’s eyes startled open, and he turned in bewilderment when he saw that the mural no longer surrounded him. The security camera was missing. The white wainscoting had vanished, too. No inlaid marble under foot. In the stainless-steel ceiling, circles of opaque material shed blue light. The walls, doors, and floor were all brushed stainless steel.
Before Earl Blandon’s martini-marinated brain could fully absorb and accept the elevator’s transformation, the car stopped ascending—and plummeted. His stomach seemed to rise, then to sink. He stumbled sideways, clutched the handrail, and managed to remain on his feet.
The car didn’t shudder or sway. No thrumming of hoist cables. No clatter of counterweights. No friction hum of rollers whisking along greased guide rails. With express-elevator speed, the steel box raced smoothly, quietly down.
Previously, the car-station panel—B, 1, 2, 3—had been part of the controls to the right of the doors. It still was there, but now the numbers began at 3, descended to 2 and 1 and B, followed by a new 1 through 30. He would have been confused even if he’d been sober. As the indicator light climbed—7, 8, 9—the car dropped. He couldn’t be mistaking upward momentum for descent. The floor seemed to be falling out from under him. Besides, the Pendleton had just four levels, only three aboveground. The floors represented on this panel must be subterranean, all below the basement.
But that made no sense. The Pendleton had one basement, a single underground level, not thirty or thirty-one.
So this could not be the Pendleton anymore. Which made even less sense. No sense at all.
Maybe he had passed out. A vodka nightmare.
No dream could be this vivid, this intensely physical. His heart thundered. His pulse throbbed in his temples. Acid reflux burned his throat, and when he swallowed hard to force down the bitter flood, the effort brought tears that blurred his vision.
He blotted the tears with a suit-coat sleeve. He blinked at the indicator board: 13, 14, 15….
Panicked by a sudden intuitive conviction that he was being conveyed to a place as terrifying as it was mysterious, Earl let go of the handrail. He crossed the car and scanned the backlit control board for an EMERGENCY STOP button.
None existed.
As the car passed 23, Earl jammed a thumb hard against the button for 26, but the elevator didn’t stop, didn’t even slow until it passed 29. Then rapidly yet smoothly, momentum fell. With a faint liquid hiss like hydraulic fluid being compressed in a cylinder, the car came to a full stop, apparently thirty floors under the city.
Sobered by a supernatural fear—fear of what, he could not say—Earl Blandon shrank away from the doors. With a thud, he backed into the rear wall of the car.
In his storied past, as a member of the Senate Armed Services Committee, he had once been to a meeting in the bunker far beneath the White House, where the president might one day try to ride out a nuclear holocaust. That deep redoubt was bright and clean, yet it impressed him as more ominous than any graveyard at night. He had some experience of cemeteries from his earliest days as a state law-maker, when he had thought that in such lonely places, from earth and graves and dust, no one could be raised up to witness the paying of a bribe. This quiet elevator felt far more ominous than even the presidential bunker.
He waited for the doors to open. And waited.
Throughout his life, he’d never been a fearful man. Instead, he inspired fear in others. He was surprised that he could be so suddenly and completely terrorized. But he understood what reduced him to this pathetic condition: evidence of something otherworldly.
A strict materialist, Earl believed only in what he could see, touch, taste, smell, and hear. He trusted nothing but himself, and he needed no one. He believed in the power of his mind, in his singular cunning, to bend any situation to his benefit.
In the presence of the uncanny, he was without defense.
Shudders passed through him with such violence that it seemed he should hear his bones knocking together. He tried to make fists, but proved to be so weak with dread that he could not clench his hands. He raised them from his sides, looked at them, willing them to close into tight knuckled weapons.
He was sober enough now to realize that the two words tattooed on the middle finger of his right hand could have made his insult no clearer to the clueless third-world patron in the cocktail lounge. The guy probably couldn’t read English any more than he could speak it.
As close to a negative self-judgment as he had ever come, Earl Blandon muttered, “Idiot.”
As the car doors slid open, his enlarged prostate seemed to clench as his fists would not. He came perilously close to peeing in his pants.
Beyond the open doors lay only a darkness so perfect that it seemed to be an abyss, vast and perhaps bottomless, into which the blue light of the elevator could not penetrate. In this icy silence of the tomb, Earl Blandon stood motionless, deaf now even to the pounding in his chest, as if his heart were suddenly dry of blood. This was the quiet at the limit of the world, where no air existed to be breathed, where time ended. It was the most terrible thing he had ever heard—until a more alarming sound, that of something approaching, arose from the blackness beyond the open doors.
Ticking, scraping, muffled rustling: This was either the blind but persistent questing of something large and strange beyond the power of the senator’s imagination … or a horde of smaller but no less mysterious creatures, an eager swarm. A shrill keening, almost electronic in nature yet unmistakably a voice, quivered through the blackness, a cry that might have been of hunger or desire, or bloodletting frenzy, but certainly a cry of urgent need.
As panic trumped Earl’s paralyzing dread, he bolted to the control panel, scanning it for a CLOSE DOOR button. Every elevator offered such a feature. Except this one. There was neither a CLOSE DOOR nor an OPEN DOOR button, neither one labeled EMERGENCY STOP nor one marked ALARM, neither a telephone nor a service intercom, only the numbers, as if this were an elevator that never malfunctioned or required service.
In his peripheral vision, he saw something loom in the open doorway. When he turned to face it directly, he thought the sight would stop his heart, but such an easy end was not his fate.
Chapter 2
The Basement Security Room
Having been shot five times when responding to a domestic-disturbance call, having almost died in the ambulance, having almost died on the operating table, having subsequently contracted a vicious case of viral pneumonia and almost died while recuperating in the hospital, Devon Murphy had quit the police force two years earlier. Although he’d once been a patrol officer, the real deal, he wasn’t in the least embarrassed to spend the rest of his career as a security guard, as what some of his former brothers in blue would call a rent-a-cop or a Barney. Devon didn’t have a macho problem. He didn’t need to prove his toughness. He was only twenty-nine, and he wanted to live, and his chances of living were greatly increased by being a Barney in the Pendleton rather than a target for every thug and crackpot on the city streets.
On the west side of the basement, the security center occupied a room between the superintendent’s apartment and the big heating-cooling plant. The windowless space, eighteen feet by thirty-six feet, felt cozy but not claustrophobic. A microwave, a coffeemaker, a refrigerator, and a sink provided most of the comforts of home.
The khaki uniform was kind of dorky, and all that saved Devon from looking like a janitor was a gun belt, from which were suspended a Mace holder containing a small canister of Sabre pepper spray, a cell-phone holder, work keys, a small LED flashlight, and a swivel holster sheathing a Springfield Armory XDM chambered for .45 ACP. In a luxury condominium like the Pendleton, the likelihood that he’d have to use the pistol was hardly higher than the probability that he’d be abducted by extraterrestrials on his way home from work.
Primarily, he was required to cycle through the twenty-four security cameras in the building. And on a random schedule, twice a shift, he got some fresh air by patrolling the basement, the ground floor, and the courtyard, a beat that took fifteen minutes to cover.
Six wall-mounted plasma screens each presented four security-camera views in a quartered format. With a touch-screen Crestron control, Devon could instantly select any one of the cameras for a full-screen display if he saw something suspicious, which he never did. Seventy-Seven Shadow Street was the most peaceful address in the city.
Both nice people and jerks lived in the Pendleton, but the homeowners’ association treated employees well. Devon was provided with a comfortable Herman Miller office chair. The refrigerator was stocked with bottled water, fresh cream, various flavors of coffee, and all of the fixings for whatever brew might be the favorite of the guard on duty.
He was drinking a Jamaican-Colombian blend with a dash of cinnamon when a breet-breet signal alerted him that someone had opened the lobby door to enter from the street. He looked to the appropriate plasma display, summoned the lobby camera to full screen, and saw Senator Earl Blandon come in from the December night.
Blandon was one of the jerks. He belonged in jail, but he bought his freedom by loading up on attorneys in five-thousand-dollar suits. No doubt he had also threatened to take half his political party down with him if they didn’t put their hands up the backsides of their puppet prosecutors and puppet judges to ensure that the Muppet show called justice would follow the plot he preferred.
Police work had made Devon somewhat cynical.
With Blandon’s thick white hair and Roman-coin face, he still looked like a senator, and he seemed to think that appearance alone should continue to command the respect that he had received before he disgraced his office. He was curt, dismissive, arrogant, and in need of having his ear hair trimmed, a detail that fascinated Devon, who was meticulous about his personal grooming.
Blandon had sopped up so much sauce over the years that he was inoculated against visible displays of inebriation; he no longer revealed his drunkenness with slurred speech or with an unsteady gait. Instead of staggering when he was loaded, he walked taller and threw his shoulders back farther and raised his chin more imperially than when he was sober. The telltales of his intoxication were faultless posture and an almost flamboyant poise.
Norman Fixxer, the night concierge, released the lock on the inner lobby door. A breet-breet signal issued from the security-station door monitor.
Although Blandon belonged in prison instead of in an ultra-luxury condominium, he was nevertheless an apartment owner. Like any resident, he expected to have his privacy even in the public spaces of the Pendleton. Devon Murphy never followed residents, by camera, along hallways and into elevators, except for the ex-senator, who could be singularly entertaining.
Once, having passed through the lobby and reached the ground-floor corridor, he had been too soused to maintain his deceptively regal posture and had dropped to all fours, crawling to the north elevator—and out of it on the third floor. On another post-midnight return, he strode confidently past the elevator, turned the corner into the north wing, seemed suddenly to become disoriented, opened the door to the concierge’s office, evidently mistook it for a bathroom, and urinated on the floor.
That office was now kept locked when not in use.
On this occasion, Blandon found the elevator easily enough, and he boarded it with an air of dignity worthy of a king climbing into his royal carriage. As the doors closed, and after he pressed the button for the third floor, he glanced up once at the security camera in the car, and then he looked around at the bird-and-cloud mural with an expression of pure contempt.
The ex-senator had written two long letters to the homeowners’ association criticizing the mural with what he must have assumed was the erudition of a knowledgeable art connoisseur. The board, on which sat at least one genuine art connoisseur, instead found the letters to be contemptible, confrontational, and alarming. The security staff had not been bluntly told to observe Earl Blandon in the elevator when he returned home inebriated, against the possibility that he might deface the mural, but the suggestion had been made indirectly.
Now, as the elevator passed the second floor, something unprecedented happened. An expression of surprise came over the senator’s face … and swirling currents of blue static, like nothing Devon had seen before, suddenly flushed the image from the screen. The five other screens, quartered into twenty camera shots, also succumbed to the static, and the security system went blind.
Simultaneously, Devon heard low tympanic beats, hollow and strange and barely audible extended notes. Through the soles of his shoes, he felt vibrations in the concrete floor, subtle waves resonating in time with the drumming.
He didn’t become alarmed, because the door and window monitors remained operative, and all the indicator lights were green on the board. No one was forcing entrance at any point. If the sound had grown louder and the accompanying vibrations had accelerated, Devon’s puzzlement and concern might have swelled into apprehension.
The phenomenon continued at a consistent level, however, and after about half a minute, the low drumming faded, the last of the vibrations passed through the floor, and the blue static receded from the plasma screens. The many security-camera points of view returned.
The elevator camera had a wide-angle lens and was mounted near the ceiling at a rear corner of the car, providing coverage of the entire interior, including the doors—which were closed. Earl Blandon was gone. Apparently the car had arrived at the third floor, and the ex-senator had disembarked.
Devon switched to the camera covering the short length of public corridor serving Apartments 3-A and 3-C, and then to the camera that provided a view of the entire long north-wing hallway on the third floor. No Earl Blandon. His was the first apartment in that wing, 3-D, overlooking the courtyard. He must have stepped out of the elevator, turned the corner, and let himself through his front door during the time that the video surveillance failed.
Devon cycled through all twenty-four cameras. Without exception, the public spaces were deserted. The Pendleton remained quiet and still. Evidently, above the basement, the sullen drumming and the vibrations had been so faint that, if anyone had been awakened, no one had been concerned enough to step out of his apartment and have a look around.
Chapter 3
The Basement Pool
Whether upon arising at four o’clock in the morning, as now, or after work, Bailey Hawks preferred to swim laps with only the underwater lights, the rest of the long room dark, the pool a great glowing jewel, bright watery reflections fluttering like diaphanous wings across the white ceramic-tile walls and ceiling. The pleasantly warm pool, the astringent scent of chlorine, the slish-slish of his limbs parting the water, the gentle swash of wavelets lapping at the pale-blue tiles … The tense expectation that preceded a trading day and the mental fatigue that followed one were sluiced from him when he swam.
He got out of bed before dawn to exercise, have breakfast, and be at his desk when the markets opened, but rising early was not the cause of the exhaustion that he felt by every Friday evening. A day spent investing other people’s money could sometimes leave him as weary as any day of combat when he’d been a marine. At thirty-eight, he was in his sixth year as an independent wealth manager, after having worked for a major investment bank for three years following his military career. During his first year at the bank, he’d thought that eventually, as success built his confidence, he would be less oppressed by the responsibility to protect and grow his clients’ assets. But the burden never became lighter. Money could be a kind of freedom. If he lost a portion of someone’s investments, he would be throwing away a measure of that client’s liberty.