- -
- 100%
- +
17
Ross J. The Incredibly Strange Film Book. London – Sydney – New York – Tokyo – Singapore – Toronto: Simon & Schuster, 1993.
18
Juno A., Vale V. (eds.). RE/Search #10: Incredibly Strange Films. San Francisco: RE/Search Publication, 1986.
19
Weldon M. The Psychotronic Encyclopedia of Film. N.Y.: Ballantine Books, 1983.
20
Whitehead C. A Psychotronic Childhood // The New Yorker. 04.06.2012.
21
См.: Wright E. Hero Worship: Sam Raimi // www.theskinny.co.uk. 08.09.2013.
22
Weiner R.G., Barba S. E. (eds.). In the Peanut Gallery with Mystery Science Theater 3000. Essays on Film, Fandom, Technology, and the Culture of Riffing. Jefferson – North Carolina – London: McFarland & Company, 2011; Rees S. S. (ed.). Reading Mystery Science Theater 3000, Critical Approaches. Lanham – Toronto – Plymouth: The Scarecrow Press, 2012.
23
Carter D. R. Cinemasochism…
24
Margulies E., Rebello S. Bad Movies We Love Paperback. L.: Marion Boyars, 1993. P. xvii.
25
Sauter M. The Worst Movies of All Time. Or: What Were They Thinking? New York: A Citadel Press Book, 1995.
26
Puchalski S. Slimetime: A Guide to Sleazy, Mindless Movies. Stockport: Headpress, 1996.
27
Hoberman J., Rosenbaum J. Midnight Movies. N.Y.: Da Capo Press, 1983.
28
Hoberman J. Bad movies // Film Comment. 1980. Vol. 16. № 4.
29
Sconce J. «Trashing» the Academy: Taste, Excess, and an Emerging Politics of Cinematic Style // Screen. Winter 1995. Vol. 36. № 4.
30
Ibid. Р. 372.
31
Mathijs E., Mendik X. (eds.). The Cult Film Reader. Maidenhead: Open University Press, 2008.
32
Mathijs E., Sexton J. Cult Cinema… P. 91–94.
33
Lerner D. Cinema Regression: Grindhouse and the Limits of the Spectatorial Imaginary // Weiner R. G., Cline J. (eds.). Cinema Inferno: celluloid explosions from the cultural margins. Lanham – Toronto – Plymouth: The Scarerow Press, 2010.
34
Хиллс М. По ту сторону паракинематографа: «Пятница 13-е» как Иное трэша и легитимной кинокультуры // Логос. 2014. № 5 (101).
35
Хантер И. К. Бивер Лас-Вегас! Слово фаната в защиту «Шоугелз» // Логос. 2014. № 5 (101).
36
Hollows J. The masculinity of cult // Jancovich М. et al. (eds.). Defining Cult Movies: The Cultural Politics of Oppositional Taste. Manchester: Manchester University Press, 2003.
37
Hunter I. Q. Cult Film as a Guide to Life. Fandom, Adaptation and Identity. New York – London – Oxford – New Delhi – Sydney: Bloomsbury Academic, 2016. P. 34–40.
38
Mathijs E., Sexton J. Cult Cinema…
39
McCulloch R. «Most people bring their own spoons»: The Room's participatory audiences as comedy mediators // Participations: Journal of Audience & Reception Studies. 2011. Vol. 8. Vol. 2.
40
MacDowell J., Zborowski J. The aesthetics of «so bad it's good»: Value, intention and The Room // Intensities: The Journal of Cult Media. 2013. № 6.
41
Middlemost R. Renovating The Room: audience reception and paratextual intervention // Celebrity Studies. 2018. Vol.10. № 1.
42
McGowa D. Nicolas Cage – good or bad? Stardom, performance, and memes in the age of the Internet // Celebrity Studies. 2016. Vol. 8. № 2.
43
Hye-Knudsen M., Clasen M. «So-Bad-It's-Good»: The Room and the Paradoxical Appeal of Bad Films // 16–9.dk. 28.11.2019.
44
Rosen A. (ed.). The Room: Deconstructing the Weird, Wonderful World of the Worst Movie Ever Made. Bloomington: Indiana University Press, 2022.
45
Sarkhosh K., Menninghaus W. Enjoying trash films: Underlying features, viewing stances, and experiential response dimensions // Poetics. 2016. № 57. Р. 40.
46
Barefoot G. Trash Cinema: The Lure of the Low. London and New York: Wallflower, 2017. P. 89.
47
Bartlett B. Badfilm… P. 4.
48
Olson Ch.J. 100 Greatest Cult Films. Lanham: Rowman & Littlefield, 2018.
49
Graham A. (1991) Journey to the center of the fifties: The cult of banality // Telotte J. P. (ed.). The Cult Film Experience: Beyond All Reason. Austin: University of Texas Press, 1991.
50
Sconce J. Esper, the renunciator: Teaching «bad» movies to good students // Jancovich M. et al. (eds.). Defining Cult Movies: The Cultural Politics of Oppositional Taste. Manchester: Manchester University Press, 2003.
51
Hunter I. Q. Trash horror and the cult of the bad film…
52
Hunter I. Q. Cult Film as a Guide to Life…
53
Hunter I. Q. Trash horror and the cult of the bad film… P. 484.
54
Сам термин восходит к критикам, писавшим в культовом фанзине «Zontar: The Magazine from Venus». Авторы использовали термин, чтобы отличить «по-настоящему великие» плохие фильмы от намеренно пародийных трэш-фильмов. Bartlett B. Badfilm… P. 3.
55
Hunter I. Q. Trash horror and the cult of the bad film… P. 486–487.
56
Latham R. «Lack of Respect, Wrong Attitude, Failure to Obey Authority»: Dark Star, A Boy and His Dog, and New Wave Cult SF // Telotte J. P., Duchovnay G. (eds.). Science Fiction Double Feature. The Science Fiction Film as Cult Text. Liverpool: Liverpool University Press, 2015.
57
Booker M. K. Capitalism, Camp, and Cult SF: Space Truckers as Satire // Telotte J. P., Duchovnay G. (eds.). Science Fiction Double Feature. The Science Fiction Film as Cult Text. Liverpool: Liverpool University Press, 2015.
58
Weinstock J. A. Bubba Ho-tep and the Seriously Silly Cult Film // Telotte J. P., Duchovnay G. (eds.). Science Fiction Double Feature. The Science Fiction Film as Cult Text. Liverpool: Liverpool University Press, 2015.
59
Vint S. Visual Pleasure, the Cult, and Paracinema // Telotte J. P., Duchovnay G. (eds.). Science Fiction Double Feature. The Science Fiction Film as Cult Text. Liverpool: Liverpool University Press, 2015.
60
Telotte J. P. Robot Monster and the «Watchable… Terrible» Cult/SF Film // Telotte J. P., Duchovnay G. (eds.). Science Fiction Double Feature. The Science Fiction Film as Cult Text. Liverpool: Liverpool University Press, 2015.
61
Hill R. F. Science Fiction and the Cult of Ed Wood: Glen or Glenda? Bride of the Monster, and Plan 9 from Outer Space // Telotte J. P., Duchovnay G. (eds.). Science Fiction Double Feature. The Science Fiction Film as Cult Text. Liverpool: Liverpool University Press, 2015.
62
Ibid. Р. 189.
63
Smith I. R. The Hollywood Meme. Transnational Adaptations in World Cinema. Edinburgh: Edinburgh University Press, 2016. Р. 4.
64
Smith I.R. 'So «foreign» it's good: The cultural politics of accented cult cinema // Continuum. 2019. Vol. 33. № 6.
65
MacDowell J., McCulloch R. Introduction: 'So bad it's good': aesthetics, reception, and beyond // Continuum. 2019. Vol. 33. № 6. Р. 647.
66
MacDowell J., McCulloch R. Introduction: 'So bad it's good'… Р. 647.
67
Hunter I. Q. Jaws: The revenge and the production of failure // Continuum. 2019. Vol. 33. № 6.
68
Hunter I. Q. Cult Film as a Guide to Life… Р. ix-xi.
69
Johnson N. «You made me look bad. And that's not good»: The millennial cultification of Fatal Deviation, Ireland's only martial arts film // Continuum. 2019. Vol. 33. № 6.
70
Bartlett B. Madman, genius, hack, auteur? Intertextuality, extratextuality, and intention in «Ed Wood Films» after Plan 9 From Outer Space // Continuum. 2019. Vol. 33. № 6.
71
Bartlett B. '«It happens by accident»: Failed intentions, incompetence and sincerity in badfilm' // Mathijs E., Sexton J. (eds.). Routledge Companion to Cult Cinema. Oxon – New York: Routledge, 2019. Р. 40–49.
72
Strohl M. Why It's OK to Love Bad Movies. London – New York: Routledge, 2021.
73
Carter D. R. Cinemasochism… Р. 105.
74
Strohl M. Why It's OK to Love Bad Movies… P. 18.
75
См.: www.pastemagazine.com/tag/bad+movie+diaries (10.08.2022).
76
Gilbert J. H. Bad Movie Beware! 100 Movies that No Human Being Should Ever Watch. Createspace Independent Publishing Platform, 2015.
77
Scimia E. So Bad It's Good. More Than 50 Great Films for Your Bad Movie Night. CreateSpace Independent Publishing Platform, 2012.
78
Whitehead C. A Psychotronic Childhood // www.newyorker.com. 04.06.2012.
79
Подробнее см.: Павлов А. В. Постыдное удовольствие: философские и социально-политические интерпретации массового кинематографа. М.: Издательский дом Высшей школы экономики, 2014. С. 33–45.
80
Tracy A. Vulgar Auteurism: The Case of Michael Mann // Cinema Scope. 2009. Fall. № 40.
81
Margulies E., Rebello S. Bad Movies We Love…
82
Павлов А. В. Расскажите вашим детям: Сто двадцать три опыта о культовом кинематографе. М.: Издательский дом Высшей школы экономики, 2020. С. 33–39.
83
The Ringer Staff. The 50 Best Good Bad Movies // www.theringer.com. 19.06.2017.
84
The Ringer Staff. Actually, the Best Good Bad Movie Is… // www.theringer.com. 23.06.2017.
85
RT Staff. 56 Rotten Movies We Actually Love // www.editorial.rottentomatoes.com. 26.03.2018.
86
Rabin N. MacGruber (2010) 48 % // Rotten Movies We Love. Cult Classics, Underrated Gems, and Films So Bad They're Good. Philadelphia: Running Press, 2019. Р. 87–89.
87
Rotten Movies We Love. Cult Classics, Underrated Gems, and Films So Bad They're Good. Philadelphia: Running Press, 2019. Р. 1.
88
Ibid. Р. 39.
89
Ibid. Р. 59–79.
90
Павлов А. В. Расскажите вашим детям… С. 449–453.
91
Rotten Movies We Love… Р. 81.
92
White T. The Craft (1996) 57 % // Rotten Movies We Love. Cult Classics, Underrated Gems, and Films So Bad They're Good. Philadelphia: Running Press, 2019. Р. 103–105.
93
Rotten Movies We Love… Р. 124.
94
Ibid. Р. 115.
95
Ibid. Р. 149–173.
96
Ibid. Р. 177.
97
Pomerance M. (ed.). Bad. Infamy, Darkness, Evil, and Slime on Screen. New York: State University of New York Press, 2004.
98
Perkins C.E., Verevis C. (eds.). B Is for Bad Cinema. Aesthetics, Politics, and Cultural Value. New York: State University of New York Press, 2014.
99
Sconce J. The golden age of badness… Р. 669.
100
Ibid. Р. 673.
101
Bartlett B. Badfilm… P. 173.
102
Bartlett B. Badfilm… P. 167–168.
103
Strohl M. Why It's OK to Love Bad Movies…
104
Bartlett B. Badfilm… P. 16–19.
105
Strohl M. Why It's OK to Love Bad Movies… P. 22.
106
Ibid. P. 63.
107
Ibid. P. 89.
108
Hill R. The Bad Movie Bible: The Ultimate Modern Guide to Movies That Are so Bad They're Good. Art of Publishing, 2017.
109
Telotte J. P. Introduction: Science Fiction Double Feature // Telotte J. P., Duchovnay G. (eds.). Science Fiction Double Feature. The Science Fiction Film as Cult Text. Liverpool: Liverpool University Press, 2015.
110
MacDowell J., McCulloch R. Introduction: 'So bad it's good'… Р. 647.
111
Staiger J. The politics of film canons // Cinema Journal. 1985. Vol. 24. № 3.
112
Bartlett B. Badfilm… P. 2–3.