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Copyright
4th Estate
An imprint of HarperCollinsPublishers
1 London Bridge Street
London SE1 9GF
www.4thEstate.co.uk
This eBook first published in Great Britain by 4th Estate in 2020
Copyright © Eleanor Wasserberg, 2020
Jacket photograph © Shutterstock
Eleanor Wasserberg asserts the moral right to be identified as the author of this work
A catalogue record for this book is available from the British Library
‘There is a gold light in certain old paintings’ from Collected Poems by Donald Justice copyright © 2004 by Donald Justice. Used by permission of Alfred A. Knopf, an imprint of the Knopf Doubleday Publishing Group, a division of Penguin Random House LLC. All rights reserved.
This story collection is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins
Source ISBN: 9780008164133
Ebook Edition © July 2020 ISBN: 9780008164164
Version: 2020-06-05
Dedication
This book is dedicated to Ignace, to Jerzy (George) and to Mark Stefan
Epigraph
There is a gold light in certain old paintings
That represents a diffusion of sunlight.
It is like happiness, when we are happy.
It comes from everywhere and from nowhere at once, this light …
The world is very dusty, uncle. Let us work.
One day the sickness shall pass from the earth for good.
The orchard will bloom; someone will play the guitar.
Our work will be seen as strong and clean and good.
And all that we suffered through having existed
Shall be forgotten as though it had never existed.
‘There is a gold light in certain old paintings’
DONALD JUSTICE
Contents
Cover
Title Page
Copyright
Dedication
Epigraph
Kraków, 1939
Chapter 1
Chapter 2
Kraków, 1937–1938
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Kraków, 1939
Chapter 17
Chapter 18
Chapter 19
Lwów, 1939–1940
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Chapter 24
Chapter 25
Chapter 26
Chapter 27
Chapter 28
Chapter 29
Chapter 30
Chapter 31
Chelyabinsk, 1940
Chapter 32
Chapter 33
Chapter 34
Chapter 35
Kraków, 1939–1940
Chapter 36
Chapter 37
Chapter 38
Kraków, 1945
Chapter 39
Chapter 40
Chapter 41
Chapter 42
Kraków, 1946
Chapter 43
Kraków, 1977
Chapter 44
Kraków, 2009
Chapter 45
Kraków, 1939
Chapter 46
Acknowledgements
About the Author
About the Publisher
1
THE ODERFELDT APARTMENT was the last building on the grand Ulica Bernardyńska, its final, corner jewel. One side looked out over the river, but it was the sight from the dining room the neighbours envied: a perfect view of Wawel Castle. The red brick walls of the Wawel jutted out into the street, as though reaching for their neighbour, and a turret sat exactly opposite the window of the main drawing room, as though they had been designed to mirror each other. Dining in that drawing room under the gaze of portrait faces in golden frames, many imagined they were at the Wawel itself, some state occasion, looking out over the terraces and turrets, the flash of green lawn. Adam Oderfeldt liked to smoke his pipe on the apartment terrace with his artist friends, and watch the sky darken over the green-tinged tower tops. On summer evenings the family threw open the windows and invited neighbours and friends for parties in the shadow of the heart of Poland.
Janina Kardas was navigating her way towards the Oderfeldt apartment, in the strangely cheerful sunshine of early afternoon. She wore her best clothes: a fur hat and a heavy winter coat, beautifully tailored with a matching ermine trim. The coat and hat were too warm for early September in the city, but she wished to display herself today as a woman of obvious good breeding. She remembered snatches of German refugee tales, how people were stopped in the street. She imagined herself seized, accosted, jostled, until the attacker, in some kind of uniform, noticed her coat, her hat, and looked then into her delicately lined face, not young or pretty enough to be in danger, she comforted herself, but somehow authoritative. He would step back, uneasy, for surely she knew people, surely her husband was someone of importance? And Janina’s imaginary self sneered a little, tugged her clothing back into place, patted her hat back onto its perch, and strode away.
Janina passed the shuttered bakery. Two weeks ago the baker had been holding forth yet again, lectures that war was coming. It had been the same for weeks, pastries and doom, and she was irritated by it. The shelves and displays had all been empty that day, and upstairs, heavy footsteps had dragged heavier furniture.
‘You’re leaving?’
‘It will happen soon,’ he’d said, chewing the thin lips on his lean face, so wrong for a baker, who really ought to be fat, adding, ‘I’m going to Lwów, I’m not sticking around.’
‘But my rolls and doughnuts,’ she had replied.
The baker had rolled his thin lips in and out then leaned in so she could smell the ginger on his breath. ‘You are crazy,’ he whispered. ‘You should get out of Kraków. You and all your … set.’ He nodded slowly as though passing on a secret code.
‘What a lot of hysteria!’ she said. She lowered her voice. ‘I’m not some poor Jew in Germany. And so what about my pastries? Am I to starve because of your paranoia?’ The baker shrugged, dismissing her, and she swept out past a group of poorer women who had caught the idea ‘war’ in the room and were worrying about it. Only a week or so later, Janina thought the word ‘war’ had become so familiar it had lost its sting, until the radio spoke it, and she could have folded in on herself like an earwig in terror.
Now she tried to ignore the crowd, who were muttering phrases that frightened her. A woman holding a boy’s hand, wearing an ugly green shawl, was saying to an old man, ‘But we have surrendered, haven’t we? The radio …’ and as she passed a couple pulling suitcases, the woman’s hair all in disarray, pins sticking out like a sewing cushion doll, Janina heard the man muttering, ‘They say the army is decimated, just utterly decimated.’ As she hurried down Bernardyńska, Janina yelped as people brushed against her, even jostled her without apology, crushing the fur on the edge of her coat. She heard snatches of conversations that made her head pound. They became a rhythm with her feet on the pavement: no, it is a matter of days, it is a matter of hours, it is now, we must leave, we must leave.
By the time she reached the Oderfeldt apartment, shameful sweat coated her lower back and her temples. Janina rang three times, holding the bell longer than was polite, before a servant finally came. It wasn’t one she remembered, but the girl did an awkward little bob, flustered, and said, ‘Oh, another one, are you come to see from the windows too? They are all upstairs—’ and then she ran off before Janina could reply.
She was left to walk up the stairs alone, and the strangeness of it made her feel shy: no servant to announce her, no invitation, but then nothing was as it should be these days. She was reassured by the gleam of the banister and the thickness of the rug she could feel through her boots. From the main drawing room came muffled sounds of voices, sounding quite relaxed; she determined to dismiss the servant’s alarm, and find comfort in her kind of sensible people.
Entering the room, Janina noticed first the elegant buttoned back of Anna Oderfeldt’s dress. She smoothed down her own coat, feeling dowdy as always in comparison to Anna. Along the windows, a row of backs: scarves obscuring hair and faces, hats on inside, people craning and on tiptoe. A drone of low, shaking voices. The Oderfeldt daughters were there, Alicia with her face pressed to the glass, her hands splayed out, smudging the pane. She always behaved like a baby, this one; she must be thirteen or so now, but indulged into endless infancy. Her older sister Karolina paced, wearing boots inside. She looked purposeful, grown up, as though she were to announce a plan soon. Perhaps they were about to leave. Janina tried to catch Karolina’s eye, but she was unseeing, moving her lips a little as though rehearsing a speech, or praying. Unsure what to do, Janina cleared her throat quietly, then loudly. Adam Oderfeldt turned and gave her a tight-lipped smile.
‘Ah! Another neighbour come for the view. Come, Mrs Kardas. Janina.’
She smiled her approval. At least Adam was behaving like a gentleman, observing the formalities.
‘Would you like a drink?’ Adam offered. He gestured to the sideboard, where vodka and nalewki sat in shining decanters. Anna turned too, pale as milk, but her gaze slid to Karolina, still walking behind Janina, before she was drawn back to the window.
‘No, thank you, Mr Oderfeldt. I just wanted to … I wondered if …’
Others turned then, just for a moment. The same pale faces, pinched with confusion. She recognised acquaintances from her son’s school, lawyers and their wives who had come to dinner, doctors like her husband, Adam’s friend Stefan from the university, the Hartmanns, David Schultz and his ugly bride of only a year, or was it two? Janina and her husband Laurie had gone to the wedding, before he died, and given them a generous gift of Meissen china. Had they ever received a thank-you note? Janina didn’t think so, and returned the wife’s weak smile with a cold blankness.
‘Yes, come and see. There’s nothing clear, but come look at her if you like,’ Adam replied.
She joined the others, craning and peering. The castle looked empty and serene – immovable. It seemed to promise that everything would be all, all right. The red brick glowed in the early autumn sunlight, cheerful against the bright blue sky. Janina remembered telling her son Aleks the story of a dragon who lived in a cave beneath the castle, fire-breathing and strong, its heart beating for the city. He’d listened and then solemnly lectured her that this was just a story, and that real dragons were called dinosaurs. That was when Laurie was still alive; she’d gone straight to tell him, that already their baby said no more stories, and she’d cried on his shoulder like a fool. It’s all right, he said to her. It’s all, all right.
For a stomach-dropping moment, Janina thought she saw a soldier on the lawns around the castle, a man running, but then he was gone; perhaps she’d imagined it. Below them, in the street, the pool of people she had waded through had become a flood.
‘Are you leaving?’ she murmured to Anna, at her side.
‘It seems so calm,’ Anna whispered.
‘You know the Friels already left? Two days ago. They’ve left everything behind. It’s all just sitting in their house,’ Janina said, unsure if she was soothed or alarmed by Anna’s show of nonchalance.
‘They’ve probably just gone to visit family,’ Anna replied, in the same low tone, but on quickening breath that told her irritation, or perhaps her fear.
Down the line of watchers, the same murmur rose, maybe we should leave too, just for a while …
‘Ben Friel wore a kippah every day, not just for special occasions,’ Anna added.
‘Yes, and they had a mezuzah on their doorframe,’ Janina readily added, before dropping her gaze to the street once more. She remembered her mother’s marble mezuzah, packed up in the attic along with all her things from the old house. She had meant to nail it outside their own apartment door, imagined the comfort in passing the old talisman as she came and went, a relic of childhood. Instead it had remained in its box all these years. It was the first time she had thought of it for so long. Would someone search the house, find it? She wanted to ask Anna, but was stalled by her neighbour’s slow movements, her cool sipping of the glass in her hands. It was childish to worry. It was vulgar to panic.
Janina caught sight of a group of Polish soldiers, heading away from the city, heads bowed, leaving their mothers behind. You should be ashamed, she thought. She wondered if her boy was safe.
‘Do you think if you did decide to leave, I could come with you?’ she murmured again to Anna, feeling a hot blush across her neck and chest.
But Anna had moved away, hadn’t heard her; she was kissing the cheeks of the Hartmanns, first the wife and then the husband. The wife, Miriam, had an old spat with Janina that went back to the girl wearing too much make-up, and walking out with Aleks when they were too young. Janina had called the girl a slut. The optician, Miriam’s father, had refused to treat Janina after that, and she had to travel across the city into the old district, back to her childhood doctor. Now, Miriam’s heavy mascara streamed down her cheeks, collected in ugly clumps in the creases of her eyes. Her eyes slipped over Janina, who wanted, suddenly, to apologise to her, to take her hand, but instead she stood mute. She turned back to the window to hide her awkwardness there.
‘There must have been another radio announcement,’ she said. ‘Look how many people there are out in the streets now.’
‘They can’t be in the Wawel already, you don’t think?’ Stefan Lis said, his voice muffled by glass as he pressed his face once more against the window.
‘No new flag there, as you see,’ Adam replied, pouring another vodka. His hand played a tune between decanter and glass. ‘It will be all right,’ he added.
It will all be all, all right. Janina caught herself in the windows, nodding as though to ritual prayer or radio music.
‘Look at them all leaving,’ Miriam said to her husband, and he raised his voice in return, breaking the hush of the room: ‘But where will they all go? Why make ourselves homeless, stateless, when we don’t even know—’
‘They’ll go to the border, Tomas, and then see from there,’ Miriam replied, her voice suddenly full of disdain. Everyone smiled and nodded goodbyes and good lucks at them even as Tomas continued to insist, ‘We’re not going to leave, at least not just yet … Adam, we’ll be here for dinner tomorrow …’ and the discussion continued out of the room and down the stairs.
‘And Mrs Kardas, where are you going?’ Adam called.
‘Oh! Home. Such a lot of nonsense and hysteria.’
2
ANNA ODERFELDT watched her widowed neighbour disappear down the stairs in her old-fashioned hat and coat. A mean relief rose in her; if Adam had overheard Janina, it would have been hopeless, but he was too distracted, enjoying, as always, the way their home was the hub of the street. She had hoped Janina would be too embarrassed to ask again to join them, had banked on her stuffy ways. If Anna were to dwell on it, past the gaping fear, she would find how guilty she felt, how wrong it was to let the old woman drift away like that. How vulnerable and small old Janina had seemed, almost tiptoeing down the stairs. Instead she stood as still as possible, tensed her muscles, deepened her breathing. Harden yourself, she thought, be wood, be ice, be steel. Are you going to let an old woman slow you down, while you get your daughters to safety, their smooth, pale skin, their soft bodies that a bullet will tear through like silk?
Soon the drawing room was quiet, emptied of its guests. Karolina had slipped away, probably to use the telephone, or send a final letter, Anna thought, and she found space among the tides of her thoughts to pity her heartbroken daughter, even as she envied her the simple distraction of such a clean, sharp emotion. Alicia had slipped behind the drawing-room curtains, still fixed on the view of the city below. Those curtains had been a wedding gift from her brother-in-law: thick pink damask lined with silk.
‘I’ll tell Janie to take down the curtains,’ Anna said.
‘They have curtains in Lwów,’ Adam replied, with a smile.
‘We could … sell them, or use them for something else. I’ve heard refugees can—’
‘Aneczka, we are not refugees! We are going to stay with family until things calm down.’
Alicia unwrapped herself from the curtain, her face flushed and hot, just as Janie, her face also blotched red, came into the drawing room without knocking.
‘Madam,’ she said, ‘please select which clothes you would like us to pack in the girls’ rooms.’
‘I want my painting, Janie,’ Alicia instructed.
‘Are you going to wear your painting?’ Anna snapped. ‘Are you going to eat it?’
‘Are we going to eat and wear the curtains?’ Alicia replied.
‘Now, now,’ Adam said, as though hushing a baby. ‘Of course we should take the things we love, just in case.’
Janie and Dorothea rolled and pressed, clicked shut trunks of fabric and books. In Karolina’s room, Alicia and Karolina pulled on layer upon layer, buttoned into fur coats so they sweated as they pulled on their boots.
‘What else do you want to take?’ Karolina asked, cupping her sister’s face in her hands.
‘My sketches. Are you taking your poems?’
‘Some of the books, but I can’t take all of them … and my letters …’
Alicia studied her sister’s face. ‘How many are there?’
‘Lots. He writes every day.’
‘Too many to take.’
‘Probably,’ Karolina said, her voice breaking.
Alicia silently took her by the hand and led her to her own room, full of piles of unpacked clothes and shoes. She crouched down at a corner under a never-used desk.
‘What are you doing?’
Alicia ignored her. She felt along the skirting board for the loose panel, pressing on it until it gave way. She held out a hand from beneath the desk.
‘What’s in there?’
‘Just sketches and things.’ She felt into the dusty space, where diaries, translations and sketch after sketch were hidden.
Karolina ran to her bookshelf and returned with a stash of letters, which she kissed before handing them to Alicia to tuck behind the walls.
As the hour ticked by, Karolina went down again and again to check for messages, to ask if the telephone had rung. Each time Janie shook her head, kissed Karolina on her hand or her cheek, and each time Karolina said, ‘Well, there’s still time,’ and Janie replied, ‘Perhaps he is on his way, in person.’
By early evening, the house had taken on the strange echo of a stripped building. In the main hallway, their Persian rugs had been rolled into thick, red sausages, lumped where diamonds were sewn into the backs. Silk dresses, fur coats, pairs of Parisian gloves with pearl edging, books, papers: they were all layered against the walls, some in leather cases, others in boxes and even baskets from the kitchen. The radio drifted between static and news of the new, almost bloodless occupation, in Polish and German words. Adam rushed back to the dining-room window, but the Wawel looked just the same. Across the city, people did the same thing, expecting the sky, the colour of buildings, even their own faces reflected in the windows, to have changed. Rushing to gather together their possessions, to keep the servants and their daughters calm, Adam and Anna passed on the stairs, stopped, held hands, pressed their foreheads together.
‘I can’t believe it,’ Anna whispered.
‘Perhaps it isn’t true.’
‘The radio.’
‘Yes, all right. We’re leaving soon.’
Janie, and even the cook, Dorothea, began to load up the beeswax-scented cars.
‘Where is Robert?’ asked Adam. ‘I want to talk to him about the route.’
‘Robert left early, sir,’ Dorothea called to him as she leaned all her weight into a pile of material that would not fit into a case. Adam recognised the drawing-room curtains.
‘Leave those, Dorota,’ he said. ‘Left where?’
‘Well, out of the city of course, sir.’
The family stood in mute shock at this.
‘Robert’s gone?’ Karolina said.
‘But he was supposed to drive us – that can’t be right,’ Anna said, strangely close to laughing. ‘Has he really gone?’
The servant women were frowning, whether at Robert’s sedition or the family’s response, it was impossible to tell.
‘He has family,’ Dorothea said, as though this explained everything. Adam stared at her. ‘He’s a Jew,’ she added, in a tone close to snapping.
‘Hysteria, just hysteria,’ Adam muttered, but he himself began to stack random objects in the hallway, and the family followed him, began to help packing. To Alicia it was like playing upstairs when she was small, carrying piles of laundry and sighing in an imitation of Janie. She used to imagine how strong and capable she looked, and how the flush of exercise might make her cheeks glow in a pretty way.
Adam carried his paintings, slid in like secrets among the layers in the cars: Adam’s own face in paint with his red hair and smiling eyes. Alicia’s wild four-year-old face with her fringe, unfinished in its beautiful frame. Alicia’s pretty brown-eyed stare, her red dress billowing confidence in its rich, lush folds.
In the hallway, the family stood in the new echoing space, with so many rugs and paintings gone. Both servants were sweating, and Janie was crying.
‘Well,’ Anna said, ‘we’ll be back before long.’
Janie pulled Karolina and then Alicia into her, kissing their heads. Alicia was stiff and shocked but Karolina clung to Janie’s neck. They shook hands and Dorothea even kissed Anna’s cheek.
‘Good luck,’ Janie said, and then she melted back into the house, wiping her face.
‘We will be leaving too, sir, very soon, so we’ll lock up the house,’ Dorothea said.