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CHAPTER IX. FLATTERY

Within a year Walter began to be known—to the profession, at least—as a promising writer; and was already, to more than a few, personally known as a very agreeable, gentlemanly fellow, so that in the following season he had a good many invitations. It was by nothing beyond the ephemeral that he was known; but may not the man who has invented a good umbrella one day build a good palace? His acquaintance was considerably varied, but of the social terraces above the professional, he knew for a time nothing.

One evening, however, he happened to meet, and was presented to Lady Tremaine: she had asked to have the refined-looking young man, of whom she had just heard as one of the principal writers in the “Field Battery,” introduced to her. She was a matronly, handsome woman, with cordial manners and a cold eye; frank, easy, confident, unassuming. Under the shield of her position, she would walk straight up to any subject, and speak her mind of it plainly. It was more than easy to become acquainted with her when she chose.

The company was not a large one, and they soon found themselves alone in a quiet corner.

“You are a celebrated literary man, Mr. Colman, they tell me!” said Lady Tremaine.

“Not in the least,” answered Walter. “I am but a poor hack.”

“It is well to be modest; but I am not bound to take your description of yourself. Your class at least is in a fair way to take the lead!”

“In what, pray?”

“In politics, in society, in everything.”

“You ladyship can not think it desirable.”

“I do not pretend to desire it. I am not false to my own people. But the fact remains that you are coming to the front, and we are falling behind. And the sooner you get to the front, the better it will be for the world, and for us too.”

“I can not say I understand you.”

“I will tell you why. There are now no fewer than three aristocracies. There is one of rank, and one of brains. I belong to the one, you to the other. But there is a third.”

“If you recognize the rich as an aristocracy, you must allow me to differ from you—very much!”

“Naturally. I quite agree with you. But what can your opinion and mine avail against the rising popular tide! All the old families are melting away, swallowed by the nouveaux riches. I should not mind, or at least I should feel it in me to submit with a good grace, if we were pushed from our stools by a new aristocracy of literature and science, but I do rebel against the social régime which is every day more strongly asserting itself. All the gradations are fast disappearing; the palisades of good manners, dignity, and respect, are vanishing with the hedges; the country is positively inundated with slang and vulgarity—all from the ill-breeding, presumption, and self-satisfaction of new people.”

Walter felt tempted to ask whether it was not the fault of the existent aristocracy in receiving and flattering them; whether it could not protect society if it would; whether in truth the aristocracy did not love, even honor money as much as they; but he was silent.

As if she read his thought, Lady Tremaine resumed:

“The plague of it is that younger sons must live! Money they must have!—and there’s the gate off the hinges! The best, and indeed the only thing to help is, that the two other aristocracies make common cause to keep the rich in their proper place.”

It was not a very subtle flattery, but Walter was pleased. The lady saw she had so far gained her end, for she had an end in view, and changed the subject.

“You go out of an evening, I see!” she said at length. “I am glad. Some authors will not.”

“I do when I can. The evening, however, to one who—who—”

“—Has an eye on posterity! Of course! It is gold and diamonds! How silly all our pursuits must appear in your eyes! But I hope you will make an exception in my favor!”

“I shall be most happy,” responded Walter, cordially.

“I will not ask you to come and be absorbed in a crowd—not the first time at least! Gould you not manage to come and see me in the morning?”

“I am at your ladyship’s service,” replied Walter.

“Then come—let me see!—the day after to-morrow—about five o’clock. 17, Goodrich Square.”

Walter could not but be flattered that Lady Tremaine was so evidently pleased with him. She called his profession an aristocracy too! therefore she was not patronizing him, but receiving him on the same social level! We can not blame him for the inexperience which allowed him to hold his head a little higher as he walked home.

There was little danger of his forgetting the appointment. Lady Tremaine received him in what she called her growlery, with cordiality. By and by she led the way toward literature, and after they had talked of several new books—

“We are not in this house altogether strange,” she said, “to your profession. My daughter Lufa is an authoress in her way. You, of course, never heard of her, but it is twelve months since her volume of verse came out.”

Surely Walter had, somewhere about that time, when helping his friend Sullivan, seen a small ornate volume of verses, with a strange name like that on the title-page! Whether he had written a notice of it he could not remember.

“It was exceedingly well received—for a first, of course! Lufa hardly thought so herself, but I told her what could she expect, altogether unknown as she was. Tell me honestly, Mr. Colman, is there not quite as much jealousy in your profession as in any other?”

Walter allowed it was not immaculate in respect of envy and evil speaking.

“You have so much opportunity for revenge, you see!” said Lady Tremaine; “and such a coat of darkness for protection! With a few strokes of the pen a man may ruin his rival!”

“Scarcely that!” returned Walter. “If a book be a good book, the worst of us can not do it much harm; nor do I believe there are more than a few in the profession who would condescend to give a false opinion upon the work of a rival; though doubtless personal feeling may pervert the judgment.”

“That, of course,” returned the lady, “is but human! You can not deny, however, that authors occasionally make furious assaults on each other!”

“Authors ought not to be reviewers,” replied Walter. “I fancy most reviewers avoid the work of an acquaintance even, not to say a friend or enemy.”

The door opened, and what seemed to Walter as lovely a face as could ever have dawned on the world, peeped in, and would have withdrawn.

“Lufa,” said Lady Tremaine, “you need not go away. Mr. Colman and I have no secrets. Come and be introduced to him.”

She entered—a small, pale creature, below the middle height, with the daintiest figure, and child-like eyes of dark blue, very clear, and—must I say it?—for the occasion “worn” wide. Her hair was brown, on the side of black, divided in the middle, and gathered behind in a great mass. Her dress was something white, with a shimmer of red about it, and a blush-rose in the front. She greeted Walter in the simplest, friendliest way, holding out her tiny hand very frankly. Her features were no smaller than for her size they ought to be, in themselves perfect, \Walter thought, and in harmony with her whole being and carriage. Her manner was a gentle, unassuming assurance—almost as if they knew each other, but had not met for some time. Walter felt some ancient primeval bond between them—dim, but indubitable.

The mother withdrew to her writing-table, and began to write, now and then throwing in a word as they talked. Lady Lufa seemed pleased with her new acquaintance; Walter was bewitched. Bewitchment I take to be the approach of the real to our ideal. Perhaps upon that, however, depends even the comforting or the restful. In the heart of every one lies the necessity for homeliest intercourse with the perfectly lovely; we are made for it. Yet so far are we in ourselves from the ideal, which no man can come near until absolutely devoted to its quest, that we continually take that for sufficing which is a little beyond.

“I think, Mr. Colman, I have seen something of yours! You do put your name to what you write?” said Lady Lufa.

“Not always,” replied Walter.

“I think the song must have been yours!”

Walter had, just then, for the first time published a thing of his own. That it should have arrested the eye of this lovely creature! He acknowledged that he had printed a trifle in “The Observatory.”

“I was charmed with it!” said the girl, the word charmingly drawled.

“The merest trifle!” remarked Walter. “It cost me nothing.”

He meant what he said, unwilling to be judged by such a slight thing.

“That is the beauty of it!” she answered. “Your song left your soul as the thrush’s leaves his throat. Should we prize the thrush’s more if we came upon him practicing it?”

Walter laughed.

“But we are not meant to sing like the birds!”

“That you could write such a song without effort, shows you to possess the bird-gift of spontaneity.”

Walter was surprised at her talk, and willing to believe it profound.

“The will and the deed in one may be the highest art!” he said. “I hardly know.”

“May I write music to it?” asked Lady Lufa, with upward glance, sweet smile, and gently apologetic look.

“I am delighted you should think of doing so. It is more than it deserves!” answered Walter. “My only condition is, that you will let me hear it.”

“That you have a right to. Besides, I dared not publish it without knowing you liked it.”

“Thank you so much! To hear you sing it will let me know at once whether the song itself be genuine.”

“No, no! I may fail in my part, and yours be all I take it to be. But I shall not fail. It holds me too fast for that!”

“Then I may hope for a summons?” said Walter, rising.

“Before long. One can not order the mood, you know!”

CHAPTER X. THE ROUND OF THE WORLD

Birds when they leave the nest carry, I presume, their hearts with them; not a few humans leave their hearts behind them—too often, alas! to be sent for afterward. The whole round of the world, many a cloud-rack on the ridge of it, and many a mist on the top of that, rises between them and the eyes and hearts which gave their very life that they might live. Some as they approach middle age, some only when they are old, wake up to understand that they have parents. To some the perception comes with their children; to others with the pang of seeing them walk away light-hearted out into the world, as they themselves turned their backs on their parents: they had been all their own, and now they have done with them! Less or more, have we not all thus taken our journey into a far country? But many a man of sixty is more of a son to the father gone from the earth, than he was while under his roof. What a disintegrated mass were the world, what a lump of half-baked brick, if death were indeed the end of affection! if there were no chance more of setting right what was so wrong in the loveliest relations! How gladly would many a son who once thought it a weariness to serve his parents, minister now to their lightest need! and in the boundless eternity is there no help?

Walter was not a prodigal; he was a well-behaved youth. He was only proud, only thought much of himself; was only pharisaical, not hypocritical; was only neglectful of those nearest him, always polite to those comparatively nothing to him! Compassionate and generous to necessity, he let his father and his sister-cousin starve for the only real food a man can give, that is, himself. As to him who thought his very thoughts into him, he heeded him not at all, or mocked him by merest ceremony. There are who refuse God the draught of water He desires, on the ground that their vessel is not fit for Him to drink from: Walter thought his too good to fill with the water fit for God to drink.

He had the feeling, far from worded, not even formed, but certainly in him, that he was a superior man to his father. But it is a fundamental necessity of the kingdom of heaven, impossible as it must seem to all outside it, that each shall count other better than himself; it is the natural condition of the man God made, in relation to the other men God has made. Man is made, not to contemplate himself, but to behold in others the beauty of the Father. A man who lives to meditate upon and worship himself, is in the slime of hell. Walter knew his father a reading man, but because he had not been to a university, placed no value on his reading. Yet this father was a man who had intercourse with high countries, intercourse in which his son would not have perceived the presence of an idea.

In like manner, Richard’s carriage of mind, and the expression of the same in his modes and behavior, must have been far other than objectionable to the ushers of those high countries; his was a certain quiet, simply, direct way, reminding one of Nathanael, in whom was no guile. In another man Walter would have called it bucolic; in his father he shut his eyes to it as well as he could, and was ashamed of it. He would scarcely, in his circle, be regarded as a gentleman! he would look odd! He therefore had not encouraged the idea of his coming to see him. He was not satisfied with the father by whom the Father of fathers had sent him into the world! But Richard was the truest of gentlemen even in his outward carriage, for he was not only courteous and humble, but that rare thing—natural; and the natural, be it old as the Greek, must be beautiful. The natural dwells deep, and is not the careless, any more than the studied or assumed.

Walter loved his father, but the root of his love did not go deep enough to send aloft a fine flower: deep in is high out. He seldom wrote, and wrote briefly. He did not make a confidant of his father. He did not even tell him what he was doing, or what he hoped to do. He might mention a success, but of hopes, fears, aspirations, or defeats, or thoughts or desires, he said nothing. As to his theories, he never imagined his father entering into such things as occupied his mind! The ordinary young man takes it for granted that he and the world are far ahead of “the governor;” the father may have left behind him, as nebulae sinking below the horizon of youth, questions the world is but just waking to put.

The blame, however, may lie in part at the parent’s door. The hearts of the fathers need turning to the children, as much as the hearts of the children need turning to the fathers. Few men open up to their children; and where a man does not, the schism, the separation begins with him, for all his love be deep and true. That it is unmanly to show one’s feelings, is a superstition prevalent with all English-speaking people. Now, wherever feeling means weakness, falsehood, or excitement, it ought not merely not be shown, but not to exist; but for a man to hide from his son his loving and his loathing, is to refuse him the divinest fashion of teaching. Richard read the best things, and loved best the best writers: never once had he read a poem with his son, or talked to him about any poet! If Walter had even suspected his father’s insight into certain things, he would have loved him more. Closely bound as they were, neither knew the other. Each would have been astonished at what he might have found in the other. The father might have discovered many handles by which to lay hold of his son; the son might have seen the lamp bright in his father’s chamber which he was but trimming in his.

CHAPTER XI. THE SONG

AT length came the summons from Lady Lufa to hear her music to his verses.

It was not much of a song, neither did he think it was.

There was a little music in the verses, and they had a meaning—though not a very new or valuable one.

He went in the morning—the real, not the conventional—and was shown into the drawing-room, his heart beating with expectation. Lady Lufa was alone, and already at the piano. She was in a gray stuff with red rosebuds, and looked as simple as any country parson’s daughter. She gave him no greeting beyond a little nod, at once struck a chord or two, and began to sing.

Walter was charmed. The singing, and the song through the singing, altogether exceeded his expectation. He had feared he should not be able to laud heartily, for he had not lost his desire to be truthful—but she was an artist! There was indeed nothing original in her music; it was mainly a reconstruction of common phrases afloat in the musical atmosphere; but she managed the slight dramatic element in the lyric with taste and skill, following tone and sentiment with chord and inflection; so that the music was worthy of the verses—which is not saying very much for either; while the expression the girl threw into the song went to the heart of the youth, and made him foolish.

She ceased; he was silent for a moment, then fervent in thanks and admiration.

“The verses are mine no more,” he said. “I shall care for them now!”

“You won’t mind if I publish them with the music?”

“I shall feel more honored than I dare tell you. But how am I to go to my work after this taste of paradise! It was too cruel of you, Lady Lufa, to make me come in the morning!”

“I am very sorry!”

“Will you grant me one favor to make up?”

“Yes.”

“Never to sing the song to any one when I am present. I could not bear it.”

“I promise,” she answered, looking up in his face with a glance of sympathetic consciousness.

There was an acknowledged secret between them, and Walter hugged it.

“I gave you a frozen bird,” he said, “and you have warmed it, and made it soar and sing.”

“Thank you; a very pretty compliment!” she answered—and there was a moment’s silence.

“I am so glad we know each other!” she resumed. “You could help me so much if you would! Next time you come, you must tell me something about those old French rhymes that have come into fashion of late! They say a pretty thing so much more prettily for their quaint, antique, courtly liberty! The triolet now—how deliriously impertinent it is! Is it not?”

Walter knew nothing about the old French modes of versifying; and, unwilling to place himself at a disadvantage, made an evasive reply, and went. But when at length he reached home, it was with several ancient volumes, among the rest “Clement Marot,” in pockets and hands. Ere an hour was over, he was in delight with the variety of dainty modes in which, by shape and sound, a very pretty French something was carved out of nothing at all. Their fantastic surprises, the ring of their bell-like returns upon themselves, their music of triangle and cymbal, gave him quite a new pleasure. In some of them poetry seemed to approach the nearest possible to bird-song—to unconscious seeming through most conscious art, imitating the carelessness and impromptu of warblings as old as the existence of birds, and as new as every fresh individual joy; for each new generation grows its own feathers, and sings its own song, yet always the feathers of its kind, and the song of its kind.

The same night he sent her the following triolet

In the evening came a little note, with a coronet on the paper, but neither date nor signature:

“Perfectly delicious! How can such a little gem hold so much color? Thank you a thousand times!”

CHAPTER XII. LOVE

By this Walter was in love with Lady Lufa. He said as much to himself, at least; and in truth he was almost possessed with her. Every thought that rose in his mind began at once to drift toward her. Every hour of the day had a rose-tinge from the dress in which he first saw her.

One might write a long essay on this they call love, and yet contribute little to the understanding of it in the individual case. Its kind is to be interpreted after the kind of person who loves. There are as many hues and shades, not to say forms and constructions of love, as there are human countenances, human hearts, human judgments and schemes of life. Walter had not been an impressionable youth, because he had an imagination which both made him fastidious, and stood him in stead of falling in love. When a man can give form to the things that move in him, he is less driven to fall in love. But now Walter saw everything through a window, and the window was the face of Lufa. His thinking was always done in the presence and light of that window. She seemed an intrinsic component of every one of his mental operations. In every beauty and attraction of life he saw her. He was possessed by her, almost as some are possessed by evil spirits. And to be possessed, even by a human being, may be to take refuge in the tombs, there to cry, and cut one’s self with fierce thoughts.

But not yet was Walter troubled. He lived in love’s eternal present, and did not look forward. Even jealousy had not yet begun to show itself in any shape. He was not in Lady Lufa’s set, and therefore not much drawn to conjecture what might be going on. In the glamour of literary ambition, he took for granted that Lady Lufa allotted his world a higher orbit than that of her social life, and prized most the pleasures they had in common, which so few were capable of sharing.

She had indeed in her own circle never found one who knew more of the refinements of verse than a school-girl does of Beethoven; and it was a great satisfaction to her to know one who not merely recognized her proficiency, but could guide her further into the depths of an art which every one thinks he understands, and only one here and there does. It was therefore a real welcome she was able to give him when they met, as they did again and again during the season. How much she cared for him, how much she would have been glad to do for him, my reader shall judge for himself. I think she cared for him very nearly as much as for a dress made to her liking. An injustice from him would have brought the tears into her eyes. A poem he disapproved of she would have thrown, aside, perhaps into the fire.