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Ottoman Empire, 1565
Prince Khadin knows his days are numbered. His death could come at any moment, but even he cannot help but be distracted by the Bedouin princess he sees making a daring bid for freedom from the slave market. Even in captivity, her courage and purity attract Khadin to her as much as her beauty. Unable to resist the temptation, he takes the maiden back to the palace harem—to be brought to him at night…
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About the Author
MICHELLE WILLINGHAM grew up living in places all over the world, including Germany, England and Thailand. When her parents hauled her to antiques shows in manor houses and castles, Michelle entertained herself by making up stories and pondering whether she could afford a broadsword with her allowance.
She graduated summa cum laude from the University of Notre Dame, with a degree in English, and received her master’s degree in Education from George Mason University. Currently she teaches American History and English. She lives in south-eastern Virginia with her husband and children. She still doesn’t have her broadsword.
Author Note
The tales of Scheherazade and the Arabian Nights were among my favorite fairy tales when I was growing up. I was intrigued by the exotic location, the handsome princes, and the ever-present danger within palace life. It inspired me to research the sixteenth century Ottoman Empire, where I learned about the sultan Suleiman and the forbidden world of his harem. Many of the elements in “Innocent in the Harem” are based upon true stories.
Although Prince Khadin was not a real historical character, I’ve taken creative license in giving Suleiman an additional son. During this era in history, the royal heirs were sent to distant corners of the kingdom to avoid jealousy (it wasn’t until later that they were imprisoned within the Cage in the palace). Also, what happened to Khadin as a child and the ultimate fate of his mother were based upon real life stories.
I hope you enjoy this Arabian Nights fantasy, where a captive of the harem is rescued by a handsome prince and ultimately falls in love.
With many thanks to Donna MacQuigg for her assistance and information regarding Arabian horses. Also, thank you to Michelle Styles for her photographs of the Topkapi Palace and for her research insights.
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