Home Again

CHAPTER XIII. “HOME IS WHERE THE HEART IS.”

London was very hot, very dusty, and as dreary as Walter had anticipated. When Lufa went, the moon went out of the heavens, the stars chose banishment with their mistress, and only the bright, labor-urging sun was left.

He might now take a holiday when he pleased, and he had money enough in hand. His father wanted him to pay them a visit; but what if an invitation to Comberidge should arrive! Home was a great way in the other direction! And then it would be so dull! He would of course be glad to see his father! He ought to go! He was owing there! What was he to do? He would not willingly even run the risk of losing his delight, for the sake of his first, best, truest earthly friend!

But he must take his holiday now, in the slack of the London year, and the heat was great! He need not be all day with his father, and the thought of Lufa would be entrancing in the wide solitudes of the moor! Molly he scarce thought of, and his aunt was to be forgotten. He would go for a few days, he said, thus keeping the door open for a speedy departure.

Just before he left, the invitation did arrive. He would have a week to dream about it under the old roof!

His heart warmed a little as he approached his home. Certain memories came to meet him. The thought of his mother was in the air. How long it was since she had spoken to him! He remembered her and his father watching by his bed while he tossed in a misery of which he could even now recall the prevailing delirious fancies. He remembered his mother’s last rebuke; for insolence to a servant; remembered her last embrace, her last words; and his heart turned tenderly to his father. Yet when he entered the house and faced the old surroundings, an unexpected gloom overclouded him. Had he been heart-free and humble, they would have been full of delight for him; but pride had been busy in his soul. Its home was in higher planes! How many essential refinements, as he foolishly and vulgarly counted them, were lacking here! What would Lady Lufa think of his entourage? Did it well become one of the second aristocracy? He had been gradually filling with a sense of importance—which had no being except in his own brain; and the notion took the meanest of mean forms—that of looking down on his own history. He was too much of a gentleman still not to repress the show of the feeling, but its mere presence caused a sense of alienation between him and his. When the first greetings were over, nothing came readily to follow. The wave had broken on the shore, and there was not another behind it. Things did not, however, go badly; for the father when disappointed always tried to account for everything to the advantage of the other; and on his part, Walter did his best to respond to his father’s love-courtesy. He was not of such as keep no rule over themselves; not willingly would he allow discomfort to wake temper; he did not brood over defect in those he loved; but it did comfort him that he was so soon to leave his uncongenial surroundings, and go where all would be as a gentleman desired to see it. No one needs find it hard to believe such snobbishness in a youth gifted like Walter Colman; for a sweet temper, fine sympathies, warmth of affection, can not be called a man’s own, so long as he has felt and acted without co-operation of the will; and Walter had never yet fought a battle within himself. He had never set his will against his inclination. He had, indeed, bravely fronted the necessity of the world, but we can not regard it as assurance of a noble nature that one is ready to labor for the things that are needful. A man is indeed contemptible who is not ready to work; but not to be contemptible is hardly to be honorable. Walter had never actively chosen the right way, or put out any energy to walk in it. There are usurers and sinners nearer the kingdom of heaven than many a respectable, socially successful youth of education and ambition. Walter was not simple. He judged things not in themselves, but after an artificial and altogether foolish standard, for his aim was a false one—social distinction.

The ways of his father’s house were nowise sordid, though so simple that his losses had made scarcely a difference in them; they were hardly even humble—only old-fashioned; but Walter was ashamed of them. He even thought it unlady-like of Molly to rise from the table to wait on her uncle or himself; and once, when she brought the tea-kettle in her own little brown hand, he actually reproved her.

The notion that success lies in reaching the modes of life in the next higher social stratum; the fancy that those ways are the standard of what is worthy, becoming, or proper; the idea that our standing is determined by our knowledge of what is or is not the thing, is one of the degrading influences of modern times. It is only the lack of dignity at once and courtesy that makes such points of any interest or consequence.

Fortunately for Walter’s temper, his aunt was discreetly silent, too busy taking the youth’s measure afresh to talk much; intent on material wherewith to make up her mind concerning him. She had had to alter her idea of him as incapable of providing his own bread and cheese; but as to what reflection of him was henceforth to inhabit the glass of her judgment, she had not yet determined, further than that it should be an unfavorable one.

It was a relief when bed-time came, and he was alone in what was always called his room, where he soon fell asleep, to dream of Lufa and the luxuries around her—facilities accumulated even to incumbrance, and grown antagonistic to comfort, as Helots to liberty. How different from his dreams were the things that stood around them! how different his thoughts from those of the father who knelt in the moonlight at the side of his bed, and said something to Him who never sleeps! When he woke, his first feeling was a pang: the things about him were as walls between him and Lufa!

From indifference, or preoccupation—from some cause—he avoided any tête-à-tête with Molly. He had no true idea of the girl, neither indeed was capable of one. She was a whole nature; he was of many parts, not yet begun to cohere. This unlikeness, probably, was at the root of his avoidance of her. Perhaps he had an undefined sense of rebuke, and feared her without being aware of it. Never going further than half-way into a thing, he had never relished Molly’s questions; they went deeper than he saw difficulty; he was not even conscious of the darkness upon which Molly desired light cast. And now when, either from instinct, or sense of presence, he became aware that Molly was looking at him, he did not like it; he felt as if she saw some lack of harmony, between his consciousness and his history. He was annoyed, even irritated, with the olive-cheeked, black-eyed girl, who had been for so many years like his sister: she was making remarks upon him in that questioning laboratory of her brain!

Molly was indeed trying to understand what had gone different between them. She had never felt Walter come very near her, for he was not one who had learned, or would easily learn, to give himself; and no man who does not give at least something of himself, gives anything; but now she knew that he had gone further away, and she saw his father look disappointed. To Molly it was a sad relief when his departure came. They had not once disputed; she had not once offered him a penny for his thoughts, or asked him a single question, yet he did not even want her to go to the station with him.

CHAPTER XIV. A MIDNIGHT REVIEW

From Comberidge a dog-cart had been sent to meet him at the railway. He drove up the avenue as the sun was setting behind the house, and its long, low, terraced front received him into a cold shadow. The servant who opened the door said her ladyship was on the lawn; and following him across the hall, Walter came out into the glory of a red sunset. Like a lovely carpet, or rather, like a green, silent river, the lawn appeared to flow from the house as from its fountain, issuing by the open doors and windows, and descending like a gentle rapid, to lose itself far away among trees and shrubs. Over it were scattered groups and couples and individuals, looking like the creatures of a half-angelic paradise. A little way off, under the boughs of a huge beech-tree, sat Lufa, reading, with a pencil in her hand as if she made notes. As he stepped from the house, she looked up and saw him. She laid her book on the grass, rose, and came toward him. He went to meet her, but the light of the low sun was directly in his eyes, and he could not see her shadowed face. But her voice of welcome came athwart the luminous darkness, and their hands found each other. He thought hers trembled, but it was his own. She led him to her mother.

“I am glad to see you,” said Lady Tremaine. “You are just in time!”

“For what, may I ask?” returned Walter.

“It is out at last!”

“No, mamma,” interrupted Lufa; “the book is not out! It is almost ready, but I have only had one or two early copies. I am so glad Mr. Colman will be the first to see it! He will prepare me for the operation!”

“What do you mean?” asked Walter, bewildered. It was the first word he had heard of her new book.

“Of course I shall be cut up! The weekly papers especially would lose half their readers did they not go in for vivisection! But mamma shouldn’t have asked you now!”

“Why?”

“Well—you mightn’t—I shouldn’t like you to feel an atom less comfortable in speaking your mind.”

“There is no fear of that sort in my thoughts,” answered Walter, laughing.

But it troubled him a little that she had not let him know what she was doing.

“Besides,” he went on, “you need never know what I think. There are other reviewers on the ‘Battery!’”

“I should recognize your hand anywhere! And more than that, I should only have to pick out the most rigid and unbending criticism to know which must be yours. It is your way, and you know it! Are you not always showing me up to myself! That’s why I was in such mortal terror of your finding out what I was doing. If you had said anything to make me hate my work,” she went on, looking up at him with earnest eyes, “I should never have touched it again; and I did want to finish it! You have been my master now for—let me see—how many months? I do not know how I shall ever thank you!” Here she changed tone. “If I come off with a pound of flesh left, it will be owing entirely to the pains you have taken with me! I wonder whether you will like any of my triolets! But it is time to dress for dinner, so I will leave you in peace—but not all night, for when you go to bed you shall take your copy with you to help you asleep.”

While dressing he was full of the dread of not liking the book well enough to praise it as he wished. A first book was nothing, he said to himself; it might be what it would; but the second—that was another matter! He recalled what first books he knew. “Poems by Two Brothers” gave not a foretaste of what was to come so soon after them! Shelley’s prose attempts in his boyhood were below criticism! Byron’s “Hours of Idleness” were as idle as he called them! He knew what followed these and others, but what had followed Lady Lufa’s? That he was now to discover! What if it should be no better than what preceded! For his own part he did not, he would not much care. It was not for her poetry, it was for herself he loved her! What she wrote was not she, and could make no difference! It was not as if she had no genuine understanding of poetry, no admiration or feeling for it! A poet could do well enough with a wife who never wrote a verse, but hardly with one who had no natural relation to it, no perception what it was! A poet in love with one who laughed at his poetry!—that would want scanning! What or wherein could be their relation to each other?

He is a poor poet—and Walter was such a poet—who does not know there are better things than poetry. Keats began to discover it just ere he died.

Walter feared therefore the coming gift, as he might that of a doubted enchantress. It was not the less a delight, however, to remember that she said “your copy.” But he must leave thinking and put on his neck-tie! There are other things than time and tide that wait for no man!

Lady Tremaine gave him Lufa, and she took his arm with old familiarity. The talk at table was but such as it could hardly help being—only for Walter it was talk with Lufa! The pleasure of talk often owes not much to the sense of it. There is more than the intellect concerned in talk; there is more at its root than fact or logic or lying.

When the scene changed to the drawing-room, Lufa played tolerably and sung well, delighting Walter. She asked and received his permission to sing “my song,” as she called it, and pleased him with it more than ever. He managed to get her into the conservatory, which was large, and there he talked much, and she seemed to listen much. It was but the vague, twilight, allusive talk which, coming readily to all men in love, came the more readily to one always a poet, and not merely a poet by being in love. Every one in love sees a little further into things, but few see clearly, and hence love-talk has in general so little meaning. Ordinary men in love gain glimpses of truth more and other than they usually see, but from having so little dealing with the truth, they do not even try to get a hold of it, they do not know it for truth even when dallying with it. It is the true man’s dreams that come true.

He raised her hand to his lips as at length she turned toward the drawing-room, and he thought she more than yielded it, but could not be sure. Anyhow she was not offended, for she smiled with her usual sweetness as she bade him good-night.

“One instant, Mr. Colman!” she added: “I promised you a sedative! I will run and get it. No, I won’t keep you; I will send it to your room.”

He had scarce shut his door when it opened again, and there was Lufa.

“I beg your pardon!” she said; “I thought you would not be come up, and I wanted to make my little offering with my own hand: it owes so much to you!”

She slipped past him, laid her book on his table, and went.

He lighted his candles with eager anxiety, and took it up. It was a dramatic poem of some length, daintily bound in white vellum, with gilt edges. On the title-page was written “The Master’s Copy,” with the date and Lufa’s initials. He threw himself into a great soft chair that with open arms invited him, and began to read.

He had taken champagne pretty freely at dinner; his mind was yet in the commotion left by the summer-wind of their many words that might seem so much; he felt his kiss on her dainty hand, and her pressure of it to his lips; as he read, she seemed still and always in the door-way, entering with the book; its inscription was continually turning up with a shine: such was the mood in which he read the poem. Through he read it, every word, some of it many times; then rose and went to his writing-table, to set down his judgment of his lady’s poem. He wrote and wrote, almost without pause. The dawn began to glimmer, the red blood of the morning came back to chase the swoon of the night, ere at last, throwing down his pen, he gave a sigh of weary joy, tore off his clothes, plunged into his bed, and there lay afloat on the soft waves of sleep. And as he slept, the sun came slowly up to shake the falsehood out of the earth.

CHAPTER XV. REFLECTION

Walter slept until nearly noon, then rose, very weary, but with a gladness at his heart. On his table were spread such pages as must please Lufa! His thoughts went back to the poem, but, to his uneasy surprise, he found he did not recall it with any special pleasure. He had had great delight in reading it, and in giving shape to his delight, but he could not now think what kind of thing it was that had given him such satisfaction. He had worked too long, he said to himself, and this was the reaction; he was too tired to enjoy the memory of what he had so heartily admired. Aesthetic judgment was so dependent on mood! He would glance over what he had done, correct it a little, and inclose it for the afternoon post, that it might appear in the next issue!

He drank the cup of cold tea by his bedside, sat down, and took up his hurriedly written sheets. He found in them much that seemed good work—of his own; and the passages quoted gave ostensible grounds for the remarks made upon them; but somehow the whole affair seemed quite different. The review would incline any lover of verse to read the book; and the passages cited were preceded and followed by rich and praiseful epithets; but neither quotations nor remarks moved in him any echo of response. He gave the manuscript what correction it required, which was not much, for Walter was an accurate as well as ready writer, laid it aside, and took up the poem.

What could be the matter? There was nothing but embers where had been glow and flame! Something must be amiss with him! He recalled an occasion on which, feeling similarly with regard to certain poems till then favorites, he was sorely troubled, but a serious attack of illness very soon relieved his perplexity: something like it most surely be at hand to account for the contradiction between Walter last night and Walter this morning! Closer and closer he scanned what he read, peering if he might to its very roots, in agonized endeavor to see what he had seen as he wrote. But his critical consciousness neither acknowledged what he had felt, nor would grant him in a condition of poetic collapse. He read on and on; read the poem through; turned back, and read passage after passage again; but without one individual approach to the revival of former impression. “Commonplace! commonplace!” echoed in his inner ear, as if whispered by some mocking spirit. He argued that he had often found himself too fastidious. His demand for finish ruined many of his verses, rubbing and melting and wearing them away, like frost and wind and rain, till they were worthless! The predominance and overkeenness of the critical had turned in him to disease! His eye was sharpened to see the point of a needle, but a tree only as a blotted mass! A man’s mind was meant to receive as a mirror, not to concentrate rays like a convex lens! Was it not then likely that the first reading gave the true impression of the ethereal, the vital, the flowing, the iridescent? Did not the solitary and silent night brood like a hen on the nest of the poet’s imaginings? Was it not the night that waked the soul? Did not the commonplace vanish along with the “garish” day? How then could its light afford the mood fit for judging a poem—the cold sick morning, when life is but half worth living! Walter did not think how much champagne he had taken, nor how much that might have to do with one judgment at night and another in the morning. “Set one mood against another,” he said, conscious all the time it was a piece of special pleading, “and the one weighs as much as the other!” For it was horrible to him to think that the morning was the clear-eyed, and that the praise he had lavished on the book was but a vapor of the night. How was he to carry himself to the lady of his love, who at most did not care half as much for him as for her book?

How poetry could be such a passion with her when her own was but mediocre, was a question Walter dared not shape—not, however, that he saw the same question might be put with regard to himself: his own poetry was neither strong nor fresh nor revealing. He had not noted that an unpoetic person will occasionally go into a mild ecstasy over phrase or passage or verse in which a poet may see little or nothing.

He came back to this:—his one hour had as good a claim to insight as his other; if he saw the thing so once, why not say what he had seen? Why should not the thing stand? His consciousness of the night before had certainly been nearer that of a complete, capable being, than that of to-day! He was in higher human condition then than now!